"The Bitter End’s signature stage backdrop —
a bare 150-year-old brick wall — helped distinguish it from
other popular bohemian hangouts like the Village Gate
and the Village Vanguard. It appeared on the cover of
Peter, Paul and Mary’s first album."
— The New York Times this evening on a Sunday death
“Looking carefully at Golay’s code is like staring into the sun.”
See also Schwartz in "The Omega Matrix," a post of 5 PM ET Sunday:
