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Wednesday, May 16, 2012

Midnight in Paris– The Morning After

Filed under: General — m759 @ 10:31 AM

(Continued from yesterday evening)

On Max Bialystock's Spider-Man Godspell Seminar

"… for surrealism to be entertaining
onstage, it must be shaped into
some kind of satisfying form."

— Charles Isherwood
    in today's New York Times

(RSS:  Wed, 16  May  2012  00:37:17 GMT)

From Fritz Leiber's 1959 story "Damnation Morning" —

She drew from her handbag a pale grey gleaming
implement that looked by quick turns to me
like a knife, a gun, a slim sceptre, and a delicate
branding iron— especially when its tip sprouted
an eight-limbed star of silver wire.

“The test?” I faltered, staring at the thing.

“Yes, to determine whether you can live
in the fourth dimension or only die in it.”

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