… Continues.
"Nothing that is not there and the nothing that is."
"It should be emphasized that block models are physical models, the elements of which can be physically manipulated. Their manipulation differs in obvious and fundamental ways from the manipulation of symbols in formal axiomatic systems and in mathematics. For example the transformations described above, in which two linear arrays are joined together to form one array, or a rectangle of blocks is re-assembled into a linear array, are physical transformations not symbolic transformations. …"
— Storrs McCall, Department of Philosophy, McGill University, "The Consistency of Arithmetic"
"It should be emphasized…."
OK:
Storrs McCall at a 2008 philosophy conference .
His blocks talk was at 2:50 PM July 21, 2008.
See also this journal at noon that same day:
Froebel's Third Gift and the Eightfold Cube
An old web page . . .
Searching for updated information on the author yields . . .
Related reading:
m759.net/wordpress/?s=Swing+On
* https://www.colorado.edu/atlas/acme-lab
From Log24 last summer . . .
From Log24 yesterday:
Catchup for Blockheads . . . Da Capo
Related material: Posts tagged Metadata.
Compare and contrast with —
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Related material: Bochner and Carnegie-Mellon.
Alfred Bester fans may also enjoy more
damned confusion from Dan Brown —
(Not to be confused with Gully Foyle .)
"Meaning fragments" is a phrase from the previous post.
See Wechsler in this journal.
Related material —
"the liberation of the plastic elements."
http://www.martin-missfeldt.de/kontrast/hell-dunkel-kontrast.php
Related material:
Kyle Smith on April 15 in the New York Post —
"The ludicrous action thriller 'Beyond the Reach'
fails to achieve the Southwestern noir potency
of 'No Country for Old Men,' but there’s no denying
it brings to mind another Southwestern classic
about malicious pursuit: the Road Runner cartoons."
Related material:
Welcome to ACME lab!
Yes, the name is both confusing and has
We call it ACME Creativity Machine Environment – We like recursive ideas. |
"Design is how it works." — Steve Jobs
From a commercial test-prep firm in New York City—
From the date of the above uploading—
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From a New Year's Day, 2012, weblog post in New Zealand—
From Arthur C. Clarke, an early version of his 2001 monolith—
"So they left a sentinel, one of millions they have scattered
throughout the Universe, watching over all worlds with the
promise of life. It was a beacon that down the ages has been
patiently signaling the fact that no one had discovered it.
Perhaps you understand now why that crystal pyramid was set…."
The numerical (not crystal) pyramid above is related to a sort of
mathematical block design known as a Steiner system.
For its relationship to the graphic block design shown above,
see the webpages Block Designs and The Diamond Theorem
as well as The Galois Tesseract and R. T. Curtis's classic paper
"A New Combinatorial Approach to M24," which contains the following
version of the above numerical pyramid—
For graphic block designs, I prefer the blocks (and the parents)
of Grand Rapids to those of New York City.
For the barbed tail of Clarke's "Angel" story, see the New Zealand post
of New Year's Day mentioned above.
The magical part— Synchronicity—
See Roger Cohen in this journal on January 15, 2009 and, on the
same date, Jesse Jarnow on Bob Dylan in The Jewish Daily Forward .
The realism part— Cohen's "smart power" and IQ tests involving pattern blocks.
The above quilt pattern software (both versions) is by Jarnow's father Al.
For a realistic approach to such patterns, see Blockheads in this journal.
Kulturkampf, (German: “culture struggle”), the bitter struggle
(c. 1871–87) on the part of the German chancellor Otto von Bismarck
to subject the Roman Catholic church to state controls.
Kulturkampf at The New York Times—
"Bismarck: 13 blocks short of a design."
April is Mathematics Awareness Month.
This year's theme is "Unraveling Complex Systems."
From Log24 during Women's History Month 2006—
March 3 —
Images related to the film "Proof" —
“Some friends of mine
are in this band….“
In related education news—
Some other material related to women (quilt patterns) and mathematics—
For those who prefer drama from a more masculine point of view—
A film released on the above date— March 3, 2006—
A midrash for Paltrow—
The last New York Lottery number
of Women's History Month 2011 was 146.
"…every answer involves as much of history
and mythology as Joyce can cram into
remarks which are ostensibly about
popular entertainment…."
James S. Atherton, The Books at the Wake:
A Study of Literary Allusions
in James Joyce's FINNEGANS WAKE,
Southern Illinois University Press,
Carbondale and Edwardsville
(1959. Arcturus Books Edition 1974), p. 146.
"It's my absolute ambition that you are touched to the core of your being with the content…."
— Julie Taymor on Spider-Man: Turn Off the Dark (Playbill video, undated)
Another ambitious comic-book promotion —
"What Logicomix does that few works in any medium do is to make intellectual passion palpable. That is its greatest strength. And it’s here that its form becomes its substance."
— Judith Roitman, review (pdf, 3.7 MB) of Logicomix: An Epic Search for Truth , in …
The December 2010 AMS Notices cover has excerpts from Logicomix.
Related material:
"In the classical grammarians’ sense of the power of form over 'content' and style over 'substance,' he originated the phrase, 'the medium is the message.'"
— Joseph P. Duggan on Marshall McLuhan at The University Bookman
See also, in this journal, The Medium is the Message, Wechsler, and Blockheads .
According to the Mathematical Association of America this morning, one purpose of the upcoming June/July issue of the Notices of the American Mathematical Society is
"…to stress the inspirational role of combinatorics…."
Here is another contribution along those lines—
Eidetic Variation
from page 244 of
From Combinatorics to Philosophy: The Legacy of G.-C. Rota,
hardcover, published by Springer on August 4, 2009
(Edited by Ernesto Damiani, Ottavio D'Antona, Vincenzo Marra, and Fabrizio Palombi)
"Rota's Philosophical Insights," by Massimo Mugnai—
"… In other words, 'objectivism' is the attitude [that tries] to render a particular aspect absolute and dominant over the others; it is a kind of narrow-mindedness attempting to reduce to only one the multiple layers which constitute what we call 'reality.' According to Rota, this narrow-mindedness limits in an essential way even of [sic ] the most basic facts of our cognitive activity, as, for example, the understanding of a simple declarative sentence: 'So objectivism is the error we [make when we] persist in believing that we can understand what a declarative sentence means without a possible thematization of this declarative sentence in one of [an] endless variety of possible contexts' (Rota, 1991*, p. 155). Rota here implicitly refers to what, amongst phenomenologists is known as eidetic variation, i.e. the change of perspective, imposed by experience or performed voluntarily, from which to look at things, facts or sentences of the world. A typical example, proposed by Heidegger, in Sein und Zeit (1927) and repeated many times by Rota, is that of the hammer."
* Rota, G.-C. (1991), The End of Objectivity: The Legacy of Phenomenology. Lectures at MIT, Cambridge, MA, MIT Mathematics Department
The example of the hammer appears also on yesterday's online New York Times front page—
Related material:
From The Blackwell Dictionary of Western Philosophy—
Eidetic variation — an alternative expression for eidetic reduction
Husserl's term for an intuitive act toward an essence or universal, in contrast to an empirical intuition or perception. He also called this act an essential intuition, eidetic intuition, or eidetic variation. In Greek, eideo means “to see” and what is seen is an eidos (Platonic Form), that is, the common characteristic of a number of entities or regularities in experience. For Plato, eidos means what is seen by the eye of the soul and is identical with essence. Husserl also called this act “ideation,” for ideo is synonymous with eideo and also means “to see” in Greek. Correspondingly, idea is identical to eidos.
An example of eidos— Plato's diamond (from the Meno )—
For examples of variation of this eidos, see the diamond theorem.
See also Blockheads (8/22/08).
Related poetic remarks— The Trials of Device.
Related material:
Frame Tales, as well as
The Sacred Day of Kali,
this morning's
New York Times obituaries,
and
Mental Health Month, 2003:
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"Have your people
call my people."
— George Carlin
Diamond life, lover boy;
we move in space
with minimum waste
and maximum joy.
— Sade, quoted here on
Lincoln's Birthday, 2003
This is perhaps suitable
for the soundtrack of
the film "Blockheads"
(currently in development)–
Related material from Wikipedia:
"Uta Frith, in her book Autism: Explaining the Enigma,[5] addresses the superior performance of autistic individuals on the block design [link not in Wikipedia] test. This was also addressed in [an] earlier paper.[6] A particularly interesting article demonstrates the differences in construction time in the performance of the block design task by Asperger syndrome individuals and non-Asperger's individuals. An essential point here is that in an unsegmented version of the task, Asperger's individuals performed dramatically faster than non-Asperger's individuals: [7]."
5. Frith, Uta (2003). Autism: explaining the enigma (2nd ed. ). Cambridge, MA: Blackwell Pub. ISBN 0-631-22901-9.
6. Shah A, Frith U (Nov 1993). "Why do autistic individuals show superior performance on the block design task?". J Child Psychol Psychiatry 34 (8): 1351–64. PMID 8294523.
7. Caron MJ, Mottron L, Berthiaume C, Dawson M (Jul 2006). "Cognitive mechanisms, specificity and neural underpinnings of visuospatial peaks in autism". Brain 129 (Pt 7): 1789–802. doi: . PMID 16597652. "Fig 3".
Related material from a film (see Calvinist Epiphany, June 17):
For the relevance of this maxim to autism, see Markoff Process (March 4, 2009).
The Kohs Block Design
Intelligence Test
Samuel Calmin Kohs, the designer (but not the originator) of the above intelligence test, would likely disapprove of the "Aryan Youth types" mentioned in passing by a film reviewer in today's New York Times. (See below.) The Aryan Youth would also likely disapprove of Dr. Kohs.
1. Wechsler Cubes (intelligence testing cubes derived from the Kohs cubes shown above). See…
Harvard psychiatry and…
The Montessori Method;
The Crimson Passion;
The Lottery Covenant.
2. Wechsler Cubes of a different sort (Log24, May 25, 2008)
3. Manohla Dargis in today's New York Times:
"… 'Momma’s Man' is a touchingly true film, part weepie, part comedy, about the agonies of navigating that slippery slope called adulthood. It was written and directed by Azazel Jacobs, a native New Yorker who has set his modestly scaled movie with a heart the size of the Ritz in the same downtown warren where he was raised. Being a child of the avant-garde as well as an A student, he cast his parents, the filmmaker Ken Jacobs and the artist Flo Jacobs, as the puzzled progenitors of his centerpiece, a wayward son of bohemia….
In American movies, growing up tends to be a job for either Aryan Youth types or the oddballs and outsiders…."
"… I think that the deeper opportunity, the greater opportunity film can offer us is as an exercise of the mind. But an exercise, I hate to use the word, I won't say 'soul,' I won't say 'soul' and I won't say 'spirit,' but that it can really put our deepest psychological existence through stuff. It can be a powerful exercise. It can make us think, but I don't mean think about this and think about that. The very, very process of powerful thinking, in a way that it can afford, is I think very, very valuable. I basically think that the mind is not complete yet, that we are working on creating the mind. Okay. And that the higher function of art for me is its contribution to the making of mind."
— Interview with Ken Jacobs, UC Berkeley, October 1999
5. For Dargis's "Aryan Youth types"–
From a Manohla Dargis
New York Times film review
of April 4, 2007
(Spy Wednesday) —
See also, from August 1, 2008
(anniversary of Hitler's
opening the 1936 Olympics) —
For Sarah Silverman —
and the 9/9/03 entry
Doonesbury,
August 21-22, 2008:
Gift of the Third Kind
Background:
Art Wars and
Russell Crowe as
Santa's Helper.
From Christmas 2005:
Related material from
Pittsburgh:
… and from Grand Rapids:
Related material
for Holy Saturday:
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