Log24

Friday, August 14, 2015

Schoolgirl Problem

Filed under: General,Geometry — m759 @ 6:00 PM

But first, a word from our sponsa

Sir Laurence Olivier in "Term of Trial" (1962),
a film starring Sarah Miles as a schoolgirl —

* Bride  in Latin. See also "bride's chair,"
  a phrase from mathematical pedagogy.

Thursday, April 10, 2014

Going Home

Filed under: General — m759 @ 3:07 PM

The New York Times  yesterday on Chloë Grace Moretz:

“The public may see her in a certain, put-together way, she said:
‘But when I go home, I’m like, “Let’s turn on ‘Little Mermaid’!”‘”

See also A Word from Our Sponsa and the following:

Sunday, October 16, 2011

Sunday School

Filed under: General — m759 @ 7:47 AM

See Iconography and Amy Adams.

Perhaps the "word from our sponsa  " in the former is "clay."

Friday, April 8, 2011

Hello Note

Filed under: General — Tags: — m759 @ 3:33 AM

(Continued from yesterday's Brightness at Noon, Afternoon Delight, and Goodbye Note.)

"The Catholic Church, through the Holy Office, has declared it is not lawful 'to take part in spiritualistic communications or manifestations of any kind, whether through a so-called medium or without one, whether hypnotism is used or not, even with the best of intentions among the participants, whether for the purpose of interrogating the souls of the departed or spiritual beings, whether by listening to their responses or even in idle curiosity, even with the tacit or express protestation of not having anything to do with the evil spirits' (Denzinger 3642*).

Behind the church's attitude toward Spiritualism is the concern that a Catholic would expose himself to the risk of actually dealing with the evil spirit. The assumption is that if fraud or deception are excluded, and manifestations occur that are beyond natural explanation, the active agent in these cases is neither God nor any one of the good spirits (whether angelic or human) but demonic forces that are sure to mislead the Catholic and endanger the integrity of his faith."

Modern Catholic Dictionary

* 3642 2182 Qu.: An liceat per Medium, ut vocant, vel sine Medio, adhibito vel non hypnotismo, locutionibus aut manifestationibus spiritisticis quibuscumque adsistere, etiam speciem honestatis vel pietatis praeseferentibus, sive interrogando animas aut spiritus, sive audiendo responsa, sive tantum aspiciendo, etiam cum protestatione tacita vel expressa, nullam cum malignis spiritibus partem se habere velle. Resp.: (cfirm. a S. P'ce, 26 avril): Negative in omnibus.

See also The Ecclesiastical Review , Volume 57,
by Catholic University of America, page 186.
This volume, from Harvard University, was digitized on June 19, 2008.

IMAGE-- Matt Damon stands where a door opens in 'Hereafter'

Katherine Neville, The Eight

"Continue a search for thirty-three and three.
Veiled forever is the secret door."

See Combinational* Delight.

See also The Maker's Gift.

* Corrected Dec. 14, 2014, from "Combinatorial."

Wednesday, February 8, 2006

Wednesday February 8, 2006

Filed under: General — m759 @ 12:00 PM
Iconography
(continued)

“… iconography,
the concept and image
of the bride of Christ–
the sponsa Christi
assumed particular relevance in
the definition of women’s identity.”

Silvia Evangelisti in
Historiographical Reviews

The image “http://www.log24.com/log/pix06/060208-Sponsa.jpg” cannot be displayed, because it contains errors.

Related material:

 Arts & Letters Daily
(Feb. 8, 2006) annotated:

Dan Brown is not the first to have suggested that Jesus had a sex life– even Martin Luther said it. So what about the lady, Mary Magdalene?… more

“In ‘The Little Mermaid,’ Ariel’s true identity is the ‘Lost Bride,’ the Magdalene.”
Joan Acocella on pop religion in this week’s New Yorker

For literature profs of today, Theory is what the Dialectic was to Marxist intellectuals of the past: the key to almost everything… more

“Contemporary literary theory did not emerge in an intellectual and cultural vacuum. The subordination of art to argument and ideas has been a long time in the works. In The Painted Word, a rumination on the state of American painting in the 1970s, Tom Wolfe described an epiphany he had one Sunday morning while reading an article in the New York Times on an exhibit at Yale University. To appreciate contemporary art– the paintings of Jackson Pollack and still more so his followers– which to the naked eye appeared indistinguishable from kindergarten splatterings and which provided little immediate pleasure or illumination, it was ‘crucial,’ Wolfe realized, to have a ‘persuasive theory,’ a prefabricated conceptual lens to make sense of the work and bring into focus the artist’s point. From there it was just a short step to the belief that the critic who supplies the theories is the equal, if not the superior, of the artist who creates the painting.”
Peter Berkowitz, “Literature in Theory”

The idea that anyone, regardless of learning or class, could “come to Christ” went along with the idea of equal rights in America. William Jennings Bryan… more

“… evangelical Protestantism has always been an integral part of American political history.”
Michael Kazin, Dissent Magazine, Winter 2006

And from non-Protestantism, for the birthday of John “Star Wars” Williams, we have…

Sanctus from Missa “Veni Sponsa Christi” (pdf), by Manuel Cardoso (1566-1650).

Related material: Catholic Tastes and
                           A Mass for Lucero.

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