Some illustrations:
Chess Knight
(in German, Springer)
See also…
More technically (click image for details):
Some illustrations:
Chess Knight
(in German, Springer)
See also…
More technically (click image for details):
From "Knight to Move," by Fritz Leiber "… You were talking about basic games. Well, the chessboard is clearly a spider’s web with crisscross strands—in Go you even put the pieces on the intersections. The object of the game is to hunt down and immobilize the enemy King, just as a spider paralyzes its victim and sometimes wraps it in its silk. But here’s the clincher: the Knight, the piece most characteristic of chess, has exactly eight crooked moves when it stands in the clear—the number of a spider’s crooked legs, and eyes too! This suggests that all chess-playing planets are Spider-infiltrated from way back. It also suggests that all the chessplayers here for the tournament are Spiders—your shock battalion to take over 61 Cygni 5.” Colonel von Hohenwald sighed. “I was afraid you’d catch on, dear,” he said softly. “Now you’ve signed your abduction warrant at the very least. You may still be able to warn your HQ, but before they can come to your aid, this planet will be in our hands.” He frowned. “But why did you spill this to me, Erica? If you had played dumb—” “I spilled it to you,” she said, “because I wanted you to know that your plot’s been blown––and that my side has already taken countermeasures! We’ve made a crooked Knight’s move too. Has the significance of track games never occurred to you, Colonel? The one-dimensional track, sinuously turning, obviously symbolizes the snake. The pieces are the little bugs and animals the snake has swallowed. As for the dice, well, one of the throws is called Snake Eyes. So be assured that all the k’ta’hra players here are Snakes, ready to counter any Spider grab at 61 Cygni 5.” The Colonel’s mouth almost gaped. |
From "Knight to Move," by Fritz Leiber "… You were talking about basic games. Well, the chessboard is clearly a spider’s web with crisscross strands—in Go you even put the pieces on the intersections. The object of the game is to hunt down and immobilize the enemy King, just as a spider paralyzes its victim and sometimes wraps it in its silk. But here’s the clincher: the Knight, the piece most characteristic of chess, has exactly eight crooked moves when it stands in the clear—the number of a spider’s crooked legs, and eyes too! This suggests that all chess-playing planets are Spider-infiltrated from way back. It also suggests that all the chessplayers here for the tournament are Spiders—your shock battalion to take over 61 Cygni 5.” Colonel von Hohenwald sighed. “I was afraid you’d catch on, dear,” he said softly. “Now you’ve signed your abduction warrant at the very least. You may still be able to warn your HQ, but before they can come to your aid, this planet will be in our hands.” He frowned. “But why did you spill this to me, Erica? If you had played dumb—” “I spilled it to you,” she said, “because I wanted you to know that your plot’s been blown––and that my side has already taken countermeasures! We’ve made a crooked Knight’s move too. Has the significance of track games never occurred to you, Colonel? The one-dimensional track, sinuously turning, obviously symbolizes the snake. The pieces are the little bugs and animals the snake has swallowed. As for the dice, well, one of the throws is called Snake Eyes. So be assured that all the k’ta’hra players here are Snakes, ready to counter any Spider grab at 61 Cygni 5.” The Colonel’s mouth almost gaped. |
With apologies to those readers unable to follow knight moves .
The Queen's Gambit , by Walter Tevis,
published Feb. 1983 —
“Would you care for a cocktail?” he asked pleasantly.
She looked around her at the quiet restaurant,
at the people eating lunch, at the table with desserts
near the velvet rope at the entrance to the dining room.
“A Gibson,” she said. “On the rocks.”
"A silver tide of phosphenes boiled across my field of vision
as the matrix began to unfold in my head, a 3-D chessboard,
infinite and perfectly transparent."
"'Rikki Don't Lose That Number' is a single
released in 1974 by rock/jazz rock group Steely Dan
and the opening track of their third album Pretzel Logic .
It was the most successful single of the group's career,
peaking at number 4 on the Billboard Hot 100 in
the summer of 1974." — Wikipedia
Brian Harley, Mate in Two Moves , 1931—
“The key is the cocktail that begins the proceedings.”
See as well my post "Introduction to Cyberspace" (May 26, 2020).
George Steiner on chess —
"… the common bond between chess, music, and mathematics
may, finally, be the absence of language."
— George Steiner, Fields of Force: Fischer and Spassky at Reykjavik ,
Viking hardcover, June 1974.
In memory of George Steiner, of Walter Tevis, and of B&B Smoke Shop,
corner of Third Ave. and Liberty St., Warren, Pennsylvania, in the 1950s,
where I purchased . . .
At that point in my life, language interested me more than chess.
But I can identify with the protagonist of Walter Tevis's Queen's Gambit ,
(the book, not the film) who visited a similar smoke shop in 1960 —
… There was a long rack of magazines behind her. When she
got the cigarettes, she turned and began looking. Senator
Kennedy’s picture was on the cover of Time and Newsweek :
he was running for President . . . .
. . . Walking home with the folded [chess] magazine tucked
securely against her flat belly she thought again about that
rook move Morphy hadn’t made. The magazine said
Morphy was “perhaps the most brilliant player in the
history of the game.” The rook could come to bishop seven,
and Black had better not take it with his knight because…
She stopped, halfway down the block. A dog was barking
somewhere, and across the street from her on a well-mowed
lawn two small boys were loudly playing tag. After the
second pawn moved to king knight five, then the remaining
rook could slide over, and if the black player took
the pawn, the bishop could uncover, and if he didn’t…
She closed her eyes. If he didn’t capture it, Morphy
could force a mate in two, starting with the bishop sacrificing
itself with a check. If he did take it, the white pawn
moved again, and then the bishop went the other way
and there was nothing Black could do. There it was. One
of the little boys across the street began crying. There was
nothing Black could do. The game would be over in
twenty-nine moves at least. The way it was in the book, it
had taken Paul Morphy thirty-six moves to win. He
hadn’t seen the move with the rook. But she had.
Overhead the sun shone in a blank blue sky. The dog
continued barking. The child wailed. Beth walked slowly
home and replayed the game. Her mind was as lucid as a
perfect, stunning diamond.
***
From the Los Angeles Times yesterday—
"Chess player Elena Akhmilovskaya Donaldson sits
in deep concentration at the U.S. chess championship
in Seattle in 2002. (Greg Gilbert / Seattle Times /
January 5, 2002)"
Linda Shaw, Seattle Times :
"Elena Akhmilovskaya Donaldson, who was once the world's
second-ranked women's chess player and eloped in 1988
with the captain of the U.S. chess team when they were both
playing at a tournament in Greece, has died. She was 55.
Donaldson, who earned the title of international women's
grandmaster, died Nov. 18 in her adopted hometown of Seattle…."
From the Log24 post "Sermon" on the date of Donaldson's death,
Sunday, Nov. 18, 2012—
"You must allow us to play every conceivable combination of chess."
— Marie-Louise von Franz in Number and Time
An October 2011 post titled Realism in Plato's Cave displays
the following image:
Cover illustration: Knight, Death, and the Devil,
by Albrecht Dürer
George Steiner and myself in Closing the Circle, a Log24 post
of Sept. 4, 2009:
“Allegoric associations of death with chess are perennial….”
"Yes, they are."
For related remarks on knight moves and the devil, see
today's previous two posts, Knight's Labyrinth and The Rite.
In memory of Mike Wallace—
See also Knight Moves.
“Lord, I remember”
— Bob Seger
“Philosophers ponder the idea of identity: what it is to give something a name on Monday and have it respond to that name on Friday….”
— Bernard Holland in The New York Times of Monday, May 20, 1996
Yesterday’s afternoon entry cited philosopher John Holbo on chess. This, together with Holland’s remark above and Monday’s entries on Zizek, suggests…
In this excellent analysis,
Holbo quotes Kierkegaard:
“… the knight of faith
‘has the pain of being unable to
make himself intelligible to others'”
(Kierkegaard, Fear and Trembling)
Cardinal Manning
Click on the cardinal
for a link to some remarks
related to the upcoming film
“Angels & Demons” and to
a Paris “Sein Feld.”
Context: the five entries
ending at 9:26 AM
on March 10, 2009…
and, for Kierkegaard,
Diamonds Are Forever.
“Music, mathematics, and chess are in vital respects dynamic acts of location. Symbolic counters are arranged in significant rows. Solutions, be they of a discord, of an algebraic equation, or of a positional impasse, are achieved by a regrouping, by a sequential reordering of individual units and unit-clusters (notes, integers, rooks or pawns). The child-master, like his adult counterpart, is able to visualize in an instantaneous yet preternaturally confident way how the thing should look several moves hence. He sees the logical, the necessary harmonic and melodic argument as it arises out of an initial key relation or the preliminary fragments of a theme. He knows the order, the appropriate dimension, of the sum or geometric figure before he has performed the intervening steps. He announces mate in six because the victorious end position, the maximally efficient configuration of his pieces on the board, lies somehow ‘out there’ in graphic, inexplicably clear sight of his mind….”
“… in some autistic enchantment, pure as one of Bach’s inverted canons or Euler’s formula for polyhedra.”
— George Steiner, “A Death of Kings,” in The New Yorker, issue dated Sept. 7, 1968
“Classrooms are filled with discussions not of the Bible and Jesus but of 10 ‘core values’– perseverance and curiosity, for instance– that are woven into the curriculum.”
— “Secular Education, Catholic Values,” by Javier C. Hernandez, The New York Times, Sunday, March 8, 2009
— Raymond Chandler, The Big Sleep
The Chandler quotation appears in “Language Game,” an entry in this journal on April 7, 2008.
Some say the “Language Game” date, April 7, is the true date (fixed, permanent) of the Crucifixion– by analogy, Eliot’s “still point” and Jung’s “centre.” (See yesterday, noon.)
"An acute study of the links
between word and fact"
— Nina daVinci Nichols
Virginia | /391062427/item.html? | 2/22/2008 7:37 PM |
Johnny Cash:
"And behold,
a white horse."
Chess Knight
(in German, Springer)
"Liebe Frau vBayern,
mich würde interessieren wie man
mit diesem Hintergrund
(vonbayern.de/german/anna.html)
zu Springer kommt?"
Background of "Frau vBayern" from thePeerage.com:
Anna-Natascha Prinzessin zu Sayn-Wittgenstein-Berleburg
F, #64640, b. 15 March 1978Last Edited=20 Oct 2005
Anna-Natascha Prinzessin zu Sayn-Wittgenstein-Berleburg was born on 15 March 1978. She is the daughter of Ludwig Ferdinand Prinz zu Sayn-Wittgenstein-Berleburg and Countess Yvonne Wachtmeister af Johannishus. She married Manuel Maria Alexander Leopold Jerg Prinz von Bayern, son of Leopold Prinz von Bayern and Ursula Mohlenkamp, on 6 August 2005 at Nykøping, Södermanland, Sweden.
The date of the above "Liebe Frau vBayern" inquiry, Feb. 1, 2007, suggests the following:
From Log24 on
St. Bridget's Day, 2007:
The quotation
"Science is a Faustian bargain"
and the following figure–
Change
From a short story by
the above Princess:
"'I don't even think she would have wanted to change you. But she for sure did not want to change herself. And her values were simply a part of her.' It was true, too. I would even go so far as to say that they were her basis, if you think about her as a geometrical body. That's what they couldn't understand, because in this age of the full understanding for stretches of values in favor of self-realization of any kind, it was a completely foreign concept."
To make this excellent metaphor mathematically correct,
change "geometrical body" to "space"… as in
"For Princeton's Class of 2007"—
Review of a 2004 production of a 1972 Tom Stoppard play, "Jumpers"–
Related material:
Knight Moves (Log24, Jan. 16),
Kindergarten Theology (St. Bridget's Day, 2008),
and
For a related story about
knight moves and kindergarten,
see Knight Moves: The Relativity
Theory of Kindergarten Blocks,
and Log24, Jan. 16, 17, and 18.
See also Loder’s book
(poorly written, but of some
interest in light of the above):
“In a game of chess, the knight’s move is unique because it alone goes around corners. In this way, it combines the continuity of a set sequence with the discontinuity of an unpredictable turn in the middle. This meaningful combination of continuity and discontinuity in an otherwise linear set of possibilities has led some to refer to the creative act of discovery in any field of research as a ‘knight’s move’ in intelligence.
— James E. Loder and W. Jim Neidhardt (Helmers & Howard Publishing, 1992)
For a discussion, see Triplett’s
“Thinking Critically as a Christian.”
Many would deny that such
a thing is possible; let them
read the works of T. S. Eliot.
Related material:
The Knight’s Move
discusses (badly) Hofstadter’s
“strange loop” concept; see
Not Mathematics but Theology
(Log24, July 12, 2007).
Mate in 6
(White moves.)
(White: Ke8, Nd7, Be5,
b5, e4, f2. Black: Ke6.)
(For solution, click here.)
“… There was a problem laid out on the board, a six-mover. I couldn’t solve it, like a lot of my problems. I reached down and moved a knight….
I looked down at the chessboard. The move with the knight was wrong. I put it back where I had moved it from. Knights had no meaning in this game. It wasn’t a game for knights.”— Raymond Chandler, The Big Sleep, begun in the summer of 1938
“In this way we are offered a formidable lesson for every Christian community.”
— Pope Benedict XVI on Pentecost, June 4, 2006, St. Peter’s Square.
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