For an account by R. T. Curtis of how he discovered the Miracle Octad Generator,
see slides by Curtis, “Graphs and Groups,” from his talk on July 5, 2018, at the
Pilsen conference on algebraic graph theory, “Symmetry vs. Regularity: The first
50 years since Weisfeiler-Leman stabilization” (WL2018).
See also “Notes to Robert Curtis’s presentation at WL2018,” by R. T. Curtis.
Meanwhile, here on July 5, 2018 —
| Simultaneous perspective does not look upon language as a path because it is not the search for meaning that orients it. Poetry does not attempt to discover what there is at the end of the road; it conceives of the text as a series of transparent strata within which the various parts—the different verbal and semantic currents—produce momentary configurations as they intertwine or break apart, as they reflect each other or efface each other. Poetry contemplates itself, fuses with itself, and obliterates itself in the crystallizations of language. Apparitions, metamorphoses, volatilizations, precipitations of presences. These configurations are crystallized time: although they are perpetually in motion, they always point to the same hour—the hour of change. Each one of them contains all the others, each one is inside the others: change is only the oft-repeated and ever-different metaphor of identity.
— Paz, Octavio. The Monkey Grammarian |
The 2018 Log24 post containing the above Paz quote goes on to quote
remarks by Lévi-Strauss. Paz’s phrase “series of transparent strata”
suggests a review of other remarks by Lévi-Strauss in the 2016 post
“Key to All Mythologies.“
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