Aficionados of the preposterous joke
(see yesterday's post Epstein on Art)
may consult a Google Image Search for
Schwartz Meme.
I prefer Schwartz même —
Aficionados of the preposterous joke
(see yesterday's post Epstein on Art)
may consult a Google Image Search for
Schwartz Meme.
I prefer Schwartz même —
See a post, The Omega Matrix, from the date of her death.
Related material:
"When Death tells a story, you really have to listen."
— Cover of The Book Thief
A scene from the film of the above book —
“Looking carefully at Golay’s code is like staring into the sun.”
Some context — "Mathematics, Magic, and Mystery" —
See posts tagged April Awareness 2014.
"We tell ourselves stories in order to live…. We interpret what we see, select the most workable of multiple choices. We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the 'ideas' with which we have learned to freeze the shifting phantasmagoria which is our actual experience." |
See also a post from May 4, 2011 (the date, according to a Google
search, of untitled notes regarding a matrix called Omega).
Shown below is the matrix Omega from notes of Richard Evan Schwartz.
See also earlier versions (1976-1979) by Steven H. Cullinane.
Backstory: The Schwartz Notes (June 1, 2011), and Schwartz on
the American Mathematical Society's current home page:
See as well a search for Gray Space in this journal.
Related material: The Schwartz Omega .
“Looking carefully at Golay’s code
is like staring into the sun.”
From Encyclopedia of Mathematics —
The above images from the history of mathematics might be
useful at some future point for illustrating academic hurly-burly.
Related reading . . .
"The Algebra Project was born.
The project was a five-step philosophy of teaching
that can be applied to any concept, he wrote,
including physical experience, pictorial representation,
people talk (explain it in your own words), feature talk
(put it into proper English) and symbolic representation."
"He wrote" —
See pages 120-122 in . . .
Continued from last night
From the American Mathematical Society, a news item
dated Thursday, March 9, 2017 —
Remarks by Schwartz quoted here on March 7—
"The Bitter End’s signature stage backdrop —
a bare 150-year-old brick wall — helped distinguish it from
other popular bohemian hangouts like the Village Gate
and the Village Vanguard. It appeared on the cover of
Peter, Paul and Mary’s first album."
— The New York Times this evening on a Sunday death
“Looking carefully at Golay’s code is like staring into the sun.”
See also Schwartz in "The Omega Matrix," a post of 5 PM ET Sunday:
Powered by WordPress