Log24

“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon

(Continued)

Two visions of happy neurons:

This post was suggested by a link in today's New York Times —

"Simon Denny, the New Zealand artist whose work incorporates
board games, intervenes by introducing his own pieces into an attic of
the late-18th-century Haus zum Kirschgarten, already filled with
'old historical dollhouses, board games, chess games' and the like …."

"Don’t want to end up a cartoon in a cartoon graveyard.” — Paul Simon

"Or tangled up in blue." — Steven H. Cullinane

* A title for Harlan Kane, suggested by obituaries
from The New York Times  (this afternoon) and from
CBC News (on May 14, below) . . .

. . . as well as by illustrations shown here on May 13 and by
a screenwriter quoted here on May 12 —

“When I die,” he liked to say, “I’m going to have written
on my tombstone, ‘Finally, a plot!’”

— Robert D. McFadden in The New York Times

Another quote that seems relevant —

“I need a photo opportunity, I want a shot at redemption.
 Don’t want to end up a cartoon in a cartoon graveyard.”
 — Paul Simon

"I need a photo opportunity, I want a shot at redemption.
Don't want to end up a cartoon in a cartoon graveyard."
– Paul Simon

From the previous post —

From a cartoon graveyard —

See also, in this  journal, Smallest Perfect and Nocciolo .

“I need a photo opportunity, I want a shot at redemption.
 Don’t want to end up a cartoon in a cartoon graveyard.”
 — Paul Simon

From a cartoon graveyard on yesterday's date in 1957 —

For the photo opportunity of the Paul Simon song, see
my former sixth-grade teacher on that same 1957 page.

“I need a photo opportunity, I want a shot at redemption.
 Don’t want to end up a cartoon in a cartoon graveyard.”

 — Paul Simon

See also John Collier's short story "The Lady on the Grey."

Note that the title of the previous post was "Black Well,"
almost the same as that of Tanner's graphic novel above.

(Continued.)

“I need a photo opportunity, 
I want a shot at redemption.
Don’t want to end up a cartoon 
in a cartoon graveyard.”

— Paul Simon

Photo opportunity
for the late John Bayley and Iris Murdoch —

From a cartoon graveyard, in memory of
a British artist who reportedly died yesterday: 

Against Dryness —

Cartoon by Martin Honeysett

“I need a photo opportunity….” — Paul Simon

I need a photo opportunity
I want a shot at redemption
Don't want to end up a cartoon
In a cartoon graveyard

— Paul Simon

See also the name Romanova
and the name Anastasia.

(Continued)

A meditation suggested by the April 20 post Complex Reflection
and by the life and April 20 death of a scientist who worked
at Los Alamos (home of the Monte Carlo method) and at
the Santa Fe Institute (home of complexity theory).

A search for 286 in this journal yields "Yet Another Cartoon Graveyard."

That June 1, 2008, post linked to poem  286 in a 1919 anthology.

Here is that poem, together with poem 823.

Together, these poems may be regarded as a meditation on
Simone Weil and her brother André Weil or, 
more abstractly, on Love and Death.

Happy birthday to Al Pacino.

"I need a photo-opportunity,
I want a shot at redemption.
Don't want to end up a cartoon
In a cartoon graveyard."
— Paul Simon

For Sabato's photo opportunity, click here.

The link is to a weblog post in Spanish published
on St. Thomas Becket's Day, 2010.

See also Helen Lane in this journal. Lane translated
Sabato's "On Heroes and Tombs."

See also the page linked to on
Becket’s Day last year,
as well as…

x

Related material:

Nine Gates to the
Temple of Poetry
and
Law Day 2001:
The Devil and Wallace Stevens

In response to this morning’s Wizard-of-Id example (see 1:22 PM entry) of a political Bob-Hope-style Christian wisecrack (a style more apt to make me gag than laugh), some further quotations:

I need a photo-opportunity, I want a shot at redemption. Don’t want to end up a cartoon In a cartoon graveyard. — Paul Simon

Laurance Rockefeller

The Washington Post on the gigolo candidate in Boston Monday:

“In a lunch speech to more than 1,000 women who had donated $500 to $2,000 to his campaign or the Democratic Party, Kerry was joined on stage by his wife, Teresa Heinz Kerry….  He focused his comments on improving health care and creating more jobs — notions that he said ‘are not Democratic values. They’re not Republican values. They are American values.’ “

Let us pass over Kerry’s ignorance of the difference between desiderata (things considered desirable) and values (principles, standards, or qualities considered desirable).

A definition of “values” in a different sense, one that might appeal to the late St. Laurance Rockefeller, dead on 7/11, who majored in philosophy at Princeton:

“In an artistical composition, the character of any one part in its relation to other parts and to the whole — often used in the plural: as, the values are well given, or well maintained.”

— Webster’s Unabridged Dictionary, 1913

Rockefeller is, I hope, now in a place where he can discuss this definition with Bach as it applies to, say, that composer’s “Goldberg Variations.”

Here below, another sort of Goldberg Variations seems appropriate to the times we live in …

The following composition was inspired by Whoopi Goldberg’s remarks at last Thursday’s Radio City Music Hall Democratic Party fund-raiser.

Sources:

Ike Turner, Bad Dreams album,
Mom’s Apple Pie album (X-rated),
and Log24 entries of
July 9-10 and July 12.

Update of 3:17 AM July 13, 2004:

A place in Heaven next to St. Laurance
seems to have been reserved:

Cartoon Graveyard,
or Betty and the Third Eye

I need a photo opportunity
I want a shot at redemption
Don’t want to end up a cartoon
In a cartoon graveyard
     — Paul Simon

One of my favorite movie scenes is the entry into paradise, through a looking glass, of Kilgore Trout (played by Albert Finney) in “Breakfast of Champions.”  Trout encounters a beautiful (indeed, angelic) maiden on the other side of the looking glass and asks of her, “Make me young again.”  His wish is granted.  Those who wish to may imagine — through a glass, darkly — a great artist’s entry into heaven with the aid of the very popular website Betty and Veronica.

PARENTAL ADVISORY:

The “Betty and Veronica” link above is more suited to Kilgore Trout’s usual publisher,  The World Classics Library, than to, say, the Harvard Classics.  Since Betty and Veronica have been attending Riverdale High for about 60 years now, I think we can assume they are 18 by this time, and can appear in an adult website.  Their cartoonish appearance may be helpful to newcomers to paradise; it does not mean, as Paul Simon fears, that the afterlife consists only of cartoon characters. 

For further details, see I Corinthians 13:11-13.

Not Amusing Anymore

I need a photo-opportunity
I want a shot at redemption
Don’t want to end up a cartoon
In a cartoon graveyard
— Paul Simon

From The New York Times, Dec. 16, 2002

(See yesterday’s notes) —