From the above: "electronically published on October 6. 2023."
See as well that date in other Log24 posts tagged The Prize Shining.
A co-author of the book reviewed has appeared here previously.
From the above: "electronically published on October 6. 2023."
See as well that date in other Log24 posts tagged The Prize Shining.
A co-author of the book reviewed has appeared here previously.
The previous post suggests a search in this journal
for "Deathtrap."
"Rubik’s Cube® used by permission
Rubik’s Brand Ltd. www.rubiks.com."
— Bernd Sturmfels, June-July 2016 Notices
of the American Mathematical Society ,
Volume 63, Number 6, page 605
"Tenser, said the Tensor …." — The Demolished Man
Max von Sydow in Branded (2012)
"My AMS invited address at the SIAM Annual Meeting July 11–15
in Boston discusses the extension of eigenvectors and singular
vectors from matrices to higher order tensors."
— Bernd Sturmfels in the June-July 2016 AMS Notices
See also Sturmfels in this journal — for instance, in
"Expanding the Spielraum," a post of Feb. 3, 2015 —
Google today released on GitHub an English parser,
Parsey McParseface . From Google Research Blog —
"Today, we are excited to share the fruits of our research
with the broader community by releasing SyntaxNet,
an open-source neural network framework implemented in
TensorFlow that provides a foundation for
Natural Language Understanding (NLU) systems.
Our release includes all the code needed to train new
SyntaxNet models on your own data, as well as
Parsey McParseface , an English parser that we have
trained for you and that you can use to analyze English text."
"While the accuracy is not perfect, it’s certainly high enough
to be useful in many applications. The major source of errors
at this point are examples such as the prepositional phrase
attachment ambiguity described above, which require real
world knowledge (e.g. that a street is not likely to be located
in a car) and deep contextual reasoning. Machine learning
(and in particular, neural networks) have made significant
progress in resolving these ambiguities. But our work is still
cut out for us: we would like to develop methods that can
learn world knowledge and enable equal understanding of
natural language across all languages and contexts."
But seriously …
For some historical background, see (for instance) a book by
Ekaterina Ovchinnikova —
Integration of World Knowledge for
Natural Language Understanding ,
Atlantis Press, Springer, 2012.
A PDF of Chapter 2, "Natural Language Understanding
and World Knowledge," is available for download.
The philosophical background is the distinction between
syntax and semantics . See (for instance) …
(A Prequel to Dirac and Geometry)
"So Einstein went back to the blackboard.
And on Nov. 25, 1915, he set down
the equation that rules the universe.
As compact and mysterious as a Viking rune,
it describes space-time as a kind of sagging mattress…."
— Dennis Overbye in The New York Times online,
November 24, 2015
Some pure mathematics I prefer to the sagging Viking mattress —
Readings closely related to the above passage —
Thomas Hawkins, "From General Relativity to Group Representations:
the Background to Weyl's Papers of 1925-26," in Matériaux pour
l'histoire des mathématiques au XXe siècle: Actes du colloque
à la mémoire de Jean Dieudonné, Nice, 1996 (Soc. Math.
de France, Paris, 1998), pp. 69-100.
The 19th-century algebraic theory of invariants is discussed
as what Weitzenböck called a guide "through the thicket
of formulas of general relativity."
Wallace Givens, "Tensor Coordinates of Linear Spaces," in
Annals of Mathematics Second Series, Vol. 38, No. 2, April 1937,
pp. 355-385.
Tensors (also used by Einstein in 1915) are related to
the theory of line complexes in three-dimensional
projective space and to the matrices used by Dirac
in his 1928 work on quantum mechanics.
For those who prefer metaphors to mathematics —
Rota fails to cite the source of his metaphor.
|
See also…
Related remarks: Diederik Aerts at arXiv.org.
See also Aerts (as above) on the metaphysics of entities (1984):
(Continued from yesterday afternoon)
From yesterday's online New York Times (5:59 PM ET)—
ART REVIEW What exactly are we looking at? Is it the real thing, or is it the promotion of a famous brand gussied up in spectacular, pseudo-sacramental style? Gold or fool’s gold? This sort of confusion pervades today’s art world, where, so often, the sales pitch comes in the form of quasi-religious rhetoric. It’s a big reason the tribal arts of Africa and other lands — as well as the putatively purely authentic creations of folk artists and so-called outsiders — are held in such high esteem.
— Ken Johnson, review of two exhibitions, |
"Tenser, said the tensor…"
"Imbedding the God character in a holy book's very detailed narrative
and building an entire culture around this narrative
seems by itself to confer a kind of existence on Him."
— John Allen Paulos in the philosophy column "The Stone,"
New York Times online, Oct. 24, 2010
A related post from Log24 later that year—
Sunday, November 28, 2010
|
"Next come the crown of thorns and Jesus' agonized crawl across the stage,
bearing the weight of his own crucifix. And at last, after making
yet another entrance, Mr. Nolan strikes the pose immortalized
in centuries of art, clad in a demure loincloth, arms held out to his sides,
one leg artfully bent in front of the other, head hanging down
in tortured exhaustion. Gently spotlighted, he rises from the stage
as if by magic, while a giant cross, pulsing with hot gold lights,
descends from above to meet him. Mr. Lloyd Webber's churning guitar rock
hits a climactic note, and the audience erupts in excited applause."
— Charles Isherwood, review of "Jesus Christ Superstar" in today's New York Times
Other remarks on embedding —
Part I
Review of a new book on linguistics, embedding, and a South American tribe—
"Imagine a linguist from Mars lands on Earth to survey the planet's languages…."
— Chronicle of Higher Education , March 20, 2012
Part II
The Embedding , by Ian Watson (Review of a 1973 novel from Shakespeare's birthday, 2006)
A mathematical review—
— Gian-Carlo Rota
A science fiction—
— Alfred Bester
A New York Times "The Stone" post from yesterday (5:15 PM, by John Allen Paulos) was titled—
Stories vs. Statistics
Related Google searches—
"How to lie with statistics"— about 148,000 results
"How to lie with stories"— 2 results
What does this tell us?
Consider also Paulos's phrase "imbedding the God character." A less controversial topic might be (with the spelling I prefer) "embedding the miraculous." For an example, see this journal's "Mathematics and Narrative" entry on 5/15 (a date suggested, coincidentally, by the time of Paulos's post)—
* Not directly related to the novel The Embedding discussed at Tenser, said the Tensor on April 23, 2006 ("Quasimodo Sunday"). An academic discussion of that novel furnishes an example of narrative as more than mere entertainment. See Timothy J. Reiss, "How can 'New' Meaning Be Thought? Fictions of Science, Science Fictions," Canadian Review of Comparative Literature , Vol. 12, No. 1, March 1985, pp. 88-126. Consider also on this, Picasso's birthday, his saying that "Art is a lie that makes us realize truth…."
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