From an Oct. 26 elegy in the form of a book review …
From a search in this journal for "deploy" —
Related art —
As for "Miracles and Visionaries," I prefer the literature associated
with the 1974 Miracle Octad Generator of R. T. Curtis.
From an Oct. 26 elegy in the form of a book review …
From a search in this journal for "deploy" —
Related art —
As for "Miracles and Visionaries," I prefer the literature associated
with the 1974 Miracle Octad Generator of R. T. Curtis.
"The hint half guessed, the gift half understood, is Incarnation."
— T. S. Eliot in Four Quartets
Note also the four 4×4 arrays surrounding the central diamond
in the chi of the chi-rho page of the Book of Kells —
From a Log24 post
of March 17, 2012
"Interlocking, interlacing, interweaving"
— Condensed version of page 141 in Eddington's
1939 Philosophy of Physical Science
The diamond from the Chi-rho page
of the Book of Kells —
The diamond at the center of Euclid's
Proposition I, according to James Joyce
(i.e., the Diamond in the Mandorla) —
“He pointed at the football
on his desk. ‘There it is.’”
– Glory Road
Part I: Random Walk
Part II: X's
3/22:
Part III: O's —
A Cartoon Graveyard
in honor of the late
Gene Persson †
Today's Garfield —
See also
Midsummer Eve's Dream:
"The meeting is closed
with the lord's‡ prayer
and refreshments are served."
† Producer of plays and musicals
including Album and
The Ruling Class
‡ Lower case in honor of
Peter O'Toole, star of
the film version of
The Ruling Class.
(This film, together with
O'Toole's My Favorite Year,
may be regarded as epitomizing
Hollywood's Jesus for Jews.)
Those who prefer
less randomness
in their religion
may consult O'Toole's
more famous film work
involving Islam,
as well as
the following structure
discussed here on
the date of Persson's death:
"The Moslems thought of the
central 1 as being symbolic
of the unity of Allah."
The Transcendent
Signified
“God is both the transcendent signifier
and transcendent signified.”
— Caryn Broitman,
Deconstruction and the Bible
“Central to deconstructive theory is the notion that there is no ‘transcendent signified,’ or ‘logos,’ that ultimately grounds ‘meaning’ in language….”
— Henry P. Mills,
The Significance of Language,
Footnote 2
“It is said that the students of medieval Paris came to blows in the streets over the question of universals. The stakes are high, for at issue is our whole conception of our ability to describe the world truly or falsely, and the objectivity of any opinions we frame to ourselves. It is arguable that this is always the deepest, most profound problem of philosophy. It structures Plato’s (realist) reaction to the sophists (nominalists). What is often called ‘postmodernism’ is really just nominalism, colourfully presented as the doctrine that there is nothing except texts. It is the variety of nominalism represented in many modern humanities, paralysing appeals to reason and truth.”
— Simon Blackburn, Think,
Oxford University Press, 1999, page 268
The question of universals is still being debated in Paris. See my July 25 entry,
That entry discusses an essay on
mathematics and postmodern thought
by Michael Harris,
professor of mathematics
at l’Université Paris 7 – Denis Diderot.
A different essay by Harris has a discussion that gets to the heart of this matter: whether pi exists as a platonic idea apart from any human definitions. Harris notes that “one might recall that the theorem that pi is transcendental can be stated as follows: the homomorphism
Harris illustrates this with
an X in a rectangle:
For the complete passage, click here.
If we rotate the Harris X by 90 degrees, we get a representation of the Christian Logos that seems closely related to the God-symbol of Arthur C. Clarke and Stanley Kubrick in 2001: A Space Odyssey. On the left below, we have a (1x)4×9 black monolith, representing God, and on the right below, we have the Harris slab, with X representing (as in “Xmas,” or the Chi-rho page of the Book of Kells) Christ… who is, in theological terms, also “the variable par excellence.”
Kubrick’s |
Harris’s |
For a more serious discussion of deconstruction and Christian theology, see
Wake
From my entry of Epiphany 2003,
Dead Poet in the City of Angels:
Certain themes recur in these entries. To describe such recurrent themes, in art and in life, those enamoured of metaphors from physics may ponder the phrase “implicate order.” For an illustration of at least part of the implicate order, click here . |
On this, the day when Orangemen parade in Northern Ireland, it seems appropriate to expand on the two links I cited last Epiphany.
For the implicate order and Finnegans Wake, see sections 33 and 34 of
The second link in the box above is to the Chi-Rho page in the Book of Kells. For a commentary on the structure of this page and the structure of Finnegans Wake, see
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