An image from the previous post —
The W image at lower left above suggests a variation —
Vogue — Promotion photo for "Bombshell."
* Title suggested in part by a post of Dec. 11, 2022 —
An image from the previous post —
The W image at lower left above suggests a variation —
Vogue — Promotion photo for "Bombshell."
* Title suggested in part by a post of Dec. 11, 2022 —
Boston Globe AP story yesterday —
LOS ANGELES — Walter Mirisch, the astute and Oscar-winning
film producer who oversaw such classics as “Some Like It Hot,”
“West Side Story,” and “In the Heat of the Night,” died on Friday
of natural causes in Los Angeles, the Academy of Motion Picture
Arts and Sciences said Saturday. He was 101.
"Recently, several leading academic journals and publishers
updated their submission guidelines to explicitly ban researchers
from listing ChatGPT as a co-author, or using text copied from a
ChatGPT response. Some professors have criticized these bans
as shortsightedly resistant to an inevitable technological change.
We shouldn’t be surprised at the disagreement. This is a new
ethical space that only roughly follows the outlines of our existing
agreements on plagiarism, authorship criteria, and fraud.
Precisely where to draw red lines is not clear."
— Ben Chrisinger, Feb. 22, 2023, in The Chronicle of Higher Education
Flashback to Log24 on Dec. 11, 2022 —
Compare and Contrast:
The Source:
A perhaps more interesting digital assistant |
See as well "red line overload" in the previous post.
"Intended for a white European male audience, the sensual
reclining nude belongs to a long artistic tradition."
— The Courtauld Gallery on Gaugin's "Nevermore" (1897)
"After decades abroad, Mr Doig has returned again to London.
On February 10th he opens a new exhibition at the Courtauld Gallery ….
The Courtauld is also the home of Britain’s finest Impressionist collection,
and some of the paintings in the new show recall and respond to those works.
A depiction of an alpinist by Mr Doig speaks to Paul Cézanne’s view of
Lake Annecy, a tropical bather . . . gestures at Paul Gauguin’s nude
'Nevermore'."
— https://www.economist.com/culture/2023/02/02/
look-closely-at-peter-doigs-paintings-then-look-again
The London School of Economics has a more direct approach to art —
Compare and Contrast:
Digitally-Assisted Art from …
The Source:
A perhaps more interesting digital assistant
now offers Netflix 'N' Chill —
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