“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
Friday, January 28, 2022
Escape from a Cartoon Graveyard
Monday, August 26, 2019
“I need a photo opportunity” — Paul Simon
Photo Opportunity , courtesy of Leni Riefenstahl — Click to enlarge.
From Paul Simon's dreaded Cartoon Graveyard —

The Riefenstahl publication above was suggested by . . .

Monday, April 29, 2019
Like Decorations in a Cartoon Graveyard
(Continued.)
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
A death on the date of the above New Yorker piece — Oct. 15, 2018 —
See as well the Pac-Man-like figures in today's previous post
as well as the Monday, Oct. 15, 2018, post "History at Bellevue."
Tuesday, June 12, 2018
Like Decorations in a Cartoon Graveyard
Two visions of happy neurons:
This post was suggested by a link in today's New York Times —
"Simon Denny, the New Zealand artist whose work incorporates
board games, intervenes by introducing his own pieces into an attic of
the late-18th-century Haus zum Kirschgarten, already filled with
'old historical dollhouses, board games, chess games' and the like …."
Wednesday, February 24, 2016
Remarks on a Cartoon Graveyard
For Crimson Jill
The graveyard of the title is from a song by Paul Simon.
|
Jessica Guynn, USA TODAY "By popular demand, Facebook is going beyond the ubiquitous thumbs-up button with a new shorthand to express your thoughts and feelings. Acknowledging that 'like' isn't the right sentiment for every occasion, the giant social network is offering new options. Reactions, five emoting emojis, are rolling out to Facebook's more than 1.5 billion users around the globe starting Wednesday. With a click of a button, you can choose from new emotions when commenting on a status update. Hold the 'like' button on mobile or hover over the like button on desktop and five animated emoji pop up. Tap on love, haha, wow, sad or angry to express your reaction. …" |
The "remarks" of the title —
The "Crimson Jill" link above leads to a Harvard Gazette
article dated March 24, 2015. A meditation from the
Church of Synchronology appeared here on that date.
Thursday, December 26, 2024
For Harlan Kane: The 713 Redemption
"I need a photo opportunity, I want a shot at redemption.
Don't want to end up a cartoon in a cartoon graveyard."
– Paul Simon
From The Queen's Gambit , by Walter Tevis (1983) —
"She stopped and turned to Beth. 'There is no hint of a
Protestant ethic in Mexico. They are all Latin Catholics,
and they all live in the here and now.' Mrs. Wheatley
had been reading Alan Watts. 'I think I’ll have just one
margarita before I go out. Would you call for one, honey?'
Back in Lexington, Mrs. Wheatley’s voice would sometimes
have a distance to it, as though she were speaking from
some lonely reach of an interior childhood. Here in Mexico City
the voice was distant but the tone was theatrically gay, as though
Alma Wheatley were savoring an incommunicable private mirth.
It made Beth uneasy. For a moment she wanted to say something
about the expensiveness of room service, even measured in pesos,
but she didn’t. She picked up the phone and dialed six. The man
answered in English. She told him to send a margarita and a large
Coke to 713."
Tuesday, February 27, 2024
Macbeth and the Black Arts
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
Rhymin' Simon's lyrics seem particularly appropriate
in the case of the actor below, who reportedly died
on October 31 — Halloween — last year.
Earlier last October . . .
Saturday, July 29, 2023
Whistling Past Yankee Bush
"Don’t want to end up a cartoon in a cartoon graveyard.” — Paul Simon
"Or tangled up in blue." — Steven H. Cullinane

Monday, July 17, 2023
Harry G. Frankfurt, May 29, 1929 – July 16, 2023
See as well this journal on the morning of July 16,
and also "Cartoon Graveyard."
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
Wednesday, February 10, 2021
Multiversity News
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
See also Lawrence, Kansas, in a Log24 search for August 2, 2002.
Related material: Text Tiles posts and, also from Lawrence, Kansas . . .
Thursday, January 14, 2021
Redemptive Ephiphanic Impression
“ Harry decides his chief peacetime duty is to use his
gift for gab to further his ‘overriding purpose,’ namely:
‘By recalling the past and freezing the present he could
open the gates of time and through them see all
allegedly sequential things as a single masterwork
with neither boundaries nor divisions.’ Once he opens
these gates, Harry will flood his audience with his
redemptive epiphanic impression that ‘the world was
saturated with love.’ ”
— Liesl Schillinger, review of Mark Helprin’s novel
In Sunlight and in Shadow in The New York Times ,
Oct. 5, 2012
"I need a photo-opportunity,
I want a shot at redemption.
Don't want to end up a cartoon
In a cartoon graveyard."
— Rhymin' Simon
See as well Kristen Stewart in the
film version of . . .
Friday, October 18, 2019
Vibe for Ray Bradbury
On writer Kate Braverman, who reportedly died on Sunday, October 13:
" She wears floor-length black skirts, swirling black coats,
and black stiletto boots; the San Francisco Chronicle once
described her vibe as 'Morticia Addams gone gypsy.' "
— Katy Waldman in The New Yorker , Feb. 22, 2018
"I need a photo opportunity
I want a shot at redemption
Don't want to end up a cartoon
In a cartoon graveyard"
— Paul Simon, song lyric
For a Braverman photo opportunity, see the dark corner
at lower right in the previous post.
Friday, June 7, 2019
Photo Opportunity
A post for those who, like Paul Simon,
fear and loathe cartoon graveyards
https://www.nytimes.com/2019/06/06/obituaries/
rudolf-von-ribbentrop-dead.html
Tuesday, May 21, 2019
The Toronto Plot*
* A title for Harlan Kane, suggested by obituaries
from The New York Times (this afternoon) and from
CBC News (on May 14, below) . . .
. . . as well as by illustrations shown here on May 13 and by
a screenwriter quoted here on May 12 —
“When I die,” he liked to say, “I’m going to have written
on my tombstone, ‘Finally, a plot!’”
— Robert D. McFadden in The New York Times
Another quote that seems relevant —
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
Wednesday, March 27, 2019
Thursday, November 15, 2018
Nocciolo
"I need a photo opportunity, I want a shot at redemption.
Don't want to end up a cartoon in a cartoon graveyard."
– Paul Simon
From the previous post —
From a cartoon graveyard —
See also, in this journal, Smallest Perfect and Nocciolo .
Thursday, July 19, 2018
A Shot at Redemption
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
From a cartoon graveyard on yesterday's date in 1957 —
For the photo opportunity of the Paul Simon song, see
my former sixth-grade teacher on that same 1957 page.
Thursday, January 4, 2018
For T. S. Eliot
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
Sunday, August 27, 2017
Sequel (In Memory of Tobe Hooper)
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
See also John Collier's short story "The Lady on the Grey."
Note that the title of the previous post was "Black Well,"
almost the same as that of Tanner's graphic novel above.
Thursday, October 8, 2015
Redemption
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
A portion of the above photo appeared on the cover of
a German edition of a book by the winner of the 2015 Nobel
Prize in Literature, Svetlana Alexievich. The German title,
Der Krieg hat kein weibliches Gesicht , is closer to the Russian
original than is the title of an English translation, War's Unwomanly Face .
Further book and photo information —

Thursday, January 22, 2015
A Shot at Redemption
(Continued.)
“I need a photo opportunity,
I want a shot at redemption.
Don’t want to end up a cartoon
in a cartoon graveyard.”
— Paul Simon
Photo opportunity
for the late John Bayley and Iris Murdoch —
From a cartoon graveyard, in memory of
a British artist who reportedly died yesterday:
Wednesday, July 30, 2014
Tuesday, July 15, 2014
Photo Opportunity
"I need a photo opportunity, I want a shot at redemption.
Don't want to end up a cartoon in a cartoon graveyard."
– Paul Simon
|
"The theory of poetry, that is to say, the total of the theories of poetry, often seems to become in time a mystical theology or, more simply, a mystique. The reason for this must by now be clear. The reason is the same reason why the pictures in a museum of modern art often seem to become in time a mystical aesthetic, a prodigious search of appearance, as if to find a way of saying and of establishing that all things, whether below or above appearance, are one and that it is only through reality, in which they are reflected or, it may be, joined together, that we can reach them. Under such stress, reality changes from substance to subtlety, a subtlety in which it was natural for Cézanne to say: 'I see planes bestriding each other and sometimes straight lines seem to me to fall' or 'Planes in color…. The colored area where shimmer the souls of the planes, in the blaze of the kindled prism, the meeting of planes in the sunlight.' The conversion of our Lumpenwelt went far beyond this. It was from the point of view of another subtlety that Klee could write: 'But he is one chosen that today comes near to the secret places where original law fosters all evolution. And what artist would not establish himself there where the organic center of all movement in time and space– which he calls the mind or heart of creation– determines every function.' Conceding that this sounds a bit like sacerdotal jargon, that is not too much to allow to those that have helped to create a new reality, a modern reality, since what has been created is nothing less.
— Wallace Stevens, Harvard College Class of 1901, "The Relations between Poetry and Painting" in The Necessary Angel (Knopf, 1951) |
For background on the planes illustrated above,
see Diamond theory in 1937.
Wednesday, May 21, 2014
Through the Vanishing Point*
Marshall McLuhan in "Annie Hall" —
"You know nothing of my work."
Related material —
"I need a photo opportunity
I want a shot at redemption
Don't want to end up a cartoon
In a cartoon graveyard"
— Paul Simon
It was a dark and stormy night…
— Page 180, Logicomix
A photo opportunity for Whitehead
(from Romancing the Cube, April 20, 2011)—
See also Absolute Ambition (Nov. 19, 2010).
* For the title, see Vanishing Point in this journal.
Tuesday, July 17, 2012
For Black Widow
I need a photo opportunity
I want a shot at redemption
Don't want to end up a cartoon
In a cartoon graveyard
— Paul Simon
Wednesday, April 25, 2012
The Hallowed Crucible
A meditation suggested by the April 20 post Complex Reflection
and by the life and April 20 death of a scientist who worked
at Los Alamos (home of the Monte Carlo method) and at
the Santa Fe Institute (home of complexity theory).

A search for 286 in this journal yields "Yet Another Cartoon Graveyard."
That June 1, 2008, post linked to poem 286 in a 1919 anthology.
Here is that poem, together with poem 823.
Together, these poems may be regarded as a meditation on
Simone Weil and her brother André Weil or,
more abstractly, on Love and Death.
Happy birthday to Al Pacino.
Thursday, November 24, 2011
Shine On
"I need a photo-opportunity,
I want a shot at redemption.
Don't want to end up a cartoon
In a cartoon graveyard." — Rhymin' Simon
See also Uncertainty and More Uncertainty.
Sunday, May 1, 2011
Shot at Redemption
"I need a photo-opportunity,
I want a shot at redemption.
Don't want to end up a cartoon
In a cartoon graveyard."
— Paul Simon

For Sabato's photo opportunity, click here.
The link is to a weblog post in Spanish published
on St. Thomas Becket's Day, 2010.
See also Helen Lane in this journal. Lane translated
Sabato's "On Heroes and Tombs."
Wednesday, December 30, 2009
To a Stand-Up Philosopher
|
Simon Says I need a photo opportunity, — Paul Simon |
See also the page linked to on
Becket’s Day last year,
as well as…
Friday, September 5, 2008
Friday September 5, 2008
For Mike Hammer
Block That Metaphor
"Michael Hammer, an engineer and author on management who helped popularize the 're-engineering' movement in the 1990s, died Thursday [Sept. 4, 2008].
A spokesman for Mr. Hammer's consulting firm, Hammer and Co., said Mr. Hammer died from cranial bleeding that began Aug. 22 while he was vacationing in Massachusetts. He was 60 years old.
Mr. Hammer was the co-author of the bestselling management book Reengineering the Corporation and founder and president of Hammer and Co., Cambridge, Mass."
"An engineer by training, Hammer focused on the operational nuts and bolts of business.
Hammer's relentless pursuit of 'why?' drove his entire career. 'My modus operandi is simple,' he once wrote, 'though not always easy to carry out. I take nothing at face value. I approach all business issues and practices with the same skepticism: Why?'
A funeral will be held at 9:30 a.m. Friday, Sept. 5 in Stanetsky Memorial Chapel, 1668 Beacon St., Brookline. Interment will follow at the Shaarei Tefillah Section of the Chevra Shaas Cemetery at Baker Street Jewish Cemeteries in West Roxbury."
Related material:
"I need a photo opportunity,
I want a shot at redemption.
Don’t want to end up a cartoon
In a cartoon graveyard…"
— Paul Simon


























