" LaTeX is widely used in academia[3][4]
for the communication and
publication of scientific documents
in many fields . . . ." — Wikipedia
Related academic remarks —
" LaTeX is widely used in academia[3][4]
for the communication and
publication of scientific documents
in many fields . . . ." — Wikipedia
Related academic remarks —
"it remains only to choose a pleasing arrangement of {1, 2, … 7}
to label the eye-in-the-pyramid points.
there are, as it’ll turn out, 168 of ’em that’ll work."
— Comment at a weblog on November 27, 2010.
See also Log24 on that date.
The 11/27/2010 comment was on a post dated November 23, 2010.
See also Log24 on that date.
The disappearance of "Christo et Ecclesiae" at Harvard
Rabbit Hole
Memory Hole
The above Harvard seal in a PDF —
The same page, minus the seal, today at the Internet Archive —
For a larger image of the seal-less page, click here.
Click to enlarge.
“Perhaps the philosophically most relevant feature of modern science
is the emergence of abstract symbolic structures as the hard core
of objectivity behind— as Eddington puts it— the colorful tale of
the subjective storyteller mind.”
— Hermann Weyl, Philosophy of Mathematics and
Natural Science , Princeton, 1949, p. 237
"The bond with reality is cut."
— Hans Freudenthal, 1962
From page 180, Logicomix — It was a dark and stormy night …
Update of 10:18 AM the same day —
See also Logicomix in this journal and, at Harvard,
http://www.math.harvard.edu/~mazur/ —
Update of 10:48 AM the same day —
See Log24 on the date of Tieszen's death.
From page 180, Logicomix —
Alfred North Whitehead in the first of
the above-named years, 1906 —
"But the project's central problem was always there."
"The deeper we got into our Quest…
…The more I doubted its premises."
— Attributed to Bertrand Russell
by Apostolos Doxiadis and Christos
Papadimitriou in Logicomix (2008-9)
Marshall McLuhan in "Annie Hall" —
"You know nothing of my work."
Related material —
"I need a photo opportunity
I want a shot at redemption
Don't want to end up a cartoon
In a cartoon graveyard"
— Paul Simon
It was a dark and stormy night…
— Page 180, Logicomix
A photo opportunity for Whitehead
(from Romancing the Cube, April 20, 2011)—
See also Absolute Ambition (Nov. 19, 2010).
* For the title, see Vanishing Point in this journal.
For some background, see "Cartoon Graveyard" and "Many Dimensions."
It was a dark and stormy night…
— Page 180, Logicomix
“… the class of reflections is larger in some sense over an arbitrary field than over a characteristic zero field.”
– Julia Hartmann and Anne V. Shepler, “Jacobians of Reflection Groups”
For some context, see the small cube in “A Simple Reflection Group of Order 168.”
See also the larger cube in “Many Dimensions” + Whitehead in this journal (scroll down to get past the current post).
That search refers to a work by Whitehead published in 1906, the year at the top of the Logicomix page above—
A related remark on axiomatics that has metaphysical overtones suitable for a dark and stormy night—
“An adequate understanding of mathematical identity requires a missing theory that will account for the relationships between formal systems that describe the same items. At present, such relationships can at best be heuristically described in terms that invoke some notion of an ‘intelligent user standing outside the system.'”
— Gian-Carlo Rota, “Syntax, Semantics, and…” in Indiscrete Thoughts . See also the original 1988 article.
A reviewer says Steve Martin finds in his new novel An Object of Beauty "a sardonic morality tale."
From this journal on the day The Cube was published (see today's Art Object ) —
Monday February 20, 2006
|
See also a post on Mathematics and Narrative from Nov. 14, 2009.
That post compares characters in Many Dimensions to those in Logicomix—
An Epic Search for Truth
— Subtitle of Logicomix , a work reviewed in the December 2010 Notices of the American Mathematical Society (see previous post).
Some future historian of mathematics may contrast the lurid cover of the December 2010 Notices
Excerpts from Logicomix
with the 1979 cover found in a somewhat less epic search —
Larger view of Google snippet —
For some purely mathematical background, see Finite Geometry of the Square and Cube.
For some background related to searches for truth, see "Coxeter + Trudeau" in this journal.
"It's my absolute ambition that you are touched to the core of your being with the content…."
— Julie Taymor on Spider-Man: Turn Off the Dark (Playbill video, undated)
Another ambitious comic-book promotion —
"What Logicomix does that few works in any medium do is to make intellectual passion palpable. That is its greatest strength. And it’s here that its form becomes its substance."
— Judith Roitman, review (pdf, 3.7 MB) of Logicomix: An Epic Search for Truth , in …
The December 2010 AMS Notices cover has excerpts from Logicomix.
Related material:
"In the classical grammarians’ sense of the power of form over 'content' and style over 'substance,' he originated the phrase, 'the medium is the message.'"
— Joseph P. Duggan on Marshall McLuhan at The University Bookman
See also, in this journal, The Medium is the Message, Wechsler, and Blockheads .
Mathematics and Religion, continued–
Calvin Jongsma, review of an anthology titled Mathematics and the Divine—
"Believers of many faiths have found significant points of contact between their religious outlooks and mathematics. Not all of these claims were made in the distant past or by certified crackpots…."
Edward Nelson in "Warning Signs of a Possible Collapse of Contemporary Mathematics"–
"The most impressive feature of Cantor’s theory is that he showed that there are different sizes of infinity, by his famous diagonal argument. But Russell applied this argument to establish his paradox: the set of all sets that are not elements of themselves both is and is not an element of itself."
Jongsma's assertion appears to be true. Nelson's appears to be false. Discuss.
Remarks:
Saying that someone applied some argument– any argument will do here– to establish a paradox– any paradox will do here– casts into doubt the validity of either the argument, the application of the argument, or both. In the Cantor-Russell case, such doubt is unnecessary, since the paradox is clearly independent of the diagonal argument. There is certainly an historical connection between Cantor's argument and Russell's paradox– see, for instance, Wikipedia on the latter. The historical connection is, however, not a logical connection.
For Russell discovering his paradox without the use of Cantor's diagonal argument, see Logicomix—
A graphic novel reviewed in the current Washington Post features Alfred North Whitehead and Bertrand Russell–
Related material:
Whitehead on Fano's finite projective three-space:
"This is proved by the consideration of a three dimensional geometry in which there are only fifteen points."
—The Axioms of Projective Geometry , Cambridge University Press, 1906
Further reading:
See Solomon's Cube and the link at the end of today's previous entry, then compare and contrast the above portraits of Whitehead and Russell with Charles Williams's portraits of Sir Giles Tumulty and Lord Arglay in the novel Many Dimensions .
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