Log24

Wednesday, February 25, 2004

Wednesday February 25, 2004

Filed under: General — Tags: — m759 @ 2:00 PM

Modernism as a Religion

In light of the controversy over Mel Gibson's bloody passion play that opens today, some more restrained theological remarks seem in order.  Fortunately, Yale University Press has provided a framework — uniting physics, art, and literature in what amounts to a new religion — for making such remarks.  Here is some background.

From a review by Adam White Scoville of Iain Pears's novel titled An Instance of the Fingerpost:

"Perhaps we are meant to see the story as a cubist retelling of the crucifixion, as Pilate, Barabbas, Caiaphas, and Mary Magdalene might have told it. If so, it is sublimely done so that the realization gradually and unexpectedly dawns upon the reader. The title, taken from Sir Francis Bacon, suggests that at certain times, 'understanding stands suspended' and in that moment of clarity (somewhat like Wordsworth's 'spots of time,' I think), the answer will become apparent as if a fingerpost were pointing at the way."

Recommended related material —

By others:

Inside Modernism:  Relativity Theory, Cubism, Narrative, Thomas Vargish and Delo E. Mook, Yale University Press, 1999

Signifying Nothing: The Fourth Dimension in Modernist Art and Literature

Corpus Hypercubus,
by Dali.  Not cubist,
perhaps "hypercubist."

By myself: 

Finite Relativity

The Crucifixion of John O'Hara

Block Designs

The Da Vinci Code and Symbology at Harvard

The Crimson Passion

Material that is related, though not recommended —

The Aesthetics of the Machine

Connecting Physics and the Arts
 

1 Comment

  1. Humn …

    The way I recall it, Pilate was a total jerk, Mother Mary was on the verge of a mental breakdown, and Magdalene was furious.

    But I’m always open to the speculations of others.  Onward I cruise through your myriad of links.

    Thank You.

    Comment by oOMisfitOo — Wednesday, February 25, 2004 @ 2:03 PM

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