"I've got a brand-new pair of roller skates …"
Related material — Salinger in the Park and
Philosophy in a New Key.
Monday, June 20, 2016
Shema, Salinger
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Tuesday, October 1, 2024
Blue Review
From this journal on September 24, 2012—
|
"A single self-transcendence" — Aldous Huxley
From an anonymous author at the website
"This little story… has that climactic moment of Kill Devil Hills also appears in a 1983 film—
"Suppose it were possible to transfer
— Trailer for "Brainstorm" (1983), |
"… that 'good' threshold . . . ." — See Threshold in this journal.
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Sunday, July 28, 2024
For Gigi — With Chill and Irony
Today's Google Doodle, honoring soccer at the Paris games,
suggests a review of Hillman's "acorn theory" of the soul in
a Log24 post of September 10, 2022 . . .
"… I loved Gigi. It fed directly into my Francophilia.
I was convinced that at some future date, I, like
Gigi, would be trained as a courtesan. I, too, would
cause some hard case, experienced roué to abandon
his chill and irony." — Jessica Kardon
Related reading:
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Saturday, June 29, 2024
A Dinghy* for Affleck
"The actor is starring in and producing the action thriller 'The Accountant 2,'
which is in production in Los Angeles."
Related reading . . . The previous post, as well as other posts
now tagged "Center Square."
* The dinghy of the title is from the center square on the cover of
a classic paperback edition of Salinger's Nine Stories.
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Saturday, January 20, 2024
Tuesday, May 16, 2023
The Cassirer in the Rye
From the American Mathematical Society today —
Robert Earl Tubbs (1954-2023)
May 15, 2023
"Tubbs, associate professor of mathematics at
the University of Colorado Boulder, died April 11, 2023,
at the age of 69. He received his PhD in 1981 from
Penn State University under the supervision of
W. Dale Brownawell. His research interests included
number theory, especially transcendental number theory,
the intellectual history of mathematical ideas and mathematics,
and the humanities."
This journal on the dies natalis of Tubbs had the third of three
posts tagged "Space and Form." Those posts dealt with European
cultural history related to Tubbs's interests. The "Space and Form"
posts, along with today's previous Log24 post, suggest a review of
the Nov. 10, 2021 post titled European Culture. An image from that post —
Those who share Cassirer's enthusiasm for myth may regard the
above Josefine Lyche version of my work as a sort of "secret writing,"
to quote a phrase of Cassirer's I find very distasteful. But there is nothing
secret about it, although there is some resemblance to written characters.
This post's title was suggested by a Salinger quote in the European Culture post.
Update on the next day, May 17 —
Further reading in Cassirer's Mythical Thought indicates that in the
passages above, on Schelling, he may be presenting a parody of
Schelling when he writes "a poem hidden behind a wonderful
secret writing." Later, on page 10, he asks, sensibly,
"… is there, perhaps, a means of retaining the question
put forward by Schelling's Philosophie der Mythologie
but of transferring it from the sphere of a philosophy of
the absolute to that of critical philosophy?"
There has reportedly been "an upsurge of interest" in Cassirer —
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Wednesday, February 22, 2023
Plan 9 from Warren Public Library*
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Saturday, February 18, 2023
Berlinale Revisited
"US actor Stewart, who previously depicted Princess Diana
in Spencer, is president of the international jury at the 73rd
Berlin International Film Festival, where filming will begin for
the project." — Mona Tabbara at screendaily.com, 10 Feb. 2023
From an earlier Berlinale . . .
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Monday, July 25, 2022
Wednesday, July 13, 2022
A New Yorker Child’s Progress
A New Yorker writer on why he wanted to
learn mathematics at an advanced age —
|
"The challenge, of course, especially in light of the collapsing horizon, since I was sixty-five when I started. Also, I wanted especially to study calculus because I never had. I didn’t even know what it was—I quit math after feeling that with Algebra II I had pressed my luck as far as I dared. Moreover, I wanted to study calculus because Amie told me that when she was a girl William Maxwell had asked her what she was studying, and when she said calculus he said, 'I loved calculus.' Maxwell would have been about the age I am now. He would have recently retired after forty years as an editor of fiction at The New Yorker , where he had handled such writers as Vladimir Nabokov, Eudora Welty, John Cheever, John Updike, Shirley Hazzard, and J. D. Salinger. When Salinger finished Catcher in the Rye , he drove to the Maxwells’ country house and read it to them on their porch. I grew up in a house on the same country road that Maxwell and his wife, Emily, lived on, and Maxwell was my father’s closest friend."
— Wilkinson, Alec. A Divine Language (p. 5). Published |
See as well two versions of
a very short story, "Turning Nine."
Wilkinson's title is of course deplorable.
Related material: "Night Hunt" in a
Log24 search for the phrase "Good Question."
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Saturday, May 28, 2022
Tuesday, March 9, 2021
Alternate Past: LA/91506
(Title suggested by the beanie label "Alternate Future: NYC/10001")
A version of the Salinger story title "Pretty Mouth and Green My Eyes" —
"… her mouth is red and large, with Disney overtones. But it is her eyes,
a pale green of surprising intensity, that hold me."
— Violet Henderson in Vogue , 30 August 2017
See also that date in this journal.
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Thursday, November 14, 2019
Lit for Brats
From a search in this journal for Salinger —
“… the wind was noisy the way it is in spooky movies
on the night the old slob with the will gets murdered.”
— From the opening sentence of the first Holden Caulfield
story, published in the Collier’s of December 22, 1945
See as well the previous post.
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Friday, April 6, 2018
Watching the Zero
From "The Blacklist" Season 5, Episode 11 —
– Remind me again what it is that we think we're doing here.
– The phone acts as a passive packet sniffer.
It's a trick Tom taught me.
– Packet sniffer? Ugh.
– The FBI uses them.
I'm sure your tech people know all about them.
It can intercept and log traffic that passes over a digital network.
– It is an absolute mystery to me how these gadgets work —
the Dick Tracy phones, these blueteeth connections.
Quite frankly, I miss the rotary phone.
Except for that zero.
Watching that zero crawl back.
Oh, my God.
It was painful.
– We have the code.
– Great.
And more:
Philip J. Davis reportedly turned 86 on January 2, 2009.
An image from this journal on that date —
“You have the incorrect number.
I will tell you what you are doing:
you are turning the letter O
instead of the zero.”
— "Symbols and Signs,"
Vladimir Nabokov, 1948
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Sunday, March 12, 2017
Raise High the Ridgepole, Architects*
A post suggested by remarks of J. D. Salinger in
The New Yorker of November 19, 1955 —
|
Wikipedia: Taiji (philosophy) Etymology The word 太極 comes from I Ching : "易有太極，是生兩儀，兩儀生四象，四象生八卦，八卦定吉凶，吉凶生大業。" Taiji (太極) is a compound of tai 太 "great; grand; supreme; extreme; very; too" (a superlative variant of da 大 "big; large; great; very") and ji 極 "pole; roof ridge; highest/utmost point; extreme; earth's pole; reach the end; attain; exhaust". In analogy with the figurative meanings of English pole, Chinese ji 極 "ridgepole" can mean "geographical pole; direction" (e.g., siji 四極 "four corners of the earth; world's end"), "magnetic pole" (Beiji 北極 "North Pole" or yinji 陰極 "negative pole; cathode"), or "celestial pole" (baji 八極 "farthest points of the universe; remotest place"). Combining the two words, 太極 means "the source, the beginning of the world". Common English translations of the cosmological Taiji are the "Supreme Ultimate" (Le Blanc 1985, Zhang and Ryden 2002) or "Great Ultimate" (Chen 1989, Robinet 2008); but other versions are the "Supreme Pole" (Needham and Ronan 1978), "Great Absolute", or "Supreme Polarity" (Adler 1999). |
See also Polarity in this journal.
* A phrase adapted, via Salinger,
from a poem by Sappho—
Ἴψοι δὴ τὸ μέλαθρον,
Υ᾽μήναον
ἀέρρετε τέκτονεσ ἄνδρεσ,
Υ᾽μήναον
γάμβροσ ἔρχεται ἶσοσ Ά᾽ρευϊ,
[Υ᾽μήναον]
ανδροσ μεγάλο πόλυ μείζων
[Υ᾽μήναον]
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Saturday, March 11, 2017
Transformer Group*
"Before time began, there was the Cube." — Transformers (2007)
Plot summary — "An ancient struggle between two Cybertronian races,
the heroic Autobots and the evil Decepticons, comes to Earth, with
a clue to the ultimate power held by a teenager."
* A post suggested by J. D. Salinger's phrase "a fresh impetus"
in "Raise High the Roof Beam, Carpenters" (1955)
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Friday, March 10, 2017
The Transformers
"The transformed urban interior is the spatial organisation of
an achiever, one who has crossed the class divide and who uses
space to express his membership of, not aspirations towards,
an ascendant class in our society: the class of those people who
earn their living by transformation— as opposed to the mere
reproduction— of symbols, such as writers, designers, and
academics"
— The Social Logic of Space ,
by Bill Hillier and Julienne Hanson,
Cambridge University Press, 1984
For another perspective on the achievers, see The Deceivers .
Related material —
Exhibit A:
Exhibit B:
Exhibit C:
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Wednesday, October 22, 2014
The Seventh Stage
Robin Williams and the Stages of Math
i) shock & denial
ii) anger
iii) bargaining
iv) depression
v) acceptance
And then…
vi) checking
vii) Joan Rivers
See also
- today’s previous post, Claves Regni Caelorum ,
- Robin Williams in “The Final Cut,” and
- a book with a related title (illustrated below).
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Wednesday, June 18, 2014
A Dark and Stormy Night
This journal on the morning of January 27, 2010,
the day of J. D. Salinger’s death, had a post on
Nietzsche and Heraclitus titled “To Apollo.”
Related material:
“… the wind was noisy the way it is in spooky movies
on the night the old slob with the will gets murdered.”
— From the opening sentence of the first Holden Caulfield
story, published in the Collier’s of December 22, 1945
See also Peter Matthiessen on Zen, Salinger and Vedanta,
and Heraclitus in this journal. Some background—
A quotation from Nietzsche…
(Sämtliche Werke, Kritische Studienausgabe in 15 Bänden (KSA).
Herausgegeben von Giorgio Colli und Mazzino Montinari.
Berlin: De Gruyter, 1980):
“Nietzsche wrote:
‘Seeing the world as a divine game and beyond good and evil:
in this both the Vedanta and Heraclitus are my predecessors.'”
— KSA vol. 11, page 26, as quoted by André van der Braak
in a chapter from his 2011 book Nietzsche and Zen
(Darin, dass die Welt ein göttliches Spiel sei
und jenseits von Gut und Böse —
habe ich die Vedanta-Philosophie
und Heraklit zum Vorgänger.)
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Thursday, November 29, 2012
The Place of the Lion
For C. S. Lewis, who was born on this date in 1898,
and Natalie Wood, who died on this date in 1981
"He was accustomed to receiving manuscripts from strangers…."
— C. P. Snow on mathematician G. H. Hardy
"Whoever you are— I have always depended on
the kindness of strangers." — A Streetcar Named Desire
From this journal on September 24, 2012—
|
"A single self-transcendence" — Aldous Huxley From an anonymous author at the website Kill Devil Hill— "This little story… has that climactic moment of Kill Devil Hills also appears in a 1983 film—
"Suppose it were possible to transfer — Trailer for "Brainstorm" (1983), |
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Sunday, October 28, 2012
In Like Flynn
(Continued from this morning's father-son Flynns
and from two other Flynn father-son pairs. See the
fictional Tron pair on Jan. 5, 2011 and Dec. 2, 2011,
and the "Flynn effect" pair from Sept. 23, 2012.)
From a film…
Being Flynn (2012)
[first lines]
Jonathan Flynn: America has produced only three classic writers –
Mark Twain, J. D. Salinger and me. I'm Jonathan Flynn.
Everything I write is a masterpiece.
…and from this journal…
"The mind is its own place, and the places inhabited by the insane
and the exceptionally gifted are so different from the places where
ordinary men and women live, that there is little or no common ground
of memory to serve as a basis for understanding or fellow feeling."
— The Doors of Perception , by Aldous Huxley
"Greet guests with a touch of glass."
— The Perception of Doors , by Google —
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Monday, October 8, 2012
This Poet You’ve Snatched
Some background from today's New York Times—
From DeLillo's novel Mao II in the paragraph immediately preceding
the Ritz-hat passage quoted by Soltan—
"He could have told George he was writing about the hostage to bring him back, to return a meaning that had been lost to the world when they locked him in that room. Maybe that was it. When you inflict punishment on someone who is not guilty, when you fill rooms with innocent victims, you begin to empty the world of meaning and erect a separate mental state, the mind consuming what's outside itself, replacing real things with plots and fictions. One fiction taking the world narrowly into itself, the other fiction pushing out toward the social order, trying to unfold into it. He could have told George a writer creates a character as a way to reveal consciousness, increase the flow of meaning. This is how we reply to power and beat back our fear. By extending the pitch of consciousness and human possibility. This poet you've snatched. His detention drains the world of one more thimble of meaning."
For related ways of draining the world of meaning, see the politically loaded leftist vocabulary of International Art English—
IAE has a distinctive lexicon: aporia , radically , space , proposition , biopolitical , tension , transversal , autonomy . An artist’s work inevitably interrogates, questions, encodes, transforms, subverts, imbricates, displaces—though often it doesn’t do these things so much as it serves to, functions to, or seems to (or might seem to) do these things. [Alix Rule and David Levine, July 30, 2012]
See also this evening's post Issue 16.
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Monday, September 24, 2012
Nice Job, Jimmy
"… and now thanks to Philo T. Farnsworth,
we have 'Here Comes Honey Boo Boo.'"
— Jimmy Kimmel at last night's Emmy Awards
Related material—
Aldous Huxley in last evening's Log24 post—
"Embraced, the lovers desperately try
to fuse their insulated ecstasies into
a single self-transcendence…."
From an anonymous author at the website Kill Devil Hill—
"This little story… has that climactic moment of
heightened awareness…. This is a moment where
two individuals become one, empowering them
to transcend the limitations of their own individual
frailty and society. It's an epiphany, an almost
divine spark. It is an experience when one plus one
don't equal two, but something far greater."
Kill Devil Hills also appears in a 1983 film—
"Suppose it were possible to transfer
from one mind to another
the experience of another person."
— Trailer for "Brainstorm" (1983),
the last film of Natalie Wood
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Thursday, November 24, 2011
Transparent Things
… And the New York Lottery, with a wry smile,
signs its Thanksgiving story J. D. Salinger .
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Sunday, March 27, 2011
Frames
"I just seemed to have more frames per second than other kids."
— Mary Karr, "Facing Altars: Poetry and Prayer"
See also "Signs and Symbols."
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Friday, October 8, 2010
Starting Out in the Evening
… and Finishing Up at Noon
This post was suggested by last evening’s post on mathematics and narrative
and by Michiko Kakutani on Vargas Llosa in this morning’s New York Times.
Above: Frank Langella in Right: Johnny Depp in |
 |
“One must proceed cautiously, for this road— of truth and falsehood in the realm of fiction— is riddled with traps and any enticing oasis is usually a mirage.”
— “Is Fiction the Art of Lying?”* by Mario Vargas Llosa, New York Times essay of October 7, 1984
My own adventures in that realm— as reader, not author— may illustrate Llosa’s remark.
A nearby stack of paperbacks I haven’t touched for some months (in order from bottom to top)—
- Pale Rider by Alan Dean Foster
- Franny and Zooey by J. D. Salinger
- The Hobbit by J. R. R. Tolkien
- Le Petit Prince by Antoine de Saint Exupéry
- Literary Reflections by James A. Michener
- The Ninth Configuration by William Peter Blatty
- A Streetcar Named Desire by Tennessee Williams
- Nine Stories by J. D. Salinger
- A Midsummer Night’s Dream by William Shakespeare
- The Tempest by William Shakespeare
- Being There by Jerzy Kosinski
- What Dreams May Come by Richard Matheson
- Zen and the Art of Motorcycle Maintenance by Robert M. Pirsig
- A Gathering of Spies by John Altman
- Selected Poems by Robinson Jeffers
- Hook— Tinkerbell’s Challenge by Tristar Pictures
- Rising Sun by Michael Crichton
- Changewar by Fritz Leiber
- The Painted Word by Tom Wolfe
- The Hustler by Walter Tevis
- The Natural by Bernard Malamud
- Truly Tasteless Jokes by Blanche Knott
- The Man Who Was Thursday by G. K. Chesterton
- Under the Volcano by Malcolm Lowry
What moral Vargas Llosa might draw from the above stack I do not know.
Generally, I prefer the sorts of books in a different nearby stack. See Sisteen, from May 25. That post the fanciful reader may view as related to number 16 in the above list. The reader may also relate numbers 24 and 22 above (an odd couple) to By Chance, from Thursday, July 22.
* The Web version’s title has a misprint— “living” instead of “lying.”
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Friday, February 12, 2010
Capital E
Where Entertainment is God, continued—
The following paragraphs are from a review by Piotr Siemion of Infinite Jest, a novel by David Foster Wallace. Illustrations have been added.
"Wallace was somehow able to twist together three yarns…. …there's a J.D Salinger for those who like J.D. Salinger. There's William Burroughs for those hardy souls who like some kick in their prose. And there's a dash of Kurt Vonnegut too. All three voices, though, are amplified in Infinite Jest beyond mere distortion and then projected onto Wallace's peculiar own three-ring circus….
… there's entertainment. Make it a capital E.
Illustration by Clint Eastwood
from Log24 post "E is for Everlast"
Infinite Jest revolves, among its many gyrations, around the story of the Entertainment, a film-like creation going by the title of 'Infinite Jest' and created shortly before his suicidal death by the young tennis star's father. The Entertainment's copies are now being disseminated clandestinely all over Wallace's funny America. Problem is, of course, that the film is too good. Anybody who gets to watch it becomes hooked instantly and craves only to watch it again, and again, and again, until the audience drops dead of exhaustion and hunger. Why eat when you're entertained by such a good movie? Wallace's premise brings you back to that apocryphal lab experiment in which rats were treated to a similar choice. When the rat pushed one button, marked FOOD, it would get a food pellet. The other button, marked FUN, would fire up an electrode rigged right into the orgasm center somewhere in the rat's cortex. Needless to add, one rat after another would drop dead from hunger, still twitching luridly and trying to finesse one last push of the button. Same thing in Wallace's story, especially that even those characters who have not seen the Entertainment yet, keep on entertaining themselves by different means."
The title of the Entertainment, "Infinite Jest," might also be applied to a BBC program featuring mathematician Peter J. Cameron. The program's actual title was "To Infinity and Beyond." It was broadcast the night of Feb. 10 (the date of this journal's previous post).
Few, however, are likely to find the Infinity program addictive. For closer approaches to Wallace's ideal Entertainment, see instead Dante (in the context of this journal's Feb. 4 posts on Cameron and the afterlife) and the BBC News.
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Sunday, January 31, 2010
Unholy Scripture
From The New York Times —
4TH NIGHT FREE
From this journal —
Twilight Kingdom
“What he cannot contemplate is the reproach of
… that final meeting
In the twilight kingdom,
when at length he may meet the eyes….”
” … unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death’s twilight kingdom”
Related readings from unholy scripture:
A. The “long twilight struggle” speech of JFK
B. “The Platters were singing ‘Each day I pray for evening just to be with you,’ and then it started to happen. The pump turns on in ecstasy. I closed my eyes, I held her with my eyes closed and went into her that way, that way you do, shaking all over, hearing the heel of my shoe drumming against the driver’s-side door in a spastic tattoo, thinking that I could do this even if I was dying, even if I was dying, even if I was dying; thinking also that it was information. The pump turns on in ecstasy, the cards fall where they fall, the world never misses a beat, the queen hides, the queen is found, and it was all information.”
— Stephen King, Hearts in Atlantis, August 2000 Pocket Books paperback, page 437
C. “I will show you, he thought, the war for us to die in, lady. Sully your kind suffering child’s eyes with it. Live burials beside slow rivers. A pile of ears for a pile of arms. The crisps of North Vietnamese drivers chained to their burned trucks…. Why, he wondered, is she smiling at me?”
— Robert Stone, A Flag for Sunrise, Knopf hardcover, 1981, page 299
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Saturday, January 30, 2010
Metamorphosis and Metaphor
"Animation tends to be a condensed art form, using metamorphosis and metaphor to collide and expand meaning. In this way it resembles poetry."
— Harvard's Carpenter Center for the Visual Arts,
description of an exhibition–
FRAME BY FRAME: ANIMATED AT HARVARD
January 28–Feb 14, 2010
For example–
Animation — The Animated Diamond Theorem,
now shown frame by frame for selected frames
Poetry–
Part I — "That Nature is a Heraclitean Fire…."
Part II — Metaphor on the covers of a Salinger book–
For other thoughts on
metamorphosis and metaphor,
see Endgame.
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Friday, January 29, 2010
More Glass
Part I:
"…although a work of art 'is formed around something missing,' this 'void is its vanishing point, not its essence.' She shows deftly and delicately that the void inside Keats’s urn, Heidegger’s jug, or Wallace Stevens’s jar forms the center around which we tend to organize our worlds."
— Harvard University Press on Persons and Things (April 30, 2008), by Barbara Johnson
Part II:
"Did you see more glass?"
Part III:
From the date of Barbara Johnson's death:
"Mathematical relationships were
enough to satisfy him, mere formal
relationships which existed at
all times, everywhere, at once."
– Broken Symmetries, 1983
| X | ||
| X | ||
| X |
The X's refer to the pattern on the
cover of a paperback edition
of Nine Stories, by J. D. Salinger.
Salinger died on Wednesday.
"You remember that book he sent me
from Germany? You know–
those German poems."
In Germany, Wednesday was
Holocaust Memorial Day, 2010.
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Thursday, January 28, 2010
Short Story
Home Delivery
"But wait, there's more!"
— Stanley Fish, NY Times today
For a larger image, click on The Catcher.
"Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around– nobody big, I mean– except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff– I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I'd do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be."
— J.D. Salinger, The Catcher in the Rye, Chapter 22
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Friday, January 2, 2009
Friday January 2, 2009
Signs and Symbols
continued…
from the five entries
ending on June 3, 2008
and from yesterday,
New Year's Day
The end of a story by Vladimir Nabokov in The New Yorker of May 15, 1948:
"You have the incorrect number. I will tell you what you are doing: you are turning the letter O instead of the zero."
They sat down to their unexpected festive midnight tea. The birthday present stood on the table. He sipped noisily; his face was flushed; every now and then he imparted a circular motion to his raised glass so as to make the sugar dissolve more thoroughly. The vein on the side of his bald head where there was a large birthmark stood out conspicuously and, although he had shaved that morning, a silvery bristle showed on his chin. While she poured him another glass of tea, he put on his spectacles and re-examined with pleasure the luminous yellow, green, red little jars. His clumsy moist lips spelled out their eloquent labels: apricot, grape, beech plum, quince. He had got to crab apple, when the telephone rang again.
Click for details.
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Sunday, June 15, 2008
Sunday June 15, 2008
“I need a photo-opportunity,
I want a shot at redemption.
Don’t want to end up a cartoon
In a cartoon graveyard.”
— Paul Simon
I want a shot at redemption.
Don’t want to end up a cartoon
In a cartoon graveyard.”
— Paul Simon
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Wednesday, January 1, 2003
Wednesday January 1, 2003
|
ART WARS: That Old Devil Moon |
|
From The New York Times, Wed., Jan. 1, 2003:
Richard Horner, 82,
Broadway Producer, Is DeadRichard Horner, a Broadway theater owner and producer who won a Tony Award for the 1974 revival of Eugene O'Neill's "Moon for the Misbegotten," died on Saturday [December 28, 2002] at his home in Palm Springs, Calif. He was 82.
According to one source, the O'Neill revival opened on December 28, 1973 — the same date on which the life of one of its producers was later to close.
From a CurtainUp review:
The revival at the Morosco was dubbed by its company "The Resurrection Play" since Jason Robards undertook the part just after a near fatal car accident and its legendary director José Quintero had just given up drinking.
According to the Internet Broadway Database, this revival, or resurrection, took place officially not on December 28 — the date of Horner's death — but, appropriately, a day later.
At any rate, O'Neill's title, along with my weblog entry of December 28, 2002,
"On This Date," featuring Kylie Minogue,
suggests the following mini-exhibit of artistic efforts:
|
Curtain Up!
July 2000
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|
|
Under the Volcano: A painting based on Malcolm Lowry's classic novel. Having played tennis, Dr. Vigil and M. Laruelle talk about the events a year earlier. The view is of Cuernavaca from the Casino de la Selva hotel.
Painting by
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For further details on Kylie, Mexico, tequila, and
Under the Volcano,
see my entry of November 5, 2002.
For today's site music, click "Old Devil Moon" here.
|
Addendum of 9:30 pm 1/1/03:
For a politically correct view
For a more perceptive analysis,
If there is a devil here,
J. D. Salinger (Nine Stories),
Frazer might appreciate the remarks in
Not amused: Charlotte Raven
Raven, take a bough.
|
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