… Meet the Threads of Fiction
"… where the threads of fiction and the strands of history shuttle
back and forth in the great loom of the artist's imagination"
… Meet the Threads of Fiction
"… where the threads of fiction and the strands of history shuttle
back and forth in the great loom of the artist's imagination"
Review by Lucy Mangan in The Guardian,
"Thu 5 Mar 2026 03.01 EST" —
"The power of students to decide adult fates not just through
complaints of sexual harassment but by enrolling in one class
over another forms another strand of the ever-thickening narrative web."
From a rather different narrative web . . .
Blackboard Jungle, 1955 —
The Louvre, 2026 —

The date November 30, 2014, in a Harvard Crimson story yesterday
suggests some posts from that date now tagged Strand Flake.
Also so tagged . . .
The title was suggested by the previous post and by a scientist's
obituary (The New York Times, 5:26 PM EDT today.)
"The experiment demonstrated that after DNA unwinds and is replicated,
each new DNA molecule contains one original, or parental, strand and
one newly copied strand.
. . . .
That finding was considered a landmark discovery.
. . . .
'Watson and Crick had produced a pretty model, but had no hard data,'
Andy Stahl said. 'But that’s what the Meselson-Stahl Experiment did:
It proved how DNA replicates.' "
—
The scientist's dies natalis was reportedly April 2, 2025.
|
From "Knight to Move," by Fritz Leiber "… You were talking about basic games. Well, the chessboard is clearly a spider’s web with crisscross strands—in Go you even put the pieces on the intersections. The object of the game is to hunt down and immobilize the enemy King, just as a spider paralyzes its victim and sometimes wraps it in its silk. But here’s the clincher: the Knight, the piece most characteristic of chess, has exactly eight crooked moves when it stands in the clear—the number of a spider’s crooked legs, and eyes too! This suggests that all chess-playing planets are Spider-infiltrated from way back. It also suggests that all the chessplayers here for the tournament are Spiders—your shock battalion to take over 61 Cygni 5.” Colonel von Hohenwald sighed. “I was afraid you’d catch on, dear,” he said softly. “Now you’ve signed your abduction warrant at the very least. You may still be able to warn your HQ, but before they can come to your aid, this planet will be in our hands.” He frowned. “But why did you spill this to me, Erica? If you had played dumb—” “I spilled it to you,” she said, “because I wanted you to know that your plot’s been blown––and that my side has already taken countermeasures! We’ve made a crooked Knight’s move too. Has the significance of track games never occurred to you, Colonel? The one-dimensional track, sinuously turning, obviously symbolizes the snake. The pieces are the little bugs and animals the snake has swallowed. As for the dice, well, one of the throws is called Snake Eyes. So be assured that all the k’ta’hra players here are Snakes, ready to counter any Spider grab at 61 Cygni 5.” The Colonel’s mouth almost gaped. |

|
From "Knight to Move," by Fritz Leiber "… You were talking about basic games. Well, the chessboard is clearly a spider’s web with crisscross strands—in Go you even put the pieces on the intersections. The object of the game is to hunt down and immobilize the enemy King, just as a spider paralyzes its victim and sometimes wraps it in its silk. But here’s the clincher: the Knight, the piece most characteristic of chess, has exactly eight crooked moves when it stands in the clear—the number of a spider’s crooked legs, and eyes too! This suggests that all chess-playing planets are Spider-infiltrated from way back. It also suggests that all the chessplayers here for the tournament are Spiders—your shock battalion to take over 61 Cygni 5.” Colonel von Hohenwald sighed. “I was afraid you’d catch on, dear,” he said softly. “Now you’ve signed your abduction warrant at the very least. You may still be able to warn your HQ, but before they can come to your aid, this planet will be in our hands.” He frowned. “But why did you spill this to me, Erica? If you had played dumb—” “I spilled it to you,” she said, “because I wanted you to know that your plot’s been blown––and that my side has already taken countermeasures! We’ve made a crooked Knight’s move too. Has the significance of track games never occurred to you, Colonel? The one-dimensional track, sinuously turning, obviously symbolizes the snake. The pieces are the little bugs and animals the snake has swallowed. As for the dice, well, one of the throws is called Snake Eyes. So be assured that all the k’ta’hra players here are Snakes, ready to counter any Spider grab at 61 Cygni 5.” The Colonel’s mouth almost gaped. |
From a Log24 search for "Strand" —
Related literary remarks —
From Didion’s Play It As It Lays :
Everything goes. I am working very hard at
not thinking about how everything goes.
I watch a hummingbird, throw the I Ching
but never read the coins, keep my mind in the now.
— Page 8
From Joni Mitchell —
"Don't it always seem to go . . . ."
From Wallace Stevens:
"Let be be finale of seem."
"Hello! Kinch here. Put me on to Edenville.
Aleph, alpha: nought, nought, one."
"A very short space of time through very short times of space….
Am I walking into eternity along Sandymount strand?"
— James Joyce, Ulysses , Proteus chapter
See also the previous post and Masks of the Illuminati .
"… Lincoln Plaza Cinemas, the Juilliard String Quartet,
and the Strand Book Store remained oases
for cultural and intellectual stimulation."
— John S. Friedman in The Forward , Jan. 21, 2018
Read more:
https://forward.com/culture/392483/
how-fred-bass-dan-talbot-robert-mann
-shaped-new-york-culture/
From the Oasis in Steven Spielberg's "Ready Player One" (2018) —
I prefer, from a Log24 search for Flux Capacitor …
From "Raiders of the Lost Images" —
"The cube shape of the lost Mother Box,
also known as the Change Engine,
is shared by the Stone in a novel by
Charles Williams, Many Dimensions .
See the Solomon's Cube webpage."
Continued from November 30, 2014
"Number right → Everything right." — Burkard Polster.
See also the six posts of November 30, St. Andrew's Day.
Related material —
Peter J. Cameron today discussing Julia Kristeva on poetry …
"This seems to be saying that the Kolmogorov
complexity of poetry is very low: the entire poem
can be generated from a small amount of information."
… and this journal on St. Andrew's day :
From "A Piece of the Storm,"
by the late poet Mark Strand —
A snowflake, a blizzard of one….
Continued from June 17, 2009 —
"I sit now in a little room off the bar
at four-thirty in the morning drinking
ochas and then mescal and writing this
on some Bella Vista notepaper I filched
the other night…."
— Malcolm Lowry, Under the Volcano
See too a search for Snowflake in this journal.
This word may serve as Mark Strand's "Rosebud."
From "A Piece of the Storm," by the late poet Mark Strand —
A snowflake, a blizzard of one….
From notes to Malcolm Lowry's "La Mordida" —
he had invested, in the Valley of the Shadow of Death….
See also Weyl's Symmetry in this journal.
Or: Starting Out in the Evening, continued from noon yesterday
Yesterday evening's New York Lottery numbers were 510 and 5256.
For the former, see post 510, Music for Patricias.
For the latter, see Richard Feynman at the Caltech YMCA Lunch Forum on 5/2/56—
"The Relation of Science and Religion."
Some background….
The Aleph
"As is well known, the Aleph is the first letter of the Hebrew alphabet.
Its use for the strange sphere in my story may not be accidental.
For the Kabbala, the letter stands for the En Soph ,
the pure and boundless godhead; it is also said that it takes
the shape of a man pointing to both heaven and earth…."
— Borges, "The Aleph," quoted in Ayn Sof (January 7th, 2011)
The Y
See "Pythagorean Letter" in this journal.
Edenville
"Hello! Kinch here. Put me on to Edenville. Aleph, alpha: nought, nought, one."
"A very short space of time through very short times of space…. Am I walking into eternity along Sandymount strand?"
"Poetry never left me stranded, and as an atheist most of my life, I presumed its mojo was a highbrow, intellectual version of what religion did for those more gullible believers in my midst— dumb bunnies to a one, the faithful seemed to me, till I became one.
In the Texas oil town where I grew up, fierceness won fights, but I was thin-skinned— an unfashionably bookish kid whose brain wattage was sapped by a consuming inner life others didn’t seem to bear the burden of. I just seemed to have more frames per second than other kids."
— "Facing Altars: Poetry and Prayer," by Mary Karr
"The original movie had been slowed to a running time of twenty-four hours.
What he was watching seemed pure film, pure time.
The broad horror of the old gothic movie was subsumed in time."
— Point Omega , by Don DeLillo
(Background— Yesterday's Quarter to Three,
A Manifold Showing, Class of 64, and Child's Play.)
Hermeneutics
Fans of Gregory Chaitin and Harry Potter
may consult Writings for Yom Kippur
for the meaning of yesterday's evening 673.
(See also Lowry and Cabbala.)
Fans of Elizabeth Taylor, Ava Gardner,
and the Dark Lady may consult Prime Suspect
for the meaning of yesterday's midday 17.
For some more serious background, see Dante—
"….mirando il punto 
a cui tutti li tempi son presenti "
– Dante, Paradiso, XVII, 17-18
“The symbol
is used throughout the entire book
in place of such phrases as ‘Q.E.D.’ or
‘This completes the proof of the theorem’
to signal the end of a proof.”
— Measure Theory, by Paul R. Halmos, Van Nostrand, 1950
Halmos died on the date of Yom Kippur —
October 2, 2006.
A Medal
In memory of Byzantine scholar Ihor Sevcenko,
who died at 87 on St. Stephen's Day, 2009–
| William Grimes on Sevcenko in this morning's New York Times:
"Perhaps his most fascinating, if uncharacteristic, literary contribution came shortly after World War II, when he worked with Ukrainians stranded in camps in Germany for displaced persons. In April 1946 he sent a letter to Orwell, asking his permission to translate 'Animal Farm' into Ukrainian for distribution in the camps. The idea instantly appealed to Orwell, who not only refused to accept any royalties but later agreed to write a preface for the edition. It remains his most detailed, searching discussion of the book." |
See also a rather different medal discussed
here in the context of an Orwellian headline from
The New York Times on Christmas morning,
the day before Sevcenko died.
That headline, at the top of the online front page,
was "Arthur Koestler, Man of Darkness."

The medal, offered as an example of brightness
to counteract the darkness of the Times, was designed
by Leibniz in honor of his discovery of binary arithmetic.
See Brightness at Noon and Brightness continued.
"By groping toward the light we are made to realize
how deep the darkness is around us."
— Arthur Koestler, The Call Girls: A Tragi-Comedy,
Random House, 1973, page 118
"Edward T. Hall, a cultural anthropologist
who pioneered the study of nonverbal
communication and interactions between
members of different ethnic groups,
died July 20 at his home in
Santa Fe, N.M. He was 95."
NY Times piece quoted here on
the date of Hall's death:
|
"July 20, 1969, was the moment NASA needed, more than anything else in this world, the Word. But that was something NASA's engineers had no specifications for. At this moment, that remains the only solution to recovering NASA's true destiny, which is, of course, to build that bridge to the stars." Commentary — |
"Mr. Hall first became interested in
space and time as forms of cultural
expression while working on
Navajo and Hopi reservations
in the 1930s."
Log24, July 29:
|
"Kaleidoscope turning…
Shifting pattern within |
"We are the key."
— Eye of Cat
Paul Newall, "Kieślowski's Three Colours Trilogy"—
"Julie recognises the music of the busker outside playing a recorder as that of her husband's. When she asks him where he heard it, he replies that he makes up all sorts of things. This is an instance of a theory of Kieślowski's that 'different people, in different places, are thinking the same thing but for different reasons.' With regard to music in particular, he held what might be characterised as a Platonic view according to which notes pre-exist and are picked out and assembled by people. That these can accord with one another is a sign of what connects people, or so he believed."
The above photo of Juliette Binoche in Blue accompanying the quotations from Zelazny illustrates Kieślowski's concept, with graphic designs instead of musical notes. Some of the same designs are discussed in Abstraction and the Holocaust (Mark Godfrey, Yale University Press, 2007). (See the Log24 entries of June 11, 2009.)
Related material:
"Jeffrey Overstreet, in his book Through a Screen Darkly, comments extensively on Blue. He says these stones 'are like strands of suspended crystalline tears, pieces of sharp-edged grief that Julie has not been able to express.'….
Throughout the film the color blue crops up, highlighting the mood of Julie's grief. A blue light occurs frequently, when Julie is caught by some fleeting memory. Accompanied by strains of an orchestral composition, possibly her husband's, these blue screen shots hold for several seconds while Julie is clearly processing something. The meaning of this blue light is unexplained. For Overstreet, it is the spirit of reunification of broken things."
— Martin Baggs at Mosaic Movie Connect Group on Sunday, March 15, 2009. (Cf. Log24 on that date.)
For such a spirit, compare Binoche's blue mobile in Blue with Binoche's gathered shards in Bee Season.
Annals of Prose Style
|
“Preserving a strict unity of time and place, this stark tale of a young woman’s decline into insanity is set in a summer home on a holiday island. It is the first part of the trilogy that comprises Winter Light and The Silence, films which are generally seen as addressing Bergman’s increasing disillusionment with the emotional coldness of his inherited Lutheran religion. In particular here, Bergman focuses on the absence of familial love which might perhaps have pulled Karin (Andersson) back from the brink; while Karin’s mental disintegration manifests itself in the belief that God is a spider. As she slips inexorably into madness, she is observed with terrifying objectivity by her emotionally paralyzed father (Björnstrand) and seemingly helpless husband (von Sydow).”
Related material:
1. The “spider” symbol of Fritz Leiber’s short story “Damnation Morning”–

2. Hollywood’s “Angels & Demons” (to open May 15), and
3. The following diagram by one “John Opsopaus”–
Annals of Prose Style
|
“Preserving a strict unity of time and place, this stark tale of a young woman’s decline into insanity is set in a summer home on a holiday island. It is the first part of the trilogy

that comprises Winter Light and The Silence, films which are generally seen as addressing Bergman’s increasing disillusionment with the emotional coldness of his inherited Lutheran religion. In particular here, Bergman focuses on the absence of familial love which might perhaps have pulled Karin (Andersson) back from the brink; while Karin’s mental disintegration manifests itself in the belief that God is a spider. As she slips inexorably into madness, she is observed with terrifying objectivity by her emotionally paralyzed father (Björnstrand) and seemingly helpless husband (von Sydow).”
— Nigel Floyd, Time Out, quoted at Bergmanorama
Related material:
1. The “spider” symbol of Fritz Leiber’s short story “Damnation Morning“–

2. The Illuminati Diamond of Hollywood’s “Angels & Demons” (to open May 15), and
3. The following diagram by one “John Opsopaus“–
Back to the Garden
Film star Richard Widmark
died on Monday, March 24.
From Log24 on that date:
"Hanging from the highest limb
of the apple tree are
the three God's Eyes…"
Related material:
The Beauty Test, 5/23/07–
H.S.M. Coxeter's classic
Introduction to Geometry (2nd ed.):

Note the resemblance of
the central part to
a magical counterpart–
the Ojo de Dios
of Mexico's Sierra Madre.
From a Richard Widmark film festival:
GARDEN OF EVIL
Henry Hathaway, 1954
"A severely underrated Scope western, shot in breathtaking mountain locations near Cuernavaca. Widmark, Gary Cooper and Cameron Mitchell are a trio of fortune hunters stranded in Mexico, when they are approached by Susan Hayward to rescue her husband (Hugh Marlowe) from a caved-in gold mine in Indian country. When they arrive at the 'Garden of Evil,' they must first battle with one another before they have to stave off their bloodthirsty Indian attackers. Widmark gives a tough, moving performance as Fiske, the one who sacrifices himself to save his friends. 'Every day it goes, and somebody goes with it,' he says as he watches the setting sun. 'Today it's me.' This was one of the best of Hollywood veteran Henry Hathaway's later films. With a brilliant score by Bernard Herrmann."
See also
the apple-tree
entries from Monday
(the date of Widmark's death)
and Tuesday, as well as
today's previous entry and
previous Log24
entries on Cuernavaca.
|
From today's online NY Times:
Obituaries in the News
By THE ASSOCIATED PRESS
Published: [Wednesday] Gennie DeWeese BOZEMAN, Mont. (AP) — Gennie DeWeese, an artist known for her landscape paintings and woodblock prints whose works are displayed at museums across the Northwest, died Monday [November 26, 2007]. She was 86. DeWeese died at her studio south of Bozeman. Dahl Funeral Chapel confirmed her death. Her first oil painting was of her dog, done when she was 12 years old. In 1995, DeWeese received an honorary doctorate of fine arts from Montana State University, and she received the Montana Governor's Award for the Arts. |
Robert M. Pirsig in
Zen and the Art of Motorcycle Maintenance
(April 1974) —
|
"The rhetoricians of ancient Greece were the first teachers in the history of the Western world. Plato vilified them in all his works to grind an axe of his own and since what we know about them is almost entirely from Plato they’re unique in that they’ve stood condemned throughout history without ever having their side of the story told. The Church of Reason that I talked about was founded on their graves. It’s supported today by their graves. And when you dig deep into its foundations you come across ghosts." I look at my watch. It’s after two. "It’s a long story," I say. "You should write all this down," Gennie says. |
Quod erat
demonstrandum.
For more information,
click on the black monolith.
Related material:
— "The Inelegant Universe," by George Johnson, in the Sept. 2006 Scientific American
Some may prefer metaphysics of a different sort:
"To enter Cervantes’s world, we cross a threshold that is Shakespearean and quixotic into a metaphysical wonderland where time expands to become space and vast vaulted distances bend back on themselves, where the threads of fiction and the strands of history shuttle back and forth in the great loom of the artist’s imagination."
As wonderlands go, I personally prefer Clive Barker's Weaveworld.
| Date: Sun, 28 Aug 2005 12:30:40 -0400 From: Alf van der Poorten AM Subject: Vale George Szekeres and Esther Klein Szekeres Members of the Number Theory List will be sad to learn that George and Esther Szekeres both died this morning. George, 94, had been quite ill for the last 2-3 days, barely conscious, and died first at 06:30. Esther, 95, died a half hour later. Both George Szekeres and Esther Klein will be recalled by number theorists as members of the group of young Hungarian mathematicians of the 1930s including Turan and Erdos. George and Esther's coming to Australia in the late 40s played an important role in the invigoration of Australian Mathematics. George was also an expert in group theory and relativity; he was my PhD supervisor. Emeritus Professor |
AVE
| "Hello! Kinch here. Put me on to Edenville. Aleph, alpha: nought, nought, one."
"A very short space of time through very short times of space…. — James Joyce, Ulysses, Proteus chapter A very short space of time through very short times of space…. "It is demonstrated that space-time should possess a discrete structure on Planck scales." — Peter Szekeres, abstract of Discrete Space-Time |
Peter Szekeres is the son of George and Esther Szekeres.
"At present, such relationships can at best be heuristically described in terms that invoke some notion of an 'intelligent user standing outside the system.'"
— Gian-Carlo Rota in Indiscrete Thoughts, p. 152
Part I: The 24-Cell
| From John Baez, “This Week’s Finds in Mathematical Physics (Week 198),” September 6, 2003: Noam Elkies writes to John Baez:
The enrapturing discoveries of our field systematically conceal, like footprints erased in the sand, the analogical train of thought that is the authentic life of mathematics – Gian-Carlo Rota |
Like footprints erased in the sand….
“Hello! Kinch here. Put me on to Edenville. Aleph, alpha: nought, nought, one.”
“A very short space of time through very short times of space….
Am I walking into eternity along Sandymount strand?”
— James Joyce, Ulysses, Proteus chapter
A very short space of time through very short times of space….
“It is demonstrated that space-time should possess a discrete structure on Planck scales.”
— Peter Szekeres, abstract of Discrete Space-Time
“A theory…. predicts that space and time are indeed made of discrete pieces.”
— Lee Smolin in Atoms of Space and Time (pdf), Scientific American, Jan. 2004
“… a fundamental discreteness of spacetime seems to be a prediction of the theory….”
— Thomas Thiemann, abstract of Introduction to Modern Canonical Quantum General Relativity
“Theories of discrete space-time structure are being studied from a variety of perspectives.”
— Quantum Gravity and the Foundations of Quantum Mechanics at Imperial College, London
The above speculations by physicists
are offered as curiosities.
I have no idea whether
any of them are correct.
Related material:
Stephen Wolfram offers a brief
History of Discrete Space.
For a discussion of space as discrete
by a non-physicist, see John Bigelow‘s
Space and Timaeus.

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