Click medal for some background. The medal may be regarded
as illustrating the 16-point Galois space.
Tuesday, October 20, 2020
The Leibniz Methods
Wednesday, January 16, 2013
Medals
National…
International…
Click medal for some background. The medal may be regarded
as illustrating the 16-point Galois space. (See previous post.)
Related material: Jews in Hyperspace.
Wednesday, September 7, 2016
Grammar and Patterns
"May, / The months [sic ] of understanding" — Wallace Stevens
Saturday, May 21, 2016
|
"If pure mathematics does spring from sub-conscious intuitions— already deep-structured as are grammatical patterns in the transformational-generative theory of language?— if the algebraic operation arises from wholly internalized pattern-weaving, how then can it, at so many points, mesh with, correspond to, the material forms of the world?"
— Steiner, George. Grammars of Creation |
Good question.
See Bedtime Story (Sept. 1, 2016).
Thursday, September 1, 2016
Bedtime Story
Saturday, May 21, 2016
Friday, December 18, 2015
Box of Nothing
Images related to the previous post —
Detail of the 1697 Leibniz medal
“And so that I won’t come entirely empty-handed this time, I enclose a design of that which I had the pleasure of discussing with you recently. It is in the form of a memorial coin or medallion; and though the design is mediocre and can be improved in accordance with your judgment, the thing is such, that it would be worth showing in silver now and unto future generations, if it were struck at your Highness’s command. Because one of the main points of the Christian Faith, and among those points that have penetrated least into the minds of the worldly-wise and that are difficult to make with the heathen is the creation of all things out of nothing through God’s omnipotence, it might be said that nothing is a better analogy to, or even demonstration of such creation than the origin of numbers as here represented, using only unity and zero or nothing. And it would be difficult to find a better illustration of this secret in nature or philosophy; hence I have set on the medallion design IMAGO CREATIONIS [in the image of creation]. It is no less remarkable that there appears therefrom, not only that God made everything from nothing, but also that everything that He made was good; as we can see here, with our own eyes, in this image of creation. Because instead of there appearing no particular order or pattern, as in the common representation of numbers, there appears here in contrast a wonderful order and harmony which cannot be improved upon…. Such harmonious order and beauty can be seen in the small table on the medallion up to 16 or 17; since for a larger table, say to 32, there is not enough room. One can further see that the disorder, which one imagines in the work of God, is but apparent; that if one looks at the matter with the proper perspective, there appears symmetry, which encourages one more and more to love and praise the wisdom, goodness, and beauty of the highest good, from which all goodness and beauty has flowed.” |
See also some related posts in this journal.
Friday, June 18, 2010
Brightness at Noon (continued)
Leibniz Medal Background: |
Related material— Street of the Fathers and Game Over.
Tuesday, April 23, 2024
Matchless
Design from 1697
Design from 1514
"One of those bells that now
and then rings" — Song lyric
Saturday, December 19, 2015
Nunc Stans
On conductor Kurt Masur, who reportedly died at 88
in Greenwich, Connecticut, today, Saturday, Dec.19, 2015 —
"Rehearsal conductor at Halle State Theater,
Saxony, East Germany, conductor at Erfurt City Theater
and Leipzig Opera, and guest conductor with Leipzig
and Dresden Radio orchestras, 1951-53…."
Motifs from yesterday's 9 PM post —
Design from 1697
— and from a novel by Thomas Mann:
Design from 1514
Related text —
Saturday, June 19, 2010
Imago Creationis
In the above view, four of the tesseract's 16
vertices are overlaid by other vertices.
For views that are more complete and
moveable, see Smith's tesseract page.
Four-Part Tesseract Divisions—
The above figure shows how four-part partitions
of the 16 vertices of a tesseract in an infinite
Euclidean space are related to four-part partitions
of the 16 points in a finite Galois space
Euclidean spaces versus Galois spaces in a larger context— Infinite versus Finite The central aim of Western religion —
"Each of us has something to offer the Creator...
the bridging of
masculine and feminine,
life and death.
It's redemption.... nothing else matters."
-- Martha Cooley in The Archivist (1998)
The central aim of Western philosophy —
Dualities of Pythagoras
as reconstructed by Aristotle:
Limited Unlimited
Odd Even
Male Female
Light Dark
Straight Curved
... and so on ....
"Of these dualities, the first is the most important; all the others may be seen as different aspects of this fundamental dichotomy. To establish a rational and consistent relationship between the limited [man, etc.] and the unlimited [the cosmos, etc.] is… the central aim of all Western philosophy." |
Another picture related to philosophy and religion—
Jung's Four-Diamond Figure from Aion—
This figure was devised by Jung
to represent the Self. Compare the
remarks of Paul Valéry on the Self—
Flight from Eden: The Origins of Modern Literary Criticism and Theory, by Steven Cassedy, U. of California Press, 1990, pages 156-157—
Valéry saw the mind as essentially a relational system whose operation he attempted to describe in the language of group mathematics. "Every act of understanding is based on a group," he says (C, 1:331). "My specialty— reducing everything to the study of a system closed on itself and finite" (C, 19: 645). The transformation model came into play, too. At each moment of mental life the mind is like a group, or relational system, but since mental life is continuous over time, one "group" undergoes a "transformation" and becomes a different group in the next moment. If the mind is constantly being transformed, how do we account for the continuity of the self? Simple; by invoking the notion of the invariant. And so we find passages like this one: "The S[elf] is invariant, origin, locus or field, it's a functional property of consciousness" (C, 15:170 [2:315]). Just as in transformational geometry, something remains fixed in all the projective transformations of the mind's momentary systems, and that something is the Self (le Moi, or just M, as Valéry notates it so that it will look like an algebraic variable). Transformation theory is all over the place. "Mathematical science… reduced to algebra, that is, to the analysis of the transformations of a purely differential being made up of homogeneous elements, is the most faithful document of the properties of grouping, disjunction, and variation in the mind" (O, 1:36). "Psychology is a theory of transformations, we just need to isolate the invariants and the groups" (C, 1:915). "Man is a system that transforms itself" (C, 2:896). O Paul Valéry, Oeuvres (Paris: Pléiade, 1957-60) C Valéry, Cahiers, 29 vols. (Paris: Centre National de le Recherche Scientifique, 1957-61) |
Note also the remarks of George David Birkhoff at Rice University
in 1940 (pdf) on Galois's theory of groups and the related
"theory of ambiguity" in Galois's testamentary letter—
… metaphysical reasoning always relies on the Principle of Sufficient Reason, and… the true meaning of this Principle is to be found in the “Theory of Ambiguity” and in the associated mathematical “Theory of Groups.” If I were a Leibnizian mystic, believing in his “preestablished harmony,” and the “best possible world” so satirized by Voltaire in “Candide,” I would say that the metaphysical importance of the Principle of Sufficient Reason and the cognate Theory of Groups arises from the fact that God thinks multi-dimensionally* whereas men can only think in linear syllogistic series, and the Theory of Groups is the appropriate instrument of thought to remedy our deficiency in this respect. * That is, uses multi-dimensional symbols beyond our grasp. |
Related material:
A medal designed by Leibniz to show how
binary arithmetic mirrors the creation by God
of something (1) from nothing (0).
Another array of 16 strings of 0's and 1's, this time
regarded as coordinates rather than binary numbers—
Some context by a British mathematician —
Imago by Wallace Stevens Who can pick up the weight of Britain, Who can move the German load Or say to the French here is France again? Imago. Imago. Imago. It is nothing, no great thing, nor man Of ten brilliancies of battered gold And fortunate stone. It moves its parade Of motions in the mind and heart, A gorgeous fortitude. Medium man In February hears the imagination's hymns And sees its images, its motions And multitudes of motions And feels the imagination's mercies, In a season more than sun and south wind, Something returning from a deeper quarter, A glacier running through delirium, Making this heavy rock a place, Which is not of our lives composed . . . Lightly and lightly, O my land, Move lightly through the air again. |
Tuesday, January 5, 2010
Artifice of Eternity
A Medal
In memory of Byzantine scholar Ihor Sevcenko,
who died at 87 on St. Stephen's Day, 2009–
William Grimes on Sevcenko in this morning's New York Times:
"Perhaps his most fascinating, if uncharacteristic, literary contribution came shortly after World War II, when he worked with Ukrainians stranded in camps in Germany for displaced persons. In April 1946 he sent a letter to Orwell, asking his permission to translate 'Animal Farm' into Ukrainian for distribution in the camps. The idea instantly appealed to Orwell, who not only refused to accept any royalties but later agreed to write a preface for the edition. It remains his most detailed, searching discussion of the book." |
See also a rather different medal discussed
here in the context of an Orwellian headline from
The New York Times on Christmas morning,
the day before Sevcenko died.
That headline, at the top of the online front page,
was "Arthur Koestler, Man of Darkness."
The medal, offered as an example of brightness
to counteract the darkness of the Times, was designed
by Leibniz in honor of his discovery of binary arithmetic.
See Brightness at Noon and Brightness continued.
"By groping toward the light we are made to realize
how deep the darkness is around us."
— Arthur Koestler, The Call Girls: A Tragi-Comedy,
Random House, 1973, page 118
Monday, December 28, 2009
Brightness at Noon, continued
This journal’s Christmas Day entry, Brightness at Noon, was in response to the Orwellian headline “Arthur Koestler, Man of Darkness,” at the top of the online New York Times front page on Christmas morning.
The entry offered, as an example of brightness, some thoughts of Leibniz on his discovery of binary arithmetic.
Related material:
“To make all things from nothing, unity suffices.” So it is written on a medal entitled Imago Creationis and designed by Leibniz to “exhibit to posterity in silver” his discovery of the binary system. Baron Gottfried Wilhelm von Leibniz (also Leibnitz) 1646-1716. Philosopher and mathematician. Invented calculus independently of Newton. Proposed the metaphysical theory that we live in “the best of all possible worlds.” He also discovered binary number system and believed in its profound metaphysical significance. He noticed similarity with the ancient Chinese divination system “I Ching.” We chose him for our patron, for Krawtchuk polynomials can be understood as a sophistication of the simple counting of 0 and 1… — Philip Feinsilver and Jerzy Kocik, 17 July 2001 |
From Mikhail Krawtchouk: Short Biography—
Anyone knowing even a little Soviet history of the thirties can conclude that Krawtchouk could not avoid the Great Terror. During the Orwellian “hours of hatred” in 1937 he was denounced as a “Polish spy,” “bourgeois nationalist,” etc. In 1938, he was arrested and sentenced to 20 years of confinement and 5 years of exile.
Academician Krawtchouk, the author of results which became part of the world’s mathematical knowledge, outstanding lecturer, member of the French, German, and other mathematical societies, died on March 9, 1942, in Kolyma branch of the GULAG (North-Eastern Siberia) more than 6 months short of his 50th birthday.
Incidentally, happy birthday
to John von Neumann.
Friday, December 25, 2009
Brightness at Noon
New York Times online front page
Christmas morning:
"Arthur Koestler, Man of Darkness"–
The photo is of Koestler in 1931 on a zeppelin expedition to the North Pole.
"The Act of Creation is, I believe, a more truly creative work than any of Koestler’s novels…. According to him, the creative faculty in whatever form is owing to a circumstance which he calls ‘bisociation.’ And we recognize this intuitively whenever we laugh at a joke, are dazzled by a fine metaphor, are astonished and excited by a unification of styles, or ’see,’ for the first time, the possibility of a significant theoretical breakthrough in a scientific inquiry. In short, one touch of genius—or bisociation—makes the whole world kin. Or so Koestler believes.”
– Henry David Aiken, The Metaphysics of Arthur Koestler, New York Review of Books, Dec. 17, 1964
From Opus Postumum by Immanuel Kant, Eckart Förster, Cambridge U. Press, 1995, p. 260:
"In January 1697, Leibniz accompanied his New Year Congratulations to Rudolf August with the design of a medal with the duke's likeness on one side, and the 'image of Creation' in terms of the binary number system on the other. Concerning the inscription on this side, Leibniz writes: 'I have thought for a while about the Motto dell'impresa and finally have found it good to write this line: omnibus ex nihilo ducendis SUFFICIT UNUM [To make all things from nothing, UNITY SUFFICES], because it clearly indicates what is meant by the symbol, and why it is imago creationis' (G. F. Leibniz, Zwei Briefe über das binäre Zahlensystem und die chinesische Philosophie, ed. Renate Loosen and Franz Vonessen, Chr. Belser Verlag: Stuttgart 1968, p. 21)."
Figure from Rudolf Nolte’s
Gottfried Wilhelms Baron von Leibniz
Mathematischer Beweis der Erschaffung und
Ordnung der Welt in einem Medallion…
(Leipzig: J. C. Langenheim, 1734).
"And so that I won’t come entirely empty-handed this time, I enclose a design of that which I had the pleasure of discussing with you recently. It is in the form of a memorial coin or medallion; and though the design is mediocre and can be improved in accordance with your judgment, the thing is such, that it would be worth showing in silver now and unto future generations, if it were struck at your Highness’s command. Because one of the main points of the Christian Faith, and among those points that have penetrated least into the minds of the worldly-wise and that are difficult to make with the heathen is the creation of all things out of nothing through God’s omnipotence, it might be said that nothing is a better analogy to, or even demonstration of such creation than the origin of numbers as here represented, using only unity and zero or nothing. And it would be difficult to find a better illustration of this secret in nature or philosophy; hence I have set on the medallion design IMAGO CREATIONIS [in the image of creation]. It is no less remarkable that there appears therefrom, not only that God made everything from nothing, but also that everything that He made was good; as we can see here, with our own eyes, in this image of creation. Because instead of there appearing no particular order or pattern, as in the common representation of numbers, there appears here in contrast a wonderful order and harmony which cannot be improved upon….
Such harmonious order and beauty can be seen in the small table on the medallion up to 16 or 17; since for a larger table, say to 32, there is not enough room. One can further see that the disorder, which one imagines in the work of God, is but apparent; that if one looks at the matter with the proper perspective, there appears symmetry, which encourages one more and more to love and praise the wisdom, goodness, and beauty of the highest good, from which all goodness and beauty has flowed."
See also Parable.