Some context for what Heidegger called
das Spiegel-Spiel des Gevierts
From Helen Lane's translation of El Mono Gramático ,
a book by Nobel winner Octavio Paz first published
in Barcelona by Seix Barral in 1974 —
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Simultaneous perspective does not look upon language as a path because it is not the search for meaning that orients it. Poetry does not attempt to discover what there is at the end of the road; it conceives of the text as a series of transparent strata within which the various parts—the different verbal and semantic currents—produce momentary configurations as they intertwine or break apart, as they reflect each other or efface each other. Poetry contemplates itself, fuses with itself, and obliterates itself in the crystallizations of language. Apparitions, metamorphoses, volatilizations, precipitations of presences. These configurations are crystallized time: although they are perpetually in motion, they always point to the same hour—the hour of change. Each one of them contains all the others, each one is inside the others: change is only the oft-repeated and ever-different metaphor of identity.
— Paz, Octavio. The Monkey Grammarian
(Kindle Locations 1185-1191).
Arcade Publishing. Kindle Edition.
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A related 1960 meditation from Claude Lévi-Strauss taken from a
Log24 post of St. Andrew's Day 2017, "The Matrix for Quantum Mystics":
The Matrix of Lévi-Strauss —
"In Vol. I of Structural Anthropology , p. 209, I have shown that
this analysis alone can account for the double aspect of time
representation in all mythical systems: the narrative is both
'in time' (it consists of a succession of events) and 'beyond'
(its value is permanent)." — Claude Lévi-Strauss
I prefer the earlier, better-known, remarks on time by T. S. Eliot
in Four Quartets , and the following four quartets
(from The Matrix Meets the Grid) —
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