See also Tiger in this journal, esp. —
other "Death and the Spirit" posts.
"The logic behind such utterances is the logic
of binary opposition, the principle of non-contra-
diction, often thought of as the very essence of
Logic as such….
Now, my understanding of what is most radical
in deconstruction is precisely that it questions
this basic logic of binary opposition….
Instead of a simple 'either/or' structure,
deconstruction attempts to elaborate a discourse
that says neither "either/or", nor "both/and"
nor even "neither/nor", while at the same time
not totally abandoning these logics either."
— Harvard professor Barbara Johnson
in "Nothing Fails Like Success."
(See the previous entry, Day Without Logic.)
Those who value literary theory
more than they value truth
may prefer, on this
International Women's Day,
the "mandorla" interpretation
of the above diagrams.
For this interpretation, see
Death and the Spirit III,
Burning Bright,
and
The Agony and the Ya-Ya.
The Pennsylvania lottery
on St. Stephen's Day–
Midday: 105
Evening: 064
From a new
branch of theology,
lottery hermeneutics:
See Log24, 1/05,
Death and the Spirit,
and the 64 hexagrams of
the box-style I Ching.
From the Wikipedia
article on hermeneutics:
(See also Hitler's Still Point:
A Hate Speech for Harvard.)
Roger Shattuck, Scholar, Is Dead at 82
In his honor, some excerpts from previous entries:
I just subscribed to The New York Review of Books online for another year,
prompted by my desire to read Roger Shattuck on Rimbaud….
"How did this poetic sensibility come to burn so bright?"
The Shattuck piece is from 1967, the year of The Doors' first album.
(See Death and the Spirit, Part II.)
|
The photo of Nicole Kidman
is from Globe Song
(Log24, Jan. 18, 2005).
The Times says Shattuck died
on Thursday (Dec. 8, 2005).
Here, from 4:00 AM on the
morning of Shattuck's death,
is a brief companion-piece
to Eight is a Gate:
From Carole A. Holdsworth, Tanner may have stated it best:
“V. is whatever lights you to
(Tony Tanner, page 36,
She's a mystery |
She's in midnight blue,
still the words ring true;
woman in blue
got a hold on you.
Death and the Spirit,
Part IV
See also
Death and the Spirit, Part II, and
Death and the Spirit, Part III.
But seriously…
A follow-up to the previous "tiger" entry (which was about an old but good dirty joke).
I just subscribed to The New York Review of Books online for another year, prompted by my desire to read Roger Shattuck on Rimbaud, a tiger of another sort:
"How did this poetic sensibility come to burn so bright?"
The Shattuck piece is from 1967, the year of The Doors' first album. (See Sunday's Death and the Spirit, Part II.)
In memory of comedian
Gene Baylos, who died
on Jan. 10, 2005:
From the dark jungle
as a tiger bright,
Form from the viewless Spirit
leaps to light.
— Rumi, "Reality and Appearance"
Death and the
Spirit, Part II
Are you a lucky little lady
in The City of Light
Or just another lost angel…
City of Night
— Jim Morrison, L.A. Woman
Fourmillante cité,
cité pleine de rêves,
Où le spectre en plein jour
raccroche le passant
— Baudelaire,
Les Fleurs du Mal,
and
Notes to The Waste Land
"When you got the mojo, brother —
when you're on the inside —
the world is fantastic."
— Pablo Tabor in Robert Stone's
A Flag for Sunrise,
Knopf, 1981, p. 428
Now it was Avril's turn to understand and he was frightened out of his wits.
"The Science of Luck," he said cautiously. "You watch, do you? That takes a lot of self-discipline." "Of course it does, but it's worth it. I watch everything, all the time. I'm one of the lucky ones. I've got the gift. I knew it when I was a kid, but I didn't grasp it." The murmur had intensified. "This last time, when I was alone so long, I got it right. I watch for every opportunity and I never do the soft thing. That's why I succeed." Avril was silent for a long time. "It is the fashion," he said at last. "You've been reading the Frenchmen, I suppose? Or no, no, perhaps you haven't. How absurd of me." "Don't blether." The voice, stripped of all its disguises, was harsh and naive. "You always blethered. You never said anything straight. What do you know about the Science of Luck? Go on, tell me. You're the only one who's understood at all. Have you ever heard of it before?" "Not under that name." "I don't suppose you have. That's my name for it. What's its real name?" "The Pursuit of Death." |
Anagrams
In memory of Danny Sugerman,
late manager of The Doors:
"Mr Mojo Risin" = "Jim Morrison."
"Audible Era" = "Baudelaire."
"Bad Rumi" = "Rimbaud."
From the dark jungle
as a tiger bright,
Form from the viewless Spirit
leaps to light.
— Rumi, "Reality and Appearance,"
translated by R. A. Nicholson
(See also Death and the Spirit
from Twelfth Night, 2005, the date
of Danny Sugerman's death.)
Death and the Spirit
A meditation for Twelfth Night
on "the whirligig of time"
Yesterday's entry provided an approach to The Dark Lady, Kali, that was, in Freas's apt word, "ridiculous." The illustration below, "Mate," is an attempt to balance yesterday's entry with an approach that is, if not sublime, at least more serious. It is based on a similar illustration from Jan. 31, 2003, with actress Judy Davis playing The Dark Lady. Today it seems appropriate to replace Davis with another actress (anonymous here, though some may recognize her). I once knew her (unlike Davis) personally. One of my fondest memories of high school is reading Mad Magazine with her in the school lunch room. Our lives diverged after high school, but I could happily have spent my life in her company.
– S. H. Cullinane, Twelfth Night, 2005
A diamond and its dual "whirl" figure—
or a "jewel-box and its mate"
As for Eisner and "The Spirit,"
which has been called
"the quintessential noir detective series,"
those preferring non-graphic stories
may picture Spade or his creator,
Dashiell Hammett, in the title role.
Then, of course, there are Eisner's later
story, "A Contract With God,"
John 4:24, and 1916 4/24.
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