Log24

Monday, December 12, 2016

Icon

Filed under: General,Geometry — m759 @ 12:00 pm

Fritz Leiber's 'Spider' symbol

For some commentary,
see Spider in this journal.

Tuesday, August 23, 2016

Web Day

Filed under: General — m759 @ 12:00 pm

Fritz Leiber's 'Spider' symbol

Today is said to be the 25th anniversary of the
opening to the public of the World Wide Web.
Related material:  Click on the above icon for
posts mentioning "Spider Woman."

Wednesday, July 13, 2016

Look Busters

Filed under: General,Geometry — Tags: — m759 @ 8:48 pm

See a search in this journal for "Look, Buster."

Fritz Leiber's 'Spider' symbol

Friday, August 24, 2012

Down for the Count

Filed under: General — m759 @ 8:00 pm

IMAGE- Jerry Nelson, voice of Count von Count, is dead at 78.

"For every kind of vampire…"

IMAGE- Eight-pointed star formed by the four symmetry axes of the square

Thursday, August 23, 2012

Chapman’s Homer

Filed under: General,Geometry — Tags: , — m759 @ 9:48 am

Louis Sahagun in today's Los Angeles Times

The late Professor Marvin W. Meyer

 "was our Indiana Jones,"  said James L. Doti,
president of Chapman University in Orange,
where Meyer held the Griset Chair in Bible
and Christian Studies and was director of
the Albert Schweitzer Institute.

Meyer reportedly died on August 16.

IMAGE- The late Professor Marvin W. Meyer of Chapman University in Orange, CA, with the university's emblem, the eight-pointed star

Thursday, August 16, 2012

Semiotics

m759 @ 4:00 AM

IMAGE- Eight-pointed star formed by the four symmetry axes of the square

"Two clichés make us laugh, but
a hundred clichés move us
because we sense dimly that the clichés
are talking among themselves and
celebrating a reunion."

— Umberto Eco

"'Casablanca': Cult Movies and Intertextual Collage,"
by Umberto Eco in SubStance , Vol. 14, No. 2, Issue 47:
In Search of Eco's Roses  (1985), pp. 3-12.

(This paper was presented at a symposium,
"Semiotics of the Cinema: The State of the Art,"
in Toronto on June 18, 1984.)
Journal article published by U. of Wisconsin Press.
Stable URL: http://www.jstor.org/stable/3685047.

Click image for some related material.

Thursday, August 16, 2012

Semiotics

Filed under: General — Tags: — m759 @ 4:00 am

"Two clichés make us laugh, but
a hundred clichés move us
because we sense dimly that the clichés
are talking among themselves and
celebrating a reunion."

Umberto Eco

"'Casablanca': Cult Movies and Intertextual Collage,"
by Umberto Eco in SubStance , Vol. 14, No. 2, Issue 47:
In Search of Eco's Roses  (1985), pp. 3-12.
(This paper was presented at a symposium,
"Semiotics of the Cinema: The State of the Art,"
in Toronto on June 18, 1984.)
Journal article published by U. of Wisconsin Press.
Stable URL: http://www.jstor.org/stable/3685047.

Click image for some related material.

Wednesday, May 16, 2012

Midnight in Paris– The Morning After

Filed under: General — m759 @ 10:31 am

(Continued from yesterday evening)

On Max Bialystock's Spider-Man Godspell Seminar

"… for surrealism to be entertaining
onstage, it must be shaped into
some kind of satisfying form."

— Charles Isherwood
    in today's New York Times

(RSS:  Wed, 16  May  2012  00:37:17 GMT)

From Fritz Leiber's 1959 story "Damnation Morning" —

She drew from her handbag a pale grey gleaming
implement that looked by quick turns to me
like a knife, a gun, a slim sceptre, and a delicate
branding iron— especially when its tip sprouted
an eight-limbed star of silver wire.

“The test?” I faltered, staring at the thing.

“Yes, to determine whether you can live
in the fourth dimension or only die in it.”

Monday, September 12, 2011

Spider Flagship

Filed under: General — m759 @ 9:48 pm

Microsoft plans Windows 8 compatibility with mobile devices

"This won't be just another upgrade. Windows 8 is nothing less than the linchpin to Microsoft's strategy for keeping Windows relevant— if not resurgent— as the shift to the post-PC computing era unfolds.

'The stakes are huge,' says Charles King, principal analyst at research firm Pund-IT. 'The company must play outside its comfort zone, but if Microsoft succeeds, the potential opportunities could be significant.'"

Byron Acohido in USA TODAY this evening

Yesterday's 7:20 AM Google News—

http://www.log24.com/log/pix11B/110911-88and8-720AM.jpg

From Cliff Robertson's 1958 TV classic "Days of Wine and Roses"—

http://www.log24.com/log/pix11B/110912-WineAndRoses.jpg

From Fritz Leiber's 1959 sci-fi classic "Damnation Morning" —

She drew from her handbag a pale grey gleaming implement
that looked by quick turns to me like a knife, a gun,
a slim sceptre, and a delicate branding iron— especially when
its tip sprouted an eight-limbed star of silver wire.

“The test?” I faltered, staring at the thing.

“Yes, to determine whether you can live in the fourth dimension or only die in it.”

Thursday, August 18, 2011

Banderas*

Filed under: General — m759 @ 8:30 pm

For Ms. Julie and the Pope

For Ms. Julie:

Nuevas Banderas in this journal…

Click on image
for details.

See also Balakrishnan's Last Problem

http://www.log24.com/log/pix11B/110818-Balakrishnan-Banners-500w.jpg

For the Pope:

http://www.log24.com/log/pix11B/110818-Legend.jpg

Now playing; click poster for details.

See also "Damnation Morning" in this journal—

She drew from her handbag a pale grey gleaming implement
that looked by quick turns to me like a knife, a gun, a slim
sceptre, and a delicate branding iron—especially when its
tip sprouted an eight-limbed star of silver wire.

“The test?” I faltered, staring at the thing.

“Yes, to determine whether you can live in the fourth
dimension or only die in it.”

— Fritz Leiber, short story, 1959

* For a time-leap from Leiber's 1959 to Hollywood's 2011, see yesterday's
  Marginal Remarks,  "The God particle ?" and a different Banderas.

Friday, April 15, 2011

Spider Notes

Filed under: General,Geometry — Tags: — m759 @ 12:00 pm

http://www.log24.com/log/pix11/110415-Symm-axes.jpg

Some connotations of the word "eightfold" —

IMAGE- Google search for 'eightfold geometry,' April 15, 2011

See also Damnation Morning and today's New York Times

A Final Bow for Julie Taymor's 'Spider-Man' Vision.

Monday, January 31, 2011

Darkness at Noon

Filed under: General — Tags: , — m759 @ 12:00 pm

In today's Wall Street Journal , Peter Woit reviews a new book on dark matter and dark energy.

For a more literary approach, see "dark materials" in this  journal.

Before thir eyes in sudden view appear
The secrets of the hoarie deep, a dark
Illimitable Ocean without bound,
Without dimension, where length, breadth, and highth,
And time and place are lost; where eldest Night
And Chaos, Ancestors of Nature, hold
Eternal Anarchie, amidst the noise
Of endless warrs and by confusion stand.
For hot, cold, moist, and dry, four Champions fierce
Strive here for Maistrie, and to Battel bring amidst the noise
Thir embryon Atoms....
                                ... Into this wilde Abyss,
The Womb of nature and perhaps her Grave,
Of neither Sea, nor Shore, nor Air, nor Fire,
But all these in thir pregnant causes mixt
Confus'dly, and which thus must ever fight,
Unless th' Almighty Maker them ordain
His dark materials to create more Worlds,
Into this wilde Abyss the warie fiend
Stood on the brink of Hell and look'd a while,
Pondering his Voyage....

-- John Milton, Paradise Lost , Book II

Related material:

1. The “spider” symbol of Fritz Leiber’s short story “Damnation Morning”—

2. Angels and demons here and in the Catholic Church.

3. The following diagram by one “John Opsopaus”—

http://www.log24.com/log/pix09/090312-OpsopausSquare.jpg

Friday, October 1, 2010

Volcano Dawn

Filed under: General — Tags: , — m759 @ 6:24 am

Estas son las mañanitas
Que cantaba el rey David

Who is she that looketh forth as the morning,
fair as the moon, clear as the sun, and terrible as an army with banners?

http://www.log24.com/log/pix10B/101001-AmanecerPopocateptl.jpg

Good question.

A clue:

From The Hunchback of Notre Dame :

Un cofre de gran riqueza
Hallaron dentro un pilar,
Dentro del, nuevas banderas
Con figuras de espantar.

A coffer of great richness
In a pillar’s heart they found,
Within it lay new banners,
With figures to astound.

Those who prefer more commercial banners may consult this morning's New York Times.

Sunday, January 24, 2010

Today’s Sermon

Filed under: General,Geometry — Tags: , — m759 @ 11:00 am

More Than Matter

Wheel in Webster’s Revised Unabridged Dictionary, 1913

(f) Poetry

The burden or refrain of a song.

⇒ “This meaning has a low degree of authority, but is supposed from the context in the few cases where the word is found.” Nares.

You must sing a-down a-down, An you call him a-down-a. O, how the wheel becomes it! Shak.

“In one or other of G. F. H. Shadbold’s two published notebooks, Beyond Narcissus and Reticences of Thersites, a short entry appears as to the likelihood of Ophelia’s enigmatic cry: ‘Oh, how the wheel becomes it!’ referring to the chorus or burden ‘a-down, a-down’ in the ballad quoted by her a moment before, the aptness she sees in the refrain.”

— First words of Anthony Powell’s novel “O, How the Wheel Becomes It!” (See Library Thing.)

Anthony Powell's 'O, How the Wheel Becomes It!' along with Laertes' comment 'This nothing's more than matter.'

Related material:

Photo uploaded on January 14, 2009
with caption “This nothing’s more than matter”

and the following nothings from this journal
on the same date– Jan. 14, 2009

The Fritz Leiber 'Spider' symbol in a square

A Singer 7-cycle in the Galois field with eight elements

The Eightfold (2x2x2) Cube

The Jewel in Venn's Lotus (photo by Gerry Gantt)

Tuesday, April 7, 2009

Tuesday April 7, 2009

Filed under: General — m759 @ 5:24 pm

Bright Star and Dark Lady

on July 26, 2003

“Mexico is a solar country — but it is also a black country, a dark country. This duality of Mexico has preoccupied me since I was a child.”

Octavio Paz,
quoted by Homero Aridjis

Bright Star

Amen.

 

Dark Lady

The same story on
May 11, 2005

 with a different
dark lady:

http://www.log24.com/log/pix09/090407-SnowWhiteQueen.jpg

Monday, March 16, 2009

Monday March 16, 2009

Filed under: General — m759 @ 8:00 pm
Damnation Morning
continued

Annals of Prose Style

  Film Review

“No offense to either of them, but ‘Georgia Rule’ suggests an Ingmar Bergman script as directed by Jerry Lewis. The subject matter is grim, the relationships are gnarled, the worldview is bleak, and, at any given moment, you suspect someone’s going to be hit with a pie.” –John Anderson at Variety.com, May 8, 2007

Sounds perfect to me.


Through a Glass Darkly

“Preserving a strict unity of time and place, this stark tale of a young woman’s decline into insanity is set in a summer home on a holiday island. It is the first part of the trilogy that comprises Winter Light and The Silence, films which are generally seen as addressing Bergman’s increasing disillusionment with the emotional coldness of his inherited Lutheran religion. In particular here, Bergman focuses on the absence of familial love which might perhaps have pulled Karin (Andersson) back from the brink; while Karin’s mental disintegration manifests itself in the belief that God is a spider. As she slips inexorably into madness, she is observed with terrifying objectivity by her emotionally paralyzed father (Björnstrand) and seemingly helpless husband (von Sydow).”

— Nigel Floyd, Time Out, quoted at Bergmanorama

Related material:

1. The “spider” symbol of Fritz Leiber’s short story “Damnation Morning”–

2. Hollywood’s “Angels & Demons” (to open May 15), and

3. The following diagram by one “John Opsopaus”–

http://www.log24.com/log/pix09/090312-OpsopausSquare.jpg

Monday March 16, 2009

Filed under: General — Tags: — m759 @ 8:00 pm
Damnation Morning
continued

Annals of Prose Style

  Film Review

“No offense to either of them, but ‘Georgia Rule’ suggests an Ingmar Bergman script as directed by Jerry Lewis. The subject matter is grim, the relationships are gnarled, the worldview is bleak, and, at any given moment, you suspect someone’s going to be hit with a pie.” –John Anderson at Variety.com, May 8, 2007

Sounds perfect to me.


Through a Glass Darkly

“Preserving a strict unity of time and place, this stark tale of a young woman’s decline into insanity is set in a summer home on a holiday island. It is the first part of the trilogy

Bergman's trilogy including 'Through a Glass Darkly'

that comprises Winter Light and The Silence, films which are generally seen as addressing Bergman’s increasing disillusionment with the emotional coldness of his inherited Lutheran religion. In particular here, Bergman focuses on the absence of familial love which might perhaps have pulled Karin (Andersson) back from the brink; while Karin’s mental disintegration manifests itself in the belief that God is a spider. As she slips inexorably into madness, she is observed with terrifying objectivity by her emotionally paralyzed father (Björnstrand) and seemingly helpless husband (von Sydow).”

— Nigel Floyd, Time Out, quoted at Bergmanorama

Related material:

1. The “spider” symbol of Fritz Leiber’s short story “Damnation Morning“–

Fritz Leiber's 'spider' figure

2. The Illuminati Diamond of Hollywood’s “Angels & Demons” (to open May 15), and

3. The following diagram by one “John Opsopaus“–

Elemental square by John Opsopaus from 'The Rotation of the Elements'

Wednesday, January 14, 2009

Wednesday January 14, 2009

Filed under: General,Geometry — Tags: , — m759 @ 2:45 am

Eight is a Gate

'The Eight,' by Katherine Neville

Customer reviews of Neville's 'The Eight'

From the most highly
rated negative review:

“I never did figure out
what ‘The Eight’ was.”

Various approaches
to this concept
(click images for details):

The Fritz Leiber 'Spider' symbol in a square

A Singer 7-cycle in the Galois field with eight elements

The Eightfold (2x2x2) Cube

The Jewel in Venn's Lotus (photo by Gerry Gantt)

Tom O'Horgan in his loft. O'Horgan died Sunday, Jan. 11, 2009.

Bach, Canon 14, BWV 1087

Thursday, October 23, 2008

Thursday October 23, 2008

Filed under: General,Geometry — Tags: , , — m759 @ 2:29 am
Along Came
a Spider

Symmetry axes of the square

A phrase from 1959
("Damnation Morning"),
from Monday
("Me and My Shadow"),
and from Sept. 28
("Buffalo Soldier") —

"Look, Buster,
do you want to live?"

A closely related phrase:

… Todo lo sé
por el lucero puro
que brilla en la diadema

de la Muerte.

Rubén Darío

The link to
"Buffalo Soldier"
in this entry
is in memory of
Vittorio Foa, who

died Monday
at his home
 outside Rome.

Saturday, June 21, 2008

Saturday June 21, 2008

Filed under: General — Tags: , — m759 @ 8:00 pm
For Mary Gaitskill

(See Eight is a Gate and
Faith, Doubt, Art, and
The New Yorker
.)

A sructure from
today's previous entry:

http://www.log24.com/log/pix08/080621-Gates.gif
 

From Notre-Dame de Paris:

"Un cofre de gran riqueza        
Hallaron dentro un pilar,       
Dentro del, nuevas banderas 
Con figuras de espantar."      

"A coffer of great richness   
     In a pillar's heart they found,
Within it lay new banners,
With figures to astound."  

For some further details, see
the brief Log24 narrative
"Indiana Jones and
the Hidden Coffer
" as well as
Symmetry Framed and
the design of the doors
to Rick's Cafe Americain:

IMAGE- The perception of doors in 'Casablanca'


Everyone comes to Rick's.

Sunday, February 17, 2008

Sunday February 17, 2008

Filed under: General — Tags: — m759 @ 9:15 am
Big Time

Log24 on Feb. 13:

New York Times today–
"Plot Would Thicken, if the
Writers Remembered It
"

"We've lost the plot!"
Slipstream


Nicole Kidman in 'The Human Stain' at VideoSpider.tv

Excerpt from Fritz Leiber's
"Damnation Morning," 1959

Time traveling, which is not quite the good clean boyish fun it's cracked up to be, started for me when this woman with the sigil on her forehead looked in on me from the open doorway of the hotel bedroom where I'd hidden myself and the bottles and asked me, "Look, Buster, do you want to live?"….

Her right arm was raised and bent, the elbow touching the door frame, the hand brushing back the very dark bangs from her forehead to show me the sigil, as if that had a bearing on her question.

Fritz Leiber's 'Spider' symbol

Bordered version
of the sigil

The sigil was an eight-limbed asterisk made of fine dark lines and about as big as a silver dollar.  An X superimposed on a plus sign.  It looked permanent….

… "Here is how it stacks up:  You've bought your way with something other than money into an organization of which I am an agent…."

"It's a very big organization," she went on, as if warning me.  "Call it an empire or a power if you like.  So far as you are concerned, it has always existed and always will exist.  It has agents everywhere, literally.  Space and time are no barriers to it.  Its purpose, so far as you will ever be able to know it, is to change, for its own aggrandizement, not only the present and the future, but also the past.  It is a ruthlessly competitive organization and is merciless to its employees."

"I. G. Farben?" I asked grabbing nervously and clumsily at humor.

She didn't rebuke my flippancy, but said, "And it isn't the Communist Party or the Ku Klux Klan, or the Avenging Angels or the Black Hand, either, though its enemies give it a nastier name."

"Which is?" I asked.

"The Spiders," she said.

That word gave me the shudders, coming so suddenly.  I expected the sigil to step off her forehead and scuttle down her face and leap at me– something like that.

She watched me.  "You might call it the Double Cross," she suggested, "if that seems better."

Related material:
the previous entry.

Thursday, September 21, 2006

Thursday September 21, 2006

Filed under: General — m759 @ 8:00 am
Religious
Symbolism

continued from
Oct. 14, 2004

The image “http://www.log24.com/philo/Wilhelm163.gif” cannot be displayed, because it contains errors.

See also the previous entry.

A related symbol, in memory of
two-time Academy Award winning
cinematographer Sven Nykvist,
who died yesterday:

(See Why Me?, Show Business,
and the cover of the DVD of
an Ingmar Bergman trilogy
photographed by Nykvist.)

Saturday, September 2, 2006

Saturday September 2, 2006

Filed under: General — Tags: , — m759 @ 7:31 am
Today's birthdays:

Salma Hayek
("
Frida")

Salma Hayek and Julie Taymor

"Shinin' like a diamond
 she had tombstones
in her eyes.
"

The image “http://www.log24.com/log/pix06A/060902-StarAndDiamond2.gif” cannot be displayed, because it contains errors.

(For the above figures,
see Log24, 5/17/06,
"Tombstone," and
Log24, 9/13/03,
"For the Man in Black.")

and Keanu Reeves
("
Constantine")

 

The image “http://www.log24.com/log/pix05/050218-Highwater.jpg” cannot be displayed, because it contains errors.

(For the above figure,
see Log24, 2/18/05,
"In Hoc Signo.")

Related material:

From Notre-Dame de Paris:

"Un cofre de gran riqueza        
Hallaron dentro un pilar,       
Dentro del, nuevas banderas 
Con figuras de espantar."      

"A coffer of great richness   
     In a pillar's heart they found,
Within it lay new banners,
With figures to astound."  

For some further details, see
the brief Log24 narrative
"Indiana Jones and
the Hidden Coffer
" as well as
Symmetry Framed and
the design of the doors
to Rick's Cafe Americain:

The image “http://www.log24.com/log/pix06A/060902-Ricks.jpg” cannot be displayed, because it contains errors.

Saturday, February 11, 2006

Saturday February 11, 2006

Filed under: General — m759 @ 12:12 pm
ART WARS
(Continued from
April 6-7, 2004)

Blue Dream
For Ray Charles
 
http://www.log24.com/theory/images/Symm-axes.jpg

(Spider Web)

and Jay Dee
(Donuts)

From Dogma Part II: Amores Perros:

"Do Catholics believe that when you die your soul goes up in the sky? To heaven, if they go to heaven?"
 — Hope of Heaven, by John O'Hara (1938), Carroll & Graf paperback, 1985, page 162

"My blue dream of being in a basket like a kite held by a rope against the wind…. It's fun to stretch and see the blue heavens spreading once more, spreading azure thighs for adventure."
 — F. Scott Fitzgerald, The Last Tycoon (1941), Collier paperback, 1986, page 162

The following work of art
illustrates the above remarks.

The image “http://www.log24.com/log06/saved/060211-Garfield3.jpg” cannot be displayed, because it contains errors.
 

Tuesday, November 15, 2005

Tuesday November 15, 2005

Filed under: General,Geometry — m759 @ 11:07 am
Windmills
 
The image “http://www.log24.com/log/pix05B/051115-StarRocks1.jpg” cannot be displayed, because it contains errors.

Upper part of above picture–

From today’s New York Times,
Seeing Mountains in
Starry Clouds of Creation.

Lower part of above picture–
Pilgrimage to Spider Rock:

“This magical place, according to Navajo Legend, was the home of Spider Woman, who gave the gift of weaving to the Dineh’ People.  Today’s Navajos trace the excellence of their finest textiles to this time of legends, when their patron, Changing Woman, met Spider Woman, the first Weaver.”

Vine Deloria Jr.,
 
Evolution, Creationism,
and Other Modern Myths:

“The continuing struggle between evolutionists and creationists, a hot political topic for the past four decades, took a new turn in the summer of 1999 when the Kansas Board of Education voted to omit the mention of evolution in its newly approved curriculum, setting off outraged cries of foul by the scientific establishment.  Don Quixotes on both sides mounted their chargers and went searching for windmills.”

Related material–

A figure from
last night’s entry,
Spider Woman:

Fritz Leiber's 'Spider' symbol

From Sunday, the day
of Vine Deloria’s death,
a picture that might be
called Changing Woman:

  

Kaleidoscope turning…
Shifting pattern
within unalterable structure…
— Roger Zelazny, Eye of Cat     

See also the windmill figure

The image “http://www.log24.com/theory/images/Whirl3.gif” cannot be displayed, because it contains errors.

in Time and Eternity
(Log 24, Feb. 1, 2003)

and

a review
of Fritz Leiber’s
The Big Time,

The image “http://www.log24.com/log/pix05B/051115-BigTimePic.jpg” cannot be displayed, because it contains errors.

a story that works.”

Tuesday November 15, 2005

Filed under: General,Geometry — m759 @ 2:56 am
Spider Woman

    “Time traveling, which is not quite the good clean boyish fun it’s cracked up to be, started for me when this woman with the sigil on her forehead looked in on me from the open doorway of the hotel bedroom where I’d hidden myself and the bottles and asked me, ‘Look, Buster, do you want to live?’….
    Her right arm was raised and bent, the elbow touching the door frame, the hand brushing back the very dark bangs from her forehead to show me the sigil, as if that had a bearing on her question.

Fritz Leiber's 'Spider' symbol

Bordered version
of the sigil

The sigil was an eight-limbed asterisk made of fine dark lines and about as big as a silver dollar.  An X superimposed on a plus sign.  It looked permanent.”

— Fritz Leiber, “Damnation Morning

For Vine Deloria Jr., who died at 72 on Sunday, Nov. 13, 2005:

        Things forgotten are shadows.
        The shadows will be as real
        as wind and rain and song and light,
        there in the old place.
        Spider Woman atop your rock,
        I would greet you,
        but I am going the other way.
        Only a fool would pursue a Navajo
        into the Canyon of Death.

— Roger Zelazny, Eye of Cat

Related material:
from a Log24 entry
on the morning of
Deloria’s death–

Kaleidoscope turning…
Shifting pattern
within unalterable structure…

— Roger Zelazny, Eye of Cat

  

Saturday, June 25, 2005

Saturday June 25, 2005

Filed under: General — Tags: — m759 @ 12:00 am
Merry AntiChristmas!

Religious Symbolism
at Midnight:

The image “http://www.log24.com/log/pix05A/050625-Star.jpg” cannot be displayed, because it contains errors.

Related material:

Star Wars 6/13/05,
Dark City 6/14/05,
and De Arco, as well
as the following from
July 26, 2003:

Bright Star and Dark Lady

"Mexico is a solar country — but it is also a black country, a dark country. This duality of Mexico has preoccupied me since I was a child."

Octavio Paz,
quoted by Homero Aridjis

Bright Star

Amen.

 

Dark Lady

Tuesday, May 24, 2005

Tuesday May 24, 2005

Filed under: General — m759 @ 2:00 pm
Final Arrangements, continued:

Two Poles

From today’s New York Times:

The image “http://www.log24.com/log/pix05/050524-NYT.jpg” cannot be displayed, because it contains errors.

From erraticimpact.com on Paul Ricoeur:

“Ricoeur reserves his greatest admiration for
the narratologist Algirdas-Julien Greimas.
[See below.]
Ricoeur also explores the relationship
between the philosophical and religious
domains, attempting to reconcile
the two poles in his thought.”

From today’s NYT obituary of Sol Stetin:

“Mr. Stetin, who emigrated from Poland at the age of 10 and dropped out of high school in the ninth grade, was fond of saying he got his education in the labor movement.”

The image “http://www.log24.com/log/pix05/050524-JP2.jpg” cannot be displayed, because it contains errors.


“… it is not in isolation that the rhetorical power of such oppositions resides, but in their articulation in relation to other oppositions. In Aristotle’s Physics the four elements of earth, air, fire and water were said to be opposed in pairs. For more than two thousand years oppositional patterns based on these four elements were widely accepted as the fundamental structure underlying surface reality….


The structuralist semiotician Algirdas Greimas introduced the semiotic square (which he adapted from the ‘logical square’ of scholastic philosophy) as a means of analysing paired concepts more fully….”

Daniel Chandler, Semiotics for Beginners

Related material:

Poetry’s Bones and
Theme and Variations.

Other readings on polarity:

Log24, May 24, 2003, and
from July 26, 2003:

Bright Star and Dark Lady

“Mexico is a solar country — but it is also a black country, a dark country. This duality of Mexico has preoccupied me since I was a child.”

Octavio Paz,
quoted by Homero Aridjis

Bright Star

Amen.

Dark Lady

Sunday, May 1, 2005

Sunday May 1, 2005

Filed under: General — Tags: — m759 @ 1:11 pm
Logos

Harvard's Barry Mazur on
one mathematical style:

"It’s the barest, most Beckett-like vocabulary
that incorporates the theory and nothing else."

Samuel Beckett, Quad (1981):

The image “http://www.log24.com/log/pix05/050501-Quad.jpg” cannot be displayed, because it contains errors.

A Jungian on this six-line logo:

"They are the same six lines
that exist in the I Ching….
Now observe the square more closely:
four of the lines are of equal length,
the other two are longer….
For this reason symmetry
cannot be statically produced
and a dance results."
 
— Marie-Louise von Franz,
Number and Time (1970),
Northwestern U. Press
paperback, 1979, p. 108

A related logo from
Columbia University's
Department of Art History
and Archaeology
:

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Also from that department:

Rosalind Krauss,

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Meyer Schapiro Professor
of Modern Art and Theory:

"There is no painter in the West
who can be unaware of
the symbolic power
of the cruciform shape
and the Pandora's box
of spiritual reference
that is opened
once one uses it."

"In the garden of Adding
live Even and Odd…"
— The Midrash Jazz Quartet in
City of God, by E. L. Doctorow

THE GREEK CROSS

A cross in which all the arms
are the same length.

Here, for reference, is a Greek cross
within a nine-square grid:

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 Related religious meditation for
    Doctorow's "Garden of Adding"…

 4 + 5 = 9.

Types of Greek cross
illustrated in Wikipedia
under "cross":

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From designboom.com:

THE BAPTISMAL CROSS

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is a cross with eight arms:
a Greek cross, which is superimposed
on a Greek 'chi,' the first letter
of the Greek word for 'Christ.'
Since the number eight is symbolic
of rebirth or regeneration,
this cross is often used
as a baptismal cross.

Related material:

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Fritz Leiber's "spider"
or "double cross" logo.
See Why Me? and
A Shot at Redemption.

Happy Orthodox Easter.

Sunday, April 3, 2005

Sunday April 3, 2005

Filed under: General — Tags: — m759 @ 3:26 pm
Wager

Pennsylvania Lottery Daily Number

for yesterday evening,
Saturday, April 2, 2005:

613

Related material:

From 6/13 2004

An 8-rayed star:

Another 8-rayed star:

The image “http://www.log24.com/log/pix05/050403-StPetersSq.jpg” cannot be displayed, because it contains errors.

St. Peter’s Square in Rome
 
From 6/13 2003

A link to a 2001 First Things essay,

The End of Endings:

“Here is the heart of the matter:

The underwriting of Hebraic–Hellenic literacy, of the normative analogue between divine and mortal acts of creation, was, in the fullest sense, theological. As was the wager (pronounced lost in deconstruction and postmodernism) on ultimate possibilities of accord between sign and sense, between word and meaning, between form and phenomenality. The links are direct between the tautology out of the Burning Bush, that ‘I am’ which accords to language the privilege of phrasing the identity of God, on the one hand, and the presumptions of concordance, of equivalence, of translatability, which, though imperfect, empower our dictionaries, our syntax, our rhetoric, on the other. That ‘I am’ has, as it were, at an overwhelming distance, informed all predication. It has spanned the arc between noun and verb, a leap primary to creation and the exercise of creative consciousness in metaphor. Where that fire in the branches has gone out or has been exposed as an optical illusion, the textuality of the world, the agency of the Logos in logic—be it Mosaic, Heraclitean, or Johannine—becomes ‘a dead letter.’

That passage bears rereading.”

— Richard John Neuhaus quoting
   George Steiner’s Grammars of Creation
   (Yale University Press, April 1, 2001)

Sunday, October 10, 2004

Sunday October 10, 2004

Filed under: General — m759 @ 4:48 pm

Starflight

In memory of
Jacques Derrida and James Chace,
both of whom died in Paris on
Friday, Oct. 8, 2004, and of
Orson Welles, who died
on this date in 1985

 

The image “http://www.log24.com/log/pix04A/041010-Welles.gif” cannot be displayed, because it contains errors.

Orson Welles

Mate in 2 

V. Nabokov, 1919

"The black king has three white flight squares, without mates being provided for these flights, which suggests giving him a fourth. 1. Bg2 therefore presents itself, especially when you notice that it prepares mates for all the flights, and for the king remaining on its original square.

1. Bg2

Kxc6 2. Nfe5 mate
Ke6   2. Nd4  mate
Kc4   2. Nd2  mate  
Ke4   2. Nd4  mate  
fxg3  2. Ng5  mate

The five variations together are the theme,  'starflight.'  (With orthogonal squares it is called plus- or cross-flight.)"

Open Chess Diary, 1999,
   by Tim Krabbé, Amsterdam

See also the entries of
Oct. 8, 2002 and
Oct. 8, 2004, and
related remarks on
the "double cross," or
"king's moves" symbol:

For an appropriate bishop, see

Riddle.
 

Sunday, June 13, 2004

Sunday June 13, 2004

Filed under: General — m759 @ 6:23 pm

Spider Web


Thanks to JadedFey
for pointing out this
Ray Charles connection.

Sunday, June 6, 2004

Sunday June 6, 2004

Filed under: General — m759 @ 4:30 pm
The X Factor

On OSS veteran Charles Hostler,
an unsung D-Day hero, now sung:

“He was trained by the British MI6
intelligence agency for an operation
known as X2 – or ‘double cross.’ “

Beth Gardiner, AP, June 6, 2004

 From Fritz Leiber’s
“Damnation Morning,” 1959:

Bordered version
of the sigil

The sigil was an eight-limbed asterisk made of fine dark lines and about as big as a silver dollar.  An X superimposed on a plus sign.  It looked permanent….

… “Here is how it stacks up:  You’ve bought your way with something other than money into an organization of which I am an agent….”

“It’s a very big organization,” she went on, as if warning me.  “Call it an empire or a power if you like.  So far as you are concerned, it has always existed and always will exist.  It has agents everywhere, literally.  Space and time are no barriers to it.  Its purpose, so far as you will ever be able to know it, is to change, for its own aggrandizement, not only the present and the future, but also the past.  It is a ruthlessly competitive organization and is merciless to its employees.”

“I. G. Farben?” I asked grabbing nervously and clumsily at humor.

She didn’t rebuke my flippancy, but said, “And it isn’t the Communist Party or the Ku Klux Klan, or the Avenging Angels or the Black Hand, either, though its enemies give it a nastier name.”

“Which is?” I asked.

“The Spiders,” she said.

That word gave me the shudders, coming so suddenly.  I expected the sigil to step off her forehead and scuttle down her face and leap at me — something like that.

She watched me.  “You might call it the Double Cross,” she suggested, “if that seems better.”

Saturday, May 22, 2004

Saturday May 22, 2004

Filed under: General — m759 @ 6:14 am

Star Wars

In memory of Melvin J. Lasky, editor, 1958-1990, of the CIA-funded journal Encounter:

“Once called as lively, and as bitchy, as a literary cocktail party, Encounter published articles of unrivalled authority on politics, history and literature.”

— Obituary in the Telegraph 

Lasky died on Wednesday, May 19, 2004.  From a journal entry of my own on that date:

This newly-digitized diagram is from a
paper journal note of October 21, 1999.

Note that the diagram’s overall form is that of an eight-point star.  Here is an excerpt from a Fritz Leiber story dealing with such a star, the symbol of a fictional organization:

Time traveling, which is not quite the good clean boyish fun it’s cracked up to be, started for me when this woman with the sigil on her forehead looked in on me from the open doorway of the hotel bedroom where I’d hidden myself and the bottles and asked me, “Look, Buster, do you want to live?”
….

Her right arm was raised and bent, the elbow touching the door frame, the hand brushing back the very dark bangs from her forehead to show me the sigil, as if that had a bearing on her question.

The sigil was an eight-limbed asterisk made of fine dark lines and about as big as a silver dollar.  An X superimposed on a plus sign.  It looked permanent.
….

… “Here is how it stacks up:  You’ve bought your way with something other than money into an organization of which I am an agent….”
….

“It’s a very big organization,” she went on, as if warning me.  “Call it an empire or a power if you like.  So far as you are concerned, it has always existed and always will exist.  It has agents everywhere, literally.  Space and time are no barriers to it.  Its purpose, so far as you will ever be able to know it, is to change, for its own aggrandizement, not only the present and the future, but also the past.  It is a ruthlessly competitive organization and is merciless to its employees.”

“I. G. Farben?” I asked grabbing nervously and clumsily at humor.

She didn’t rebuke my flippancy, but said, “And it isn’t the Communist Party or the Ku Klux Klan, or the Avenging Angels or the Black Hand, either, though its enemies give it a nastier name.”

“Which is?” I asked.

“The Spiders,” she said.

That word gave me the shudders, coming so suddenly.  I expected the sigil to step off her forehead and scuttle down her face and leap at me—something like that.

She watched me.  “You might call it the Double Cross,” she suggested, “if that seems better.”

— Fritz Leiber,
   “Damnation Morning,” 1959

From last year’s entry,
Indiana Jones and the Hidden Coffer,
of 6/14:

From Borges’s “The Aleph“:

“The Faithful who gather at the mosque of Amr, in Cairo, are acquainted with the fact that the entire universe lies inside one of the stone pillars that ring its central court…. The mosque dates from the seventh century; the pillars come from other temples of pre-Islamic religions…. Does this Aleph exist in the heart of a stone?”

(“Los fieles que concurren a la mezquita de Amr, en el Cairo, saben muy bien que el universo está en el interior de una de las columnas de piedra que rodean el patio central…. la mezquita data del siglo VII; las columnas proceden de otros templos de religiones anteislámicas…. ¿Existe ese Aleph en lo íntimo de una piedra?”)

From The Hunchback of Notre Dame:

Un cofre de gran riqueza
Hallaron dentro un pilar,
Dentro del, nuevas banderas
Con figuras de espantar.

A coffer of great richness
In a pillar’s heart they found,
Within it lay new banners,
With figures to astound.

See also the figures obtained by coloring and permuting parts of the above religious symbol.

Lena Olin and Harrison Ford
in “Hollywood Homicide

Finally, from an excellent site
on the Knights Templar,
a quotation from Umberto Eco:

When all the archetypes burst out shamelessly, we plumb the depths of Homeric profundity. Two cliches make us laugh but a hundred cliches move us because we sense dimly that the cliches are talking among themselves, celebrating a reunion . . . Just as the extreme of pain meets sensual pleasure, and the extreme of perversion borders on mystical energy, so too the extreme of banality allows us to catch a glimpse of the Sublime.

— “Casablanca: Cult Movies and Intertextual Collage” (1984) from Travels in Hyperreality

Sunday, October 26, 2003

Sunday October 26, 2003

Filed under: General — m759 @ 3:17 am

ART WARS for

Trotsky’s Birthday

Part I:
Symbols

From my entry of July 26, 2003, in memory
of Marathon Man director John Schlesinger:

Bright Star and Dark Lady

“Mexico is a solar country — but it is also a black country, a dark country. This duality of Mexico has preoccupied me since I was a child.”

Octavio Paz,
quoted by Homero Aridjis

Bright Star

Amen.

Dark Lady

For the meaning of the above symbols, see
Kubrick’s 1x4x9 monolith in 2001,
the Halmos tombstone in Measure Theory,
and the Fritz Leiber Changewar stories.

No se puede vivir sin amar.


Part II:
Sunday in the Park with Death

  To Leon from Diego —
Details of a mural,
A Dream of a Sunday Afternoon
in Alameda Park,
Fresco, 1947-48,
Alameda Hotel, Mexico City:

Three’s a Crowd:

Symbol:


Thursday, August 7, 2003

Thursday August 7, 2003

Filed under: General — m759 @ 6:45 am

Morning Flight

I’m working on a morning flight to anywhere but here….

It’s not the way you say you hear my heart
when the music ends
I am just learning how to fly away again”

— Nanci Griffith on KHYI.com, 6:45 AM

Click on the above yantra for deeper meditations from May 24 and 25, 2003.

See entries of June 10-14, 2003, for more on the symbolism of the above figure’s central two triangles, which represent Shiva and Kali united.  For the symbolism of the eight petals, see the eight-ray star of Venus in my Oct. 23, 2002, entry.  This is one interpretation of the eightfold “Spider” symbol

which plays a major role in the Changewar stories of Fritz Leiber (my favorite mythology).  This symbol, like the two-triangles symbol at the center of the eight-petal lotus above, represents “Shiva and Kali united in love,” according to Leiber. (See my journal note “Biblical Proportions,” written on this date in 1997.)

For a Christian perspective on the Spider symbol, see Quine in Purgatory.

For a different religious perspective on the two-triangles symbol in the lotus, see

You Don’t Look Buddhist,

Suzanne Takes You Down, and

Satori at Pearl Harbor.

Saturday, July 26, 2003

Saturday July 26, 2003

Filed under: General — Tags: — m759 @ 5:29 am

Funeral March

John Schlesinger dead at 77;
‘Midnight Cowboy’ director

 
Anthony Breznican
Associated Press
Jul. 26, 2003 12:00 AM

LOS ANGELES – Oscar-winning director John Schlesinger, who daringly brought gay characters into mainstream cinema with Midnight Cowboy and tapped into nightmares with the teeth-drilling torture of Marathon Man, died Friday at 77.

The British-born filmmaker…. died about 5:30 a.m….

Schlesinger also directed The Day of the Locust, based on a novel by Nathanael West.

See Heaven, Hell, and Hollywood and

Dogma Part II: Amores Perros.

From the latter:

“Then you know your body’s sent,
Don’t care if you don’t pay rent,
Sky is high and so am I,
If you’re a viper — a vi-paah.”

The Day of the Locust,
    by Nathanael West (1939),
    New Directions paperback,
    1969, page 162

This song may be downloaded at

Pot Culture, 1910-1960.

That same site begins with a traditional Mexican song…

La cucaracha, la cucaracha,
 ya no puede caminar,
 porque no quiere,
 porque le falta
 marihuana que fumar.
” 

(“The cockroach, the cockroach,
 can’t walk anymore,
 because he doesn’t want to,
 because he has no
 marihuana to smoke.”)

This suggests an appropriate funeral march for John Schlesinger:

“Ya murió la cucaracha, ya la llevan a enterrar…”La Cucaracha

Those attending Schlesinger’s wake, as opposed to his funeral, may wish to perform other numbers from the Pot Culture page, which offers a variety of “viper” songs.

Bright Star and Dark Lady

“Mexico is a solar country — but it is also a black country, a dark country. This duality of Mexico has preoccupied me since I was a child.”

Octavio Paz,
quoted by Homero Aridjis

Bright Star

Amen.

 

Dark Lady

For the meaning of the above symbols, see
Kubrick’s 1x4x9 monolith in 2001,
the Halmos tombstone in Measure Theory,
and the Fritz Leiber Changewar stories.

No se puede vivir sin amar.

Concluding Unscientific Postscript:

Oh, yes… the question of
Heaven or Hell for John Schlesinger… 

Recall that he also directed the delightful
Cold Comfort Farm and see
last year’s entry for this date.

Saturday, June 14, 2003

Saturday June 14, 2003

Filed under: General,Geometry — m759 @ 5:00 pm

Indiana Jones
and the Hidden Coffer

In memory of Bernard Williams,

Oxford philosopher, who died Tuesday, June 10, 2003. 

“…in… Truth and Truthfulness [September, 2002], he sought to speak plainly, and took on the post-modern, politically correct notion that truth is merely relative…”

— Christopher Lehmann-Haupt

“People have always longed for truths about the world — not logical truths, for all their utility; or even probable truths, without which daily life would be impossible; but informative, certain truths, the only ‘truths’ strictly worthy of the name. Such truths I will call ‘diamonds’; they are highly desirable but hard to find….

A new epistemology is emerging to replace the Diamond Theory of truth. I will call it the ‘Story Theory’ of truth: There are no diamonds. People make up stories about what they experience. Stories that catch on are called ‘true.’ The Story Theory of truth is itself a story that is catching on. It is being told and retold, with increasing frequency, by thinkers of many stripes…. My own viewpoint is the Story Theory….”

— Richard J. Trudeau, The Non-Euclidean Revolution, Birkhauser Boston, 1987

Today is the feast day of Saint Jorge Luis Borges (b. Buenos Aires, August 24, 1899 – d. Geneva, June 14, 1986).

From Borges’s “The Aleph“:

“The Faithful who gather at the mosque of Amr, in Cairo, are acquainted with the fact that the entire universe lies inside one of the stone pillars that ring its central court…. The mosque dates from the seventh century; the pillars come from other temples of pre-Islamic religions…. Does this Aleph exist in the heart of a stone?”

(“Los fieles que concurren a la mezquita de Amr, en el Cairo, saben muy bien que el universo está en el interior de una de las columnas de piedra que rodean el patio central…. la mezquita data del siglo VII; las columnas proceden de otros templos de religiones anteislámicas…. ¿Existe ese Aleph en lo íntimo de una piedra?”)

From The Hunchback of Notre Dame:

Un cofre de gran riqueza
Hallaron dentro un pilar,
Dentro del, nuevas banderas
Con figuras de espantar.*

* A coffer of great richness
In a pillar’s heart they found,
Within it lay new banners,
With figures to astound.

See also the figures obtained by coloring and permuting parts of the above religious symbol.

Lena Olin and Harrison Ford
in “Hollywood Homicide

Saturday, May 24, 2003

Saturday May 24, 2003

Filed under: General — m759 @ 1:06 am

Mental Health Month, Day 24:

The Sacred Day of
Kali, the Dark Lady

On this day, Gypsies from all over Europe gather in Provence for the sacred day of St. Sarah, also known as Kali.

Various representations of Kali exist; there is a novel about the ways men have pictured her:

From the prologue to
The Dark Lady,

 by Mike Resnick.

She was old when the earth was young.

She stood atop Cemetery Ridge when Pickett made his charge, and she was there when the six hundred rode into the Valley of Death.  She was at Pompeii when Mount Vesuvius blew, and she was in the forests of Siberia when the comet hit.  She hunted elephant with Selous and buffalo with Cody, and she was there the night the high wire broke beneath the Flying Wallendas.  She was at the fall of Troy and the Little Bighorn, and she watched Manolete and Dominguez face the brave bulls in the bloodstained arenas of Madrid….

She has no name, no past, no present, no future.  She wears only black, and though she has been seen by many men, she is known to only a handful of them.  You’ll see her — if you see her at all — just after you’ve taken your last breath.  Then, before you exhale for the final time, she’ll appear, silent and sad-eyed, and beckon to you.

She is the Dark Lady, and this is her story.

The above is one of the best descriptions of Kali I know of in literature; another is in a short story by Fritz Leiber, “Damnation Morning.”   It is not coincidental that one collection of Leiber’s writings is called “Dark Ladies.”

My journal note “Biblical Proportions” was in part inspired by Leiber.

Frank Sinatra may have pictured her as Ava Gardner.  I think I saw her the night Sinatra died… hence my entries of March 31 and April 2, 2003. 

It is perhaps not irrelevant that Kali is, among other things, a mother goddess, and that my entry “Raiders of the Lost Matrix” of May 20 deals with this concept and with the number 24.

The above religious symbol (see “Damnation Morning“) pictures both the axes of symmetry of the square¹ and a pattern with intriguing combinatorial properties².  It also is the basis of a puzzle³ I purchased on August 29, 1997 — Judgment Day in Terminator 2.  Linda Hamilton as Sarah Connor in that film is an excellent representation of the Dark Lady, both as mother figure and as Death Goddess.

 
Sarah Connor

Background music: “Bit by bit…” — Stephen Sondheim… See Sondheim and the Judgment Day puzzle in my entry of May 20. The Lottery Covenant.

¹ A. W. Joshi, Elements of Group Theory for Physicists, Third Edition, Wiley, 1982, p. 5

² V. K. Balakrishnan, Combinatorics, McGraw-Hill, 1995, p. 180

³ The Izzi Puzzle

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