Log24

Friday, April 20, 2018

Time and Money

Filed under: General — Tags: — m759 @ 4:00 PM

Emblematizing the Modern

The Cross of Descartes: coordinate axes

The Cross of Descartes 

Note that in applications, the vertical axis of the Cross of Descartes often symbolizes the timeless (money, temperature, etc.) while the horizontal axis often symbolizes time.

T.S. Eliot

“Men’s curiosity searches past and future
And clings to that dimension. But to apprehend
The point of intersection of the timeless
With time, is an occupation for the saint….”

Tuesday, March 3, 2009

Tuesday March 3, 2009

Filed under: General — m759 @ 11:32 AM
Straight

“For every kind of vampire,
there is a kind of cross.”

— Thomas Pynchon in  
Gravity’s Rainbow

This entry is continued
from yesterday evening,
from midnight last night,
and from an entry of
 February 20 (the date
four years ago of
 Hunter Thompson’s death)–
  “Emblematizing the Modern“–

Emblematizing the Modern

Note that in applications, the vertical axis of the Cross of Descartes often symbolizes the timeless (money, temperature, etc.) while the horizontal axis often symbolizes time.

T.S. Eliot:


“Men’s curiosity searches past and future
And clings to that dimension. But to apprehend
The point of intersection of the timeless
With time, is an occupation for the saint….”

“I played ‘Deathmaster’ straight….
 The best villains are the ones who are
 both protagonist and antagonist.”
The late Robert Quarry

“Selah.”
The late Hunter Thompson

'Deathmaster' Robert Quarry and gonzo journalist Hunter Thompson, who both died on a February 20

Yesterday afternoon’s online
New York Times:

NY Times online front page, 5 PM March 2, 2009-- graph of stock market plunge

Today’s online New York Times:

Footnote

Descending financial graph's arrow strikes man's pants cuff, immobilizing him

Tuesday March 3, 2009

Filed under: General — m759 @ 12:00 AM
Midnight
in the Garden

continues

Poster for Robert Quarry's 'The Deathmaster'

Click poster for details.

Robert Quarry obituary, LA Times of March 2, 2009

Click image for details.

Related material:

The three entries here on
 the date of Quarry’s death:

Emblematizing the Modern,

A Kind of Cross, and

The Cross of Constantine.

Friday, February 20, 2009

Friday February 20, 2009

Filed under: General,Geometry — Tags: , , — m759 @ 11:01 PM

The Cross
of Constantine

mentioned in
this afternoon's entry
"Emblematizing the Modern"
was the object of a recent
cinematic chase sequence
(successful and inspiring)
starring Mira Sorvino
at the Metropolitan
Museum of Art.

In memory of
Dr. Hunter S. Thompson,
dead by his own hand
on this date
four years ago

Rolling Stone memorial to Dr. Hunter S. Thompson

Click for details.

There is
another sort of object
we may associate with a
different museum and with
a modern Constantine
See "Art Wars for MoMA"
(Dec. 14, 2008).

This object, modern
rather than medieval,
is the ninefold square:

The ninefold square

It may suit those who,
like Rosalind Krauss
(see "Emblematizing"),
admire the grids of modern art
but view any sort of Christian
cross with fear and loathing.

For some background that
Dr. Thompson might appreciate,
see notes on Geometry and Death
in this journal, June 1-15, 2007,
and the five Log24 entries
 ending at 9 AM Dec. 10. 2006,
which include this astute
observation by J. G. Ballard:

"Modernism's attempt to build a better world with the aid of science and technology now seems almost heroic. Bertolt Brecht, no fan of modernism, remarked that the mud, blood and carnage of the first world war trenches left its survivors longing for a future that resembled a white-tiled bathroom."

Selah.

Friday February 20, 2009

Filed under: General,Geometry — Tags: , — m759 @ 2:01 PM
Emblematizing
 the Modern
 

The following meditation was
inspired by the recent fictional
recovery, by Mira Sorvino
in "The Last Templar,"

of a Greek Cross —
"the Cross of Constantine"–
and by the discovery, by
art historian Rosalind Krauss,
of a Greek Cross in the
art of Ad Reinhardt.

http://www.log24.com/log/pix09/090220-CrossOfDescartes.jpg

The Cross of Descartes  

Note that in applications, the vertical axis
of the Cross of Descartes often symbolizes
the timeless (money, temperature, etc.)
while the horizontal axis often symbolizes time.


T.S. Eliot:

"Men’s curiosity searches past and future
And clings to that dimension. But to apprehend
The point of intersection of the timeless
With time, is an occupation for the saint…."


There is a reason, apart from her ethnic origins, that Rosalind Krauss (cf. 9/13/06) rejects, with a shudder, the cross as a key to "the Pandora's box of spiritual reference that is opened once one uses it." The rejection occurs in the context of her attempt to establish not the cross, but the grid, as a religious symbol:
 

"In suggesting that the success [1] of the grid
is somehow connected to its structure as myth,
I may of course be accused of stretching a point
beyond the limits of common sense, since myths
are stories, and like all narratives they unravel
through time, whereas grids are not only spatial
to start with, they are visual structures
that explicitly reject a narrative
or sequential reading of any kind.

[1] Success here refers to
three things at once:
a sheerly quantitative success,
involving the number of artists
in this century who have used grids;
a qualitative success through which
the grid has become the medium
for some of the greatest works
of modernism; and an ideological
success, in that the grid is able–
in a work of whatever quality–
to emblematize the Modern."

— Rosalind Krauss, "Grids" (1979)

Related material:

Time Fold and Weyl on
objectivity and frames of reference.

See also Stambaugh on
The Formless Self
as well as
A Study in Art Education
and
Jung and the Imago Dei.

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