Log24

Saturday, December 6, 2025

Toying

Filed under: General — Tags: , , — m759 @ 6:26 pm

From this journal on 4/01, 2009:

The Cruelest Month

Fictional Harvard professor of symbology Robert Langdon, as portrayed by Tom Hanks

"Langdon sensed she was toying with him…."

Dan Brown

The New York Times  today (Dec. 6. 2025) . . .

See as well the espaces inauguration  date in this  journal.

In the end the space itself is the star

For Red One

Filed under: General — Tags: , , , , — m759 @ 10:25 am

Investigators: First 48 Hours Most Critical
In Locating Missing Children Who Entered
Portal To Fantastical World

A possibly related Onion  story from June 30, 2016 . . .

Click for a June 30, 2016, synchronology check.

 

Wednesday, November 12, 2025

“Wonderful Life” Meets “Coordinated Mapping”

Filed under: General — Tags: , — m759 @ 6:00 pm

Addendum:

Wednesday, November 5, 2025

Of Language der Stern

Filed under: General — Tags: , , — m759 @ 1:25 pm

Wednesday, October 12, 2011

High White Noon

Filed under: General,Geometry — Tags: — m759 @ 12:00 pm

Grid from a post linked to in yesterday's 24 Hour DeLillo

The 3x3 square

A Study in Art Education

For an example of this grid as slow art , consider the following—

"One can show that the binary tetrahedral group
is isomorphic to the special linear group SL(2,3)—
the group of all 2×2 matrices over the finite field F3
with unit determinant." —Wikipedia

As John Baez has noted, these two groups have the same structure as the geometric 24-cell.

For the connection of the grid to the groups and the 24-cell, see Visualizing GL(2,p).

Related material—

The 3×3 grid has been called a symbol of Apollo (Greek god of reason and of the sun).

"This is where we sat through his hushed hour,
a torchlit sky, the closeness of hills barely visible
at high white noon." — Don DeLillo, Point Omega

Tuesday, October 11, 2011

24 Hour DeLillo

Filed under: General — Tags: — m759 @ 12:00 pm

Review of DeLillo's novel Point Omega

"One difference between art and entertainment has to do with the speed of perception. Art deliberately slows and complicates reading, hearing, and/or viewing so that you’re challenged to re-think and re-feel form and experience. Entertainment deliberately accelerates and simplifies them so that you don’t have to think about or feel very much of anything at all except, perhaps, the adrenalin rush before dazzling spectacle. Although, of course, there can be myriad gradations between the former and latter, in their starkest articulation we’re talking about the distance between, say, David Foster Wallace’s Infinite Jest  and Dan Brown’s The Lost Symbol…."

— Lance Olsen, March 1, 2010, in The Quarterly Conversation

Robert Hughes on fast and slow art—

"We have had a gutful of fast art and fast food. What we need more of is slow art: art that holds time as a vase holds water: art that grows out of modes of perception and whose skill and doggedness make you think and feel; art that isn't merely sensational, that doesn't get its message across in 10 seconds, that isn't falsely iconic, that hooks onto something deep-running in our natures. In a word, art that is the very opposite of mass media. For no spiritually authentic art can beat mass media at their own game."

– Speech of June 1, 2004

Log24 on art speeds—

A Study in Art Education (June 15, 2007)

Twenty-four (March 13, 2011)

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