Log24

Tuesday, May 23, 2006

Tuesday May 23, 2006

Filed under: General — m759 @ 10:18 am
ART WARS
continued

Exhibit A:
A science vulgarizer in today’s New York Times–

“Somewhere out there, more elusive than a snow leopard, more vaunted in its imagined cultural oomph than an Oprah book blurb, is the Science Movie.

You know, the film that finally does for science and scientists what ‘The Godfather’ did for crime and what ‘The West Wing’ did for politics, accurately reproducing the grandeur and grit of science while ushering its practitioners into the ranks of coolness.”

Dennis Overbye

Exhibit B:
John Updike’s review in the May 22 New Yorker of a new novel by Michel Houellebecq, The Possibility of an Island

“Nor is Houellebecq…. entirely without literary virtue.  His four novels– Whatever (1994), The Elementary Particles (1998), and Platform (2001) are the three others– display a grasp of science and mathematics beyond that of all but a few non-genre novelists.”

A character in the new novel– “a lengthy exercise in futuristic science fiction”– writes that

“The dream of all men is to meet little sluts who are innocent but ready for all forms of depravity– which is what, more or less, all teenage girls are.”

Exhibit C:
A mathematician hopes for more exciting vulgarizations of his subject–

“I would hope that clever writers might point out how mathematics is altering our lifestyles and do it in a manner that would not lead Garfield the Cat to say ‘ho hum.'”

— Philip J. Davis, “The Media and Mathematics Look at Each Other” (pdf), Notices of the American Mathematical Society, March 2006

Exhibit D:
Today’s Garfield

The image “http://www.log24.com/log/pix06A/060523-Garfield2.gif” cannot be displayed, because it contains errors.

Exhibit E:
Log24 entry of May 18, a parody of “Contact,” a 1997 film that vulgarized science–

Space Cadet

“They should have
sent a poet.”

The image “http://www.log24.com/log/pix06A/060518-SpaceCadet2.jpg” cannot be displayed, because it contains errors.

Exhibit F:
Gilbert and Sullivan, “The Mikado“–

“(With great effort) How de do, little girls, how de do? (Aside) Oh, my protoplasmal ancestor!”

Coda

“It might be asking too much
to make us cool.”
— Science vulgarizer   
Dennis Overbye

The image “http://www.log24.com/log/pix06A/060523-Godfather2.jpg” cannot be displayed, because it contains errors.

Robert De Niro as the
young Vito Corleone

Saturday, May 13, 2006

Saturday May 13, 2006

Filed under: General — m759 @ 4:00 pm

ART WARS continued…

A Fold in Time

From May 13, Braque’s birthday, 2003:


Braque


Above: Braque and tesseract

“The senses deform, the mind forms.  Work to perfect the mind.  There is no certitude but in what the mind conceives.”

— Georges Braque, Reflections on Painting, 1917

Those who wish to follow Braque’s advice may try the following exercise from a book first published in 1937:

The image “http://www.log24.com/theory/images/Carmichael440ex.gif” cannot be displayed, because it contains errors.

Hint: See the above picture of
Braque and the construction of
a tesseract.

Related material:

Storyline and Time Fold
(both of Oct. 10, 2003),
and the following–

“Time, for L’Engle, is accordion-pleated. She elaborated, ‘When you bring a sheet off the line, you can’t handle it until it’s folded, and in a sense, I think, the universe can’t exist until it’s folded– or it’s a story without a book.'”

Cynthia Zarin on Madeleine L’Engle,
“The Storyteller,” in The New Yorker,
issue dated April 12, 2004

Sunday, May 7, 2006

Sunday May 7, 2006

Filed under: General,Geometry — Tags: , , — m759 @ 3:00 am

Bagombo Snuff Box
 
(in memory of
Burt Kerr Todd)


“Well, it may be the devil
or it may be the Lord
But you’re gonna have to
serve somebody.”

— “Bob Dylan”
(pseudonym of Robert Zimmerman),
quoted by “Bob Stewart”
on July 18, 2005

“Bob Stewart” may or may not be the same person as “crankbuster,” author of the “Rectangular Array Theorem” or “RAT.”  This “theorem” is intended as a parody of the “Miracle Octad Generator,” or “MOG,” of R. T. Curtis.  (See the Usenet group sci.math, “Steven Cullinane is a Crank,” July 2005, messages 51-60.)

“Crankbuster” has registered at Math Forum as a teacher in Sri Lanka (formerly Ceylon).   For a tall tale involving Ceylon, see the short story “Bagombo Snuff Box” in the book of the same title by Kurt Vonnegut, who has at times embodied– like Martin Gardner and “crankbuster“– “der Geist, der stets verneint.”

Here is my own version (given the alleged Ceylon background of “crankbuster”) of a Bagombo snuff box:

Related material:

Log24 entries of
April 16-30, 2005,

and the 5 Log24 entries
ending on Friday,
April 28, 2006.

Friday, April 28, 2006

Friday April 28, 2006

Filed under: General,Geometry — Tags: , , — m759 @ 12:00 pm

Exercise

Review the concepts of integritas, consonantia,  and claritas in Aquinas:

"For in respect to beauty three things are essential: first of all, integrity or completeness, since beings deprived of wholeness are on this score ugly; and [secondly] a certain required design, or patterned structure; and finally a certain splendor, inasmuch as things are called beautiful which have a certain 'blaze of being' about them…."

Summa Theologiae Sancti Thomae Aquinatis, I, q. 39, a. 8, as translated by William T. Noon, S.J., in Joyce and Aquinas, Yale University Press, 1957

Review the following three publications cited in a note of April 28, 1985 (21 years ago today):

(1) Cameron, P. J.,
     Parallelisms of Complete Designs,
     Cambridge University Press, 1976.

(2) Conwell, G. M.,
     The 3-space PG(3,2) and its group,
     Ann. of Math. 11 (1910) 60-76.

(3) Curtis, R. T.,
     A new combinatorial approach to M24,
     Math. Proc. Camb. Phil. Soc.
    
79 (1976) 25-42.

Discuss how the sextet parallelism in (1) illustrates integritas, how the Conwell correspondence in (2) illustrates consonantia, and how the Miracle Octad Generator in (3) illustrates claritas.
 

Sunday, March 26, 2006

Sunday March 26, 2006

Filed under: General,Geometry — Tags: , — m759 @ 2:02 pm
'Nauts

(continued from
Life of the Party, March 24)

Exhibit A —

From (presumably) a Princeton student
(see Activity, March 24):

The image “http://www.log24.com/log/pix06/060324-Activity.jpg” cannot be displayed, because it contains errors.

Exhibit B —

From today's Sunday comics:

The image “http://www.log24.com/log/pix06/060326-Blondie2.gif” cannot be displayed, because it contains errors.

Exhibit C —

From a Smith student with the
same name as the Princeton student
(i.e., Dagwood's "Twisterooni" twin):

The image “http://www.log24.com/log/pix06/060326-Smith.jpg” cannot be displayed, because it contains errors.

Related illustrations
("Visual Stimuli") from
the Smith student's game —

The image “http://www.log24.com/log/pix06/060326-Psychonauts1.jpg” cannot be displayed, because it contains errors.

Literary Exercise:

Continuing the Smith student's
Psychonauts theme,
compare and contrast
two novels dealing with
similar topics:

A Wrinkle in Time,
by the Christian author
Madeleine L'Engle,
and
Psychoshop,
by the secular authors
Alfred Bester and
Roger Zelazny.

Presumably the Princeton student
would prefer the Christian fantasy,
the Smith student the secular.

Those who prefer reality to fantasy —
not as numerous as one might think —
may examine what both 4×4 arrays
illustrated above have in common:
their structure.

Both Princeton and Smith might benefit
from an application of Plato's dictum:

The image “http://www.log24.com/theory/images/motto2.jpg” cannot be displayed, because it contains errors.

Friday, December 2, 2005

Friday December 2, 2005

Filed under: General,Geometry — m759 @ 5:55 am

Proof 101

From a course description:

“This module aims to introduce the student to rigorous university level mathematics….
    Syllabus: The idea of and need for mathematical statements and proofs…. proof by contradiction… proof by induction…. the infinite number of primes….”

In the December Notices of the American Mathematical Society, Brian (E. B.) Davies, a professor of mathematics at King’s College London, questions the consistency of Peano Arithmetic (PA), which has the following axioms:

From BookRags.com

Axiom 1. 0 is a number.

Axiom 2. The successor of any number is a number.

Axiom 3. If a and b are numbers and if their successors are equal, then a and b are equal.

Axiom 4. 0 is not the successor of any number.

Axiom 5. If S is a set of numbers containing 0 and if the successor of any number in S is also in S, then S contains all the numbers.

It should be noted that the word “number” as used in the Peano axioms means “non-negative integer.”  The fifth axiom deserves special comment.  It is the first formal statement of what we now call the “induction axiom” or “the principle of mathematical induction.”

Peano’s fifth axiom particularly troubles Davies, who writes elsewhere:

I contend that our understanding of number should be placed in an historical context, and that the number system is a human invention.  Elementary arithmetic enables one to determine the number of primes less than twenty as certainly as anything we know.  On the other hand Peano arithmetic is a formal system, and its internal consistency is not provable, except within set-theoretic contexts which essentially already assume it, in which case their consistency is also not provable.  The proof that there exists an infinite number of primes does not depend upon counting, but upon the law of induction, which is an abstraction from our everyday experience…. 
… Geometry was a well developed mathematical discipline based upon explicit axioms over one and a half millennia before the law of induction was first formulated.  Even today many university students who have been taught the principle of induction prefer to avoid its use, because they do not feel that it is as natural or as certain as a purely algebraic or geometric proof, if they can find one.  The feelings of university students may not settle questions about what is truly fundamental, but they do give some insight into our native intuitions.

E. B. Davies in
   “Counting in the real world,”
    March 2003 (word format),
    To appear in revised form in
    Brit. J. Phil. Sci. as
   “Some remarks on
    the foundations
    of quantum mechanics”

Exercise:

Discuss Davies’s claim that

The proof that there exists an infinite number of primes does not depend upon counting, but upon the law of induction.

Cite the following passage in your discussion.

It will be clear by now that, if we are to have any chance of making progress, I must produce examples of “real” mathematical theorems, theorems which every mathematician will admit to be first-rate. 

… I can hardly do better than go back to the Greeks.  I will state and prove two of the famous theorems of Greek mathematics.  They are “simple” theorems, simple both in idea and in execution, but there is no doubt at all about their being theorems of the highest class.  Each is as fresh and significant as when it was discovered– two thousand years have not written a wrinkle on either of them.  Finally, both the statements and the proofs can be mastered in an hour by any intelligent reader, however slender his mathematical equipment.

I. The first is Euclid’s proof of the existence of an infinity of prime numbers.

The prime numbers or primes are the numbers

   (A)   2, 3, 5, 7, 11, 13, 17, 19, 23, 29, … 

which cannot be resolved into smaller factors.  Thus 37 and 317 are prime.  The primes are the material out of which all numbers are built up by multiplication: thus

    666 = 2 . 3 . 3 . 37. 

Every number which is not prime itself is divisible by at least one prime (usually, of course, by several).   We have to prove that there are infinitely many primes, i.e. that the series (A) never comes to an end.

Let us suppose that it does, and that

   2, 3, 5, . . . , P
 
is the complete series (so that P is the largest prime); and let us, on this hypothesis, consider the number

   Q = (2 . 3 . 5 . . . . . P) + 1.

It is plain that Q is not divisible by any of

   2, 3, 5, …, P;

for it leaves the remainder 1 when divided by any one of these numbers.  But, if not itself prime, it is divisible by some prime, and therefore there is a prime (which may be Q itself) greater than any of them.   This contradicts our hypothesis, that there is no prime greater than P; and therefore this hypothesis is false.

The proof is by reductio ad absurdum, and reductio ad absurdum, which Euclid loved so much, is one of a mathematician’s finest weapons.  It is a far finer gambit than any chess gambit: a chess player may offer the sacrifice of a pawn or even a piece, but a mathematician offers the game.

— G. H. Hardy,
   A Mathematician’s Apology,
   quoted in the online guide for
   Clear and Simple as the Truth:
   Writing Classic Prose, by
   Francis-Noël Thomas
   and Mark Turner,
   Princeton University Press

In discussing Davies’s claim that the above proof is by induction, you may want to refer to Davies’s statement that

Geometry was a well developed mathematical discipline based upon explicit axioms over one and a half millennia before the law of induction was first formulated

and to Hardy’s statement that the above proof is due to Euclid.

Sunday, November 20, 2005

Sunday November 20, 2005

Filed under: General,Geometry — Tags: , — m759 @ 4:04 pm

An Exercise
of Power

Johnny Cash:
“And behold,
a white horse.”

The image “http://www.log24.com/log/pix05B/051120-SpringerLogo9.gif” cannot be displayed, because it contains errors.
Adapted from
illustration below:

The image “http://www.log24.com/log/pix05B/051120-NonEuclideanRev.jpg” cannot be displayed, because it contains errors.

“There is a pleasantly discursive treatment of Pontius Pilate’s unanswered question ‘What is truth?'”

H. S. M. Coxeter, 1987, introduction to Richard J. Trudeau’s remarks on the “Story Theory” of truth as opposed to  the “Diamond Theory” of truth in The Non-Euclidean Revolution

“A new epistemology is emerging to replace the Diamond Theory of truth. I will call it the ‘Story Theory’ of truth: There are no diamonds. People make up stories about what they experience. Stories that catch on are called ‘true.’ The Story Theory of truth is itself a story that is catching on. It is being told and retold, with increasing frequency, by thinkers of many stripes*….”

Richard J. Trudeau in
The Non-Euclidean Revolution

“‘Deniers’ of truth… insist that each of us is trapped in his own point of view; we make up stories about the world and, in an exercise of power, try to impose them on others.”

— Jim Holt in The New Yorker.

(Click on the box below.)

The image “http://www.log24.com/log/pix05B/050819-Critic4.jpg” cannot be displayed, because it contains errors.

Exercise of Power:

Show that a white horse–

A Singer 7-Cycle

a figure not unlike the
symbol of the mathematics
publisher Springer–
is traced, within a naturally
arranged rectangular array of
polynomials, by the powers of x
modulo a polynomial
irreducible over a Galois field.

This horse, or chess knight–
“Springer,” in German–
plays a role in “Diamond Theory”
(a phrase used in finite geometry
in 1976, some years before its use
by Trudeau in the above book).

Related material

On this date:

 In 1490, The White Knight
 (Tirant lo Blanc The image “http://www.log24.com/images/asterisk8.gif” cannot be displayed, because it contains errors. )–
a major influence on Cervantes–
was published, and in 1910

The image “http://www.log24.com/log/pix05B/051120-Caballo1.jpg” cannot be displayed, because it contains errors.

the Mexican Revolution began.

Illustration:
Zapata by Diego Rivera,
Museum of Modern Art,
New York

The image “http://www.log24.com/images/asterisk8.gif” cannot be displayed, because it contains errors. Description from Amazon.com

“First published in the Catalan language in Valencia in 1490…. Reviewing the first modern Spanish translation in 1969 (Franco had ruthlessly suppressed the Catalan language and literature), Mario Vargas Llosa hailed the epic’s author as ‘the first of that lineage of God-supplanters– Fielding, Balzac, Dickens, Flaubert, Tolstoy, Joyce, Faulkner– who try to create in their novels an all-encompassing reality.'”

Friday, November 11, 2005

Friday November 11, 2005

Filed under: General,Geometry — Tags: , — m759 @ 3:26 pm
720 in the Book
(continued)

From today's
New York Times:

        The image “http://www.log24.com/log/pix05B/EnlargeThis.jpg” cannot be displayed, because it contains errors.

The image “http://www.log24.com/log/pix05B/051111-BeeSeason.jpg” cannot be displayed, because it contains errors.

Phil Bray

Transcendence through spelling:
Richard Gere and Flora Cross
as father and daughter
in "Bee Season."

Words Made Flesh: Code, Culture, Imagination

The earliest known foundation of the Kabbalah is the Sefer Yetzirah (Book of Creation) whose origin and history is unknown….

… letters create things by the virtue of an algorithm…

    "From two letters or forms He composed two dwellings; from three, six; from four, twenty-four; from five, one hundred and twenty; from six, seven hundred and twenty…."
Sefer Yetzirah    

Foucault's Pendulum

Mystic logic, letters whirling in infinite change, is the world of bliss, it is the music of thought, but see that you proceed slowly, and with caution, because your machine may bring you delirium instead of ecstasy. Many of Abulafia's disciples were unable to walk the fine line between contemplation of the names of God and the practice of magic.

Bee Season

"The exercises we've been doing are Abulafia's. His methods are primarily a kind of Jewish yoga, a way to relax. For most, what Abulafia describes as shefa, the influx of the Divine, is a historical curiosity to be discussed and interpreted. Because, while anyone can follow Abulafia's instructions for permutation and chanting, very few can use them to achieve transcendence….

Spelling is a sign, Elly. When you win the national bee, we'll know that you are ready to follow in Abulafia's footsteps. Once you're able to let the letters guide you through any word you are given, you will be ready to receive shefa."

In the quiet of the room, the sound of Eliza and her father breathing is everything.

"Do you mean," Eliza whispers, "that I'll be able to talk to God?"

Related material:

Log24, Sept. 3, 2002,

Diamond Theory notes
of Feb. 4, 1986,
of April 26, 1986, and
 of May 26, 1986,

  Sacerdotal Jargon
(Log24, Dec. 5, 2002),

and 720 in the Book
(Log24, Epiphany 2004).

Friday, August 19, 2005

Friday August 19, 2005

Filed under: General,Geometry — Tags: — m759 @ 2:00 pm

Mathematics and Narrative
continued

"There is a pleasantly discursive treatment of Pontius Pilate's unanswered question 'What is truth?'"

H. S. M. Coxeter, 1987, introduction to Richard J. Trudeau's remarks on the "Story Theory" of truth as opposed to  the "Diamond Theory" of truth " in The Non-Euclidean Revolution

"I had an epiphany: I thought 'Oh my God, this is it! People are talking about elliptic curves and of course they think they are talking mathematics. But are they really? Or are they talking about stories?'"

An organizer of last month's "Mathematics and Narrative" conference

"A new epistemology is emerging to replace the Diamond Theory of truth. I will call it the 'Story Theory' of truth: There are no diamonds. People make up stories about what they experience. Stories that catch on are called 'true.' The Story Theory of truth is itself a story that is catching on. It is being told and retold, with increasing frequency, by thinkers of many stripes*…."

Richard J. Trudeau in The Non-Euclidean Revolution

"'Deniers' of truth… insist that each of us is trapped in his own point of view; we make up stories about the world and, in an exercise of power, try to impose them on others."

— Jim Holt in this week's New Yorker magazine.  Click on the box below.

The image “http://www.log24.com/log/pix05B/050819-Critic4.jpg” cannot be displayed, because it contains errors.

* Many stripes

   "What disciplines were represented at the meeting?"
   "Apart from historians, you mean? Oh, many: writers, artists, philosophers, semioticians, cognitive psychologists – you name it."

 

An organizer of last month's "Mathematics and Narrative" conference

Wednesday, August 17, 2005

Wednesday August 17, 2005

Filed under: General — Tags: — m759 @ 12:00 pm
At Cologne

The image “http://www.log24.com/log/pix05B/050817-Ludi.jpg” cannot be displayed, because it contains errors.

    “The Game was at first nothing more than a witty method for developing memory and ingenuity among students and musicians.
     The inventor, Bastian Perrot of Calw… found that the pupils at the Cologne Seminary had a rather elaborate game they used to play. One would call out, in the standardized abbreviations of their science, motifs or initial bars of classical compositions, whereupon the other had to respond with the continuation of the piece, or better still with a higher or lower voice, a contrasting theme, and so forth. It was an exercise in memory and improvisation quite similar to the sort of thing probably in vogue among the ardent pupils of counterpoint in the days of Schütz, Pachelbel, and Bach….
     Bastian Perrot… constructed a frame, modeled on a child’s abacus, a frame with several dozen wires on which could be strung glass beads of various sizes, shapes, and colors….”

Hermann Hesse at The Glass Bead Game Defined

Sunday, April 3, 2005

Sunday April 3, 2005

Filed under: General — Tags: — m759 @ 3:26 pm
Wager

Pennsylvania Lottery Daily Number

for yesterday evening,
Saturday, April 2, 2005:

613

Related material:

From 6/13 2004

An 8-rayed star:

Another 8-rayed star:

The image “http://www.log24.com/log/pix05/050403-StPetersSq.jpg” cannot be displayed, because it contains errors.

St. Peter’s Square in Rome
 
From 6/13 2003

A link to a 2001 First Things essay,

The End of Endings:

“Here is the heart of the matter:

The underwriting of Hebraic–Hellenic literacy, of the normative analogue between divine and mortal acts of creation, was, in the fullest sense, theological. As was the wager (pronounced lost in deconstruction and postmodernism) on ultimate possibilities of accord between sign and sense, between word and meaning, between form and phenomenality. The links are direct between the tautology out of the Burning Bush, that ‘I am’ which accords to language the privilege of phrasing the identity of God, on the one hand, and the presumptions of concordance, of equivalence, of translatability, which, though imperfect, empower our dictionaries, our syntax, our rhetoric, on the other. That ‘I am’ has, as it were, at an overwhelming distance, informed all predication. It has spanned the arc between noun and verb, a leap primary to creation and the exercise of creative consciousness in metaphor. Where that fire in the branches has gone out or has been exposed as an optical illusion, the textuality of the world, the agency of the Logos in logic—be it Mosaic, Heraclitean, or Johannine—becomes ‘a dead letter.’

That passage bears rereading.”

— Richard John Neuhaus quoting
   George Steiner’s Grammars of Creation
   (Yale University Press, April 1, 2001)

Friday, February 20, 2004

Friday February 20, 2004

Filed under: General,Geometry — Tags: — m759 @ 12:00 am

The Da Vinci Code
and
Symbology at Harvard

The protagonist of the recent bestseller The Da Vinci Code is Robert Langdon, "a professor of Religious Symbology at Harvard University."  A prominent part in the novel is played by the well-known Catholic organization Opus Dei.  Less well known (indeed, like Langdon, nonexistent) is the academic discipline of "symbology."  (For related disciplines that do exist, click here.) What might a course in this subject at Harvard be like?

Harvard Crimson, April 10, 2003:

While Opus Dei members said that they do not refer to their practices of recruitment as "fishing," the Work’s founder does describe the process of what he calls "winning new apostles" with an aquatic metaphor.

Point #978 of The Way invokes a passage in the New Testament in which Jesus tells Peter that he will make him a "fisher of men." The point reads:

" ‘Follow me, and I will make you into fishers of men.’ Not without reason does our Lord use these words: men—like fish—have to be caught by the head. What evangelical depth there is in the ‘intellectual apostolate!’ ”

IMAGE- Escher, 'Fishes and Scales'

IMAGE- Cullinane, 'Invariance'

Exercise for Symbology 101:

Describe the symmetry
in each of the pictures above.
Show that the second picture
retains its underlying structural
symmetry under a group of
322,560 transformations.

Having reviewed yesterday's notes
on Gombrich, Gadamer, and Panofsky,
discuss the astrological meaning of
the above symbols in light of
today's date, February 20.

Extra credit:

Relate the above astrological
symbolism to the four-diamond
symbol in Jung's Aion.

Happy metaphors!

Robert Langdon

Sunday, November 9, 2003

Sunday November 9, 2003

Filed under: General,Geometry — Tags: — m759 @ 5:00 pm

For Hermann Weyl's Birthday:

A Structure-Endowed Entity

"A guiding principle in modern mathematics is this lesson: Whenever you have to do with a structure-endowed entity S, try to determine its group of automorphisms, the group of those element-wise transformations which leave all structural relations undisturbed. You can expect to gain a deep insight into the constitution of S in this way."

— Hermann Weyl in Symmetry

Exercise:  Apply Weyl's lesson to the following "structure-endowed entity."

4x4 array of dots

What is the order of the resulting group of automorphisms? (The answer will, of course, depend on which aspects of the array's structure you choose to examine.  It could be in the hundreds, or in the hundreds of thousands.)

Wednesday, September 24, 2003

Wednesday September 24, 2003

Filed under: General — m759 @ 10:01 pm

Bel Canto

The conclusion of tonight’s season-
opening episode of “The West Wing”
was a picture of President Bartlet  
 receiving the Host at Mass.

Related material:

The Source:

Tips On Popular Singing
by Frank Sinatra
in collaboration with
his vocal teacher John Quinlan

What prompted me to find this
booklet on the Web
(at about 8:45 PM tonight) was

40,000 Years of Music
by Jacques Chailley
(Farrar, Straus & Giroux, 1964),
page 162,
on the bel canto style of singing.

I picked up this book this afternoon
at a sale for $1.

See also Sinatra’s remarks on bel canto
(various places on the Web).

For the religious significance of
the page number 162, see my
entry of 9/11 2003,

Particularity.


Added at 3:20 AM Sept. 25…

In Related News:

Source: Google News, about 3:15 AM 9/25/03

Thursday, September 11, 2003

Thursday September 11, 2003

Filed under: General — Tags: , , — m759 @ 6:25 pm

Particularity

Walter J. Ong

Particularity

Upon learning of the recent death of Walter J. Ong, S. J., philosopher of language, I ordered a copy of his book

Hopkins, the Self, and God
University of Toronto Press, 1986.

As the reader of my previous entry will discover, I have a very low opinion of the literary skills of the first Christians.   This sect’s writing has, however, improved in the past two millennia.

Despite my low opinion of the early Christians, I am still not convinced their religion is totally unfounded.  Hence my ordering of the Ong book.  Since then, I have also ordered two other books, reflecting my interests in philosophical fiction (see previous entry) and in philosophy itself:

Philosophical fiction —

The Hex Witch of Seldom,
by Nancy Springer,
Penguin Putnam Inc., 2002
(See 1 Corinthians 1:26-29)

Philosophy —

Definition,
by Richard Robinson,
Fellow of Oriel College, Oxford,
Oxford U. Press, 1954, reprinted 1962.

Following the scientific advice of Niels Bohr and Freeman Dyson, I articulated on April 25, 2003, a mad theory of the mystical significance of the number 162.

Here is that theory applied to the three works named above, all three of which I received, synchronistically, today.

Page 162 of Hopkins, the Self, and God is part of the long list of references at the back of the book.  Undiscouraged by the seeming insignificance (vide my note Dogma) of this page, I looked more closely.  Behold, there was Christ…  Carol T. Christ, that is, author of The Finer Optic: The Aesthetic of Particularity in Victorian Poetry, Yale University Press, 1975. “Particularity” seemed an apt description of my “162” approach to literature, so I consulted Christ’s remarks as described in the main body of Ong’s book.

Particularity according to Christ —

“Victorian particularist aesthetics has prospered to the present time, and not only in novels.  The isolated, particularized, unique ‘good moment’ [Christ, 105], the flash of awareness at one particular instant in just the right setting, which Hopkins celebrates….”

— Ong, Hopkins, the Self, and God, p. 14

I highly recommend the rest of Ong’s remarks on particularity.

Turning to the other two of the literary trinity of books I received today….

Page 162 of The Hex Witch of Seldom has the following:

“There was a loaf of Stroehmann’s Sunbeam Bread in the grocery sack also; she and Witchie each had several slices.  Bobbi folded and compressed hers into little squares and popped each slice into her mouth all at once.”

The religious significance of this passage seems, in Ong’s Jesuit context, quite clear.

Page 162 of Definition has the following:

“Real Definition as the Search for a Key.  Mr. Santayana, in his book on The Sense of Beauty, made the following extremely large demands on real definition:

‘A definition <of beauty> that should really define must be nothing less than the exposition of the origin, place, and elements of beauty as an object of human experience.  We must learn from it, as far as possible, why, when, and how beauty appears, what conditions an object must fulfil to be beautiful, what elements of our nature make us sensible of beauty, and what the relation is between the constitution of the object and the excitement of our sensibility.  Nothing less will really define beauty or make us understand what aesthetic appreciation is.  The definition of beauty in this sense will be the task of this whole book, a task that can be only very imperfectly accomplished within its limits.’ ”

Here is a rhetorical exercise for Jesuits that James Joyce might appreciate:

Discuss Bobbi’s “little squares” of bread as the Body of Christ.  Formulate, using Santayana’s criteria, a definition of beauty that includes this sacrament.

Refer, if necessary, to
the log24.net entries
Mr. Holland’s Week and Elegance.

Refrain from using the phrase
“scandal of particularity”
unless you can use it as well as
Annie Dillard.

Friday, May 23, 2003

Friday May 23, 2003

Filed under: General — m759 @ 7:23 pm

Mental Health Month, Day 23:

The Prime Cut Gospel

On Christmas Day, 1949,
Mary Elizabeth Spacek was born in Texas.

Lee Marvin, Sissy Spacek in “Prime Cut”

Exercises for Mental Health Month:

Read this discussion of the phrase, suggested by Spacek’s date of birth, “God’s gift to men.”

Read this discussion of the phrase “the same yesterday, today, and forever,” suggested by the previous reading.

Read the more interesting of these discussions of the phrase “the eternal in the temporal.”

Read this discussion of eternal, or “necessary,” truths versus other sorts of alleged “truths.”

Read this discussion of unimportant mathematical properties of the prime number 23.

Read these discussions of important properties of 23:

  • R. D. Carmichael’s 1937 discussion of the linear fractional group modulo 23 in 

Introduction to the Theory of Groups of Finite Order, Ginn, Boston, 1937 (reprinted by Dover in 1956), final chapter, “Tactical Configurations,” and

  • Conway’s 1969 discussion of the same group in    

J. H. Conway, “Three Lectures on Exceptional Groups,” pp. 215-247 in Finite Simple Groups (Oxford, 1969), edited by M. B. Powell and G. Higman, Academic Press, London, 1971….. Reprinted as Ch. 10 in Sphere Packings, Lattices, and Groups 

Read this discussion of what might be called “contingent,” or “literary,” properties of the number 23. 

Read also the more interesting of  these discussions of the phrase “the 23 enigma.”

Having thus acquired some familiarity with both contingent and necessary properties of 23…

Read this discussion of Aquinas’s third proof of the existence of God.

Note that the classic Spacek film “Prime Cut” was released in 1972, the year that Spacek turned 23:

1949
+ 23


1972
 
Essay question:  
 
If Jesus was God’s gift to man, and (as many men would agree) so was the young Sissy Spacek (also born on Christmas Day), was young Sissy’s existence in her 23rd year contingent or necessary?  If the latter, should she be recognized as a Person of the Trinity? Quaternity? N-ity?
 
Talk amongst yourselves.

Friday, January 3, 2003

Friday January 3, 2003

Filed under: General — m759 @ 11:59 pm

The Shanghai Gesture:
An Exercise in Synchronicity

“A corpse will be transported by express!”

Under the Volcano, by Malcolm Lowry (1947)


Dietrich


Minogue

For Dietrich, see the reference below;
For Minogue, see my entry
“That Old Devil Moon”
of January 1st, 2003.

From the Turner Classic Movies website:

PLAYING ON TCM:
Jan 03, 2003, 08:00 PM

Shanghai Express  (1932)
CAST: Marlene Dietrich, Clive Brook, Anna May Wong. DIRECTOR: Josef von Sternberg.

A beautiful temptress re-kindles an old romance while trying to escape her past during a tension-packed train journey. [Set in 1931] BW-82m

From The New Yorker magazine,
received in the mail this afternoon:

Shanghai Moon

“…a new play… set in Shanghai in 1931…. Previews begin Jan. 3.”

Given the above, a believer in synchronicity
under the volcano 
will naturally search for a suitable corpse…
and voilà:

The Toronto Star

Friday, Jan. 3, 2003. 05:50 PM

Syndicated astrologist
Sydney Omarr, 76, dies

LOS ANGELES (AP) — Sydney Omarr, the astrologer to the stars who came to write horoscopes that appear in more than 200 North American newspapers, has died. He was 76.

Omarr, who was blinded and paralysed from the neck down by multiple sclerosis, died Thursday [Jan. 2, 2003] in hospital in Santa Monica of complications from a heart attack, the Los Angeles Times reported. His ex-wife, assistants and several close friends were by his side.

Born Sidney Kimmelman in Philadelphia, Omarr decided to change his name at age 15 after watching a movie called The Shanghai Gesture, starring Victor Mature as a character named Omar. He changed the spelling of his first name and adopted Omar as his last name, but added a second “r,” in accordance with certain numerological formulas.

“It has a ghastly familiarity,
like a half-forgotten dream.”
 — Poppy (Gene Tierney) in
The Shanghai Gesture.”

“It’s a gesture, dear, not a recipe.”
 — Peggy (Vanessa Redgrave) in
Prick Up Your Ears

 

Wednesday, November 27, 2002

Wednesday November 27, 2002

Filed under: General,Geometry — Tags: , — m759 @ 11:30 pm

Waiting for Logos

Searching for background on the phrase "logos and logic" in yesterday's "Notes toward a Supreme Fact," I found this passage:

"…a theory of psychology based on the idea of the soul as the dialectical, self-contradictory syzygy of a) soul as anima and b) soul as animus. Jungian and archetypal psychology appear to have taken heed more or less of only one half of the whole syzygy, predominantly serving an anima cut loose from her own Other, the animus as logos and logic (whose first and most extreme phenomenological image is the killer of the anima, Bluebeard). Thus psychology tends to defend the virginal innocence of the anima and her imagination…"

— Wolfgang Giegerich, "Once More the Reality/Irreality Issue: A Reply to Hillman's Reply," website 

The anima and other Jungian concepts are used to analyze Wallace Stevens in an excellent essay by Michael Bryson, "The Quest for the Fiction of an Absolute." Part of Bryson's motivation in this essay is the conflict between the trendy leftist nominalism of postmodern critics and the conservative realism of more traditional critics:

"David Jarraway, in his Stevens and the Question of Belief, writes about a Stevens figured as a proto-deconstructionist, insisting on 'Steven's insistence on dismantling the logocentric models of belief' (311) in 'An Ordinary Evening in New Haven.' In opposition to these readings comes a work like Janet McCann's Wallace Stevens Revisited: 'The Celestial Possible', in which the claim is made (speaking of the post-1940 period of Stevens' life) that 'God preoccupied him for the rest of his career.'"

Here "logocentric" is a buzz word for "Christian." Stevens, unlike the postmodernists, was not anti-Christian. He did, however, see that the old structures of belief could not be maintained indefinitely, and pondered what could be found to replace them. "Notes toward a Supreme Fiction" deals with this problem. In his essay on Stevens' "Notes," Bryson emphasizes the "negative capability" of Keats as a contemplative technique:

"The willingness to exist in a state of negative capability, to accept that sometimes what we are seeking is not that which reason can impose…."

For some related material, see Simone Weil's remarks on Electra waiting for her brother Orestes. Simone Weil's brother was one of the greatest mathematicians of the past century, André Weil.

"Electra did not seek Orestes, she waited for him…"

— Simone Weil

"…at the end, she pulls it all together brilliantly in the story of Electra and Orestes, where the importance of waiting on God rather than seeking is brought home forcefully."

— Tom Hinkle, review of Waiting for God

Compare her remarks on waiting for Orestes with the following passage from Waiting for God:

"We do not obtain the most precious gifts by going in search of them but by waiting for them. Man cannot discover them by his own powers, and if he sets out to seek for them he will find in their place counterfeits of which he will be unable to discern falsity.

The solution of a geometry problem does not in itself constitute a precious gift, but the same law applies to it because it is the image of something precious. Being a little fragment of particular truth, it is a pure image of the unique, eternal, and living Truth, the very Truth that once in a human voice declared: "I am the Truth."

Every school exercise, thought of in this way, is like a sacrament.

In every school exercise there is a special way of waiting upon truth, setting our hearts upon it, yet not allowing ourselves to go out in search of it. There is a way of giving our attention to the data of a problem in geometry without trying to find the solution…."

— Simone Weil, "Reflections on the Right Use of School Studies with a View to the Love of  God"

Weil concludes the preceding essay with the following passage:

"Academic work is one of those fields containing a pearl so precious that it is worth while to sell all of our possessions, keeping nothing for ourselves, in order to be able to acquire it."

This biblical metaphor is also echoed in the work of Pascal, who combined in one person the theological talent of Simone Weil and the mathematical talent of her brother. After discussing how proofs should be written, Pascal says

"The method of not erring is sought by all the world. The logicians profess to guide to it, the geometricians alone attain it, and apart from their science, and the imitations of it, there are no true demonstrations. The whole art is included in the simple precepts that we have given; they alone are sufficient, they alone afford proofs; all other rules are useless or injurious. This I know by long experience of all kinds of books and persons.

And on this point I pass the same judgment as those who say that geometricians give them nothing new by these rules, because they possessed them in reality, but confounded with a multitude of others, either useless or false, from which they could not discriminate them, as those who, seeking a diamond of great price amidst a number of false ones, but from which they know not how to distinguish it, should boast, in holding them all together, of possessing the true one equally with him who without pausing at this mass of rubbish lays his hand upon the costly stone which they are seeking and for which they do not throw away the rest."

— Blaise Pascal, The Art of Persuasion

 

For more diamond metaphors and Jungian analysis, see

The Diamond Archetype.

Wednesday, July 31, 2002

Bach’s Minuet in G

Filed under: General — m759 @ 11:29 pm
toys.jpg (17640 bytes)

The Toys

Left to right: June Montiero, Barbara Parritt, and Barbara Harris

From the website http://www.history-of-rock.com/toys.htm

In 1964 they were signed by the Publishing firm Genius, Inc., which teamed them with the songwriting duo Sandy Linzer and Denny Randell…. The writers took a classical finger exercise from Bach and put a Motown bassline to it and “A Lover’s Concerto” was born.

September 1965: “A Lover’s Concerto” on the Dynavoice label went #4 R&B, crossed over to pop charts #2, and also became a #5 hit in England. In 1965 the song sold over a million copies. The Toys began appearing on television shows such as “Shindig!,” “Hullabullo,” and “American Bandstand,”  toured with Gene Pitney, and appeared in the film It’s a Bikini World.

Other sites giving further details on Bach’s Minuet in G:

Search for the sheet music and a rendition of the work at codamusic.com’s Finale Showcase Search Page.

Seeing and hearing the music on this site requires that you download  Coda’s SmartMusic Viewer, and possibly requires that you adjust your browser settings, depending on the operating system you use.

For another look at Bach’s music, along with a midi rendition, you can download Music MasterWorks composing software from the Aspire Software site…

http://www.musicmasterworks.com/.

Then download the midi file of the Minuet in G itself,  “Minuet in G,  BWV841” (M.Lombardi), from the website

http://www.classicalarchives.com/bach.html.

(To do this, right-click on the minuet link and use the “Save Target As” option, if you, like me, are using Internet Explorer with Windows.)

After you have downloaded the midi file of the minuet, use the “File” and “Open” options in Music MasterWorks to display and play the music.

A comparison of these two versions of Bach is instructive for anyone planning to purchase music composition software.   The MasterWorks creates sheet music from its midi file that is quite sophisticated and rather hard to follow, but this music accurately reflects the superior musical performance in the downloaded midi file versus the rendition in the online Finale Showcase file.   The Showcase file is much simpler and easier to read, as the rendition it describes is also quite simple.

The Gentle Rain

For an even simpler version, those of us who were in our salad days in 1965 can consult our memories of The Toys:

How gentle is the rain
That falls softly on the meadow.
Birds high up in the trees
Serenade the clouds with their melodies.

Oh, see there beyond the hill,
The bright colors of the rainbow.
Some magic from above
Made this day for us just to fall in love.

Those of the younger generation with neither the patience nor the taste to seek out the original by Bach may be content with the following site —

A Lover’s Concerto in Venice

To a more mature audience, the picture of a Venetian sunset at the above site (similar to the photo below, from Shunya’s Italy)

will, together with the lyrics of The Toys, suggest that

The quality of mercy is not strained.
It droppeth as the gentle rain from heaven….

This line, addressed to Shylock in “The Merchant of Venice,” contradicts, to some extent, the statement by Igor Stravinsky in The Poetics of Music (1942, English version 1947) that music does not express anything at all. Stravinsky is buried in Venice.

From  Famous Graves:


Igor Stravinsky,

Venice

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