Albert Barnes —
Cliff Barnes —
Jake Barnes —
For fans of associative memory …
There is also, for a mojo dojo casa house . . .
TX+
"Kercheval, Kesey . . . . Kesey, Kercheval."
And as the "Doing Dallas" musical score —
Iris Murdoch as above —
"… even Hamlet looks second-rate compared with Lear.
Only the very greatest art invigorates without consoling,
and defeats our attempts, in W. H. Auden's words,
to use it as magic."
"Francis Ford Coppola
Re-enters a Changed Hollywood.
It Could Be Rough."
Brooks Barnes in The New York Times today —
"Hollywood marketers tend to use a playbook that begins with
boiling a movie down to a single, salable genre. Is this a comedy
or a drama? It can’t be both, they will tell you. Consumers want
a clear idea of what they are getting. Strong reviews can help,
but only to a degree.
But 'Megalopolis' is unboilable. It’s an avant-garde, dystopian,
science-fiction fable that veers into satire, fever dream, mystery,
romance and comedy."
"The stars are bright, they shine at night . . . ."
— Adapted song lyric
"Kercheval, Kesey . . . . Kesey, Kercheval."
"Time is a weapon, it's cold and it's cruel"
— Lyrics: Max D. Barnes. Singer: Ray Price.
The New York Times in September 1949 —
CANNES, France, Sept. 17 (AP) — A. British-made film
with two American stars won the Grand Prize of the
Cannes Film Festival, judges announced today.
The film was "The Third Man," starring Joseph Cotten,
Valli, Orson Welles and Siegfried Breuer.
VIEW FULL ARTICLE IN TIMESMACHINE »
The most recent "Blacklist" episode suggests a review —
"Where past and future are gathered" — Four Quartets
"In the digital cafeteria where AI chatbots mingle,
Perplexity AI is the scrawny new kid ready to
stand up to ChatGPT, which has so far run roughshod
over the AI landscape. With impressive lineage, a wide
array of features, and a dedicated mobile app, this
newcomer hopes to make the competition eat its dust."
— Jason Nelson at decrypt.co, April 12, 2023
What Barnes actually wrote:
"The final scene — the death of Simone most movingly portrayed,
I understand, by Geraldine Librandi, for the program did not specify
names — relied on nothing but light gradually dying to a cold
nothingness of dark, and was a superb theatrical coup."
"Reviewing Ms. Allen’s staging of Ibsen’s
'When We Dead Awaken'
at Stage West in 1977, Mr. Barnes wrote that
it had 'speed, conviction and perception.'"
— Richard Sandomir today reviewing the life of Rae Allen.
From the conclusion of that Ibsen play —
"Pax vobiscum."
See as well the YouTube comments below, on Allen
in the film version (1958) of "Damn Yankees" —
A nostalgia pill for Watchmen fans.
For Harvard Watchmen fans, a link to 2346:
From The New York Times online on July 29 — " Ms. Appelbaum’s favorite authors, she said in an interview with The Internet Writing Journal in 1998, were too many to count, but they included George Eliot, Anthony Trollope, Anne Tyler and Julian Barnes. 'I love to see writers expand our range of understanding, experience, knowledge, even happiness,' she said in that interview. 'Publishing has always struck me as a way to change the world.' " A version of this article appears in print on , on Page B6 of the New York edition with the headline: Judith Appelbaum, Guru On Publishing, Dies at 78. |
See a review of the new Anne Tyler novel Clock Dance
in today's online New York Times .
For a more abstract dance, see Ballet Blanc .
"A blank underlies the trials of device." — Wallace Stevens
In memory of record producer Ken Barnes,
author of Sinatra and the Great Song Stylists ,
who reportedly died at 82 on August 4, 2015 —
"Incantatory elegiac power"* in the context of
Log24 posts from August 2-4, 2015, that are
now tagged Stevens Owl.
* Phrase by an academic in Antwerp
From the evening of Monday, July 27, 2015:
"SEATTLE (AP) — True-crime writer Ann Rule… has died at age 83.
Rule died at Highline Medical Center at 10:30 p.m. Sunday [July 26],
said Scott Thompson, a spokesman for CHI Franciscan Health."
I prefer fictional crime… for instance, crime described by the late
Patricia Highsmith. Photos show that Highsmith had, at times,
"… that look on a face we follow like a witch-fire."
— Djuna Barnes, Nightwood
See also Log24 posts on the evening of Sunday, July 26, tagged Cauldron.
Legendary Magician John Calvert Dies at 102
The Hollywood Reporter , 8:36 PM PDT 9/27/2013
by Mike Barnes —
" 'Out in Hollywood many years ago, Danny Kaye was
in my show and came out and impersonated Hitler,'
Calvert said in a 1998 interview. 'Then the Marines
would come out and grab him and put him in the buzz saw
and we’d cut his head off, put his head in a sausage grinder,
and out came German wieners!' "
See MAX in the posts of September 9th.
"Calvert died Friday [Sept. 27] in Lancaster, Calif., according to
The International Brotherhood of Magicians."
See also The Carlin Code (May 12, 2006).
The title is from a New York Times article
by Roberta Smith on the Barnes collection
(see previous post):
“Nearly every room is an exhibition
unto itself— a kind of art wunderkammer,
or cabinet of curiosities….”
Another sort of Wunderkammer:
Shown above is a Google image search today for Göpel tetrads .
The selected detail is an Oct. 7, 2011, image search
for claves regni caelorum escher (2 MB).
The December 2012 Notices of the American
Mathematical Society has an ad on page 1564
(in a review of two books on vulgarized mathematics)
for three workshops next year on “Low-dimensional
Topology, Geometry, and Dynamics”—
(Only the top part of the ad is shown; for further details
see an ICERM page.)
(ICERM stands for Institute for Computational
and Experimental Research in Mathematics.)
The ICERM logo displays seven subcubes of
a 2x2x2 eight-cube array with one cube missing—
The logo, apparently a stylized image of the architecture
of the Providence building housing ICERM, is not unlike
a picture of Froebel’s Third Gift—
© 2005 The Institute for Figuring
Photo by Norman Brosterman from the Inventing Kindergarten
exhibit at The Institute for Figuring (co-founded by Margaret Wertheim)
The eighth cube, missing in the ICERM logo and detached in the
Froebel Cubes photo, may be regarded as representing the origin
(0,0,0) in a coordinatized version of the 2x2x2 array—
in other words the cube invariant under linear , as opposed to
more general affine , permutations of the cubes in the array.
These cubes are not without relevance to the workshops’ topics—
low-dimensional exotic geometric structures, group theory, and dynamics.
See The Eightfold Cube, A Simple Reflection Group of Order 168, and
The Quaternion Group Acting on an Eightfold Cube.
Those who insist on vulgarizing their mathematics may regard linear
and affine group actions on the eight cubes as the dance of
Snow White (representing (0,0,0)) and the Seven Dwarfs—
.
"A kenning… is a circumlocution
used instead of an ordinary noun
in Old Norse, Old English and
later Icelandic poetry." — Wikipedia
Note the title of Tuesday's post High White in the Dark Fields.
Related material, in memory of a composer-lyricist
who died Monday (NY Times ) or Tuesday (LA Times )—
James Hillman reportedly died on Thursday, October 27, 2011.
For some commentary, see Wednesday's link to 779—
Barnes & Noble has an informative new review today of the recent Galois book Duel at Dawn.
It begins…
"In 1820, the Hungarian noble Farkas Bolyai wrote an impassioned cautionary letter to his son Janos:
'I know this way to the very end. I have traversed this bottomless night, which extinguished all light and joy in my life… It can deprive you of your leisure, your health, your peace of mind, and your entire happiness… I turned back when I saw that no man can reach the bottom of this night. I turned back unconsoled, pitying myself and all mankind. Learn from my example…'
Bolyai wasn't warning his son off gambling, or poetry, or a poorly chosen love affair. He was trying to keep him away from non-Euclidean geometry."
For a less dark view (obtained by simply redefining "non-Euclidean" in a more logical way*) see Non-Euclidean Blocks and Finite Geometry and Physical Space.
* Finite geometry is not Euclidean geometry— and is, therefore, non-Euclidean
in the strictest sense (though not according to popular usage), simply because
Euclidean geometry has infinitely many points, and a finite geometry does not.
(This more logical definition of "non-Euclidean" seems to be shared by
at least one other person.)
And some finite geometries are non-Euclidean in the popular-usage sense,
related to Euclid's parallel postulate.
The seven-point Fano plane has, for instance, been called
"a non-Euclidean geometry" not because it is finite
(though that reason would suffice), but because it has no parallel lines.
(See the finite geometry page at the Centre for the Mathematics
of Symmetry and Computation at the University of Western Australia.)
From the September 1953 Bulletin of the American Mathematical Society—
Emil Artin, in a review of Éléments de mathématique, by N. Bourbaki, Book II, Algebra, Chaps. I-VII–
"We all believe that mathematics is an art. The author of a book, the lecturer in a classroom tries to convey the structural beauty of mathematics to his readers, to his listeners. In this attempt he must always fail. Mathematics is logical to be sure; each conclusion is drawn from previously derived statements. Yet the whole of it, the real piece of art, is not linear; worse than that its perception should be instantaneous. We all have experienced on some rare occasions the feeling of elation in realizing that we have enabled our listeners to see at a moment's glance the whole architecture and all its ramifications. How can this be achieved? Clinging stubbornly to the logical sequence inhibits the visualization of the whole, and yet this logical structure must predominate or chaos would result."
Art Versus Chaos
From an exhibit,
"Reimagining Space"
The above tesseract (4-D hypercube)
sculpted in 1967 by Peter Forakis
provides an example of what Artin
called "the visualization of the whole."
For related mathematical details see
Diamond Theory in 1937.
"'The test?' I faltered, staring at the thing.
'Yes, to determine whether you can live
in the fourth dimension or only die in it.'"
— Fritz Leiber, 1959
See also the Log24 entry for
Nov. 26, 2009, the date that
Forakis died.
"There is such a thing
as a tesseract."
— Madeleine L'Engle, 1962
A Sequel to Koestler's
The Call Girls
Gilles Deleuze, Negotiations 1972-1990,
Columbia University Press paperback, 1997, p. 137–
"Academics' lives are seldom interesting."
But then there is Matt Lee of the University of Greenwich.
See his weblog subtitled "notes and thoughts on philosophy"… particularly his post "Diamond time, daimon time," of August 20, 2009.
See also my own post of August 20, 2009– "Sophists"– and my earlier post "Daimon Theory" of March 12, 2003:
More about Lee:
"Chaos majik is a form of modern witchcraft."
More about magick:
Noetic Symbology
(Log24 on October 25, 2009)
This morning’s entry quoted Ezra Pound:
“The first credential we should demand of a critic is his ideograph of the good.”
Dance critic Clive Barnes died Wednesday. Pound may have whispered his advice in St. Peter’s ear when Barnes stood before the Janitor Coeli at heaven’s gate. If so, another angel may have whispered in the other ear,
“Vide Forever Fonteyn.”
On this date in 1961,
Ernest Hemingway shot
himself.
The Talented Patricia Highsmith
Related material:
The Languages of Addiction,
Ch. 13: The Barnes Complex
See also
The Garden of Eden.
(See September 15. )
"The communication
of the dead is tongued with fire
beyond the language of the living."
— T. S. Eliot, Four Quartets
The Boston Globe,
Tuesday, Sept. 25, 2007-
Also departed, perhaps on this date:
Cristobal de Morales,
“generally regarded as the leading
Spanish composer during the
so-called Golden Age of Spain.”
Those who find the Bach
too frivolous may enjoy
an excerpt from Morales’s work
Missa pro Defunctis (1544),
Introitus: “Requiem aeternam.”
Today, incidentally, is the date
of the 1571 Battle of Lepanto.
Women's History Month continues:
Author Susanna Moore,
photo by Paresh Gandhi
An article in The Telegraph
on the late Sybille Bedford
(see also the previous entry), and
On Glory Roads:
A Pilgrim's Book
About Pilgrimage,
by Eleanor Munro
“The Transfiguration of Christ is the culminating point of His public life…. Jesus took with him Peter and James and John and led them to a high mountain apart, where He was transfigured before their ravished eyes. St. Matthew and St. Mark express this phenomenon by the word metemorphothe, which the Vulgate renders transfiguratus est. The Synoptics explain the true meaning of the word by adding ‘his face did shine as the sun: and his garments became white as snow,’ according to the Vulgate, or ‘as light,’ according to the Greek text. This dazzling brightness which emanated from His whole Body was produced by an interior shining of His Divinity.”
— The Catholic Encyclopedia of 1912
From Broken Symmetries, 1983, Chapter 16:
“He’d toyed with ‘psi’ himself…. The reason he and so many other theoretical physicists were suckers for the stuff was easy to understand– for two-thirds of a century an enigma had rested at the heart of theoretical physics, a contradiction, a hard kernel of paradox….
Peter [Slater] had never thirsted after ‘hidden variables’ to explain what could not be pictured. Mathematical relationships were enough to satisfy him, mere formal relationships which existed at all times, everywhere, at once. It was a thin nectar, but he was convinced it was the nectar of the gods….
Those so-called crazy psychics were too sane, that was their problem– they were too stubborn to admit that the universe was already more bizarre than anything they could imagine in their wildest dreams of wizardry.”
Wednesday’s entry The Turning discussed a work by Roger Cooke. Cooke presents a
“fanciful story (based on Plato’s dialogue Meno).”
The History of Mathematics is the title of the Cooke book.
Associated Press thought for today:
“History is not, of course, a cookbook offering pretested recipes. It teaches by analogy, not by maxims. It can illuminate the consequences of actions in comparable situations, yet each generation must discover for itself what situations are in fact comparable.”
— Henry Kissinger (whose birthday is today)
This link suggests a search for material
on the art of Sol LeWitt, which leads to
an article by Barry Cipra,
The “Sol LeWitt” Puzzle:
A Problem in 16 Squares (ps),
a discussion of a 4×4 array
of square linear designs.
Cipra says that
* Jean-Paul Sartre,
Being and Nothingness,
Philosophical Library, 1956
[reference by Cipra]
For another famous group lurking near, if not within, a 4×4 array, click on Kissinger’s birthday link above.
Kissinger’s remark (above) on analogy suggests the following analogy to the previous entry’s (Drama of the Diagonal) figure:
Logos Alogos II:
Horizon
This figure in turn, together with Cipra’s reference to Sartre, suggests the following excerpts (via Amazon.com)–
From Sartre’s Being and Nothingness, translated by Hazel E. Barnes, 1993 Washington Square Press reprint edition:
1. | on Page 51: |
“He makes himself known to himself from the other side of the world and he looks from the horizon toward himself to recover his inner being. Man is ‘a being of distances.'” | |
2. | on Page 154: |
“… impossible, for the for-itself attained by the realization of the Possible will make itself be as for-itself–that is, with another horizon of possibilities. Hence the constant disappointment which accompanies repletion, the famous: ‘Is it only this?’….” | |
3. | on Page 155: |
“… end of the desires. But the possible repletion appears as a non-positional correlate of the non-thetic self-consciousness on the horizon of the glass-in-the-midst-of-the-world.” | |
4. | on Page 158: |
“… it is in time that my possibilities appear on the horizon of the world which they make mine. If, then, human reality is itself apprehended as temporal….” | |
5. | on Page 180: |
“… else time is an illusion and chronology disguises a strictly logical order of deducibility. If the future is pre-outlined on the horizon of the world, this can be only by a being which is its own future; that is, which is to come….” | |
6. | on Page 186: |
“… It appears on the horizon to announce to me what I am from the standpoint of what I shall be.” | |
7. | on Page 332: |
“… the boat or the yacht to be overtaken, and the entire world (spectators, performance, etc.) which is profiled on the horizon. It is on the common ground of this co-existence that the abrupt revelation of my ‘being-unto-death’….” | |
8. | on Page 359: |
“… eyes as objects which manifest the look. The Other can not even be the object aimed at emptily at the horizon of my being for the Other.” | |
9. | on Page 392: |
“… defending and against which he was leaning as against a wail, suddenly opens fan-wise and becomes the foreground, the welcoming horizon toward which he is fleeing for refuge.” | |
10. | on Page 502: |
“… desires her in so far as this sleep appears on the ground of consciousness. Consciousness therefore remains always at the horizon of the desired body; it makes the meaning and the unity of the body.” |
11. | on Page 506: |
“… itself body in order to appropriate the Other’s body apprehended as an organic totality in situation with consciousness on the horizon— what then is the meaning of desire?” | |
12. | on Page 661: |
“I was already outlining an interpretation of his reply; I transported myself already to the four corners of the horizon, ready to return from there to Pierre in order to understand him.” | |
13. | on Page 754: |
“Thus to the extent that I appear to myself as creating objects by the sole relation of appropriation, these objects are myself. The pen and the pipe, the clothing, the desk, the house– are myself. The totality of my possessions reflects the totality of my being. I am what I have. It is I myself which I touch in this cup, in this trinket. This mountain which I climb is myself to the extent that I conquer it; and when I am at its summit, which I have ‘achieved’ at the cost of this same effort, when I attain this magnificent view of the valley and the surrounding peaks, then I am the view; the panorama is myself dilated to the horizon, for it exists only through me, only for me.” |
Illustration of the
last horizon remark: |
For more on the horizon, being, and nothingness, see
Church Architecture
In memory of Harvard-trained
architect Edward Larrabee Barnes
From Martha Cooley’s The Archivist,
April 1999 paperback, page 301:
For related design issues
at Harvard, click here.
3:57:09…
Time is a Weapon
In memory of rock star and NRA member Johnny Ramone, who died on Wednesday, Sept. 15:
“You’ve got to ask yourself a question.”
— Clint Eastwood as Dirty Harry
“At the end, when the agent pumps Neo full of lead, the agent is using a .357 Magnum. That gun only holds 9 bullets, but the agent shoots 10 shots at Neo. I don’t know where he got that gun.”
— Jesse Baumann,
The Matrix: The Magic Bullet
Manufacturer:
Ta’as Israel Industries,
Ramat Hasharon, Israel
Fearful Meditation “The Max D. Barnes-penned title track, with its stark-reality lyrics, is nothing short of haunting: ‘Time is a weapon, it’s cold and it’s cruel; It knows no religion and plays by no rules; Time has no conscience when it’s all said and done; Like a beast in the jungle that devours its young.’ That’s so good, it hurts! Price’s still-amazing vocals are simply the chilling icing on the cake.” — Lisa Berg, NashvilleCountry.com O fearful meditation! — Shakespeare, Sonnet 65 Clue: click here. This in turn leads to my March 4 entry Fearful Symmetry, which contains the following: “Every transition from major to minor in a sonata, every transformation of a myth or a religious cult, every classical or artistic formulation was, I realized in that flashing moment, if seen with a truly meditative mind, nothing but a direct route into the interior of the cosmic mystery….” — Hermann Hesse, The Glass Bead Game “How strange the change from major to minor….” — Cole Porter, “Every Time We Say Goodbye“ |
Perichoresis, or Coinherence
Edward Gibbon, Decline and Fall of the Roman Empire, Chapter XXI —
Gibbon, discussing the theology of the Trinity, defines perichoresis as
“… the internal connection and spiritual penetration which indissolubly unites the divine persons59 ….
59 … The or ‘circumincessio,’ is perhaps the deepest and darkest corner of the whole theological abyss.”
“Whoever fights monsters should see to it that in the process he does not become a monster. And when you look long into an abyss, the abyss also looks into you.”
Perichoresis does NOT mean “dancing around” ….
From a mailing list message:
If [a correspondent] will but open a lexicon, she will see that perichoresis (with a long o, omega) has nothing to do with “the Greek word for dance,” which is spelt with a short o (omicron). As a technical term in trinitarian theology, perichoresis means “interpenetration.”
Interpenetration in Arthur Machen
Interpenetration in T. S. Eliot:
“Between two worlds
become much like each other….”
On the Novels of Charles Williams
Coinherence in Charles Williams
The Per Speculum link is to a discussion of coinherence and the four last films of Kieslowski —
La Double Vie de Veronique (1991),
Trois Couleurs: Bleu (1993),
Trois Couleurs: Blanc (1993), and
Trois Couleurs: Rouge (1994).
See, too, previous log24 entries related to Kieslowski’s work and to coinherence:
Moulin Bleu (12/16/03),
Quarter to Three (12/20/03), and
White, Geometric, and Eternal (12/20/03).
The death of Max D. Barnes (previous entry) and the opening of the first Tennessee lottery suggested the following meditations.
Wikipedia on Jimmie Rodgers, known as the father of country music:
“Fundamentally, Rodgers was a white blues singer….”
A song by the father of country music:
T for Texas, T for Tennessee,
T for Texas, T for Tennessee,
T for Thelma, that gal
made a wreck out of me.
Gonna buy me a shotgun,
long as I am tall,
Buy me a shotgun,
long as I am tall,
Gonna shoot po’ Thelma,
just to see her jump and fall.
From Wikipedia:
“In modern Western popular music, call and response is most commonly found in the blues and in blues-derived music like jazz and rock’n’roll.”
If Rodgers’s song is the call, what, one wonders, would be the appropriate response?
In Memory of Max D. Barnes:
Time and Chance
Barnes, a songwriter,
died on 1/11/04.
Related material:
Fearful Meditation (8/1/03),
Time is a Weapon (9/26/03), and
In Summary (1/11/04).
Hell to Heaven
From Hotel Point:
On a novel, Dow Mossman's
The Stones of Summer —
Evidence of Malcolm Lowry’s Under the Volcano. The Dow Mossman character (Dawes Williams) sitting in the Rio Grande tearing pages out of his notebooks. (We get the pages, reproduced somewhat tediously in near-agate type.) Somewhere the ex-Consul Geoffrey Firmin gets mention. Mythic drinking and death in Mexico, vaguely “Jungian.”…
“The first time he had noticed it, language, was in the fourth grade when Miss Norma Jean Thompson, his teacher, turned against the whole class and said:
‘All Americans eventually go to heaven.’
‘By sweet Jesus,’ Ronnie Crown had said that afternoon, sitting on Dunchee’s wall, waiting for Dawes Williams to come tell him about it, ‘that’s about the God Damn dumbest thing I ever heard.’
Dawes Williams had agreed immediately that the message was insipid, but he thought for years that the syntax was inspired. In fact, the first time Norma Jean Thompson had said, ALL AMERICANS EVENTUALLY GO TO HEAVEN, was also the first time Dawes Williams had ever noticed the English sentence."
From Norma Jean Thompson:
"… the Town House Restaurant on Central and Morningside [in Albuquerque]: 'It's like going backwards in time to the late 1950s; you'd think you'd meet Frank Sinatra in there. You can drown in the big red leather booths, and if you're lucky, they'll take out their private family stock of brandy. Wonderful Greek salads, steaks and potatoes for lunch or dinner. Time stops in there, right off Route 66.' "
From wcities.com:
On the Town House Lounge & Restaurant in Albuquerque:
"Try the three-inch Baklava and feel like you have died and gone to heaven…"
AMEN.
See, too, the film "Stone Reader"
and the previous Log24 entry.
On the Beach
On this date in 1954, the first nuclear submarine, the USS Nautilus, was commissioned.
Related reading in today’s New York Times:
Related reading from yesterday’s entries:
Related reading from the Song of Songs:
“Love is strong as death.”
Related viewing:
Today’s birthday: Deborah Kerr.
Spirit of East St. Louis
On Miles Davis and Philly Joe Jones:
Miles said to Jones, "I think this is it." Jones agreed having said of the group, "The first time we played together…we just looked around at each other and said, ‘hum here it is right here. We’ve got musical telepathy here. We have five people who always know what’s going to happen next.’" And those five people became legendary as the classic Miles Davis Quintet was baptized for its first time.
From The American Art Form:
While singing work songs, a leader would call out a phrase, and the rest of the people would answer. This is known as call and response. In Cindy Blackman's "Telepathy" , the lead saxophone who is playing the melody calls out a phrase, and another horn responds. In some jazz music, there is what is known as "trading 4's". This is when one instrument plays 4 measures, and then another plays 4 measures off what the first person played, and so on. This is a modern rendition of call and response.
See also
Desmond and Mulligan, Two of a Mind,
Google search, "musical telepathy,"
and a novel dealing with East St. Louis (where Miles Davis grew up) and telepathy,
The Hollow Man, by Dan Simmons.
From the jacket of The Hollow Man:
Jeremy Bremen has a secret. All his life he has been cursed with the unwanted ability to read minds. He can hear the secret thoughts behind the placid expressions of strangers, colleagues, and friends. Their dreams, their fears, their most secret desires are as intimate to him as his own. For years his wife, Gail, has served as a shield between Jeremy and the intrusive thoughts of those around him. Her presence has protected him from the outside world and allowed him to continue his work as one of the world's leading mathematicians. But now Gail is dying, her mind slipping slowly away, and Jeremy comes face-to-face with the horror of his own omniscience. Vulnerable and alone, he is suddenly exposed to a chaotic flood of others' thoughts, threatening to fill him with the world's pain and longing, to sweep away his very sanity. His mathematical studies have taken him to the threshold of knowledge and enabled him to map uncharted regions of the mind, to recognize the mind itself as a mirror of the universe…and to see in that mirror the fleeting reflection of the creator himself. But his studies taught him nothing at all about the death of the mind, about the loss of love and trust, and about the terrible loneliness of mortality. Now Jeremy is on the run – from his mind, from his past, from himself – hoping to find peace in isolation. Instead he witnesses an act of brutality that sends him on a treacherous odyssey across America, from a fantasy theme park to the mean streets of an uncaring city, from the lair of a killer to the gaudy casinos of Las Vegas, and at last to a sterile hospital room in St. Louis in search of the voice that is calling him to the secret of existence itself.
Time is a Weapon
“Time is a weapon, it’s cold and it’s cruel.”
— Max D. Barnes song lyric,
sung by Ray Price
(See Aug. 1, 2003, entry.)
3:57
was the time of yesterday afternoon’s entry,
The Friday, |
“Only through time time is conquered.”
— T. S. Eliot, Four Quartets
The Shining of Park Place
Today is the birthday of Oliver Wendell Holmes, Sr., writer, dean of Harvard Medical School, father of Supreme Court Justice Oliver Wendell Holmes, Jr., and author of at least seven hymns.
It is also the feast day of Saint Lewis Henry Redner, author of the tune now known as “O Little Town of Bethlehem.” Redner was church organist for Phillips Brooks, who wrote the “Bethlehem” lyrics but then published the hymn under the facetious name “St. Louis,” a deliberate misspelling of Redner’s name.
Redner died on August 29, 1908, at the Marlborough Hotel in Atlantic City.
Since Holmes Sr. was both a poet and the father of a famous lawyer, a reference to poet-lawyer Wallace Stevens seems in order.
“We keep coming back and coming back
To the real: to the hotel
instead of the hymns….”
— Wallace Stevens,
“An Ordinary Evening in New Haven”
From Best Atlantic City Hotels:
Bally’s Park Place, located at Park Place and Boardwalk, partially stands on the site of the former Marlborough Hotel.
For some background on the theology of hotels, see Stephen King’s classic The Shining and my own note, Shining Forth.
Let us pray that any haunting at the current Park Place and Boardwalk location is done by the blessed spirit of Saint Lewis Redner.
Atlantic City |
Postscript of 7:11 PM —
From an old Dave Barry column:
“Beth thinks the casinos should offer more of what she described as ‘fun’ games, the type of entertainment-for-the-whole-family activities that people engage in to happily while away the hours. If Beth ran a casino, there would be a brightly lit table surrounded by high rollers in tuxedos and evening gowns, and the air would be charged with excitement as a player rolled the dice, and the crowd would lean forward, and the shout would ring out…
‘He landed on Park Place!’ “
Charles Lindbergh seems to have done
just that. See yesterday’s entry
and today’s New York Times story
Fearful Meditation
“The Max D. Barnes-penned title track, with its stark-reality lyrics, is nothing short of haunting: ‘Time is a weapon, it’s cold and it’s cruel; It knows no religion and plays by no rules; Time has no conscience when it’s all said and done; Like a beast in the jungle that devours its young.’ That’s so good, it hurts! Price’s still-amazing vocals are simply the chilling icing on the cake.”
— Lisa Berg, NashvilleCountry.com
O fearful meditation! Where, alack,
Shall time’s best jewel from time’s chest lie hid?
— Shakespeare, Sonnet 65
Clue: click here. This in turn leads to my March 4 entry Fearful Symmetry, which contains the following:
“Every transition from major to minor in a sonata, every transformation of a myth or a religious cult, every classical or artistic formulation was, I realized in that flashing moment, if seen with a truly meditative mind, nothing but a direct route into the interior of the cosmic mystery….”
— Hermann Hesse, The Glass Bead Game
“How strange the change from major to minor….”
— Cole Porter, “Every Time We Say Goodbye“
Every Boy Has a Daddy
Today is the Feast of Saint Peter.
The most timely quote I know of for today’s religious observances is from Oh What a Web They Weave, by F. John Loughnan:
This was written as part of an attack on the father of a Latin-Mass Catholic who authored the website Ecclesia Militans, which has the logo
Note the resemblance to the Iron Cross.
Soldier of Fortune magazine, April 2002, contains a brief discussion of the German motto “Gott mit uns” that is relevant to the concept of The Church Militant.
Soldier of Fortune,
April 2002
The actor on the cover, Mel Gibson, also serves to illustrate our meditation for today, “Every boy has a daddy.” See Christopher Noxon’s article in the New York Times Magazine of March 9, 2003:
Noxon attacks Gibson’s father Hutton — like his son Mel, a Latin-Mass Catholic, and author of
A related “Every boy has a daddy” attack appears in the June 2003 issue of Playboy magazine. An entertaining excerpt from this attack on Joseph P. Kennedy, father of JFK, may be found at Orwell Today.
Finally, let us meditate on the ultimate “Every boy has a daddy” attack — by novelist Robert Stone on the alleged father of Jesus of Nazareth:
Excerpt from From the mosques, from the alleys, from the road: “Allahu Akbar!” …. Then a voice shouted: “Itbah al-Yahud!” …. Kill the Jew! …. “Itbah al-Yahud!” the crowd screamed…. Then Lucas saw the things they had taken up: trowels and mallets and scythes, some dripping blood. Everyone was screaming, calling on God. On God, Lucas thought. He was terrified of falling, of being crushed by the angry swarm that was whirling around him. He wanted to pray. “O Lord,” he heard himself say. The utterance filled him with loathing, that he was calling on God, on that Great Fucking Thing, the Lord of Sacrifices, the setter of riddles. Out of the eater comes forth meat. The poser of parables and shibboleths. The foreskin collector, connoisseur of humiliations, slayer by proxy of his thousands, his tens of thousands. Not peace but a sword. The Lunatic Spirit of the Near East, the crucified and crucifier, the enemy of all His own creation. Their God-Damned God. |
The New York Times Magazine article mentioned above was prompted, in part, by Mel Gibson’s current movie production, “The Passion,” about the final 12 hours in the (first, or possibly second) life of Jesus. If I were producing a Passion play, as Peter I would certainly cast Stone.
See also the 11 PM sequel to the above.
Daimon Theory
Today is allegedly the anniversary of the canonization, in 1622, of two rather important members of the Society of Jesus (Jesuits):
Ignatius Loyola…
Click here for Loyola’s legacy of strategic intelligence.
Francis Xavier…
Click here for Xavier’s legacy of strategic stupidity.
We can thank (or blame) a Jesuit (Gerard Manley Hopkins) for the poetic phrase “immortal diamond.” He may have been influenced by Plato, who has Socrates using a diamond figure in an argument for the immortality of the soul. Confusingly, Socrates also talked about his “daimon” (pronounced dye-moan). Combining these similar-sounding concepts, we have Doctor Stephen A. Diamond writing about daimons — a choice of author and topic that neatly combines the strategic intelligence of Loyola with the strategic stupidity of Xavier.
The cover illustration is perhaps not of Dr. Diamond himself.
A link between diamond theory and daimon theory is furnished by the charitable legacy of the non-practicing Jew Walter Annenberg.
For Annenberg and diamond theory, see this site on the elementary geometry of quilt blocks, which credits the Annenberg Foundation for support.
For Annenberg and daimon theory, see this site on Socrates, which has a similar Annenberg support credit.
Advanced disciples of Annenberg can learn much from the Perseus site about daimon theory. Let us pray that Abrahamic religious bigotry does not stand in their way. Less advanced disciples of Annenberg may find fulfillment in teaching children the beauty of elementary 4×4 quilt-block symmetry. Let us pray that academic bigotry does not prevent these same children, when they have grown older, from learning the deeper, and more difficult, beauties of diamond theory.
Birthdays for a Small Planet
Today's birthdays:
The entry below, "Theology for a Small Planet," sketches an issue that society has failed to address since the fall of 1989, when it was first raised by the Harvard Divinity Bulletin.
In honor mainly of Ursula K. Le Guin, but also of her fellow authors above, I offer Le Guin's solution. It is not new. It has been ignored mainly because of the sort of hateful and contemptible arrogance shown by
Here is an introduction to the theology that should replace the ridiculous and outdated Semitic religions.
"Scholarly translators of the Tao Te Ching, as a manual for rulers, use a vocabulary that emphasizes the uniqueness of the Taoist 'sage,' his masculinity, his authority. This language is perpetuated, and degraded, in most popular versions. I wanted a Book of the Way accessible to a present-day, unwise, unpowerful, and perhaps unmale reader, not seeking esoteric secrets, but listening for a voice that speaks to the soul. I would like that reader to see why people have loved the book for 2500 years.
It is the most lovable of all the great religious texts, funny, keen, kind, modest, indestructibly outrageous and inexhaustibly refreshing. Of all the deep springs, this is the purest water. To me it is also the deepest spring."
Tao Te Ching: Chapter 6
translated by Ursula K. Le Guin
The valley spirit never dies
Call it the mystery, the woman.
The mystery,
the Door of the Woman,
is the root
of earth and heaven.
Forever this endures, forever.
And all its uses are easy.
Cal
References:
Meditation for Friday the 13th
The 1946 British film below (released as “Stairway to Heaven” in the U.S.) is one of my favorites. I saw it as a child. Since costar Kim Hunter died this week (on 9/11), and since today is Friday the 13th, the following material seems relevant.
Kim Hunter in 1946 |
R.A.F pilot and psychiatrist Alan McGlashan |
Alan McGlashan has practiced as a psychiatrist in London for more than forty years. He also served as a pilot for the R.A.F. (with MC and Croix de Guerre decorations). |
The doctor in “A Matter of Life and Death” addresses a heavenly court on behalf of his patient, R.A.F pilot David Niven:
In the film, David Niven is saved by mistake from a fated death and his doctor must argue to a heavenly court that he be allowed to live. |
In a similar situation, I would want Dr. Alan McGlashan, a real-life psychiatrist, on my side. For an excerpt from one of my favorite books, McGlashan’s The Savage and Beautiful Country,
As Walker Percy has observed (see my Sept. 7 note, “The Boys from Uruguay”), a characteristic activity of human beings is what Percy called “symbol-mongering.” In honor of today’s anniversary of the births of two R.A.F. fighter pilots,
Sir Peter Guy Wykeham-Barnes (b. 1915) and author
Roald Dahl (b. 1916),
here is one of the better symbols of the past century:
The circle is of course a universal symbol, and can be made to mean just about whatever one wants it to mean. In keeping with Clint Eastwood’s advice, in the soundtrack album for “Midnight in the Garden of Good and Evil,” to “accentuate the positive,” here are some positive observations on a circle from the poet (and perhaps saint) Dante, who died on the night of September 13-14:
In the sun, Dante and Beatrice find themselves surrounded by a circle of souls famous for their wisdom on earth. They appear as splendid lights and precious jewels who dance and sing as they lovingly welcome two more into their company. Their love for God is kindled even more and grows as they find more individuals to love. Among the blessed souls are St. Thomas Aquinas and one of his intellectual “enemies”, Siger of Brabant, a brilliant philosopher at the University of Paris, some of whose teachings were condemned as heretical. Conflicts and divisions on earth are now forgotten and absorbed into a communal love song and dance “whose sweetness and harmony are unknown on earth and whose joy becomes one with eternity.”
Dante compares their dance and song to God’s bride on earth, the Church, when she answers the morning bells to rise from bed and “woo with matins song her Bridegroom’s love.” Some critics consider this passage the most “spiritually erotic” of all the one hundred cantos of the Comedy. It is the ending of Canto 10, verses 139-148.
— Fr. James J. Collins, “The Spiritual Journey with Dante V,” Priestly People October 1997
The above material on Dante is from the Servants of the Paraclete website.
For more on the Paraclete, see
See also the illustration in the note below.
After the Fall
“We’re in a war of words.”
— Andy Rooney, undated column
Photo credit – Graham Kuhn
I’ve heard of affairs that are strictly plutonic,
But diamonds are a girl’s best friend!
— Marilyn Monroe, modeling a Freudian slip
You may have noticed at Strike Force Centre or at StrikeForce.dk that “After the Fall” will be released as a Team Deathmatch map for Strike Force.
Today’s birthday: Fiddler Mark O’Connor.
Q – What was that “haunting” melody and where does it come from?
A – The piece used as the theme music for The Civil War is called “Ashokan Farewell.”
Q – How do you get to Ashokan?
A – Take a left at Beaverkill Road.
Recommended listening:
“The Devil Comes Back to Georgia,”
“House of the Rising Sun,” and
“Ashokan Farewell,” on
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