Friday, July 8, 2022
Monday, August 26, 2019
“I need a photo opportunity” — Paul Simon
Photo Opportunity , courtesy of Leni Riefenstahl — Click to enlarge.
From Paul Simon's dreaded Cartoon Graveyard —
The Riefenstahl publication above was suggested by . . .
Wednesday, September 6, 2023
“I need a photo opportunity” *
Caption from Getty Images (Wikipedia links added) —
"Philosophers James O Urmson (1915 – 2012, left), a fellow of
Christ Church, Oxford, and Professor James** Langshaw Austin
(1911 – 1960) of Magdalen College, Oxford, at a joint session of
the Aristotelian Society and the Mind Association, Birmingham
University, August 1952. Original publication: Picture Post – 6001 –
It All Depends On What You Mean – pub. 16th August 1952
(Photo by George Douglas/Picture Post/Hulton Archive/Getty Images)"
** Getty Images error. Should be John Langshaw Austin.
Friday, June 7, 2019
Photo Opportunity
A post for those who, like Paul Simon,
fear and loathe cartoon graveyards
https://www.nytimes.com/2019/06/06/obituaries/
rudolf-von-ribbentrop-dead.html
Friday, March 8, 2019
Photo Opportunity
"I need a photo opportunity . . . ." — Paul Simon
Tuesday, July 15, 2014
Photo Opportunity
"I need a photo opportunity, I want a shot at redemption.
Don't want to end up a cartoon in a cartoon graveyard."
– Paul Simon
"The theory of poetry, that is to say, the total of the theories of poetry, often seems to become in time a mystical theology or, more simply, a mystique. The reason for this must by now be clear. The reason is the same reason why the pictures in a museum of modern art often seem to become in time a mystical aesthetic, a prodigious search of appearance, as if to find a way of saying and of establishing that all things, whether below or above appearance, are one and that it is only through reality, in which they are reflected or, it may be, joined together, that we can reach them. Under such stress, reality changes from substance to subtlety, a subtlety in which it was natural for Cézanne to say: 'I see planes bestriding each other and sometimes straight lines seem to me to fall' or 'Planes in color…. The colored area where shimmer the souls of the planes, in the blaze of the kindled prism, the meeting of planes in the sunlight.' The conversion of our Lumpenwelt went far beyond this. It was from the point of view of another subtlety that Klee could write: 'But he is one chosen that today comes near to the secret places where original law fosters all evolution. And what artist would not establish himself there where the organic center of all movement in time and space– which he calls the mind or heart of creation– determines every function.' Conceding that this sounds a bit like sacerdotal jargon, that is not too much to allow to those that have helped to create a new reality, a modern reality, since what has been created is nothing less.
— Wallace Stevens, Harvard College Class of 1901, "The Relations between Poetry and Painting" in The Necessary Angel (Knopf, 1951) |
For background on the planes illustrated above,
see Diamond theory in 1937.
Tuesday, February 21, 2012
Photo Opportunity
Thursday, October 17, 2024
October Harvest . . . “Who’s on First?”
Saturday, August 17, 2024
Weir’d II —
For “the stuffed men,” “the hollow men” —
A “Project Hail Mary” from the Feast of the Assumption
"I need a photo opportunity . . . ." — Paul Simon
For “the stuffed men,” “the hollow men” —
A “Project Hail Mary” from the Feast of the Assumption
Tuesday, February 27, 2024
Macbeth and the Black Arts
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
Rhymin' Simon's lyrics seem particularly appropriate
in the case of the actor below, who reportedly died
on October 31 — Halloween — last year.
Earlier last October . . .
Monday, July 17, 2023
Harry G. Frankfurt, May 29, 1929 – July 16, 2023
See as well this journal on the morning of July 16,
and also "Cartoon Graveyard."
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
Monday, May 23, 2022
A Long March
"'Night Sky' is an absorbing series with an interesting premise
that marches to its own drummer…." — NY Post , May 18.
See as well posts tagged "Bedrock" in this journal.
"I need a photo opportunity . . . " — Paul Simon
Friday, January 28, 2022
Escape from a Cartoon Graveyard
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
Thursday, September 30, 2021
Carthago
Augustine Confessiones 3 3.1.1
veni Carthaginem, et circumstrepebat me |
venio, venire, veni, ventus come |
Carthago, Carthaginis F Carthage |
circumstrepo, circumstrepere, circumstrepui, circumstrepitus make a noise around; surround with noise; shout/cry clamorously around |
undique from every side/direction/place/part/source; on all/both sides/surfaces |
sartago, sartaginis F frying pan; mixture/medley/jumble/farrago; stove |
flagitiosus, flagitiosa -um, flagitiosior -or -us, flagitiosissimus -a -um disgraceful, shameful; infamous, scandalous; profligate, dissolute |
amor, amoris M love; affection; the beloved; Cupid; affair; sexual/illicit/… etc. etc. etc. |
Related meditations —
A more straightforward image —
"I need a photo opportunity . . ." — Song lyric, Paul Simon
For those who are
less than thrilled
by St. Augustine:
See also Margaret Qualley's "Kenzo World" dance.
Those less than thrilled by Qualley's highly energetic,
but very unclassical, dance may review the Log24 post
Raiders of the Lost Images (Feb. 27, 2018).
Wednesday, February 10, 2021
Multiversity News
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
See also Lawrence, Kansas, in a Log24 search for August 2, 2002.
Related material: Text Tiles posts and, also from Lawrence, Kansas . . .
Friday, October 18, 2019
Vibe for Ray Bradbury
On writer Kate Braverman, who reportedly died on Sunday, October 13:
" She wears floor-length black skirts, swirling black coats,
and black stiletto boots; the San Francisco Chronicle once
described her vibe as 'Morticia Addams gone gypsy.' "
— Katy Waldman in The New Yorker , Feb. 22, 2018
"I need a photo opportunity
I want a shot at redemption
Don't want to end up a cartoon
In a cartoon graveyard"
— Paul Simon, song lyric
For a Braverman photo opportunity, see the dark corner
at lower right in the previous post.
Tuesday, May 21, 2019
The Toronto Plot*
* A title for Harlan Kane, suggested by obituaries
from The New York Times (this afternoon) and from
CBC News (on May 14, below) . . .
. . . as well as by illustrations shown here on May 13 and by
a screenwriter quoted here on May 12 —
“When I die,” he liked to say, “I’m going to have written
on my tombstone, ‘Finally, a plot!’”
— Robert D. McFadden in The New York Times
Another quote that seems relevant —
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
Friday, May 17, 2019
A Shot at Redemption
Monday, April 29, 2019
Like Decorations in a Cartoon Graveyard
(Continued.)
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
A death on the date of the above New Yorker piece — Oct. 15, 2018 —
See as well the Pac-Man-like figures in today's previous post
as well as the Monday, Oct. 15, 2018, post "History at Bellevue."
Friday, February 22, 2019
Desperately Seeking Comedy
"I need a photo opportunity . . ." — Paul Simon
Thursday, July 19, 2018
A Shot at Redemption
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
From a cartoon graveyard on yesterday's date in 1957 —
For the photo opportunity of the Paul Simon song, see
my former sixth-grade teacher on that same 1957 page.
Tuesday, January 23, 2018
Thursday, January 4, 2018
For T. S. Eliot
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
Sunday, August 27, 2017
Sequel (In Memory of Tobe Hooper)
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
See also John Collier's short story "The Lady on the Grey."
Note that the title of the previous post was "Black Well,"
almost the same as that of Tanner's graphic novel above.
Wednesday, March 22, 2017
Mystery Woman
From a book review quoted here in yesterday’s post
of 12:41 PM ET, “Special Topics” —
“That teacher, Hannah Schneider, has the magnetism of
Miss Jean Brodie and the film-noir mystique of Lauren Bacall.
When Blue meets her, in a ‘Hitchcock cameo,’ by the frozen-food
section at a grocery store, she falls under her spell. ‘She had an
elegant sort of romantic, bone-sculpted face, one that took well to
both shadows and light,’ Blue recalls. ‘Most extraordinary though
was the air of a Chateau Marmont bungalow about her, a sense
of RKO, which I’d never before witnessed in person.’ Hannah
teaches a course on cinema in a room lined with posters . . . .“
From a Facebook page related to the death yesterday morning at
Webster University of the teacher of a course on cinema —
“I need a photo opportunity . . . .” — Paul Simon
The title of the film in the cover photo above is not without relevance.
Wednesday, June 22, 2016
Versatile Figure
Thursday, October 8, 2015
Redemption
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
A portion of the above photo appeared on the cover of
a German edition of a book by the winner of the 2015 Nobel
Prize in Literature, Svetlana Alexievich. The German title,
Der Krieg hat kein weibliches Gesicht , is closer to the Russian
original than is the title of an English translation, War's Unwomanly Face .
Further book and photo information —
Thursday, January 22, 2015
A Shot at Redemption
(Continued.)
“I need a photo opportunity,
I want a shot at redemption.
Don’t want to end up a cartoon
in a cartoon graveyard.”
— Paul Simon
Photo opportunity
for the late John Bayley and Iris Murdoch —
From a cartoon graveyard, in memory of
a British artist who reportedly died yesterday:
Wednesday, July 30, 2014
Wednesday, May 21, 2014
Through the Vanishing Point*
Marshall McLuhan in "Annie Hall" —
"You know nothing of my work."
Related material —
"I need a photo opportunity
I want a shot at redemption
Don't want to end up a cartoon
In a cartoon graveyard"
— Paul Simon
It was a dark and stormy night…
— Page 180, Logicomix
A photo opportunity for Whitehead
(from Romancing the Cube, April 20, 2011)—
See also Absolute Ambition (Nov. 19, 2010).
* For the title, see Vanishing Point in this journal.
Tuesday, July 17, 2012
For Black Widow
I need a photo opportunity
I want a shot at redemption
Don't want to end up a cartoon
In a cartoon graveyard
— Paul Simon
Tuesday, March 27, 2012
Wednesday, December 30, 2009
To a Stand-Up Philosopher
Simon Says I need a photo opportunity, — Paul Simon |
See also the page linked to on
Becket’s Day last year,
as well as…
Friday, September 5, 2008
Friday September 5, 2008
For Mike Hammer
Block That Metaphor
“Michael Hammer, an engineer and author on management who helped popularize the ‘re-engineering’ movement in the 1990s, died Thursday [Sept. 4, 2008].
A spokesman for Mr. Hammer’s consulting firm, Hammer and Co., said Mr. Hammer died from cranial bleeding that began Aug. 22 while he was vacationing in Massachusetts. He was 60 years old.
Mr. Hammer was the co-author of the bestselling management book Reengineering the Corporation and founder and president of Hammer and Co., Cambridge, Mass.”
“An engineer by training, Hammer focused on the operational nuts and bolts of business.
Hammer’s relentless pursuit of ‘why?’ drove his entire career. ‘My modus operandi is simple,’ he once wrote, ‘though not always easy to carry out. I take nothing at face value. I approach all business issues and practices with the same skepticism: Why?’
A funeral will be held at 9:30 a.m. Friday, Sept. 5 in Stanetsky Memorial Chapel, 1668 Beacon St., Brookline. Interment will follow at the Shaarei Tefillah Section of the Chevra Shaas Cemetery at Baker Street Jewish Cemeteries in West Roxbury.”
Related material:
“I need a photo opportunity,
I want a shot at redemption.
Don’t want to end up a cartoon
In a cartoon graveyard…”
— Paul Simon
Thursday, July 3, 2008
Thursday July 3, 2008
This week, we the people of North America are staging two celebrations. The Fourth of July is the 232nd birthday of the United States….
In Canada, today, another ceremony will mark the 400th anniversary of Quebec City, the first permanent settlement in New France.
“I need a photo opportunity,
I want a shot at redemption….”
Log24 on August 8, 2002 —
The cast of “Some Girls,”
a film set in Quebec City:
“Don’t want to end up a cartoon
in a cartoon graveyard.”
Amen, sister.
Tuesday, November 22, 2005
Tuesday November 22, 2005
Cartoon Graveyard
(continued)
From yesterday’s New York Post:
By LARRY CELONA, JOHN MAZOR and DAN MANGAN
November 21, 2005 — The former tour manager for superstars Paul Simon and Billy Joel was stabbed to death yesterday by his prostitute girlfriend on his 57th birthday less than a block from Gracie Mansion, cops said.
“It looked like a horror movie in there,” said an NYPD detective after seeing the blood-drenched bed in the couple’s sixth-floor studio at 530 East 89th St., where cops say music producer Danny Harrison was stabbed twice in the chest with a long butcher knife by his live-in lover just before 1 p.m.
I need a photo opportunity
I want a shot at redemption
Don’t want to end up a cartoon
In a cartoon graveyard
— Paul Simon
Below: cartoonist Lou Myers,
who also died on Sunday, Nov. 20,
with a horse from yesterday’s entry.
“... and behold: a pale horse.
And his name, that sat on him,
was Death. And Hell
followed with him.”
Related material:
Log24 entries of
Sept. 15, 2003.
Tuesday, January 21, 2003
Tuesday January 21, 2003
Cartoon Graveyard,
or Betty and the Third Eye
I need a photo opportunity
I want a shot at redemption
Don’t want to end up a cartoon
In a cartoon graveyard
— Paul Simon
The New York Times, Jan. 21, 2003: |
One of my favorite movie scenes is the entry into paradise, through a looking glass, of Kilgore Trout (played by Albert Finney) in “Breakfast of Champions.” Trout encounters a beautiful (indeed, angelic) maiden on the other side of the looking glass and asks of her, “Make me young again.” His wish is granted. Those who wish to may imagine — through a glass, darkly — a great artist’s entry into heaven with the aid of the very popular website Betty and Veronica.
PARENTAL ADVISORY:
The “Betty and Veronica” link above is more suited to Kilgore Trout’s usual publisher, The World Classics Library, than to, say, the Harvard Classics. Since Betty and Veronica have been attending Riverdale High for about 60 years now, I think we can assume they are 18 by this time, and can appear in an adult website. Their cartoonish appearance may be helpful to newcomers to paradise; it does not mean, as Paul Simon fears, that the afterlife consists only of cartoon characters.
For further details, see I Corinthians 13:11-13.
Saturday, January 11, 2003
Saturday January 11, 2003
METROPOLITAN ART WARS:
The First Days of Disco
Some cultural milestones, in the order I encountered them today:
From Dr. Mac’s Cultural Calendar:
- “On this day in 1963, Whiskey-A-Go-Go—believed to be the first discotheque in the world—opened on Sunset Boulevard in Los Angeles with extraordinary hype and fanfare.”
From websites on Whit Stillman’s film, “The Last Days of Disco”:
Scene: Manhattan in the very early 1980’s.
Alice and her friend Charlotte are regulars at a fashionable disco.
“Charlotte is forever giving poor Alice advice about what to say and how to behave; she says guys like it when a girl uses the word ‘sexy,’ and a few nights later, when a guy tells Alice he collects first editions of Scrooge McDuck comic books, she…”
“… looks deep into his eyes and purrs ‘I think Scrooge McDuck is sexy!’ It is a laugh-out-loud funny line and a shrewd parody, but is also an honest statement.”
(Actually, to be honest, I encountered Thomson first and Ebert later, but the narrative sequence demands that they be rearranged.)
The combination of these cultural landmarks suggested that I find out what Scrooge McDuck was doing during the first days of disco, in January 1963. Some research revealed that in issue #40 of “Uncle Scrooge,” with a publication date of January 1963, was a tale titled “Oddball Odyssey.” Plot summary: “A whisper of treasure draws Scrooge to Circe.”
Further research produced an illustration:
Desiring more literary depth, I sought more information on the story of Scrooge and Circe. It turns out that this was only one of a series of encounters between Scrooge and a character called Magica de Spell. The following is from a website titled
“Magica’s first appearance is in ‘The Midas Touch’ (US 36-01). She enters the Money Bin to buy a dime from Scrooge. Donald tells Scrooge that she is a sorceress, but Scrooge sells her a dime anyway. He sells her his first dime by accident, but gets it back. The fun starts when Scrooge tells her that it is the first dime he earned. She is going to make an amulet….”
with it. Her pursuit of the dime apparently lasts through a number of Scrooge episodes.
“…in Oddball Odyssey (US 40-02). Magica discovers Circe’s secret cave. Inside the cave is a magic wand that she uses to transform Huey, Dewey and Louie to pigs, Donald to a goat (later to a tortoise), and Scrooge to a donkey. This reminds us of the treatment Circe gave Ulysses and his men. Magica does not succeed in transforming Scrooge after stealing the Dime, and Scrooge manages to break the spell (de Spell) by smashing the magic wand.”
At this point I was reminded of the legendary (but true) appearance of Wallace Stevens’s wife on another historic dime. This was discussed by Charles Schulz in a cartoon of Sunday, May 27, 1990:
Here Sally is saying…
Who, me?… Yes, Ma’am, right here.
This is my report on dimes and pennies…
“Wallace Stevens was a famous poet…
His wife was named Elsie…”
“Most people do not know that Elsie was the model for the 1916 ‘Liberty Head’ dime.”
“Most people also don’t know that if I had a dime for every one of these stupid reports I’ve written, I’d be a rich person.”
Finally, sitting outside the principal’s office:
I never got to the part about who posed for the Lincoln penny.
I conclude this report on a note of synchronicity:
The above research was suggested in part by a New York Times article on Ovid’s Metamorphoses I read last night. After locating the Scrooge and Stevens items above, I went to the Times site this afternoon to remind myself of this article. At that point synchronicity kicked in; I encountered the following obituary of a Scrooge figure from 1963… the first days of disco:
The New York Times, January 12, 2003 (So dated at the website on Jan. 11) C. Douglas Dillon Dies at 93;
|
Et cetera, et cetera, and so forth.
(See yesterday’s two entries, “Something Wonderful,” and “Story.”)
Two reflections suggest themselves:
“I need a photo opportunity.
I want a shot at redemption.
Don’t want to end up a cartoon
In a cartoon graveyard.”
— Paul Simon
Ending up in a cartoon graveyard is indeed an unhappy fate; on the other hand…
It is nice to be called “sexy.”
Added at 1:50 AM Jan. 12, 2003:
Tonight’s site music, in honor of Mr. Dillon
and of Hepburn, Holden, and Bogart in “Sabrina” —
“Isn’t It Romantic?”