The title was suggested by the previous post and by
a phrase in Four Quartets.
Author Silvia Jonas tonight at Arts & Letters Daily —
The Inarticulate —
Detail of The Inarticulate —
The Raid —
Logo on the cover of
Joyce's Visible Art
“… And so each venture
Is a new beginning, a raid on the inarticulate….”
— T. S. Eliot, “East Coker V” in Four Quartets
“Art bears the same relationship to society
that the dream bears to mental life. . . .
Like art, the dream mediates between order
and chaos. So, it is half chaos. That is why
it is not comprehensible. It is a vision, not
a fully fledged articulated production.
Those who actualize those half-born visions
into artistic productions are those who begin
to transform what we do not understand into
what we can at least start to see.”
— A book published on March 2, 2021:
Beyond Order , by Jordan Peterson
The inarticulate, in this case, is Rosalind Krauss:
A “raid on the inarticulate” published in Notices of the
American Mathematical Society in the February 1979 issue —
“… And so each venture Is a new beginning,
a raid on the inarticulate….”
— T. S. Eliot, “East Coker V” in Four Quartets
|
arXiv:1409.5691v1 [math.CO] 17 Sep 2014
The Complement of Binary Klein Quadric as
Metod Saniga, Abstract
Given a hyperbolic quadric of PG(5, 2), there are 28 points off this quadric and 56 lines skew to it. It is shown that the Keywords:
Combinatorial Grassmannian − |
See also this journal on the above date — 17 September 2014.
The “inarticulate” image from last night’s
“Raid on the Inarticulate” —
This is, in a sense, an island of nothing in a sea of being.
Contrast with an opposite image in Wittgenstein’s “Diktat für Schlick”:
| From The Voices of Wittgenstein: The Vienna Circle , ed. by Gordon Baker, first published by Routledge in 2003. From Ch. 1, “Dictation for Schlick” — p. 69 — |
“Ripples spread from castle rock ….” — “Endgame,” 1986
From mathematician Izabella Laba today —
From Harry T. Antrim’s 1967 thesis on Eliot —
“That words can be made to reach across the void
left by the disappearance of God (and hence of all
Absolutes) and thereby reestablish some basis of
relation with forms existing outside the subjective
and ego-centered self has been one of the chief
concerns of the first half of the twentieth century.”
… And then there is the Snow White void —
A logo that may be interpreted as one-eighth of a 2x2x2 array
of cubes —
The figure in white above may be viewed as a subcube representing,
when the eight-cube array is coordinatized, the identity (i.e., (0, 0, 0)).
See the search for an Inarticulate Square in this journal.
Notes for a monkey grammarian —
"Visual forms— lines, colors, proportions, etc.—
are just as capable of articulation ,
i.e. of complex combination, as words.
But the laws that govern this sort of articulation
are altogether different from the laws of syntax
that govern language. The most radical difference
is that visual forms are not discursive .
They do not present their constituents successively,
but simultaneously, so the relations determining
a visual structure are grasped in one act of vision."
— Susanne K. Langer, Philosophy in a New Key
See also Langer's New Key in this journal.
Related material —
On Walter Isaacson’s The Innovators :
“Yet as the book’s five hundred–plus pages unwind, Isaacson interrupts himself to present small bromides about what it means to innovate and what we might learn from these innovators, our presumed betters. “Innovation requires articulation,” he tells us, after explaining how the main strength of Grace Hopper, a trailblazing computer scientist for the US Navy, was her ability to speak in the languages of mathematicians, engineers, programmers, and soldiers alike. ‘One useful leadership talent is knowing when to push ahead against doubters and when to heed them,’ he offers later.
The book is peppered with these kinds of passages, which often intrude on the narrative, depriving us of moments of real emotional power.”
— Jacob Silverman in Bookforum , Sept/Oct/Nov 2014
From Isaacson’s book:
Related material:
In memory of T. S. Eliot…
… and in memory of Stanley Chase, producer of Colossus: The Forbin Project
and of Threepenny Opera :
Ninefold square from Colossus
(“There is another system”) —
Fourfold square introducing Brecht
in Dreigroschen Trifft Vierfarben —
Tom Hanks as Indiana Langdon in Raiders of the Lost Articulation :
An unarticulated (but colored) cube:
A 2x2x2 articulated cube:
A 4x4x4 articulated cube built from subcubes like
the one viewed by Tom Hanks above:
A New York Times piece today on author Donald Antrim:
“The next project is a novel ‘about’ (having loosely to do with)
his father, Harry, a T. S. Eliot scholar who wrote a well-regarded
monograph on the poet.”
— John Jeremiah Sullivan
From Harry T. Antrim’s 1967 thesis on Eliot:
“That words can be made to reach across the void
left by the disappearance of God (and hence of all
Absolutes) and thereby reestablish some basis of
relation with forms existing outside the subjective
and ego-centered self has been one of the chief
concerns of the first half of the twentieth century.”
An epigraph selected by Sullivan for a 2002 Harper’s Magazine
article, “Horseman, Pass By“—
Far back, far back in our dark soul
the horse prances.
— D. H. Lawrence
A related image from pure mathematics
(a source of Absolutes unrelated to theology):
See April 9, 2004, for a post on the “Horseman” article.
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