Log24

Sunday, May 12, 2019

The Collective Unconscious in a Cartoon Graveyard

Filed under: General — m759 @ 11:00 pm

Tobey Maguire and Kirsten Dunst
in "Spider-Man 2" (2004) —

Spoilers for another Kirsten Dunst film,
"Midnight Special" (2016) —

"When they all finally reach their destination —
a deserted field in the Florida Panhandle…." 

" When asked about the film's similarities to the 2015 Disney movie 
Tomorrowland , which also posits a futuristic world that exists in an
alternative dimension
, Nichols sighed. 'I was a little bummed, I guess,'
he said of when he first learned about the project. . . . 'Our die was cast.
Sometimes this kind of collective unconscious that we're all dabbling in,
sometimes you're not the first one out of the gate.' "

From another obituary for
the "Spider-Man" screenwriter —

“When I die,” he liked to say, “I’m going to have written
on my tombstone, ‘Finally, a plot!’”

— Robert D. McFadden in The New York Times

Monday, August 9, 2021

Harvard Elegy

Filed under: General — Tags: — m759 @ 10:41 am

Bryan Marquard in The Boston Globe  yesterday 
on a professor who died on 7 July, 2021 —

" A Harvard Medical School professor emeritus in psychiatry,
Dr. Hobson told the Globe in 2011 that he didn’t 'feel bad about
taking on Sigmund Freud. I think Sigmund Freud has become
politically correct. Psychoanalysis has become the bible, and
I think that’s crazy.'

He also forcefully set aside the theories of Carl Jung, the Swiss
psychiatrist who analyzed dreams and saw them as important
messages sent from the psyche.

'If you’re a pure scientist, Jung is just deadly,' Dr. Hobson said
in [a] 2005 interview. 'The collective unconscious, the anima
these are literary constructs. You can’t do any science on that
kind of stuff.' ”

See as well this  journal on 7 July 2021 —

Saturday, July 3, 2021

Here, There, and Chicago

Filed under: General — Tags: , — m759 @ 9:07 pm

The above phrase "the intersection of storytelling and visual arts"
suggests a review . . .

Storytelling —

Visual arts —

IMAGE- Herbert John Ryser, 'Combinatorial Mathematics' (1963), page 1

IMAGE- The 3x3 ('ninefold') square as Chinese 'Holy Field'

"This pattern is a square divided into nine equal parts.
It has been called the 'Holy Field' division and
was used throughout Chinese history for many
different purposes, most of which were connected
with things religious, political, or philosophical."

– The Magic Square: Cities in Ancient China,
by Alfred Schinz, Edition Axel Menges, 1996, p. 71

A Midrash for Michener —

IMAGE- Marie-Louise von Franz on the 'field' that represents 'the structural outlines of the collective unconscious'

For a connection of the above "Holy Field"
with pure mathematics, see Coxeter's Aleph.

Wednesday, June 19, 2019

The Panhandle Project

Filed under: General — m759 @ 12:00 am

"When they all finally reach their destination —
a deserted field in the Florida Panhandle…." 

" When asked about the film's similarities to the 2015 Disney movie 
Tomorrowland , which also posits a futuristic world that exists in an
alternative dimension
, Nichols sighed. 'I was a little bummed, I guess,'
he said of when he first learned about the project. . . . 'Our die was cast.
Sometimes this kind of collective unconscious that we're all dabbling in,
sometimes you're not the first one out of the gate.' "

Tuesday, June 18, 2019

The 7/11 Manifesto

Filed under: General — Tags: — m759 @ 10:07 pm

See 7/11, 2006.

Related material — Dabblers in the Collective Unconscious.

Saturday, June 1, 2019

Crystals for Dabblers

Filed under: General — Tags: — m759 @ 11:47 am

The title was suggested by the "Crystal Cult" installations
of Oslo artist Josefine Lyche and by a post of May 30 —

Thursday, May 30, 2019

Dabbling

Filed under: General — m759 @ 8:02 PM Edit This

Jeff Nichols, director of Midnight Special  (2016) —

"When asked about the film's similarities to
the 2015 Disney movie Tomorrowland , which
also posits a futuristic world that exists in an
alternative dimension, Nichols sighed.
'I was a little bummed, I guess,' he said of
when he first learned about the project. . . . 
'Our die was cast. Sometimes this kind of 
collective unconscious that we're all dabbling in,
sometimes you're not the first one out of the gate.' "

See also Jung's four-diamond figure and the previous post.

Writers of fiction are, of course, also dabblers in the collective unconscious.
For instance . . .

A 1971 British paperback edition of The Dreaming Jewels,  
a story by Theodore Sturgeon (first version published in 1950):

The above book cover, together with the Death Valley location
Zabriskie Point, suggests . . .

Those less enchanted by the collective unconscious may prefer a
different weblog's remarks on the same date as the above Borax post . . .

Thursday, May 30, 2019

Dabbling

Filed under: General — m759 @ 8:02 pm

Jeff Nichols, director of Midnight Special  (2016) —

"When asked about the film's similarities to the 2015 Disney
movie Tomorrowland , which also posits a futuristic world
that exists in an alternative dimension, Nichols sighed.
'I was a little bummed, I guess,' he said of when he first
learned about the project. . . . 'Our die was cast.
Sometimes this kind of collective unconscious that
we're all dabbling in, sometimes you're not the first one
out of the gate.' "

See also Jung's four-diamond figure and the previous post.

Sunday, May 26, 2019

Burning Bright

Filed under: General — Tags: , , — m759 @ 12:00 am

Gell-Mann's 'eightfold way' as 'a mosaic of simple triangular building blocks' — George Johnson, 1999

Compare and contrast with . . .

The Brightburn Logo:

Related material from the May 12 post

"The Collective Unconscious
in a Cartoon Graveyard
" —

"When they all finally reach their destination —
a deserted field in the Florida Panhandle…." 

" When asked about the film's similarities to the 2015 Disney movie Tomorrowland , which also posits a futuristic world that exists in an alternative dimension, Nichols sighed. 'I was a little bummed, I guess,' he said of when he first learned about the project. . . . 'Our die was cast. Sometimes this kind of collective unconscious that we're all dabbling in, sometimes you're not the first one out of the gate.' "

Thursday, June 23, 2016

Raiders of the Lost Code

Filed under: General — Tags: — m759 @ 11:00 am

From a web page

Breaking the Code of the Archetypal Self:
An Introductory Overview of the Research Discoveries
Leading to Neo-Jungian Structural Psychoanalysis

Dr. Moore will introduce his research and discoveries
with regard to the deep structures of the Self.
Tracing the foundations in the tradition of Jung’s
affirmation of the collective unconscious, Moore
will present his “decoding of the Diamond Body,”
a mapping of the deep structures of the Great Code
of the psyche. . . .

From the same web site

Googling "Jung" + "Diamond Body" shows that
Moore's terminology differs from Jung's.
The octahedron that Moore apparently associates
with his "diamond body" was discussed by Jung
in a different context. See selections from Ch. 14
of Jung's Aion
 "The Structure and Dynamics of the Self."

Dr. Moore appears as well in the murder-suicide story 
of last night's 11:18 PM ET post.

For the relevance of Aion  to "deep structures,"
see Jung + Diamond + Structure in this  journal
and, more specifically, "Deep  Structure."

Monday, December 24, 2012

Eternal Recreation

Memories, Dreams, Reflections
by C. G. Jung

Recorded and edited By Aniela Jaffé, translated from the German
by Richard and Clara Winston, Vintage Books edition of April 1989

From pages 195-196:

"Only gradually did I discover what the mandala really is:
'Formation, Transformation, Eternal Mind's eternal recreation.'*
And that is the self, the wholeness of the personality, which if all
goes well is harmonious, but which cannot tolerate self-deceptions."

* Faust , Part Two, trans. by Philip Wayne (Harmondsworth,
England, Penguin Books Ltd., 1959), p. 79. The original:

                   … Gestaltung, Umgestaltung, 
  Des ewigen Sinnes ewige Unterhaltung….

Jung's "Formation, Transformation" quote is from the realm of
the Mothers (Faust Part Two, Act 1, Scene 5: A Dark Gallery).
The speaker is Mephistopheles.

See also Prof. Bruce J. MacLennan on this realm
in a Web page from his Spring 2005 seminar on Faust:

"In alchemical terms, F is descending into the dark, formless
primary matter from which all things are born. Psychologically
he is descending into the deepest regions of the
collective unconscious, to the source of life and all creation.
Mater (mother), matrix (womb, generative substance), and matter
all come from the same root. This is Faust's next encounter with
the feminine, but it's obviously of a very different kind than his
relationship with Gretchen."

The phrase "Gestaltung, Umgestaltung " suggests a more mathematical
approach to the Unterhaltung . Hence

Part I: Mothers

"The ultimate, deep symbol of motherhood raised to
the universal and the cosmic, of the birth, sending forth,
death, and return of all things in an eternal cycle,
is expressed in the Mothers, the matrices of all forms,
at the timeless, placeless originating womb or hearth
where chaos is transmuted into cosmos and whence
the forms of creation issue forth into the world of
place and time."

— Harold Stein Jantz, The Mothers in Faust:
The Myth of Time and Creativity 
,
Johns Hopkins Press, 1969, page 37

Part II: Matrices

        

Part III: Spaces and Hypercubes

Click image for some background.

Part IV: Forms

Forms from the I Ching :

Click image for some background.

Forms from Diamond Theory :

Click image for some background.

Wednesday, May 16, 2012

The Field

Filed under: General — m759 @ 7:00 pm

"Time for you to see the field." —Bagger Vance

IMAGE- Marie-Louise von Franz on the 'field' that represents 'the structural outlines of the collective unconscious'

See also The Matthew Field .

Sunday, October 14, 2007

Sunday October 14, 2007

Filed under: General — Tags: , — m759 @ 11:00 am
The Dipolar God

Steven H. Cullinane, 'The Line'

"Logos and logic, crystal hypothesis,
Incipit and a form to speak the word
And every latent double in the word…."

— Wallace Stevens,
   "Notes Toward a Supreme Fiction"

Yesterday's meditation ("Simon's Shema") on the interpenetration of opposites continues:

Part I: The Jewel in the Lotus

"The fundamental conception of Tantric Buddhist metaphysics, namely, yuganaddha, signifies the coincidence of opposites.  It is symbolized by the conjugal embrace (maithuna or kama-kala) of a god and goddess or a Buddha and his consort (signifying karuna and sunyata or upaya and prajna, respectively), also commonly depicted in Tantric Buddhist iconography as the union of vajra (diamond sceptre) and padme (lotus flower).  Thus, yuganaddha essentially means the interpenetration of opposites or dipolar fusion, and is a fundamental restatement of Hua-yen theoretic structures."

— p. 148 in "Part II: A Whiteheadian Process Critique of Hua-yen Buddhism," in Process Metaphysics and Hua-Yen Buddhism: A Critical Study of Cumulative Penetration vs. Interpenetration (SUNY Series in Systematic Philosophy), by Steve Odin, State University of New York Press, 1982

Part II: The Dipolar God

And on p. 163 of Odin, op. cit., in "Part III: Theology of the Deep Unconscious: A Reconstruction of Process Theology," in the section titled "Whitehead's Dipolar God as the Collective Unconscious"–

"An effort is made to transpose Whitehead's theory of the dipolar God into the terms of the collective unconscious, so that now the dipolar God is to be comprehended not as a transcendent deity, but the deepest dimension and highest potentiality of one's own psyche."

Part III: Piled High and Deep

Odin obtained his Ph.D. degree from the Department of Philosophy at the State University of New York (SUNY) at Stony Brook in 1980. (See curriculum vitae (pdf).)

For an academic review of Odin's book, see David Applebaum, Philosophy East and West, Vol. 34 (1984), pp. 107-108.

It is perhaps worth noting, in light of the final footnote of Mark D. Brimblecombe's Ph.D. thesis "Dipolarity and God" quoted yesterday, that "tantra" is said to mean "loom." For some less-academic background on the Tantric iconography Odin describes, see the webpage "Love and Passion in Tantric Buddhist Art." For a fiction combining love and passion with the word "loom" in a religious context, see Clive Barker's Weaveworld.  This fiction– which is, if not "supreme" in the Wallace Stevens sense, at least entertaining– may correspond to some aspects of the deep Jungian psychological reality discussed by Odin.

Happy Birthday,
Hannah Arendt

(Oct. 14, 1906-
Dec. 4, 1975)

OPPOSITES:

Hannah (Arendt) and Martin (Heidegger) as portrayed in a play of that name

Actors portraying
Arendt and Heidegger

Click on image for details.

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