Log24

Tuesday, April 4, 2017

White Cube

Filed under: Uncategorized — Tags: , — m759 @ 12:21 PM

"Inside the White Cube" —

"We have now reached
a point where we see
not the art but the space first….
An image comes to mind
of a white, ideal space
that, more than any single picture,
may be the archetypal image
of 20th-century art."

http://www.log24.com/log/pix09/090205-cube2x2x2.gif

"Space: what you
damn well have to see."

— James Joyce, Ulysses  

Thursday, November 3, 2016

Triple Cross

Filed under: Uncategorized — Tags: — m759 @ 1:30 PM

(Continued See the title in this journal, as well as Cube Bricks.)

Cube Bricks 1984 —

An Approach to Symmetric Generation of the Simple Group of Order 168
Related material —

Dirac and Geometry in this journal,
Kummer's Quartic Surface in this journal,
Nanavira Thera in this journal, and
The Razor's Edge  and Nanavira Thera.

See as well Bill Murray's 1984 film "The Razor's Edge"

Movie poster from 1984 —

"A thin line separates
love from hate,
success from failure,
life from death."

Three other dualities, from Nanavira Thera in 1959 —

"I find that there are, in every situation,
three independent dualities…."

(Click to enlarge.)

Thursday, March 31, 2016

Devil’s Gate Revisited

Filed under: Uncategorized — Tags: — m759 @ 10:27 AM

The revisiting, below, of an image shown here in part
on Spy Wednesday, 2016, was suggested in part by
a New York Times  obituary today for a Nobel-prize
winning Hungarian novelist. 

Note the references on the map to 
"Devil's Gate" and "Pathfinder."

See also the following from a review of The Pathseeker , a novel 
by the Nobel laureate (Imre Kertész), who reportedly died today —

The commissioner is in fact not in search of a path, but rather of traces of the past (more literally the Hungarian title means ‘trace seeker’). His first shock comes at his realization that the site of his sufferings has been converted into a museum, complete with tourists “diligently carrying off the significance of things, crumb by crumb, wearing away a bit of the unspoken importance” (59). He meets not only tourists, however. He also comes across paradoxically “unknown acquaintances who were just as much haunted by a compulsion to revisit,” including a veiled woman who slowly repeats to him the inventory of those she lost: “my father, my younger brother, my fiancé” (79). The commissioner informs her that he has come “to try to redress that injustice” (80). When she asks how, he suddenly finds the words he had sought, “as if he could see them written down: ‘So that I should bear witness to everything I have seen’” (80).

The act of bearing witness, however, proves elusive. In the museum he is compelled to wonder, “What could this collection of junk, so cleverly, indeed all too cleverly disguised as dusty museum material, prove to him, or to anyone else for that matter,” and adds the chilling observation, “Its objects could be brought to life only by being utilized” (71). As he touches the rust-eaten barbed wire fence he thinks, “A person might almost feel in the mood to stop and dutifully muse on this image of decay – were he not aware, of course, that this was precisely the goal; that the play of ephemerality was merely a bait for things” (66). It is this play of ephemerality, the possibility that the past will be consigned to the past, against which the commissioner struggles, yet his struggle is frustrated precisely by the lack of resistance, the indifference of the objects he has come to confront. “What should he cling on to for proof?” he wonders. “What was he to fight with, if they were depriving him of every object of the struggle? Against what was he to try and resist, if nothing was resisting?” (68) He had come with the purpose of “advertis[ing] his superiority, celebrat[ing] the triumph of his existence in front of these mute and powerless things. His groundless disappointment was fed merely by the fact that this festive invitation had received no response. The objects were holding their peace” (109). 

In point of fact The Pathseeker  makes no specific mention either of the Holocaust or of the concentration camps, yet the admittedly cryptic references to places leave no doubt that this is its subject. Above the gate at the camp the commissioner’s wife reads the phrase, “Jedem das Seine,” to each his due, and one recalls the sign above the entrance to the camp at Buchenwald. Further references to Goethe as well as the Brabag factory, where Kertész himself worked as a prisoner, confirm this. Why this subterfuge on the part of the author? Why a third-person narrative with an unnamed protagonist when so many biographical links tie the author to the story? One cannot help but wonder if Kertész sought specifically to avoid binding his story to particulars in order to maintain the ultimately metaphysical nature of the quest. Like many of Kertész’s works,The Pathseeker  is not about the trauma of the Holocaust itself so much as the trauma of survival. The self may survive but the triumph of that survival is chimerical.

Translator Tim Wilkinson made the bold decision, in translating the title of the work, not to resort to the obvious. Rather than simply translate NyomkeresÅ‘ , an allusion to the Hungarian translation of James Fenimore Cooper’s The Pathfinder , back into English, he preserves an element of the unfamiliar in his title. This tendency marks many of the passages of the English translation, in which Wilkinson has opted to preserve the winding and often frustratingly serpentine nature of many of the sentences of the original instead of rewriting them in sleek, familiar English.  . . .

— Thomas Cooper

"Sleek, familiar English" —

"Those were the good old days!" — Applegate in "Damn Yankees"
(See previous post.)

Thursday, March 24, 2016

The Wolf Gang

Filed under: Uncategorized — Tags: — m759 @ 11:00 AM

A tune for Tarantino —

"Spring can really hang you up the most."
— 1955 song lyric by Fran Landesman

Fran Landesman and Larry Hagman atop a piano, with
Tommy Wolf at the piano and Richard Hayes at right. (1959)

Related Tarantino films:  Death Proof and The Hateful Eight.

Log24 on the date of Landesman's death

Wednesday, March 23, 2016

For the Sweet Dave* Chair of Theology

Filed under: Uncategorized — Tags: — m759 @ 12:00 PM

From a post of August 3, 2013

Note, on the map of  Wyoming, Devil's Gate.

There are, of course, many such gates.

* A character from the recent film "The Hateful Eight."

Saturday, March 19, 2016

The Logorium of Doctor Parnassus*

Filed under: Uncategorized — Tags: — m759 @ 12:00 PM

Triple Cross logo

Click image for further details.

* Title adapted from a film released on Jan. 8, 2010.
   See also this journal on that date.

Monday, January 25, 2016

Synchronicity

Filed under: Uncategorized — Tags: — m759 @ 9:00 AM

For Mel Gibson

The Police, 'Synchronicity' album, detail of cover

The book in the previous post, "A Hateful Eight," was
reportedly published on February 25, 2004. See also
this journal on that date


  Click image for post.

A Hateful Eight

Filed under: Uncategorized — Tags: — m759 @ 8:00 AM

In memory of physicist David Ritz Finkelstein,
who reportedly died yesterday —

"His sense of irony and precision was appreciated" ….

Precision

Irony

An illustration of the song "Stuck in the Middle with You"
(from the Tarantino film "Reservoir Dogs") was posted by
an academic at Christmas 2015 —

See also, in this  journal,
The Jewel in the Lotus Meets the Kernel in the Nutshell 
(December 16, 2015).

Wednesday, August 7, 2013

Devil’s Gate

Filed under: Uncategorized — Tags: — m759 @ 8:28 AM

(Continued from August 3)

Relevant links:

"Enter to Grow in Wisdom"

Sociology and Death

In the Details

Heaven's Gate

A Small Planet

Trocadero

Powered by WordPress