Or: Tom Wolfe in the Quantum Realm
Related posts: Search Log24 for Bubble.
"… a cardboard tube, more or less the same length as
the inner core of a toilet roll, but thicker. He frowned,
took the roll out, laid it on the desk and poked up it
with the butt end of a pencil. Something slid out.
It looked like a rolled-up black plastic dustbin liner;
but when he unfolded it, he recognised it as the funny
sheet thing he’d found in the strongroom and briefly
described as an Acme Portable Door, before losing
his nerve and changing it to something less facetious."
— Holt, Tom. The Portable Door . Orbit. Kindle Edition.
According to goodreads.com, the Holt book was
"first published March 6, 2003."
Compare and contrast the "portable door" as a literary device
with the "tesseract" in A Wrinkle in Time (1962).
See also this journal on March 6, 2003.
"There is such a thing as a tesseract."
— Mrs. Whatsit in A Wrinkle in Time (1962)
"Simplify, simplify." — Henry David Thoreau in Walden (1854)
A Jungian on this six-line figure:
“They are the same six lines that exist in the I Ching…. Now observe the square more closely: four of the lines are of equal length, the other two are longer…. For this reason symmetry cannot be statically produced and a dance results.” |
From yesterday's post Misère Play —
See as well a New York Times book review of the novel Point Omega .
(The Times 's "Wrinkle in Time" is the title of the review, not of the novel.)
Related material suggested by the publication date — March 27, 2014 —
of a novel titled Zero Sum Game —
The 4×4 square may also be called the Galois Tesseract .
By analogy, the 4x4x4 cube may be called the Galois Hexeract .
Some images, and a definition, suggested by my remarks here last night
on Apollo and Ross Douthat's remarks today on "The Return of Paganism" —
In finite geometry and combinatorics,
an inscape is a 4×4 array of square figures,
each figure picturing a subset of the overall 4×4 array:
Related material — the phrase
"Quantum Tesseract Theorem" and …
A. An image from the recent
film "A Wrinkle in Time" —
B. A quote from the 1962 book —
"There's something phoney
in the whole setup, Meg thought.
There is definitely something rotten
in the state of Camazotz."
From the 1955 film "Blackboard Jungle" —
From a trailer for the recent film version of A Wrinkle in Time —
Detail of the phrase "quantum tesseract theorem":
From the 1962 book —
"There's something phoney
in the whole setup, Meg thought.
There is definitely something rotten
in the state of Camazotz."
Related mathematics from Koen Thas that some might call a
"quantum tesseract theorem" —
Some background —
See also posts tagged Dirac and Geometry. For more
background on finite geometry, see a web page
at Thas's institution, Ghent University.
This journal on April 16, 2018 —
Happy birthday to Pope Emeritus Benedict XVI.
Related material from another weblog in a post also dated April 16, 2018 —
"As I write this, it’s April 5, midway through the eight-day
festival of Passover. During this holiday, we Jews air our
grievances against the ancient Pharaoh who enslaved
and oppressed us, and celebrate the feats of strength
with which the Almighty delivered us from bondage —
wait a minute, I think I’m mixing up Passover with Festivus."
. . . .
"Next month: Time and Tesseracts."
From that next post, dated May 16, 2018 —
"The tesseract entered popular culture through
Madeleine L’Engle’s 'A Wrinkle in Time' . . . ."
The post's author, James Propp, notes that
" L’Engle caused some of her readers confusion
when one of the characters … the prodigy
Charles Wallace Murray [sic ] , declared 'Well, the fifth
dimension’s a tesseract.' "
Propp is not unfamiliar with prodigies:
"When I was a kid living in the Long Island suburbs,
I sometimes got called a math genius. I didn’t think
the label was apt, but I didn’t mind it; being put in
the genius box came with some pretty good perks."
— "The Genius Box," a post dated March 16, 2018
To me, Propp seems less like Charles Wallace
and more like the Prime Coordinator —
For further details, see the following synchronicity checks:
Nostalgie de la Boue
"Odd-numbered (recto) pages
read from the gutter (inside margin)
towards the fore-edge;
even-numbered (verso) pages
read towards the gutter."
— From The Golden Compasses ,
"Appendix 8: Impositions and
Folding Schemes" (page 526).
For Wrinkle in Time fans —
Enthusiasts of la boue may consult Log24 posts about the above date.
From a review of a Joyce Carol Oates novel
at firstthings.com on August 23, 2013 —
"Though the Curse is eventually exorcised,
it is through an act of wit and guile,
not an act of repentance or reconciliation.
And so we may wonder if Oates has put this story
to rest, or if it simply lays dormant. A twenty-first
century eruption of the 'Crosswicks Curse'
would be something to behold." [Link added.]
Related material —
A film version of A Wrinkle in Time —
The Hamilton watch from "Interstellar" (2014) —
See also a post, Vacant Space, from 8/23/13 (the date
of the above review), and posts tagged Space Writer.
Too late .
Time Magazine December 25, 2017 – January 1, 2018 —
The cover features "A Wrinkle in Time," opening March 9, 2018:
The Quantum Tesseract Theorem —
Raiders —
A Wrinkle in Time
starring Storm Reid,
Reese Witherspoon,
Oprah Winfrey &
Mindy Kaling
Time Magazine December 25, 2017 – January 1, 2018
The title was suggested by the term “psychohistory” in
the Foundation novels of Isaac Asimov. See the previous post.
See also a 2010 New York Times review of
DeLillo’s novel Point Omega . The review is titled,
without any other reference to L’Engle’s classic tale
of the same name, “A Wrinkle in Time.”
Related material: The Crosswicks Curse.
From this journal on August 18, 2015, "A Wrinkle in Terms" —
For two misuses by John Baez of the phrase “permutation group”
at the n-Category Café, see “A Wrinkle in the Mathematical Universe”
and “Re: A Wrinkle…” —
“There is such a thing as a permutation group.”
— Adapted from A Wrinkle in Time , by Madeleine L’Engle
* See RIP, Time Cube at gizmodo.com (September 1, 2015).
(Continued from Tuesday, Jan. 24, 2017)
"We have reached peak polarization."
— Olga Khazan in the online Atlantic today,
as quoted in the Muck Rack image below.
Perhaps not yet.
Consider the headline below,
"Why Trump Supporters Lie About the Inauguration Photo."
Consider also Olga's "Brain Bro" below in the context of
the film "Limitless" and of the book A Wrinkle in Time .
See also all posts now tagged "Split."
Today is Kelli O'Hara's last Saturday matinee in "The King and I."
A show that some may prefer —
Related to the plot of Dante's film —
"…it would be quite a long walk
Swiftly Mrs. Who brought her hands… together.
"Now, you see," Mrs. Whatsit said,
– A Wrinkle in Time , Chapter 5, "The Tesseract" |
(Continued from Dec. 9, 2013)
"…it would be quite a long walk
Swiftly Mrs. Who brought her hands… together.
"Now, you see," Mrs. Whatsit said,
– A Wrinkle in Time , |
From a media weblog yesterday, a quote from the video below —
"At 12:03 PM Eastern Standard Time, January 12th, 2016…."
This weblog on the previous day (January 11th, 2016) —
"There is such a thing as harmonic analysis of switching functions."
— Saying adapted from a young-adult novel
* For some backstory, see a Caltech page.
A Phrase That Haunts
From this journal on August 23, 2013 —
Illustration from a New York Times review
of the novel Point Omega —
From the print version of The New York Times Sunday Book Review
dated Sept. 13, 2015 —
The online version, dated Sept. 11, 2015 —
From the conclusion of the online version —
On the above print headline, "Wrinkles in Time,"
that vanished in the online version —
"Now you see it, now you don't"
is not a motto one likes to see demonstrated
by a reputable news firm.
Related material: Jews Telling Stories.
The phrase “the permutation group Sn” refers to a
particular group of permutations that act on an
n -element set N— namely, all of them. For a given n ,
there are, in general, many permutation groups that
act on N. All but one are smaller than Sn .
In other words, the phrase “the permutation group Sn”
does not imply that “Sn ” is a symbol for a structure
associated with n called “the permutation group.”
It is instead a symbol for “the symmetric group,” the largest
of (in general) many permutation groups that act on N.
This point seems to have escaped John Baez.
For two misuses by Baez of the phrase “permutation group” at the
n-Category Café, see “A Wrinkle in the Mathematical Universe”
and “Re: A Wrinkle…” —
“There is such a thing as a permutation group.”
— Adapted from A Wrinkle in Time , by Madeleine L’Engle
There is such a thing as geometry.*
* Proposition adapted from A Wrinkle in Time , by Madeleine L'Engle.
“A set having three members is a single thing
wholly constituted by its members but distinct from them.
After this, the theological doctrine of the Trinity as
‘three in one’ should be child’s play.”
— Max Black, Caveats and Critiques: Philosophical Essays
in Language, Logic, and Art , Cornell U. Press, 1975
“There is such a thing as a three-set.”
— Saying adapted from a novel by Madeleine L’Engle
The search in the previous post for the source of a quotation from Poincaré yielded, as a serendipitous benefit, information on an interesting psychoanalyst named Wilfred Bion (see the Poincaré quotation at a webpage on Bion). This in turn suggested a search for the source of the name of author Madeleine L'Engle's son Bion, who may have partly inspired L'Engle's fictional character Charles Wallace. Cynthia Zarin wrote about Bion in The New Yorker of April 12, 2004 that
"According to the family, he is the person for whom L’Engle’s insistence on blurring fiction and reality had the most disastrous consequences."
Also from that article, material related to the name Bion and to what this journal has called "the Crosswicks Curse"*—
"Madeleine L’Engle Camp was born in 1918 in New York City, the only child of Madeleine Hall Barnett, of Jacksonville, Florida, and Charles Wadsworth Camp, a Princeton man and First World War veteran, whose family had a big country place in New Jersey, called Crosswicks. In Jacksonville society, the Barnett family was legendary: Madeleine’s grandfather, Bion Barnett, the chairman of the board of Jacksonville’s Barnett Bank, had run off with a woman to the South of France, leaving behind a note on the mantel. Her grandmother, Caroline Hallows L’Engle, never recovered from the blow. ….
… The summer after Hugh and Madeleine were married, they bought a dilapidated farmhouse in Goshen, in northwest Connecticut. Josephine, born in 1947, was three years old when they moved permanently to the house, which they called Crosswicks. Bion was born just over a year later."
* "There is such a thing as a tesseract."
Or: The Naked Blackboard Jungle
"…it would be quite a long walk
Swiftly Mrs. Who brought her hands… together.
"Now, you see," Mrs. Whatsit said,
– A Wrinkle in Time , |
Related material: Machete Math and…
Starring the late Eleanor Parker as Swiftly Mrs. Who.
… Continues.
"24 Hour Psycho" at the Museum of Modern Art in the novel
Point Omega is illustrated in a New York Times review—
Related material — Today's 1 PM post and…
See also yesterday's 1 PM post.
A passage from Wallace Stevens—
The spirit and space,
The empty spirit
In vacant space.
A frame from the film American Psycho (2000), starring Christian Bale—
The rest of the film is not recommended.
Related material—
"24 Hour Psycho" at the Museum of Modern Art in the novel Point Omega .
Illustration from a New York Times review—
(Continued from yesterday evening)
Madeleine L'Engle in The Irrational Season
(1977), Chapter 9:
"After A Wrinkle in Time was finally published,
it was pointed out to me that the villain, a naked
disembodied brain, was called 'It' because It
stands for Intellectual truth as opposed to a truth
which involves the whole of us, heart as well as
mind. That acronym had never occurred to me.
I chose the name It intuitively, because an IT
does not have a heart or soul. And I did not
understand consciously at the time of writing
that the intellect, when it is not informed by
the heart, is evil."
Related material: Mathematics as a Post-Communist Activity.
For the first two words of the title,
see the previous post.
For the third word, see a review of the recent film "Hitchcock"
about the director and Janet Leigh during the filming of "Psycho"—
Hopkins' Hitchcock more or less eats out of Janet's hand
when she feeds him candy corn during a drive together
(the reference is to the candy Norman Bates is devouring
when he's interviewed by Martin Balsam's detective).
A story that demands the blended talents of Hitchcock and of
Mel Brooks to do it justice:
See also a 2010 New York Times review of
DeLillo's novel Point Omega . The review is titled,
without any other reference to L'Engle's classic tale
of the same name, "A Wrinkle in Time."
Related material: The Crosswicks Curse.
For some images related to this rather biblical topic,
see Hillman + Dream in this journal.
“She was dazzled by light and shade, by the confusing
duplication of reflections and of frames. All coming from
too many directions for the mind to take account of.
The various images bounced against each other
until she felt a desperate vertigo….”
Summary image:
“… Margaret Murry, wrapped in an old patchwork quilt, sat on the foot of her bed….”
From the prologue to the new Joyce Carol Oates
novel Accursed—
"This journey I undertake with such anticipation
is not one of geographical space but one of Time—
for it is the year 1905 that is my destination.
1905!—the very year of the Curse."
Today's previous post supplied a fanciful link
between the Crosswicks Curse of Oates and
the Crosswicks tesseract of Madeleine L'Engle.
The Crosswicks Curse according to L'Engle
in her classic 1962 novel A Wrinkle in Time —
"There is such a thing as a tesseract."
A tesseract is a 4-dimensional hypercube that
(as pointed out by Coxeter in 1950) may also
be viewed as a 4×4 array (with opposite edges
identified).
Meanwhile, back in 1905…
For more details, see how the Rosenhain and Göpel tetrads occur naturally
in the diamond theorem model of the 35 lines of the 15-point projective
Galois space PG(3,2).
See also Conwell in this journal and George Macfeely Conwell in the
honors list of the Princeton Class of 1905.
Jennifer Scott at IT Pro , Feb. 16, 2012, on Autonomy—
Mike Lynch, founder of Autonomy and vice president
of information management at HP, took to the stage
at his new parent company’s global partner conference
to impart his philosophy to the 3,000 partners gathered.
‘It is no longer about the data but about the meaning
of that data,’ he said. ‘There is a fundamental revolution
going on in information and the industry is now about
the “I” not the “T” in IT.'”
Click on the logo below for the source.
See also today’s previous post and…
“After A Wrinkle in Time was finally published, |
The late Arthur R. Jensen was an expert on IQ testing.
From a Log24 post on Oct. 22, 2012, the reported date of his death—
Related material — "IT" in A Wrinkle in Time .
For clergymen who embrace Trudeau's
"Story Theory of Truth" (see last evening's
7:20 PM post on geometry and A Wrinkle in Time )…
Here are two meditations suggested by
yesterday evening's New York Lottery :
1. Page 141 in Philosophies of India—
2. Post 4658 in this journal— A Wrinkle in Dimensions.
(Continued from previous TARDIS posts)
Summary: A review of some posts from last August is suggested by the death,
reportedly during the dark hours early on October 30, of artist Lebbeus Woods.
An (initially unauthorized) appearance of his work in the 1995 film
Twelve Monkeys …
… suggests a review of three posts from last August.
Wednesday, August 1, 2012Defining FormContinued from July 29 in memory of filmmaker Chris Marker, See Slides and Chanting†and Where Madness Lies. See also Sherrill Grace on Malcolm Lowry. * Washington Post. Other sources say Marker died on July 30. † These notably occur in Marker's masterpiece |
Wednesday, August 1, 2012Triple FeatureFor related material, see this morning's post Defining Form. |
Sunday, August 12, 2012Doctor WhoOn Robert A. Heinlein's novel Glory Road— "Glory Road (1963) included the foldbox , a hyperdimensional packing case that was bigger inside than outside. It is unclear if Glory Road was influenced by the debut of the science fiction television series Doctor Who on the BBC that same year. In Doctor Who , the main character pilots a time machine called a TARDIS, which is built with technology which makes it 'dimensionally transcendental,' that is, bigger inside than out." — Todd, Tesseract article at exampleproblems.com From the same exampleproblems.com article— "The connection pattern of the tesseract's vertices is the same as that of a 4×4 square array drawn on a torus; each cell (representing a vertex of the tesseract) is adjacent to exactly four other cells. See geometry of the 4×4 square." For further details, see today's new page on vertex adjacency at finitegeometry.org. |
"It was a dark and stormy night."— A Wrinkle in Time
"Translation in the direction
conceptual -> concrete and symbolic
is much easier than
translation in the reverse direction…."
— The late William P. Thurston
(See also "Atlas to the Text," Harvard Crimson , March 8, 2011).
Related cinematic imagery
Conceptual (thanks to Don DeLillo and The New York Times )—
Concrete and symbolic (thanks to Amy Adams and Emily Blunt, as well as
Frederick Seidel in the September 3, 2012, New Yorker )—
"Biddies still cleaned the student rooms."
It was a dark and stormy night.
— A Wrinkle in Time (brought up to date)
From the 2011 film "Hanna"—
Marissa: Why now, Erik?
Erik: Kids grow up.
From the 50th Anniversary Edition
(January 31, 2012) of A Wrinkle in Time—
The following passage by Tolkien was suggested by a copy of next Sunday's New York Times Book Review that arrived in the mail today. (See Orson Scott Card's remarks on page 26— "Uncle Orson"— and the Review 's concluding essay "Grand Allusion.")
"Lastly, tengwesta [system or code of signs] has also become an impediment. It is in Incarnates clearer and more precise than their direct reception of thought. By it also they can communicate easily with others, when no strength is added to their thought: as, for example, when strangers first meet. And, as we have seen, the use of 'language' soon becomes habitual, so that the practice of ósanwe (interchange of thought) is neglected and becomes more difficult. Thus we see that the Incarnate tend more and more to use or to endeavour to use ósanwe only in great need and urgency, and especially when lambe is unavailing. As when the voice cannot be heard, which comes most often because of distance. For distance in itself offers no impediment whatever to ósanwe . But those who by affinity might well use ósanwe will use lambe when in proximity, by habit or preference. Yet we may mark also how the 'affine' may more quickly understand the lambe that they use between them, and indeed all that they would say is not put into words. With fewer words they come swifter to a better understanding. There can be no doubt that here ósanwe is also often taking place; for the will to converse in lambe is a will to communicate thought, and lays the minds open. It may be, of course, that the two that converse know already part of the matter and the thought of the other upon it, so that only allusions dark to the stranger need be made; but this is not always so. The affine** will reach an understanding more swiftly than strangers upon matters that neither have before discussed, and they will more quickly perceive the import of words that, however numerous, well-chosen, and precise, must remain inadequate."
* "If a poem catches a student's interest at all, he or she should damned well be able to look up an unfamiliar word in the dictionary…."
— Elizabeth Bishop, quoted in the essay "Grand Allusion" mentioned above. For a brief dictionary of most of the unfamiliar words in this post's title and in the above passage, see Vinyar Tengwar 39 (July 1998). This is copyrighted but freely available on the Web.
** The word "affine" has connotations not intended by Tolkien. See that word in this journal. See also page 5 of next Sunday's Times Book Review , which contains a full-page ad for the 50th anniversary edition of A Wrinkle in Time . "There is such a thing as a tesseract."
Mathematics and Narrative, continued
"… a vision invisible, even ineffable, as ineffable as the Angels and the Universal Souls"
— Tom Wolfe, The Painted Word , 1975, quoted here on October 30th
"… our laughable abstractions, our wryly ironic po-mo angels dancing on the heads of so many mis-imagined quantum pins."
— Dan Conover on September 1st, 2011
"Recently I happened to be talking to a prominent California geologist, and she told me: 'When I first went into geology, we all thought that in science you create a solid layer of findings, through experiment and careful investigation, and then you add a second layer, like a second layer of bricks, all very carefully, and so on. Occasionally some adventurous scientist stacks the bricks up in towers, and these towers turn out to be insubstantial and they get torn down, and you proceed again with the careful layers. But we now realize that the very first layers aren't even resting on solid ground. They are balanced on bubbles, on concepts that are full of air, and those bubbles are being burst today, one after the other.'
I suddenly had a picture of the entire astonishing edifice collapsing and modern man plunging headlong back into the primordial ooze. He's floundering, sloshing about, gulping for air, frantically treading ooze, when he feels something huge and smooth swim beneath him and boost him up, like some almighty dolphin. He can't see it, but he's much impressed. He names it God."
— Tom Wolfe, "Sorry, but Your Soul Just Died," Forbes , 1996
"… Ockham's idea implies that we probably have the ability to do something now such that if we were to do it, then the past would have been different…"
— Stanford Encyclopedia of Philosophy
"Today is February 28, 2008, and we are privileged to begin a conversation with Mr. Tom Wolfe."
— Interviewer for the National Association of Scholars
From that conversation—
Wolfe : "People in academia should start insisting on objective scholarship, insisting on it, relentlessly, driving the point home, ramming it down the gullets of the politically correct, making noise! naming names! citing egregious examples! showing contempt to the brink of brutality!"
As for "mis-imagined quantum pins"…
This journal on the date of the above interview— February 28, 2008—
Illustration from a Perimeter Institute talk given on July 20, 2005
The date of Conover's "quantum pins" remark above (together with Ockham's remark above and the above image) suggests a story by Conover, "The Last Epiphany," and four posts from September 1st, 2011—
Boundary, How It Works, For Thor's Day, and The Galois Tesseract.
Those four posts may be viewed as either an exploration or a parody of the boundary between mathematics and narrative.
"There is such a thing as a tesseract." —A Wrinkle in Time
Betty Skelton, "the First Lady of Firsts," died on the last day of August.
From this journal on August thirty-first—
"The Tesseract was the jewel of Odin's treasure room."
Hugo Weaving also played Agent Smith
in The Matrix Trilogy .
For Cynthia Zarin, biographer of Madeleine L'Engle—
"There is such a thing as a tesseract."
— A Wrinkle in Time
It is now midnight. Yesterday was Odin's Day. Today is Thor's Day.
From a weblog post on Captain America and Thor—
"While all this [Captain America] is happening an SS officer, Johann Schmidt (Hugo Weaving), has found a religious artefact called the Tesseract which Schmidt describes as 'the jewel of Odin’s treasure room,' linking it in with the Thor storyline."
— That's Entertainment weblog, August 14, 2011
From Wallace Stevens, "An Ordinary Evening in New Haven," Canto III—
The point of vision and desire are the same.
It is to the hero of midnight that we pray
On a hill of stones to make beau mont thereof.
Captain America opened in the United States on Friday, July 22, 2011.
Thor opened in the United States on Friday, May 6, 2011.
"There is such a thing as a tesseract." —A Wrinkle in Time
* Continued from August 30.
From a post by Ivars Peterson, Director
of Publications and Communications at
the Mathematical Association of America,
at 19:19 UTC on June 19, 2010—
Exterior panels and detail of panel,
Michener Gallery at Blanton Museum
in Austin, Texas—
Peterson associates the four-diamond figure
with the Pythagorean theorem.
A more relevant association is the
four-diamond view of a tesseract shown here
on June 19 (the same date as Peterson's post)
in the "Imago Creationis" post—
This figure is relevant because of a
tesseract sculpture by Peter Forakis—
This sculpture was apparently shown in the above
building— the Blanton Museum's Michener gallery—
as part of the "Reimagining Space" exhibition,
September 28, 2008-January 18, 2009.
The exhibition was organized by
Linda Dalrymple Henderson, Centennial Professor
in Art History at the University of Texas at Austin
and author of The Fourth Dimension and
Non-Euclidean Geometry in Modern Art
(Princeton University Press, 1983;
new ed., MIT Press, 2009).
For the sculptor Forakis in this journal,
see "The Test" (December 20, 2009).
"There is such a thing
as a tesseract."
— A Wrinkle in TIme
Saturday's post quoted a mathematical narrative with the following opening sentence–
"Let G be a finite, primitive subgroup of
If that narrative were a novel, its opening might win a Bulwer-Lytton prize.
As might the opening of another nonfiction narrative—
"What are we are doing?"
A partial answer to this profound metaphysical question
for fans of the classic film "Dark City"
(which was written in part by one "Lem Dobbs")–
Part I — Fiction —
Wednesday August 4, 2004Shell Beach “It was a dark and stormy night….” – Opening of A Wrinkle in Time, a classic novel by Madeleine L’Engle. For those who seek religious significance in the name of Hurricane Alex: “Alex Proyas directs this futuristic thriller about a man waking up to find he is wanted for brutal murders he doesn’t remember. Haunted by mysterious beings who stop time and alter reality, he seeks to unravel the riddle of his identity.” – Description of the 1998 film Dark City [See also June 14, 2005.] |
Part II — Nonfiction —
Part III — Fiction —
"The bench on which Dobbs was sitting
was not so good."
— B. Traven, opening sentence
of The Treasure of the Sierra Madre
From "Time's Breakdown," September 17, 2003—
“… even if we can break down time into component Walsh functions, what would it achieve?” – The Professor, in “Passing in Silence,” by Oliver Humpage “Being is not a steady state but an occulting one: we are all of us a succession of stillness blurring into motion on the wheel of action, and it is in those spaces of black between the pictures that we find the heart of mystery in which we are never allowed to rest. The flickering of a film interrupts the intolerable continuity of apparent world; subliminally it gives us those in-between spaces of black that we crave.” – Gösta Kraken, Perception Perceived: an Unfinished Memoir (p. 9 in Fremder, a novel by Russell Hoban) |
This flashback was suggested by
DeLillo is a major novelist, but the work of Hoban seems more relevant to the phrase "frame by frame."
A Google search for "Das Scheinen," a very rough translation into Heidegger's German of "The Shining," leads to a song. A search for the English version of the song leads to a site with a sidebar advertising Pearl Jam's new (Sept. 20) album "Backspacer."
Happy birthday,
Stephen King.
Background:
Yesterday's entries
and the plot of
L'Engle's classic
A Wrinkle in Time.
(See this journal's entries
for March 2008.)
The Pearl Jam album cover art
is of particular interest in light
of King's story "Apt Pupil" and
of Katherine Neville's remark
"Nine is a very powerful
Nordic number."
Those who prefer more sophisticated
aesthetic theory may click on the
following keys:
Virginia Heffernan on the film version of A Wrinkle in Time:
"… the film is also sad, and soaring. It recalls the hippie days when a perverse, hubristic originality was a quality to be cultivated, not medicated. Told not from an aloof remove– through the eyes of a wise Yoda or Peter Jackson– the movie glitters irregularly, woven through with the sparkling fibers of a righteous child's tormented imagination. Steven Spielberg also attempted, with the same ambiguous but moving results, this messier brand of science fiction in 'A.I.'"
Related material:
An entry of
Dec. 29, 2006,
and entries of
Jan. 20, 2007.
See also today's
previous entries.
"And take upon's
the mystery of things
as if we were God's spies"
— King Lear
From Log24 on Aug. 19, 2003
and on Ash Wednesday, 2004:
a reviewer on
An Instance of the Fingerpost::
"Perhaps we are meant to
see the story as a cubist
retelling of the crucifixion."
From Log24 on
Michaelmas 2007:
Google searches suggested by
Sunday's PA lottery numbers
(mid-day 170, evening 144)
and by the above
figure of Kate Beckinsale
pointing to an instance of
the number 144 —
Related material:
Beckinsale in another film
(See At the Crossroads,
Log24, Dec. 8, 2006):
"It was only in retrospect
that the silliness
became profound."
— Review of
Faust in Copenhagen
From the conclusion of
Joan Didion's 1970 novel
Play It As It Lays —
"I know what 'nothing' means,
and keep on playing."
From Play It As It Lays,
the paperback edition of 1990
(Farrar, Straus and Giroux) —
Page 170:
"By the end of a week she was thinking constantly
170
even one micro-second she would have what she had |
"The page numbers
are generally reliable."
'Do we just knock?' Meg giggled."
Detail:
"Do we just knock?"
"Click PLAY."
_______________________
Related material:
Der Einsatz
The New York Times online,
Friday, Sept. 7, 2007:
Madeleine L’Engle,
Children’s Writer,
Is Dead
Her death, of natural causes, was announced today by her publisher, Farrar, Straus and Giroux."
Related material:
Log24 entries of
August 31—
"That is how we travel."
— A Wrinkle in Time,
Chapter 5,
"The Tesseract"
— and of
September 2
(with update of
September 5)–
"There is such a thing
as a tesseract."
— A Wrinkle in Time
On Spekkens’ toy system and finite geometry
Background–
On finite geometry:
The actions of permutations on a 4 × 4 square in Spekkens’ paper (quant-ph/0401052), and Leifer’s suggestion of the need for a “generalized framework,” suggest that finite geometry might supply such a framework. The geometry in the webpage John cited is that of the affine 4-space over the two-element field.
Related material:
See also arXiv:0707.0074v1 [quant-ph], June 30, 2007:
A fully epistemic model for a local hidden variable emulation of quantum dynamics,
by Michael Skotiniotis, Aidan Roy, and Barry C. Sanders, Institute for Quantum Information Science, University of Calgary. Abstract: "In this article we consider an augmentation of Spekkens’ toy model for the epistemic view of quantum states [1]…."
Hypercube from the Skotiniotis paper:
Reference:
Perimeter Institute for Theoretical Physics, 31 Caroline Street North, Waterloo, Ontario, Canada N2L 2Y5 (Received 11 October 2005; revised 2 November 2006; published 19 March 2007.)
"…it would be quite
a long walk
for him if he had to
walk straight across."
Swiftly Mrs. Who brought
her hands… together.
"Now, you see,"
Mrs. Whatsit said,
"he would be there,
without that long trip.
That is how we travel."
— A Wrinkle in Time,
Chapter 5,
"The Tesseract"
Related material:
To Measure the Changes,
and…
|
Symbol from the
box-style I Ching
Related material:
The five Log24 entries
ending on August 1
Illustration by Lou Beach
in today's New York Times
article on science and magic
Related material:
A Wrinkle in Time
A more recent royal reference:
"'Yau wants to be the king of geometry,' Michael Anderson, a geometer at Stony Brook, said. 'He believes that everything should issue from him, that he should have oversight. He doesn't like people encroaching on his territory.'" –Sylvia Nasar and David Gruber in The New Yorker, issue dated Aug. 28, 2006
Wikipedia, Cultural references to the Royal Road:
"Euclid is said to have replied to King Ptolemy's request for an easier way of learning mathematics that 'there is no royal road to geometry.' Charles S. Peirce, in his 'How to Make Our Ideas Clear' (1878), says 'There is no royal road to logic, and really valuable ideas can only be had at the price of close attention.'"
Day Without Logic
(March 8, 2007)
and
The Geometry of Logic
(March 10, 2007):
"There is such a thing
as a tesseract."
— Madeleine L'Engle,
A Wrinkle in Time
Crossing Point
From Log24's
"Footprints for Baudrillard"–
"Was there really a cherubim
waiting at the star-watching rock…?
Was he real?
What is real?
— Madeleine L'Engle, A Wind in the Door,
Farrar, Straus and Giroux, 1973,
conclusion of Chapter Three,
"The Man in the Night"
"Oh, Euclid, I suppose."
— Madeleine L'Engle, A Wrinkle in Time,
Farrar, Straus and Giroux, 1962,
conclusion of Chapter Five,
"The Tesseract"
From Log24's
Xanga footprints,
3:00 AM today:
Texas | /431103703/item.html | 5/14/2007 3:00 AM |
The link leads to a Jan. 23, 2006 entry
on what one philosopher has claimed is
"exactly that crossing point
of constraint and freedom
which is the very essence
of man's nature."
"Some postmodern theorists like to talk about the relationship between 'intertextuality' and 'hypertextuality'; intertextuality makes each text a 'mosaic of quotations' [Kristeva, Desire in Language, Columbia U. Pr., 1980, 66] and part of a larger mosaic of texts, just as each hypertext can be a web of links and part of the whole World-Wide Web." —Wikipedia
Day Without Logic,
Introduction to Logic,
The Geometry of Logic,
Structure and Logic,
Spider-Man and Fan:
"There is such a thing
as a tesseract."
— A Wrinkle in Time
"… Bush spoke and answered audience questions for nearly 90 minutes inside East Grand Rapids High School in suburban Grand Rapids….
After leaving the school, Bush's motorcade stopped at the Gerald R. Ford Presidential Museum in downtown Grand Rapids, where he stood silently for a few moments after placing a bouquet of white roses at Ford's burial site on the museum grounds. The 38th president, who grew up in Grand Rapids, died Dec. 26 at age 93."
For the meaning of multispeech,
see the entries of
All Hallows' Eve, 2005:
"There is such a thing
as a tesseract."
— A Wrinkle in Time
Related material:
“But what is it?”
Calvin demanded.
“We know that it’s evil,
but what is it?”
“Yyouu hhave ssaidd itt!”
Mrs. Which’s voice rang out.
“Itt iss Eevill. Itt iss thee
Ppowers of Ddarrkknesss!”
“After A Wrinkle in Time was finally published, it was pointed out to me that the villain, a naked disembodied brain, was called ‘It’ because It stands for Intellectual truth as opposed to a truth which involves the whole of us, heart as well as mind. That acronym had never occurred to me. I chose the name It intuitively, because an IT does not have a heart or soul. And I did not understand consciously at the time of writing that the intellect, when it is not informed by the heart, is evil.”
— Freeman Dyson,
New York Review of Books,
issue dated May 28, 1998
The cover (pdf) of the Notices of the American Mathematical Society for April 2007 (Mathematics Awareness Month) features a naked disembodied brain (Log24, March 16), courtesy of researchers at the Catholic University of Louvain.
Log24, Jan. 26
"… at last she realized
what the Thing on the dais was.
IT was a brain.
A disembodied brain…."
"There could not be an objective test
that distinguished a clever robot
from a really conscious person."
— Daniel Dennett in TIME magazine,
Daniel Dennett, Professor of Philosophy |
Tom Wolfe's essay
"Sorry, But Your Soul Just Died,"
and a video of an interview
with Wolfe.
Excerpt:
"We are left to conclude that there was something significant in Hobbes's philosophy that motivated Wallis to engage in the lengthy and vitriolic denunciation of all things Hobbesian.
In point of fact, Wallis made no great secret of his motivations for attacking Hobbes's geometry, and the presence of theological and political motives is well attested in a 1659 letter to Huygens. He wrote:
But regarding the very harsh diatribe against Hobbes, the necessity of the case, and not my manners, led to it. For you see, as I believe, from other of my writings how peacefully I can differ with others and bear those with whom I differ. But this was provoked by our Leviathan (as can be easily gathered fro his other writings, principally those in English), when he attacks with all his might and destroys our universities (and not only ours, but all, both old and new), and especially the clergy and all institutions and all religion. As if the Christian world knew nothing sound or nothing that was not ridiculous in philosophy or religion; and as if it has not understood religion because it does not understand philosophy, nor philosophy because it does not understand mathematics. And so it seemed necessary that now some mathematician, proceeding in the opposite direction, should show how little he understand this mathematics (from which he takes his courage). Nor should we be deterred from this by his arrogance, which we know will vomit poison and filth against us. (Wallis to Huygens, 11 January, 1659; Huygens 1888-1950,* 2: 296-7)
The threats that Hobbes supposedly posed to the universities, the clergy, and all religion are a consequence of his political and theological doctrines. Hobbes's political theory requires that the power of the civil sovereign be absolute and undivided. As a consequence, such institutions as universities and the clergy must submit to the dictates of the sovereign in all matters. This extends, ironically enough, to geometry, since Hobbes notoriously claimed that the sovereign could ban the teaching of the subject and order 'the burning of all books of Geometry' if he should judge geometric principles 'a thing contrary to [his] right of dominion, or to the interest of men that have dominion' (Leviathan (1651) 1.11, 50; English Works** 3: 91). In the area of church government, Hobbes's doctrines are a decisive rejection of the claims of Presbyterianism, which holds that questions of theological doctrine is [sic] to be decided by the elders of the church– the presbytery– without reference to the claims of the sovereign. As a Presbyterian minister, a doctor of divinity, and professor of geometry at Oxford, Wallis found abundant reason to reject this political theory."
* Huygens, Christiaan. 1888-1950. Les oeuvres complètes de Chrisiaan Huygens. Ed. La Société Hollandaise des Sciences. 22 vols. The Hague: Martinus Nijhoff.
** Hobbes, Thomas. [1839-45] 1966. The English Works of Thomas Hobbes of Malmesbury, now First Collected and Edited by Sir William Molesworth. Edited by William Molesworth. 11 vols. Reprint. Aalen, Germany: Scientia Verlag.
"But what is it?"
Calvin demanded.
"We know that it's evil,
but what is it?"
"Yyouu hhave ssaidd itt!"
Mrs. Which's voice rang out.
"Itt iss Eevill. Itt iss thee
Ppowers of Ddarrkknesss!"
"After A Wrinkle in Time was finally published, it was pointed out to me that the villain, a naked disembodied brain, was called 'It' because It stands for Intellectual truth as opposed to a truth which involves the whole of us, heart as well as mind. That acronym had never occurred to me. I chose the name It intuitively, because an IT does not have a heart or soul. And I did not understand consciously at the time of writing that the intellect, when it is not informed by the heart, is evil."
"Was there really a cherubim
waiting at the star-watching rock…?
Was he real?
What is real?
— Madeleine L'Engle, A Wind in the Door,
Farrar, Straus and Giroux, 1973,
conclusion of Chapter Three,
"The Man in the Night"
"Oh, Euclid, I suppose."
In memory of the French philosopher Jean Baudrillard, who died yesterday, Tuesday, March 6, 2007.
The following Xanga footprints may be regarded as illustrating Log24 remarks of Dec. 10, 2006 on the Library of Congress, geometry, and bullshit, as well as remarks of Aug. 28, 2006 on the temporal, the eternal, and St. Augustine.
From the District of Columbia–
Xanga footprints in reverse
chronological order from
the noon hour on Tuesday,
March 6, 2007, the date
of Baudrillard's death:
District of Columbia /499111929/item.html Beijing String |
3/6/2007 12:04 PM |
District of Columbia /497993036/item.html Spellbound |
3/6/2007 12:03 PM |
District of Columbia /443606342/item.html About God, Life, Death |
3/6/2007 12:03 PM |
District of Columbia /494421586/item.html A Library of Congress Reading |
3/6/2007 12:03 PM |
District of Columbia /500434851/item.html Binary Geometry |
3/6/2007 12:03 PM |
District of Columbia /404038913/item.html Prequel on St. Cecelia's Day |
3/6/2007 12:03 PM |
Senior Honors
From the obituary in today's New York Times of historian Arthur M. Schlesinger Jr.–
"Mr. Schlesinger, partly through his appreciation of history, fully realized his good fortune. 'I have lived through interesting times and had the luck of knowing some interesting people,' he wrote.
A huge part of his luck was his father, who guided much of his early research, and even suggested the topic for his [Harvard] senior honors: Orestes A. Brownson, a 19th-century journalist, novelist and theologian. It was published by Little, Brown in 1938 as 'Orestes A. Brownson: A Pilgrim's Progress.'"
From The Catholic Encyclopedia:
"It is sufficient for true knowledge that it affirm as real that which is truly real."
From The Diamond Theory of Truth:
"Was there really a cherubim waiting at the star-watching rock…?
Was he real?
What is real?— Madeleine L'Engle, A Wind in the Door, Farrar, Straus and Giroux, 1973, conclusion of Chapter Three, "The Man in the Night"
"Oh, Euclid, I suppose."
— Madeleine L'Engle, A Wrinkle in Time, Farrar, Straus and Giroux, 1962, conclusion of Chapter Five, "The Tesseract"
Related material: Yesterday's first annual "Tell Your Story Day" at Harvard and yesterday's entry on Euclid.
Madeleine L'Engle in The Irrational Season (1977), beginning of Chapter 9 (on Pentecost):
"The Holy Spirit, the third person of the Trinity, is the easiest of this not-at-all-easy concept for me to understand. Any artist, great or small, knows moments when something more than he takes over, and he moves into a kind of 'overdrive,' where he works as ordinarily he cannot work. When he is through, there is a sense of exhilaration, exhaustion, and joy. All our best work comes in this fashion, and it is humbling and exciting.
After A Wrinkle in Time was finally published, it was pointed out to me that the villain, a naked disembodied brain, was called 'It' because It stands for Intellectual truth as opposed to a truth which involves the whole of us, heart as well as mind. That acronym had never occurred to me. I chose the name It intuitively, because an IT does not have a heart or soul. And I did not understand consciously at the time of writing that the intellect, when it is not informed by the heart, is evil."
"There could not be an objective test
that distinguished a clever robot
from a really conscious person."
— Daniel Dennett in TIME magazine,
issue dated Mon., Jan. 29, 2007
Daniel Dennett, Professor of Philosophy
and Director of the
Center for Cognitive Studies
at Tufts University,
in his office on campus.
(Boston Globe, Jan. 29, 2006.
Photo © Rick Friedman.)
Obstruction. The southwest furthers.
(See Zenna Henderson.)
The northeast does not further.
(See Daniel Dennett.)
It furthers one to see the great man.
(See Alan Turing.)
Perseverance brings good fortune.
Kate Beckinsale, adapted from
poster for Underworld: Evolution
(DVD release date 6/6/6)
"Appropriating the Button-molder's
words to Peer Gynt, he would say,
'We'll meet at the next crossroads…
and then we'll see–
I won't say more.'"
From 7/07, an art review from The New York Times:
Endgame Art?
It's Borrow, Sample and Multiply
in an Exhibition at Bard College
"The show has an endgame, end-time mood….
I would call all these strategies fear of form…. the dismissal of originality is perhaps the oldest ploy in the postmodern playbook. To call yourself an artist at all is by definition to announce a faith, however unacknowledged, in some form of originality, first for yourself, second, perhaps, for the rest of us.
Fear of form above all means fear of compression– of an artistic focus that condenses experiences, ideas and feelings into something whole, committed and visually comprehensible."
— Roberta Smith
It nevertheless does
"announce a faith."
"First for yourself"
Today's mid-day
Pennsylvania number:
707
See Log24 on 7/07
and the above review.
"Second, perhaps,
for the rest of us"
Today's evening
Pennsylvania number:
384
This number is an
example of what the
reviewer calls "compression"–
"an artistic focus that condenses
experiences, ideas and feelings
into something
whole, committed
and visually comprehensible."
"Experiences"
See (for instance)
Joan Didion's writings
(1160 pages, 2.35 pounds)
on "the shifting phantasmagoria
which is our actual experience."
"Ideas"
"Feelings"
See A Wrinkle in Time.
"Whole"
The automorphisms
of the tesseract
form a group
of order 384.
"Committed"
See the discussions of
groups of degree 16 in
R. D. Carmichael's classic
Introduction to the Theory
of Groups of Finite Order.
"Visually comprehensible"
See "Diamond Theory in 1937,"
an excerpt from which
is shown below.
The "faith" announced by
the above lottery numbers
on All Hallows' Eve is
perhaps that of the artist
Madeleine L'Engle:
"Does the word 'tesseract'
mean anything to you?"
— Robert A. Heinlein in
The Number of the Beast
(1980)
My reply–
Part I:
A Wrinkle in Time, by
Madeleine L'Engle
(first published in 1962)
Part II:
Diamond Theory in 1937
and
Geometry of the 4×4 Square
Part III:
"Wells and trees were dedicated to saints. But the offerings at many wells and trees were to something other than the saint; had it not been so they would not have been, as we find they often were, forbidden. Within this double and intertwined life existed those other capacities, of which we know more now, but of which we still know little– clairvoyance, clairaudience, foresight, telepathy."
— Charles Williams, Witchcraft, Faber and Faber, London, 1941
A New Yorker profile of Madeleine L'Engle from April 2004, which I found tonight online for the first time. For a related reflection on truth, stories, and values, see Saint's Day. For a wider context, see the Log24 entries of February 1-15, 2003 and February 1-15, 2006.
Note: Carmichael's reference is to
A. Emch, "Triple and multiple systems, their geometric configurations and groups," Trans. Amer. Math. Soc. 31 (1929), 25–42.
(continued from
Life of the Party, March 24)
Exhibit A —
From (presumably) a Princeton student
(see Activity, March 24):
Exhibit B —
From today's Sunday comics:
Exhibit C —
From a Smith student with the
same name as the Princeton student
(i.e., Dagwood's "Twisterooni" twin):
Related illustrations
("Visual Stimuli") from
the Smith student's game —
Literary Exercise:
Continuing the Smith student's
Psychonauts theme,
compare and contrast
two novels dealing with
similar topics:
A Wrinkle in Time,
by the Christian author
Madeleine L'Engle,
and
Psychoshop,
by the secular authors
Alfred Bester and
Roger Zelazny.
Presumably the Princeton student
would prefer the Christian fantasy,
the Smith student the secular.
Those who prefer reality to fantasy —
not as numerous as one might think —
may examine what both 4×4 arrays
illustrated above have in common:
their structure.
Both Princeton and Smith might benefit
from an application of Plato's dictum:
Evil
Some academics may feel that a denunciation of an essay by one of their fellow academics as "evil" (see this morning's entry The Last Word) goes too far.
Here is a followup to that entry.
From the Riviera Presbyterian Church, a sermon quoting Madeleine L’Engle's classic A Wrinkle in Time:
For a moment there was the darkness of space, then another planet. The outlines of this planet were not clean and clear. It seemed to be covered with a smoky haze. Through the haze Meg thought she could make out the familiar outlines of continents like pictures in her Social Studies books. "Is it because of our atmosphere that we can't see properly?" she asked anxiously. "No, Meg, yyou know thattt itt iss nnott tthee attmosspheeere," Mrs. Which said. "Yyou mmusstt bee brrave." "It's the Thing!" Charles Wallace cried. "It's the Dark Thing we saw… when we were riding on Mrs. Whatsit's back!" "Did it just come?" Meg asked in agony, unable to take her eyes from the sickness of the shadow which darkened the beauty of the earth. Mrs. Whatsit sighed. "No, Meg. It hasn't just come. It has been there for a great many years. That is why your planet is such a troubled one." "I hate it!" Charles Wallace cried passionately. "I hate the Dark Thing!" Mrs. Whatsit nodded. "Yes, Charles dear. We all do." "But what is it?" Calvin demanded. "We know that it's evil, but what is it?" "Yyouu hhave ssaidd itt!" Mrs. Which's voice rang out. "Itt iss Eevill. Itt iss thee Ppowers of Ddarrkknessss!" "But what's going to happen?" Meg's voice trembled. "Oh, please, Mrs. Which, tell us what's going to happen!" "We will continue tto ffight!" Something in Mrs. Which's voice made all three of the children stand straighter, throwing back their shoulders with determination, looking at the glimmer that was Mrs. Which with pride and confidence. "And we're not alone, you know, children," came Mrs. Whatsit, the comforter. "All through the universe it's being fought, all through the cosmos… and some of our very best fighters have come right from your own planet, and it's a little planet, dears, out on the edge of a little galaxy." "Who have some of our fighters been?" Calvin asked. "Oh, you must know them dear," Mrs. Whatsit said. Mrs. Who's spectacles shone out at them triumphantly, "And the light shineth in darkness, and the darkness comprehended it not." "Jesus!" Charles Wallace said. "Why, of course, Jesus!" "Go on, Charles, love. There were others. All your great artists. They've been lights for us to see by." "Leonardo da Vinci?" Calvin suggested tentatively. "And Michelangelo?" "And Shakespeare," Charles Wallace called out, "and Bach! And Pasteur and Madame Curie and Einstein!" Now Calvin's voice rang with confidence. "And Schweitzer and Gandhi and Buddha and Beethoven and Rembrandt and St. Francis!" "Watch!" the Medium told them. The earth with its fearful covering of dark shadow swam out of view and they moved rapidly through the Milky Way. And there was the Thing again. Suddenly there was a great burst of light through the Darkness. The light spread out and where it touched the Darkness the Darkness disappeared. The light spread until the patch of Dark Thing had vanished, and there was only a gentle shining, and through the shining came the stars, clear and pure. No shadows. No fear. Only the stars and the clear darkness of space, quite different from the fearful darkness of the Thing. "You see!" the Medium cried, smiling happily. "It can be overcome! It is being overcome all the time!" And it is. Lift up your hearts, lift up your heads, catch the ball, practice Advent, see in the dark. You are a city set on a hill, whose light cannot be hid. said Jesus, and he believed it. |
Shell Beach
“It was a dark and stormy night….”
— Opening of A Wrinkle in Time, a classic novel by Madeleine L’Engle.
For those who seek religious significance in the name of Hurricane Alex:
“Alex Proyas directs this futuristic thriller about a man waking up to find he is wanted for brutal murders he doesn’t remember. Haunted by mysterious beings who stop time and alter reality, he seeks to unravel the riddle of his identity.”
— Description of the 1998 film Dark City
See also ART WARS of June 19, 2002.
Presbyterian Poets Society
The Wrinkle in Time link in my previous entry led to a sermon for St. Andrew’s day, 2003, at the Riviera Presbyterian Church in Miami.
I belong to no church, but have a vague recollection of being confirmed in the Presbyterian church in early adolescence. That ceremony meant nothing to me then, and means nothing to me now. It was the culmination of fitful attendance at Presbyterian Sunday School, which I recall, reluctantly, only as a course of training in ugliness, lies, and stupidity.
There seems, however, to be a paradox here. The same religion I so detested seems to have inspired in others works of beauty, truth, and intelligence.
To wit, three poets, each with a Presbyterian background:
It may be that I am becoming reconciled to the religion that was urged upon me in my youth… becoming, at last, a Riviera Presbyterian.
For more details,
click on the above picture.
Literary Archaeology
“Mrs. Who’s spectacles shone out
at them triumphantly,
‘And the light shineth in darkness;
and the darkness
comprehended it not.’ ”
— A Wrinkle in Time
See, too,
Shining Forth and
Geometry of the 4×4 Square:
http://log24.com/theory/geometry.html
“There is such a thing as a tesseract.”
— A Wrinkle in Time
Storyline
To hear a story, or to read it straight through from start to finish, is to travel along a one-dimensional line. A well-structured story has, however, more than one dimension.
Juxtaposing scenes shows that details that seem to be far apart in the telling (or the living) of a story may in fact be closely related.
Here is an example from the film “Contact,” in which a young girl’s drawing and a vision of paradise are no longer separated by the time it takes to tell (or live) the story:
(See my entry of Michaelmas 2002.)
For details of how time is “folded”
by artists and poets, see the following:
Cubist Catechism
For the birthday of Georges Braque
From A Wrinkle in Time, by Madeleine L’Engle:
“Now we will tesser, we will wrinkle again. Do you understand?”
“No,” Meg said flatly….
“Oh, dear,” Meg sighed. “I guess I am a moron. I just don’t get it.”
“That is because you think of space only in three dimensions,” Mrs. Whatsit told her….
Meg sighed. “Just explain it to me.”
“Okay,” Charles said. “What is the first dimension?”
“Well — a line.”
“Okay. And the second dimension?”
“Well, you’d square the line. A flat square would be in the second dimension.”
“And the third?”
“Well, you’d square the second dimension. Then the square wouldn’t be flat any more. It would have a bottom, and sides, and a top.”
“And the fourth?”
“Well, I guess if you want to put it into mathematical terms you’d square the square. But you can’t take a pencil and draw it the way you can the first three.”
|
A Look at the Rat
In memory of Herbert Aptheker, theoretician of the American Communist Party, who died on St. Patrick’s Day, 2003 —
From The New Yorker, issue dated March 24, 2003, Louis Menand on Edmund Wilson’s To the Finland Station:
“Wilson did know what was going on in the Soviet Union in the nineteen-thirties, as his pages on Stalin in To the Finland Station make clear. The problem wasn’t with Stalin; the problem was with Lenin, the book’s ideal type of the intellectual as man of action. Wilson admitted that he had relied on publications controlled by the Party for his portrait of Lenin. (Critical accounts were available; for example, the English translation of the émigré Mark Landau-Aldanov’s Lenin was published, by Dutton, in 1922.) Lenin could create an impression of selfless humanitarianism; he was also a savage and ruthless politician—a ‘pail of milk of human kindness with a dead rat at the bottom,’ as Vladimir Nabokov put it to Wilson in 1940, after reading To the Finland Station. In the introduction to the 1972 edition, Wilson provided a look at the rat. He did not go on to explain in that introduction that the most notorious features of Stalin’s regime—the use of terror, the show trials, and the concentration camps—had all been inaugurated by Lenin. To the Finland Station begins with Napoleon’s betrayal of the principles of the French Revolution; it should have ended with Lenin’s betrayal of European socialism.”
From Herbert Aptheker, “More Comments on Howard Fast“:
“We observe that in the list of teachers whom Howard Fast names as most influential in his own life there occur the names of fourteen individuals from Jefferson to Bernard Shaw, Upton Sinclair to Marx, Douglass to Engels, but there is no room for Lenin.
He is, I think, an important teacher, too; indeed, in my view, Lenin is the greatest figure in the whole galaxy of world revolutionary leaders. He is, certainly, the greatest analyzer of and fighter against imperialism.”
For more on Howard Fast, see my entry
“Death Knell” of March 13, 2003.
For a look at the pail of milk, see
the New Yorker cover in Geometry for Jews.
For a more cheerful look at geometry
on this St. Joseph’s Day, see
Harry J. Smith’s
“There is such a thing as a tesseract.”
— A Wrinkle in Time
For Mary Shelley, on her birthday: A Chain of Links The creator of Frankenstein might appreciate the following chain of thought. Lucifer.com Lucifer Media Corporation Lucifer Media Sites The Extropy Institute: International Transhumanist Solutions Why Super-Human Intelligence Would Be Equivalent To Precognition, by Marc Geddes:
"Consider the geometry of multiple dimensions as an analogy for mental abilities… …if there is a 4th dimension of intelligence, to us ordinary humans stuck with 3 dimensional reasoning, this 4th dimension would be indistinguishable from precognition. Post-humans would appear to us ordinary humans as beings which could predict the future in ways which would be inexplicable to us. We should label post-humans as 'Pre-Cogs.'
In the Steven Speilberg [sic] film Minority Report, we encounter genetically engineered humans with precisely the abilities described above."
Internet Movie Database page on "Minority Report"
IMDb page on "Minority Report" author Philip K. Dick
IMDb biography of Philip K. Dick, where our chain of links ends. Here Dick says that
"The basic tool for the manipulation of reality is the manipulation of words. If you can control the meaning of words, you can control the people who must use the words."
On the other hand, Dick also says here that
"Reality is that which, when you stop believing in it, doesn't go away."
These two quotations summarize, on the one hand, the cynical, relativistic nominalism of the postmodernists and, on the other hand, the hard-nosed realism of the Platonists.
What does all this have to do with "the geometry of multiple dimensions"?
Consider the famous story for adolescents, A Wrinkle in Time, by Madeleine L'Engle. The author, a well-meaning Christian, tries, like all storytellers, to control her readers by controlling the meaning of words. The key word in this book is "tesseract," a term from multi-dimensional geometry. She insists that a tesseract has mystic properties and cannot be visualized. She is wrong (at least about the visualizing).
See The Tesseract: A look into 4-dimensional space, by Harry J. Smith.
See also the many revealing comments in Harry J. Smith's Guestbook.
One of Smith's guests remarks, apropos of Smith's comments on St. Joseph, that he has his own connection with St. Augustine.
For a adult-level discussion of Augustine, time, eternity, and Platonism, see the website Time as a Psalm in St. Augustine, by A. M. Johnston.
See also the remark headlining Maureen Dowd's New York Times column of August 28, 2002, Saint Augustine's Day:
"I'm with Dick."
Whether the realist Dick or the nominalist Dick, she does not say.
As for precognition, see my series of journal notes below, which leads up to two intriguing errors in an Amazon.com site on the "Forbidden Planet" soundtrack. The first two audio samples from this soundtrack are (wrongly) entitled "Birdland" and "Flamingo." See also the West Wing episode rebroadcast on Wednesday, August 28, 2002,
C. J. Cregg (Allison Janney), who models a black Vera Wang dress in that episode, has the Secret Service codename Flamingo.
"…that woman in black She's a mystery She's everything a woman should be Woman in black got a hold on me"
(Foreigner 4 in my August 28 note below)
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