Saturday, November 6, 2021
Landing on Marwen Gardens: Parallel Bars
Sunday, March 28, 2021
Gap Dance
“Plato and Hegel always recognized the importance of the gap:
they invoke the gap (the opening, the separation, the division)
and they put it to work. The inescapable gaps that cannot be bridged,
that cannot be filled, play a central role in Derrida’s thought and in
our response to his death. The gaps in Derrida’s work resist the gap;
they swerve, deviate and wander (écarter ) – gaps move . When someone
or something takes pre-cedence (goes first, goes before, goes on ahead
and gives up its place ) a gap is opened. There (are) only gaps, the gaps
that Jacques Derrida has left behind him and in front of him: the
pre-cedence of gaps. This tracing of gaps (écarts ) is a preface to an
impossible mourning, a mourning that one must at once avoid and
affirm. It keeps returning to Derrida’s Dissemination (1972)….”
— Page vii of The Impossible Mourning of Jacques Derrida ,
by Sean Gaston (Continuum Books, London/New York, 2006)
Later in the same book —
Wednesday, August 12, 2020
Thursday, December 13, 2018
Dirty Deeds
The title was suggested by headlines in today's news
and by the classic film "Dirty Computer."
"It's been dirty for dirty
Down the line . . ."
— Joni Mitchell,
"For the Roses" album (1972)
Monday, September 10, 2018
Wednesday, July 18, 2018
Mira and the Intruders* Present …
Epiphany 2012: An Exercise
in Bulk Apperception
This post was suggested by . . .
a New Orleans song as played by Bix Beiderbecke,
by a trailer for a new Zemeckis film that appeared at YouTube
on the way to the New Orleans song, and by
the longing for Bix by Mira Sorvino in "Intruders."
The YouTube Bix date, Jan. 6, 2012, suggested a trip back
to that date via a Zemeckis Cube (see "Ready Player One.")
From Log24 on Epiphany 2012 —
A version of the Zemeckis Cube —
From the Zemeckis trailer —
* See a Log24 search for Mira + Intruders.