Log24

Tuesday, June 20, 2017

Epic

Filed under: Uncategorized — Tags: — m759 @ 12:00 PM

Continuing the previous post's theme  

Group actions on partitions

Cube Bricks 1984 —

An Approach to Symmetric Generation of the Simple Group of Order 168

Related material — Posts now tagged Device Narratives.

Wednesday, June 7, 2017

Three Things at Once

Filed under: Uncategorized — m759 @ 1:28 PM

Rosalind Krauss in 1979

Nanavira Thera in 1959

Cambridge University Press in 1999 —

See also Cube Bricks.

Tuesday, March 28, 2017

Bit by Bit

Filed under: Uncategorized — Tags: — m759 @ 11:45 AM

From Log24, "Cube Bricks 1984" —

An Approach to Symmetric Generation of the Simple Group of Order 168

Also on March 9, 2017 —

For those who prefer graphic  art —

Broken Symmetries  in  Diamond Space  

Thursday, November 3, 2016

Triple Cross

Filed under: Uncategorized — Tags: — m759 @ 1:30 PM

(Continued See the title in this journal, as well as Cube Bricks.)

Cube Bricks 1984 —

An Approach to Symmetric Generation of the Simple Group of Order 168
Related material —

Dirac and Geometry in this journal,
Kummer's Quartic Surface in this journal,
Nanavira Thera in this journal, and
The Razor's Edge  and Nanavira Thera.

See as well Bill Murray's 1984 film "The Razor's Edge"

Movie poster from 1984 —

"A thin line separates
love from hate,
success from failure,
life from death."

Three other dualities, from Nanavira Thera in 1959 —

"I find that there are, in every situation,
three independent dualities…."

(Click to enlarge.)

Thursday, July 14, 2016

Meditation from an April 1

Filed under: Uncategorized — m759 @ 9:38 AM

Related material from the same day —

See also

Cube Bricks 1984 —

An Approach to Symmetric Generation of the Simple Group of Order 168

The above bricks appeared in some earlier Log24 posts.

Wednesday, April 27, 2016

Kubrick’s Rube

Filed under: Uncategorized — m759 @ 9:23 PM

In memory of a culture jammer *—

* "Mr. Lyons … made a living partly by buying,
reconditioning and selling used cars." —
— Ben Ratliff in The New York Times  this evening.

See also the previous post and, from Feb. 14 in
this  journal, the phrase "more global than local."

Monday, April 4, 2016

Cube for Berlin

Filed under: Uncategorized — m759 @ 11:00 AM

Foreword by Sir Michael Atiyah —

"Poincaré said that science is no more a collection of facts
than a house is a collection of bricks. The facts have to be
ordered or structured, they have to fit a theory, a construct
(often mathematical) in the human mind. . . . 

 Mathematics may be art, but to the general public it is
a black art, more akin to magic and mystery. This presents
a constant challenge to the mathematical community: to
explain how art fits into our subject and what we mean by beauty.

In attempting to bridge this divide I have always found that
architecture is the best of the arts to compare with mathematics.
The analogy between the two subjects is not hard to describe
and enables abstract ideas to be exemplified by bricks and mortar,
in the spirit of the Poincaré quotation I used earlier."

— Sir Michael Atiyah, "The Art of Mathematics"
     in the AMS Notices , January 2010

Judy Bass, Los Angeles Times , March 12, 1989 —

"Like Rubik's Cube, The Eight  demands to be pondered."

As does a figure from 1984, Cullinane's Cube —

The Eightfold Cube

For natural group actions on the Cullinane cube, 
see "The Eightfold Cube" and
"A Simple Reflection Group of Order 168."

See also the recent post Cube Bricks 1984

An Approach to Symmetric Generation of the Simple Group of Order 168

Related remark from the literature —

http://www.log24.com/log/pix11B/110918-Felsner.jpg

Note that only the static structure is described by Felsner, not the
168 group actions discussed by Cullinane. For remarks on such
group actions in the literature, see "Cube Space, 1984-2003."

(From Anatomy of a Cube, Sept. 18, 2011.)

Saturday, March 12, 2016

Masonic Melody

Filed under: Uncategorized — Tags: , — m759 @ 1:31 AM

"Button your lip baby
Button your coat
Let's go out dancing
Go for the throat"

Read more: Rolling Stones – Mixed Emotions Lyrics | MetroLyrics 

This melody was suggested by a post of February 25, 2016,
by tonight's previous post "Brick-Perfect," and by
the post "Cube Bricks 1984" of March 4, 2016.

"Only connect." — E. M. Forster.

Friday, March 4, 2016

Cube Bricks 1984

Filed under: Uncategorized — m759 @ 12:06 PM

An Approach to Symmetric Generation of the Simple Group of Order 168

Related aesthetics —

"Poincaré said that science is no more a collection of facts
than a house is a collection of bricks. The facts have to be
ordered or structured, they have to fit a theory, a construct
(often mathematical) in the human mind. . . . 

Mathematics may be art, but to the general public it is
a black art, more akin to magic and mystery. This presents
a constant challenge to the mathematical community: to
explain how art fits into our subject and what we mean by beauty.

In attempting to bridge this divide I have always found that
architecture is the best of the arts to compare with mathematics.
The analogy between the two subjects is not hard to describe
and enables abstract ideas to be exemplified by bricks and mortar,
in the spirit of the Poincaré quotation I used earlier."

— Sir Michael Atiyah, "The Art of Mathematics"
     in the AMS Notices , January 2010

Saturday, June 25, 2011

The Fano Entity

Filed under: Uncategorized — m759 @ 2:02 AM

The New York Times  at 9 PM ET June 23, 2011

ROBERT FANO: I’m trying to think briefly how to put it.

GINO FANO: "On the Fundamental Postulates"—

"E la prova di questo si ha precisamente nel fatto che si è potuto costruire (o, dirò meglio immaginare) un ente per cui sono verificati tutti i postulati precedenti…."

"The proof of this is precisely the fact that you could build (or, to say it better, imagine) an entity by which are verified all previous assumptions…."

Also from the Times  article quoted above…

"… like working on a cathedral. We laid our bricks and knew that others might later replace them with better bricks. We believed in the cause even if we didn’t completely understand the implications.”

— Tom Van Vleck

Some art that is related, if only by a shared metaphor, to Van Vleck's cathedral—

http://www.log24.com/log/pix11A/110624-1984-Bricks-Sm.jpg

The art is also related to the mathematics of Gino Fano.

For an explanation of this relationship (implicit in the above note from 1984),
see "The Fano plane revisualized—or: the eIghtfold cube."

Sunday, April 22, 2007

Sunday April 22, 2007

Filed under: Uncategorized — Tags: — m759 @ 8:31 PM
Built
continued from
March 25, 2006

In honor of Scarlett Johansson's recent London films "Match Point" and "Scoop," here is a link to an entry of Women's History Month, 2006, with a discussion of an exhibition of the works of artist Liza Lou at London's White Cube Gallery.  That entry includes the following illustrations:


The image “http://www.log24.com/log/pix06/060325-WhiteCube.jpg” cannot be displayed, because it contains errors.

This work might aptly be
  retitled "Brick Shithouse."

Related material:

The artist's self-portrait

The image “http://www.log24.com/log/pix06/060325-LizaLouSelfPortrait.jpg” cannot be displayed, because it contains errors.

See also this morning's entry

"She's a brick… house…
The lady's stacked
   and that's a fact,
Ain't holdin' nothin' back."

— and last year's entry
on this date:

The image “http://www.log24.com/log/pix06/060422-Johansson1.jpg” cannot be displayed, because it contains errors.

"Her wallet's filled with pictures,
She gets 'em one by one."

The bricks and "white cube"
above and in this morning's entry
may be contrasted with the
bricks of Diamonds and Whirls
and the cube of On Beauty.

  Poetic allusions such as these
may help provide
entertainment in the afterlife
for Beavis, Butt-Head, and
other inmates of Plato's Cave:

The image “http://www.log24.com/log/pix07/070328-PlatoCave.jpg” cannot be displayed, because it contains errors.

"The Garden of Eden is behind us
and there is no road back to innocence;
we can only go forward."

— Anne Morrow Lindbergh,
Earth Shine, p. xii

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