Flashback to Sept. 22, 2011 —
Robert De Niro as Irving Thalberg in "The Last Tycoon." A possible acceptance speech for the Thalberg Award—
"Let me put you in this unit." |
A possible unit —
See also Avatar in this journal . . .
. . . and a post of March 29, 2024 . . .
In the March 21 Netflix series "3 Body Problem,"
|
For the title, search for Rune Muse in this journal.
An excerpt from that search . . .
Dagaz: (Pronounced thaw-gauze, but with the "th" voiced as in "the," not unvoiced as in "thick") (Day or dawn.) From Rune Meanings: Dagaz means "breakthrough, awakening, awareness. Daylight clarity as opposed to nighttime uncertainty. A time to plan or embark upon an enterprise. The power of change directed by your own will, transformation. Hope/happiness, the ideal. Security and certainty. Growth and release. Balance point, the place where opposites meet." Also known as "the rune of transformation." |
Memorial links for the National Comedy Center at Jamestown, NY —
The Bricklayer, Scent of a Hot Tin Roof, and The Nutshell Miracle.
Memorial art —
A fan tribute in Jaime King's Instagram this evening suggests
a look at the date October 22, 2010 … as well as the old joke
"What am I here after?"
"People in power rely on a deference to the status quo.
They rely on the difficulty of imagining change, of plotting
a path to a better outcome. They rely on making you feel
like you have to accept the hand you’re given."
Jerusalem Demsas, a staff writer at The Atlantic,
July 5, 2024, 9:35 AM ET
"I've been afraid of changes . . . ." — Adapted "Landslide" lyric
* See a post of April 26, 2024.
The above new URL forwards to "Metamorphosis" in this journal.
— De Bruyn, Bart. “Quadratic Sets on the Klein Quadric.”
JOURNAL OF COMBINATORIAL THEORY SERIES A,
vol. 190, 2022, doi:10.1016/j.jcta.2022.105635.
Related material —
Log24 on Wednesday, July 3, 2024: "The Nutshell Miracle" . . .
In particular, within that post, my own 2019 "nutshell" diagram of PG(5,2):
PG(5,2)
From a search in this journal for "harmonious" —
Jung —
“Only gradually did I discover what the mandala really is:
* Faust , Part Two, trans. by Philip Wayne (Harmondsworth,
… Gestaltung, Umgestaltung,
Jung’s “Formation, Transformation” quote is from The speaker is Mephistopheles. |
Update, at 12:23 PM ET, to the above 11:29 AM post —
Peggy Noonan in The Wall Street Journal ,
ET —
"To me it feels like August 1974."
An image from this journal on Wednesday, July 3 —
"Beauty is the first test." — G. H. Hardy, A Mathematician's Apology
From a search in this journal for nocciolo —
From a search in this journal for PG(5,2) —
From a search in this journal for Curtis MOG —
Shown above is a rearranged version of the
Miracle Octad Generator (MOG) of R. T. Curtis
("A new combinatorial approach to M24,"
Math. Proc. Camb. Phil. Soc., 79 (1976), 25-42.)
From a search in this journal for Klein Correspondence —
The picture of PG(5,2) above as an expanded nocciolo
shows that the Miracle Octad Generator illustrates
the Klein correspondence.
Update of 10:33 PM ET Friday, July 5, 2024 —
See the July 5 post "De Bruyn on the Klein Quadric."
The Moolakaprithi Cube (as opposed to Rubik's Moola Cube ) —
"The key to these connections lies in a 3 x 3 x 3 cube, which
in Vedic Physics, forms the Moolaprakriti, a key component of
the Substratum, the invisible black hole form of matter."
— viXra.org, "Clifford Clock and the Moolakaprithi Cube"
* See Wikipedia.
Updated 8:18 PM EDT, Tue July 2, 2024 "Robert Towne, the Oscar-winning screenwriter of a number of acclaimed movies, including the classic 1974 noir thriller 'Chinatown' starring Jack Nicholson and Faye Dunaway, has died. He was 89 years old. The news was confirmed by Towne’s publicist Carri McClure, who said he died on Monday 'peacefully at home surrounded by his loving family.' No cause of death was provided. Towne won the Academy Award for best original screenplay for 'Chinatown,' which last month celebrated 50 years since being released." |
Related imagery . . .
"Quizá yo acabe por gastar el Zahir a fuerza de pensarlo
y de repensarlo, quizá detrás de la moneda esté Dios."
Related images . . .
An article by Olga Holtz at the American Mathematical Society
website suggests . . .
"Et cetera, et cetera, et cetera."
See also other instances of "Zahir" in this journal.
And, more recently, "a war college for dragon riders" . . .
From the post-McCaffrey genre known as "romantasy" . . .
Fourth Wing — The "arch up" scene — was quoted in
The Wall Street Journal last night at 9 PM EDT —
* See a post of April 10, 2022.
** See a post of April 29, 2024.
Related material . . .
“Ah, when she moved, she moved more ways than one:
The shapes a bright container can contain!” — Roethke
* Instagram story, June 29, 2024
See Design Theory and Sustainable in this journal.
"The actor is starring in and producing the action thriller 'The Accountant 2,'
which is in production in Los Angeles."
Related reading . . . The previous post, as well as other posts
now tagged "Center Square."
* The dinghy of the title is from the center square on the cover of
a classic paperback edition of Salinger's Nine Stories.
"Pulled out of San Pedro late one night
The moon and the stars was shinin' bright"
"San Pedro, port de Los Angeles. Décors de rêve, mais aussi théâtre de la guerre impitoyable que livre le commissariat d’Hollywood à plusieurs gangs mafieux impliqués dans la mort horrible d’immigrants clandestins importés dans des containers." |
https://page.math.tu-berlin.de/~felsner/Lehre/DSI11/Mitschrift-EH.pdf
The above S (3,4,8) is the foundation of the "happy family" of
subgroups of the Monster Group. See Griess and . . .
Related narrative and art —
"Battles argues that 'the experience of the physicality
of the book is strongest in large libraries,' and stand
among the glass cube at the center of the British Library,
the stacks upon stacks in Harvard’s Widener Library, or
the domed portico of the Library of Congress and tell me
any differently."
— Ed Simon, Binding the Ghost: Theology, Mystery, and
the Transcendence of Literature. Hardcover – April 19, 2022.
* Update at 11:32 PM ET June 26 —
The date correction suggests a look at the real San Joaquin feast day.
See (for instance) earlier posts tagged July 26 2004.
From https://www.nytimes.com/2004/06/25/
arts/art-review-artists-who-just-say-no-to-everything.html —
. . . .
''The Big Nothing'' presents an engraved invitation to Klein's ''Void,'' which I gather is now a very expensive and rare commodity. Klein would no doubt have appreciated this twist of commercial fortune. The invitation is presented alongside various photographs and ephemera from Andy Warhol's similar exhibition at the institute in 1965, which also had nothing in it except a mob of fans jamming the opening. Ms. Schaffner calls Warhol ''the Elvis of nothing,'' writing that his work, in ''an era of compliant consumer culture,'' was like ''a mirror facing a vacuum.'' Warhol appears in another photograph in the show, posing in 1985 beside a pedestal with nothing on it, a work he titled ''Invisible Sculpture.'' — Michael Kimmelman, June 25, 2004 |
This nihilist meditation is from Carl Rakosi's date of death.
Rakosi appears here in posts tagged "Inner-Outer."
"I’m really kind of into the idea of unearthing sidelined perspectives
and not making it all about the reasons that they’re sidelined, but
their actual experience.
What they love, what their desires are, where they come from,
where they want to go. And then not feeling like you always have to
stand on a … soapbox and be everyone’s spokesperson."
— Kristen Stewart in an article dated 19 February 2024
This post was suggested by . . .
A background check on Father Demo Square revealed
further information at . . .
This post was suggested by a recent New York Times obituary
and by a discussion in a book review of the MoMA art event
"24 Hour Psycho" in the Times —
Other entertainment from the Times —
The title's Dean Martin classic suggests . . .
Some un related reading — the previous post and . . .
http://log24.com/log/pix24/240623-Father_Demo-Square-background.jpg.
Some marks I find more interesting . . . Those of a Galois field.
See a June 5 post on cultural appropriation .
Earlier . . . a view of a location I walked by on June 19 —
"First important note: this isn't a final redesign of the site!"
Parker Posey in "Thelma," a new film featured today
on CBS Sunday morning —
The above arboreal background forms what might be called,
in the words of the great Warren PA photographer Gordon Mahan,
a "crotch shot." … Some may prefer Emma Watson —
Kate felt quite dizzy. She didn't know exactly what it was that had just happened, but she felt pretty damn certain that it was the sort of experience that her mother would not have approved of on a first date. "Is this all part of what we have to do to go to Asgard?" she said. "Or are you just fooling around?" "We will go to Asgard...now," he said. At that moment he raised his hand as if to pluck an apple, but instead of plucking he made a tiny, sharp turning movement. The effect was as if he had twisted the entire world through a billionth part of a billionth part of a degree. Everything shifted, was for a moment minutely out of focus, and then snapped back again as a suddenly different world.
— Douglas Adams, The Long Dark Tea-Time of the Soul
Overarching Symmetries, Theory Change, and Ontology "Overarching symmetries help us to determine which new theories should replace older, falsified theories. Typically, when an earlier theory has been rejected and physicists are searching for a new theory to replace it, physicists don't just start from scratch. They assume that many of the features of the old theory were, in fact, correct, assuming the theory in question had a history of empirical successes. The old theory must have gotten something right to be successful, so since new theories should be strictly better than the theories they replace, we need a way to identify those successful features of our old theories and carry those features over into our new theories. Successful features of older theories can thus constrain what good candidates for these theories' replacements should look like." — Daniel Peterson, "Physical Symmetries, Overarching Symmetries, and Consistency" |
From a 2016 graphic novel by Douglas Rushkoff —
See as well . . .
https://zelda.fandom.com/wiki/Triforce and Galois Rhyme.
Related reading:
In that 2016 Rushkoff book, vide the foreword, dated March 1, 2016 …
and, from that same date in this journal, posts tagged Buttressed.
"I remember how the darkness doubled . . ."
For the source, see http://m759.net/wordpress/?s=Marquee+Moon.
From T. S. Eliot and the Dynamic Imagination
by Sarah Kennedy,
Cambridge University Press, 2018 —
Chapter 7
His Dark Materials
Would you have me
False to my nature? Rather say, I play
The Man I am.
– Shakespeare, Coriolanus, III.ii. [Link added.]
Synchronology check: This journal on the above YouTube date —
Geraldine Chaplin in "The Moderns" —
Background art — Gaugin.
Chaplin in the 12 AM Aug. 23, 2023, film at TCM …
Earlier . . .
The Naked Muse — m759 on March 27, 2023
|
The "Daily Beast" reference in the previous post suggests
a look at that title on the Web . . .
https://evelynwaughsociety.org/2016/the-daily-beast-on-the-daily-beast/ .
The date of that post was June 4, 2016.
For this journal on that date, see other posts now tagged June Sync.
"Think of it as a square peg being rammed hard enough
into a round hole to stay put." — Nick Schager today
at thedailybeast.com.
Related art — Emma Watson's astrological sign . . .
The Source :
<span data-timeago="2015-03-13T21:38:56Z">9 years ago</span>
More recently, a view of a location I walked by yesterday —
"First important note: this isn't a final redesign of the site!"
The abrupt text cutoff in the above image suggests a language review:
Some will prefer the stripping of Pristine Edge.
Related reading: The Pristine Edge of Darkness.
A more specific account of
Outside/Inside box-thinking . . .
A connection discovered on April 1, 2013 — |
"DeWanda Wise is the mysterious June del Rey
in #PoolmanMovie.
Other cultural notes . . .
Willkommen! Bienvenue! Welcome!
Im cabaret, au cabaret, to cabaret!
Or not.
A New York Times obituary today for the Fluxus artist below
suggests a look at this journal on June 5, his reported date of death.
* See also June 5 in yesterday's Annals of Ambiguity post.
Flashback to April 12, 2011 —
In the landscape of minimalism, John McCracken cuts a unique figure. He is often grouped with the “light and space” artists who formed the West Coast branch of the movement. Indeed, he shares interests in vivid color, new materials, and polished surfaces with fellow Californians enamored of the Kustom Kar culture. On the other hand, his signature works, the “planks” that he invented in 1966 and still makes today, have the tough simplicity and aggressive presence of New York minimalism…. “They kind of screw up a space because they lean,” McCracken has said of the planks. Their tilting, reflective surfaces activate the room, leaving the viewer uncertain of traditional boundaries. He notes that the planks bridge sculpture (identified with the floor) and painting (identified with the wall)…. His ultimate goal, as with all mystics, is unity— not just of painting and sculpture, but of substance and illusion, of matter and spirit, of art and life. Such ideas recall the utopian aspirations of early modernists like Piet Mondrian and Wassily Kandinsky. Related Art —
Unity
—Roman numeral I For a related figure, see a film review by A. O. Scott at The New York Times (September 21, 2010)— “You Will Meet a Tall Dark Stranger” begins with an unseen narrator— , sounding a lot like — paraphrasing . You may remember the quotation from high school English, about how life is a tale told by an idiot, full of sound and fury, signifying nothing. The observation is attributed to the playwright himself (“Shakespeare once said”), rather than to Macbeth, whose grim experience led him to such nihilism, but never mind. In context, it amounts to a perfectly superfluous statement of the obvious.If life signifies nothing, perhaps the tall dark figure above signifies something . Discuss. |
Related (if only phonetically) drama . . . Detective Cruz at Planck's Café.
Another cultural inflection point:
Susan Sontag,
Notes on “Camp”
This post was suggested by an Instagram ad this evening —
From April 14, 2024, some culture notes that I prefer —
An example of pi.ai's clear and pleasant conversational style
(output format simplified for presentation here) —
Can you help with computer coding problems? Absolutely, Steven! 💻 While I can't guarantee I'll have all the answers, I'll certainly do my best to help you debug and find solutions to your coding conundrums. Which coding language are you working with, and what's giving you trouble? I want to learn how Python can permute sections of a square array. There are several ways to permute sections of a square array in Python, depending on your specific needs. Here are a few examples: Using NumPy's random.permutation() function: python import numpy as np arr = np.array([[1, 2], [3, 4]]) permuted_arr = np.random.permutation(arr) Using itertools.permutations(): python import itertools arr = [[1, 2], [3, 4]] permutations = list(itertools.permutations(arr)) Using custom permutation algorithms: python def custom_permutation(arr): # your custom permutation logic here arr = [[1, 2], [3, 4]] permuted_arr = custom_permutation(arr) Each method has its own strengths and weaknesses, and which one you choose will depend on the size of your array, the number of permutations you need, and your performance requirements. I would like to use python's custom permutation method to permute the four quadrants of a 4×4 array. Here's an example of how to define a custom permutation function in Python to permute the four quadrants of a 4×4 array: python def custom_permutation(arr): # Split array into 4 quadrants q1 = arr[:2, :2] q2 = arr[:2, 2:] q3 = arr[2:, :2] q4 = arr[2:, 2:] # Permute quadrants permuted_arr = np.block([ [q3, q1], [q4, q2] ]) return permuted_arr # Sample 4x4 array arr = np.array([[1, 2, 3, 4], [5, 6, 7, 8], [9, 10, 11, 12], [13, 14, 15, 16]]) permuted_arr = custom_permutation(arr) print(permuted_arr) In this example, we've defined a function custom_permutation() that takes a 4×4 NumPy array as input. The function splits the array into four quadrants (q1, q2, q3, and q4), and then uses NumPy's block() function to create a new array with the quadrants permuted. The resulting permuted_arr array has its quadrants rearranged. Of course, this is just one possible permutation of the array's quadrants. You can modify the custom_permutation() function to implement other permutations as needed. I tried the code you gave me and got the error “np name not defined.” Apologies for that! I missed an import statement in the previous example. You need to import the NumPy library at the beginning of your script to use the np alias and its functions. Here's the corrected code: python import numpy as np def custom_permutation(arr): # Split array into 4 quadrants q1 = arr[:2, :2] q2 = arr[:2, 2:] q3 = arr[2:, :2] q4 = arr[2:, 2:] # Permute quadrants permuted_arr = np.block([ [q3, q1], [q4, q2] ]) return permuted_arr # Sample 4x4 array arr = np.array([[1, 2, 3, 4], [5, 6, 7, 8], [9, 10, 11, 12], [13, 14, 15, 16]]) permuted_arr = custom_permutation(arr) print(permuted_arr) This code should work now without any issues. It did work. Thank you, Pi. You're very welcome, Steven! I'm glad the code worked for you. If you have any more questions or need help with anything else, feel free to ask.
From a bondage search . . .
“Loitering in Lara’s dressing room, she tries on
the faux-bondage harness she picked up in London….”
From Geometry for Belgium —
Anil Gomes in London Review of Books issue dated 20 June 2024 —
"The wish to pull narratives together into
a unified whole is often quixotic."
Steven H. Cullinane in Log24 , 8 June 2024 —
As for the LRB title's "tillosophy," a word coined by the dead academic
under review, see "boustrophedonic" in this journal.
"… he enrolled in the Dramatic Workshop of the New School and, in 1963,
created the Triangle Theater Company, where he directed productions and
appeared in 'The Adding Machine' ….”
— A New York Times eulogy for an actor who reportedly died yesterday.
When in Rome . . .
Scene from La Romana (1954).
* For the latter, see the previous post.
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