The "Barth Art" tag in the previous post, a reference to
a visual artist, suggests a check of the dies natalis of
mathematician Wolf Barth — December 30, 2016.
Saturday, July 19, 2025
Traumnovelle: ZZZ Accounting
Sunday, November 17, 2019
E-Elements Revisited
The German mathematician Wolf Barth in the above post is not the
same person as the Swiss artist Wolf Barth in today's previous post.
An untitled, undated, picture by the latter —
Compare and contrast with an "elements" picture of my own —
— and with . . .
“Lord Arglay had a suspicion that the Stone would be
purely logical. Yes, he thought, but what, in that sense,
were the rules of its pure logic?”
—Many Dimensions (1931), by Charles Williams
Saturday, November 25, 2017
E-Elements
German mathematician Wolf Barth reportedly died
on December 30, 2016.
Flashback to this journal on that date * —
|
From "The Man Who Tried to Redeem the World with Logic" —
"The following June, 1945, von Neumann penned Image from von Neumann's report —
Version converted to text —
|
* And, of course, to the later post Easy E for Cullinan (Feb. 28, 2017).
Cullinan, second from left below, is the now-famous Oscars accountant.
Wednesday, July 26, 2017
Icon Parking
For the title, see Icon Parking in a search for 54th in this journal.
For related iconic remarks, click on either image below.
This post was suggested by the Dec. 30, 2016, date of the
death in Nuremberg of mathematician Wolf Barth. The first
image above is from a mathematics-related work by
John von Neumann discussed here on that date.
See also Wolf Barth in this journal for posts that largely
concern not the above Barth, but an artist of the same name.
For posts on the mathematician only, see Barth + Kummer.
Tuesday, June 7, 2016
Tuesday, March 22, 2016
Sunday, August 30, 2015
Saturday, August 29, 2015
Friday, August 28, 2015
Saturday, July 4, 2015
Context
Some context for yesterday's post on a symplectic polarity —
This 1986 note may or may not have inspired some remarks
of Wolf Barth in his foreword to the 1990 reissue of Hudson's
1905 Kummer's Quartic Surface .
See also the diamond-theorem correlation.
Saturday, June 20, 2015
Conceptual Art for Basel
The previous post's link to The Lindbergh Manifesto
and Thursday's post on Basel-born artist Wolf Barth
suggest the following —
See as well a June 14 New York Times
piece on Art Basel.
The logo of the University of Basel …
… suggests a review of The Holy Field —
Thursday, June 18, 2015
Wednesday, June 17, 2015
Slow Art, Continued
The title of the previous post, "Slow Art," is a phrase
of the late art critic Robert Hughes.
Example from mathematics:
-
Göpel tetrads as subsets of a 4×4 square in the classic
1905 book Kummer's Quartic Surface by R. W. H. T. Hudson.
These subsets were constructed as helpful schematic diagrams,
without any reference to the concept of finite geometry they
were later to embody.
-
Göpel tetrads (not named as such), again as subsets of
a 4×4 square, that form the 15 isotropic projective lines of the
finite projective 3-space PG(3,2) in a note on finite geometry
from 1986 —
-
Göpel tetrads as these figures of finite geometry in a 1990
foreword to the reissued 1905 book of Hudson:
Click the Barth passage to see it with its surrounding text.
Related material:
Saturday, September 21, 2013
Mathematics and Narrative (continued)
Mathematics:
A review of posts from earlier this month —
Wednesday, September 4, 2013
|
Narrative:
Aooo.
Happy birthday to Stephen King.
















