A bookstore order . . .
260401-New_Orleans-Black_Arts-Calliope-backstory-metadata.jpg
A search in this journal for Pratchett today yielded . . .
For some related remarks, see this journal on Halloween 2018.
A bookstore order . . .
260401-New_Orleans-Black_Arts-Calliope-backstory-metadata.jpg
A search in this journal for Pratchett today yielded . . .
For some related remarks, see this journal on Halloween 2018.
“I need a photo opportunity, I want a shot at redemption.
Don’t want to end up a cartoon in a cartoon graveyard.”
— Paul Simon
Rhymin' Simon's lyrics seem particularly appropriate
in the case of the actor below, who reportedly died
on October 31 — Halloween — last year.
Earlier last October . . .
"… Mathematics may be art, but to the general public it is
a black art, more akin to magic and mystery."
— Sir Michael Atiyah, quoted here on April 4, 2016.
A search for posts in this journal on the actress Ellen Page
in the film "Inception" was suggested by Bastille Day (today),
by her character's name, Ariadne, and by the concluding image
of the previous post —
.
That search yielded the following image …
… which in turn suggests a "loop" back to this date last year —
The New York Times seems to prefer another sort of black art.
A 9 AM illustration from the Times Wire this morning is a misleading
attempt at humor that links to a very dark poem —
See as well Macbeth and the Black Arts, and a report today
by The New York Times of a death on February 7th.
See Ballet Blanc and Black Art in this journal.
From the former:
"A blank underlies the trials of device."
— Wallace Stevens
From the latter:
Related material — The Eightfold Cube.
See also . . .
"… Mathematics may be art, but to the general public it is
a black art, more akin to magic and mystery. This presents
a constant challenge to the mathematical community: to
explain how art fits into our subject and what we mean by beauty."
— Sir Michael Atiyah, “The Art of Mathematics”
in the AMS Notices , January 2010
INTERNATIONAL CONFERENCE:
GROTHENDIECK, A MULTIFARIOUS GIANT:
MATHEMATICS, LOGIC AND PHILOSOPHY
CHAPMAN UNIVERSITY, ORANGE (CA)
— BECKMAN HALL, ROOM 106 MAY 24TH-28TH, 2022 . . .
|
27th Friday
4:30 – 5:30 Christian Houzel (IUFM de Paris): |
Related reading for enthusiasts of the Black Arts —
"Black art" → "Black magic"
|
https://www.latimes.com/obituaries/story/2022-05-28/
Keasha Dumas Heath, executive director at
Keasha Dumas Health, executive supervisor at |
Consider the source.

|
"Poincaré said that science is no more a collection of facts than a house is a collection of bricks. The facts have to be ordered or structured, they have to fit a theory, a construct (often mathematical) in the human mind. … Mathematics may be art, but to the general public it is a black art, more akin to magic and mystery. This presents a constant challenge to the mathematical community: to explain how art fits into our subject and what we mean by beauty. In attempting to bridge this divide I have always found that architecture is the best of the arts to compare with mathematics. The analogy between the two subjects is not hard to describe and enables abstract ideas to be exemplified by bricks and mortar, in the spirit of the Poincaré quotation I used earlier."
— Sir Michael Atiyah, "The Art of Mathematics" |
|
Gottschalk Review —
W. H. Gottschalk and G. A. Hedlund, Topological Dynamics, The ending of the review — The most striking virtue of the book is its organization. The authors' effort to arrange the exposition in an efficient order, and to group the results together around a few central topics, was completely successful; they deserve to be congratulated on a spectacular piece of workmanship. The results are stated at the level of greatest available generality, and the proofs are short and neat; there is no unnecessary verbiage. The authors have, also, a real flair for the "right" generalization; their definitions of periodicity and almost periodicity, for instance, are very elegant and even shed some light on the classical concepts of the same name. The same is true of their definition of a syndetic set, which specializes, in case the group is the real line, to Bohr's concept of a relatively dense set. The chief fault of the book is its style. The presentation is in the brutal Landau manner, definition, theorem, proof, and remark following each other in relentless succession. The omission of unnecessary verbiage is carried to the extent that no motivation is given for the concepts and the theorems, and there is a paucity of illuminating examples. The striving for generality (which, for instance, has caused the authors to treat uniform spaces instead of metric spaces whenever possible) does not make for easy reading. The same is true of the striving for brevity; the shortest proof of a theorem is not always the most perspicuous one. There are too many definitions, especially in the first third of the book; the reader must at all times keep at his finger tips a disconcerting array of technical terminology. The learning of this terminology is made harder by the authors' frequent use of multiple statements, such as: "The term {asymptotic } {doubly asymptotic } means negatively {or} {and} positively asymptotic." Conclusion: the book is a mine of information, but you sure have to dig for it. — PAUL R. HALMOS |
“Mathematics may be art, but to the general public it is
a black art, more akin to magic and mystery. This presents
a constant challenge to the mathematical community: to explain
how art fits into our subject and what we mean by beauty.”
— Sir Michael Atiyah, quoted here on April 4, 2016


What is the vashikaran? – QuoraMar 17, 2015 – Vashikaran is a well-known term in the field of Tantra and Mantra. It is an ancient legacy Tantra and Mantra used to control someone’s mind. It is a tantrik process … |
“Mathematics may be art, but to the general public it is
a black art, more akin to magic and mystery. This presents
a constant challenge to the mathematical community: to explain
how art fits into our subject and what we mean by beauty.”
— Sir Michael Atiyah, quoted here on April 4, 2016
Illustrations, from the American Mathematical Society Spring
2020 book sale, of a book scheduled to be published May 28.
This post was suggested by yesterday morning's link to The Fano Hallows.
"Mathematics may be art, but to the general public it is
a black art, more akin to magic and mystery. This presents
a constant challenge to the mathematical community: to explain
how art fits into our subject and what we mean by beauty."
— Sir Michael Atiyah, quoted here on April 4, 2016
A symbol related to The Fano Hallows —
[Revised throughout the day on Sept. 24, 2018.]
"Mathematics may be art, but to the general public it is
a black art, more akin to magic and mystery. This presents
a constant challenge to the mathematical community: to explain
how art fits into our subject and what we mean by beauty."
— Sir Michael Atiyah, quoted here on April 4, 2016
Atiyah's remarks today on the Riemann hypothesis, based on his earlier
remarks on "arithmetic physics" and α, the fine-structure constant,
seem to exemplify the "magic and mystery" approach.
From some previous Log24 posts —
Update of 6:06 PM ET the same day —
https://twitter.com/mpoessel/status/1044131977950109696 —
For related magic and mystery, see Log24 posts tagged on090405.
The above image, posted here on March 26, 2006, was
suggested by this morning's post "Black Art" and by another
item from that date in 2006 —
|
"Poincaré said that science is no more a collection of facts than a house is a collection of bricks. The facts have to be ordered or structured, they have to fit a theory, a construct (often mathematical) in the human mind. … Mathematics may be art, but to the general public it is a black art, more akin to magic and mystery. This presents a constant challenge to the mathematical community: to explain how art fits into our subject and what we mean by beauty. In attempting to bridge this divide I have always found that architecture is the best of the arts to compare with mathematics. The analogy between the two subjects is not hard to describe and enables abstract ideas to be exemplified by bricks and mortar, in the spirit of the Poincaré quotation I used earlier."
— Sir Michael Atiyah, "The Art of Mathematics" |
A post from this journal later in 2010 —
The above post's date — May 20, 2010 — was
the date of death for mathematician Walter Rudin.
The above post from that date has a link to the
Heinlein story "And He Built a Crooked House."
A not-so-crooked house —
(Continued, in memory of the late meteorologist William Gray,
from August 10, 2010, and from April 16, 2016.)
For some backstory, see Huàn, the Flood and Impact Award.
"… Mathematics may be art, but to the general public
it is a black art, more akin to magic and mystery."
— Sir Michael Atiyah, "The Art of Mathematics"
in the AMS Notices , January 2010, quoted in
Log24 on April 4, 2016.
Related material: Gray Space and …
Foreword by Sir Michael Atiyah —
"Poincaré said that science is no more a collection of facts
than a house is a collection of bricks. The facts have to be
ordered or structured, they have to fit a theory, a construct
(often mathematical) in the human mind. . . .
… Mathematics may be art, but to the general public it is
a black art, more akin to magic and mystery. This presents
a constant challenge to the mathematical community: to
explain how art fits into our subject and what we mean by beauty.
In attempting to bridge this divide I have always found that
architecture is the best of the arts to compare with mathematics.
The analogy between the two subjects is not hard to describe
and enables abstract ideas to be exemplified by bricks and mortar,
in the spirit of the Poincaré quotation I used earlier."
— Sir Michael Atiyah, "The Art of Mathematics"
in the AMS Notices , January 2010
Judy Bass, Los Angeles Times , March 12, 1989 —
"Like Rubik's Cube, The Eight demands to be pondered."
As does a figure from 1984, Cullinane's Cube —
For natural group actions on the Cullinane cube,
see "The Eightfold Cube" and
"A Simple Reflection Group of Order 168."
See also the recent post Cube Bricks 1984 —
Related remark from the literature —
Note that only the static structure is described by Felsner, not the
168 group actions discussed by Cullinane. For remarks on such
group actions in the literature, see "Cube Space, 1984-2003."
(From Anatomy of a Cube, Sept. 18, 2011.)
Related aesthetics —
"Poincaré said that science is no more a collection of facts
than a house is a collection of bricks. The facts have to be
ordered or structured, they have to fit a theory, a construct
(often mathematical) in the human mind. . . .
… Mathematics may be art, but to the general public it is
a black art, more akin to magic and mystery. This presents
a constant challenge to the mathematical community: to
explain how art fits into our subject and what we mean by beauty.
In attempting to bridge this divide I have always found that
architecture is the best of the arts to compare with mathematics.
The analogy between the two subjects is not hard to describe
and enables abstract ideas to be exemplified by bricks and mortar,
in the spirit of the Poincaré quotation I used earlier."
— Sir Michael Atiyah, "The Art of Mathematics"
in the AMS Notices , January 2010
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