"“The Corporation can’t do its work if it’s perfectly transparent.”
— The president of Harvard on the university's governing body,
quoted in The Crimson on 26 May 2022
See as well Transparent Nabokov in this journal.
"“The Corporation can’t do its work if it’s perfectly transparent.”
— The president of Harvard on the university's governing body,
quoted in The Crimson on 26 May 2022
See as well Transparent Nabokov in this journal.
The broken pencil in a Dial illustration of June 20 —
"I could a tale unfold . . ." — Hamlet's father's ghost
"Thus the entire little drama, from crystallized carbon
and felled pine to this humble implement, to this
transparent thing, unfolds in a twinkle."
— Vladimir Nabokov, Transparent Things
"… a cardboard tube, more or less the same length as
the inner core of a toilet roll, but thicker. He frowned,
took the roll out, laid it on the desk and poked up it
with the butt end of a pencil. Something slid out.
It looked like a rolled-up black plastic dustbin liner;
but when he unfolded it, he recognised it as the funny
sheet thing he’d found in the strongroom and briefly
described as an Acme Portable Door, before losing
his nerve and changing it to something less facetious."
— Holt, Tom. The Portable Door . Orbit. Kindle Edition.
According to goodreads.com, the Holt book was
"first published March 6, 2003."
See also this journal on March 6, 2003, in a search for
Michelangelo Geometry.
Punchline of the above little drama —
"Try the other end of the pencil, Liz."
"I could a tale unfold . . ." — Hamlet's father's ghost
"Thus the entire little drama, from crystallized carbon
and felled pine to this humble implement, to this
transparent thing, unfolds in a twinkle."
— Vladimir Nabokov, Transparent Things
"… a cardboard tube, more or less the same length as
the inner core of a toilet roll, but thicker. He frowned,
took the roll out, laid it on the desk and poked up it
with the butt end of a pencil. Something slid out.
It looked like a rolled-up black plastic dustbin liner;
but when he unfolded it, he recognised it as the funny
sheet thing he’d found in the strongroom and briefly
described as an Acme Portable Door, before losing
his nerve and changing it to something less facetious."
— Holt, Tom. The Portable Door . Orbit. Kindle Edition.
According to goodreads.com, the Holt book was
"first published March 6, 2003."
For Aaron Sorkin and Walter Isaacson —
Related material —
Bauhaus Cube, Design Cube, and
Nabokov's Transparent Things .
From
“On the Holy Trinity,”
the entry in the 3:20 PM
French footprint:
“…while the scientist sees
everything that happens
in one point of space,
the poet feels
everything that happens
in one point of time…
all forming an
instantaneous and transparent
organism of events….”
From
“Angel in the Details,”
the entry in the 3:59 PM
French footprint:
“I dwell in Possibility –
A fairer House than Prose”
These, along with this afternoon’s
earlier entry, suggest a review
of a third Log24 item, Windmills,
with an actress from France as…
Changing Woman: “Kaleidoscope turning…
Shifting pattern |
“When life itself seems lunatic,
who knows where madness lies?”
— For the source, see
Joyce’s Nightmare Continues.
Part I:
Overview of Unix
at pangea.stanford.edu
Last revision August 2, 2004
“The Unix operating environment is organized into three layers. The innermost level of Unix is the kernel. This is the actual operating system, a single large program that always resides in memory. Sections of the code in this program are executed on behalf of users to do needed tasks, like access files or terminals. Strictly speaking, the kernel is Unix.
The next level of the Unix environment is composed of programs, commands, and utilities. In Unix, the basic commands like copying or removing files are implemented not as part of the kernel, but as individual programs, no different really from any program you could write. What we think of as the commands and utilities of Unix are simply a set of programs that have become standardized and distributed. There are hundreds of these, plus many additional utilities in the public domain that can be installed.
The final level of the Unix environment, which stands like an umbrella over the others, is the shell. The shell processes your terminal input and starts up the programs that you request. It also allows you to manipulate the environment in which those programs will execute in a way that is transparent to the program. The program can be written to handle standard cases, and then made to handle unusual cases simply by manipulating its environment, without having to have a special version of the program.” (My italics.)
Part II:
Programs
From my paper journal
on the date
“Good Will Hunting”
was released:
Friday, December 5, 1997 To: The executive editor, The New York Times Re: The Front Page/His Girl Friday Match the speaker with the speech–
|
||||
The Speaker | Frame of Reference | |||
1. | rosebud | A. | J. Paul Getty | The front page, N.Y. Times, Monday, 12/1/97 |
2. | clock | B. | Joel Silver | Page 126, The New Yorker, 3/21/94 |
3. | act | C. | Blanche DuBois | The Elysian Fields |
4. | waltz | D. | Bob Geldof | People Weekly 12/8/97 |
5. | temple | E. | St. Michael | Heaven’s Gate |
6. | watch | F. | Susanna Moore | In the Cut (pbk., Dec. ’96) p. 261 |
7. | line | G. | Joseph Lelyveld | Page A21, The New York Times, 12/1/97 |
8. | chair | H. | Kylie Minogue | Page 69, People Weekly, 12/8/97 |
9. | religion | I. | Carol Gilligan | The Garden of Good and Evil |
10. | wife | J. | John Travolta | “Michael,” the movie |
11. | harp | K. | Shylock | Page 40, N.Y. Review of Books, 12/4/97 |
12. | Oscar | L. | Stephen King | The Shining (pbk., 1997), pp. 316, 317 |
“…while the scientist sees
everything that happens
in one point of space,
the poet feels
everything that happens
in one point of time…
all forming an
instantaneous and transparent
organism of events….”
Part III:
The Bourne Shell
“The binary program of the Bourne shell or a compatible program is located at /bin/sh on most Unix systems, and is still the default shell for the root superuser on many current Unix implementations.” –Wikipedia
See also
the recent comments
of root@matrix.net in
Peter Woit’s weblog.
“Hey, Carrie-Anne,
what’s your game now….”
— The Hollies, 1967
Semantic Transparency
"… semantic transparency … would allow disparate systems to share some understanding of the actual concepts that are represented…"
— IBM Developer Works on October 7, 2003
"There is no neutral ground
that can serve as
a means of translating between
specialized (lower) ontologies."
There is, however,
"the field of reason"–
the 3×3 grid:
From a Log24 entry of January 7, 2007:
"One of the primary critiques of modernism that Learning from Las Vegas was engaged in, as Frederic [sic] Jameson clearly noted, was the dialectic between inside and outside and the assumption that the outside expressed the interior. Let's call this the modernist drive for 'expressive transparency.'"
— Aron Vinegar of Ohio State U., "Skepticism and the Ordinary: From Burnt Norton to Las Vegas"
From this week's New Yorker (issue dated Jan. 22, 2007)–
"A Life," by Zbigniew Herbert
(translated from the Polish by Alissa Vales):
I was a quiet boy a little sleepy and–amazingly–
unlike my peers–who were fond of adventures–
I didn't expect much–didn't look out the window
At school more diligent than able–docile stable
For the rest of the poem, click here.
From the Wikipedia article on Zbigniew Herbert:
"In modern poetry, Herbert advocated semantic transparence. In a talk given at a conference organized by the journal Odra he said: 'So not having pretensions to infallibility, but stating only my predilections, I would like to say that in contemporary poetry the poems that appeal to me the most are those in which I discern something I would call a quality of semantic transparency (a term borrowed from Husserl's logic). This semantic transparency is the characteristic of a sign consisting in this: that during the time when the sign is used, attention is directed towards the object denoted, and the sign itself does not hold the attention. The word is a window onto reality.'"
(Wikipedia cites as the source–
Herbert's talk at the meeting "Poet in face of the present day," organized by the "Odra" journal. Print version: Preface to: Zbigniew Herbert "Poezje," Panstwowy Instytut Wydawniczy, Warszawa 1998, ISBN 83-06-02667-5.)
Fom Nabokov's Transparent Things (pdf):
"Its ultimate vision was the incandescence of a book or a box grown completely transparent and hollow. This is, I believe, it: not the crude anguish of physical death but the incomparable pangs of the mysterious mental maneuver needed to pass from one state of being to another. Easy, you know, does it, son."
Related material:
Answer
“Are you now, or have you ever been?”
“In the case of the Cartesian question, the answer is affirmative, and metaphysics has produced, in the four hundred years since, nothing much better than this. It is not only interesting but supremely practical. What could be more useful than having the means of convincing oneself that one exists whenever the question should arise?”
— Rebecca Goldstein,
Properties of Light
“… a nightshirted boy trying desperately to awake from the iridescent dizziness of dream life. Its ultimate vision was the incandescence of a book or a box grown completely transparent and hollow. This is, I believe, it : not the crude anguish of physical death but the incomparable pangs of the mysterious mental maneuver needed to pass from one state of being to another.”
“Le terme que l’on traduit par dédicace est en japonais ekô, littéralement ‘se tourner vers’. Il est composé de deux idéogrammes, e qui signifie ‘tourner le dos, se tourner, revenir en arrière’ et kô, ‘faire face, s’adresser à’.”
For more on Goldstein, see
The New York Times,
Feb. 14, 2005, and
Eight is a Gate,
Dec. 19, 2002.
Regime Change
at the New York Times:
With Honors
Departing New York Times executive editor
Howell Raines:
"Remember, when a great story breaks out,
go like hell."
Returning |
Good Will's |
From the date "Good Will Hunting" was released:
Friday, December 5, 1997 "Philosophers ponder the idea of identity: what it is to give something a name on Monday and have it respond to that name on Friday." To: The executive editor, The New York Times Re: The Front Page/His Girl Friday Match the speaker with the speech — |
||||
The Speaker | Frame of Reference | |||
1. | rosebud | A. | J. Paul Getty | The front page, N.Y. Times, Monday, 12/1/97 |
2. | clock | B. | Joel Silver | Page 126, The New Yorker, 3/21/94 |
3. | act | C. | Blanche DuBois | The Elysian Fields |
4. | waltz | D. | Bob Geldof | People Weekly 12/8/97 |
5. | temple | E. | St. Michael | Heaven's Gate |
6. | watch | F. | Susanna Moore | In the Cut (pbk., Dec. '96) p. 261 |
7. | line | G. | Joseph Lelyveld | Page A21, The New York Times, 12/1/97 |
8. | chair | H. | Kylie Minogue | Page 69, People Weekly, 12/8/97 |
9. | religion | I. | Carol Gilligan | The Garden of Good and Evil |
10. | wife | J. | John Travolta | "Michael," the movie |
11. | harp | K. | Shylock | Page 40, N.Y. Review of Books, 12/4/97 |
12. | Oscar | L. | Stephen King | The Shining (pbk., 1997), pp. 316, 317 |
Postscript of June 5, 2003:
"…while the scientist sees everything that happens
in one point of space, the poet feels everything that happens
in one point of time … all forming an instantaneous
and transparent organism of events…."
ART WARS:
The Religion of Cubism
In the dome of the Capitol at Washington, DC, a painting depicts The Apotheosis of Washington . Personally, I prefer the following pair of pictures, which might be titled Apotheosis of the Cube.
A New York Times article says Tony Smith's instructions for fabricating Die were as follows:
"a six-foot cube of quarter-inch hot-rolled steel with diagonal internal bracing."
The transparent cube in the upper picture above shows the internal diagonals. The fact that there are four of these may be used to demonstrate the isomorphism of the group of rotations of the cube with the group of permutations on an arbitrary set of four elements. For deeper results, see Diamond Theory.
For an explanation of why our current president might feel that the cube deserves an apotheosis, see the previous entry, "The Rhetoric of Power."
See, too, Nabokov's Transparent Things :
"Its ultimate vision was the incandescence of a book or a box grown completely transparent and hollow. This is, I believe, it: not the crude anguish of physical death but the incomparable pangs of the mysterious mental maneuver needed to pass from one state of being to another. Easy, you know, does it, son."
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