Mathematics:
From Log24 "Pyramid Game" posts —
The letter labels, but not the tetrahedron, are from Whitehead’s
The Axioms of Projective Geometry (Cambridge U. Press, 1906), page 13.
Narrative:
Mathematics:
From Log24 "Pyramid Game" posts —
The letter labels, but not the tetrahedron, are from Whitehead’s
The Axioms of Projective Geometry (Cambridge U. Press, 1906), page 13.
Narrative:
The New York Times yesterday ("2022-05-24T21:54:19.000Z")
on a Saturday, May 21, death —
"Colin Cantwell, an animator, conceptual artist and computer expert
who played significant production roles in seminal science fiction films
like '2001: A Space Odyssey,' 'Star Wars' and 'WarGames,' died
on May 21 at his home in Colorado Springs, Colo. He was 90."
Cantwell at Teotihuacan pyramid, September 26, 2019 —
A different image, also from September 26, 2019,
in other Log24 posts tagged Pyramid Game —
The letter labels, but not the tetrahedron, are from Whitehead’s
The Axioms of Projective Geometry (Cambridge U. Press, 1906),
page 13.
“He recounted the story of Adam and Eve, who were banished
from paradise because of their curiosity. Their inability to resist
the temptation of the forbidden fruit. Which itself was a metaphorical
stand-in for knowledge and power. He urged us to find the restraint
needed to resist the temptation of the cube—the biblical apple
in modern garb. He urged us to remain in Eden until we were able
to work out the knowledge the apple offered, all by ourselves.”
— Richards, Douglas E.. The Enigma Cube (Alien Artifact Book 1)
(pp. 160-161). Paragon Press, 2020. Kindle Edition.
The biblical apple also appears in the game, and film, Assassin's Creed .
Related material —
See the cartoon version of Alfred North Whitehead in the previous post,
and some Whitehead-related projective geometry —
"it remains only to choose a pleasing arrangement of {1, 2, … 7}
to label the eye-in-the-pyramid points.
there are, as it’ll turn out, 168 of ’em that’ll work."
— Comment at a weblog on November 27, 2010.
See also Log24 on that date.
The 11/27/2010 comment was on a post dated November 23, 2010.
See also Log24 on that date.
(A sequel to Simplex Sigillum Veri and
Rabbit Hole Meets Memory Hole)
” Wittgenstein does not, however, relegate all that is not inside the bounds
of sense to oblivion. He makes a distinction between saying and showing
which is made to do additional crucial work. ‘What can be shown cannot
be said,’ that is, what cannot be formulated in sayable (sensical)
propositions can only be shown. This applies, for example, to the logical
form of the world, the pictorial form, etc., which show themselves in the
form of (contingent) propositions, in the symbolism, and in logical
propositions. Even the unsayable (metaphysical, ethical, aesthetic)
propositions of philosophy belong in this group — which Wittgenstein
finally describes as ‘things that cannot be put into words. They make
themselves manifest. They are what is mystical’ ” (Tractatus 6.522).
— Stanford Encyclopedia of Philosophy , “Ludwig Wittgenstein”
From Tractatus Logico-Philosophicus by Ludwig Wittgenstein.
(First published in Annalen der Naturphilosophie ,1921. 5.4541 The solutions of the problems of logic must be simple, since they set the standard of simplicity. Men have always had a presentiment that there must be a realm in which the answers to questions are symmetrically combined — a priori — to form a self-contained system. A realm subject to the law: Simplex sigillum veri. |
Somehow, the old Harvard seal, with its motto “Christo et Ecclesiae ,”
was deleted from a bookplate in an archived Harvard copy of Whitehead’s
The Axioms of Projective Geometry (Cambridge U. Press, 1906).
In accordance with Wittgenstein’s remarks above, here is a new
bookplate seal for Whitehead, based on a simplex —
The 15 points of the finite projective 3-space PG(3,2)
arranged in tetrahedral form:
The letter labels, but not the tetrahedral form,
are from The Axioms of Projective Geometry , by
Alfred North Whitehead (Cambridge U. Press, 1906).
The above space PG(3,2), because of its close association with
Kirkman's schoolgirl problem, might be called "schoolgirl space."
Screen Rant on July 31, 2019:
A Google Search sidebar this morning:
Apocalypse Soon! —
The disappearance of "Christo et Ecclesiae" at Harvard
Rabbit Hole
Memory Hole
The above Harvard seal in a PDF —
The same page, minus the seal, today at the Internet Archive —
For a larger image of the seal-less page, click here.
Click to enlarge.
The page of Whitehead linked to this morning
suggests a review of Polster's tetrahedral model
of the finite projective 3-space PG(3,2) over the
two-element Galois field GF(2).
The above passage from Whitehead's 1906 book suggests
that the tetrahedral model may be older than Polster thinks.
Shown at right below is a correspondence between Whitehead's
version of the tetrahedral model and my own square model,
based on the 4×4 array I call the Galois tesseract (at left below).
(Click to enlarge.)
Marshall McLuhan in "Annie Hall" —
"You know nothing of my work."
Related material —
"I need a photo opportunity
I want a shot at redemption
Don't want to end up a cartoon
In a cartoon graveyard"
— Paul Simon
It was a dark and stormy night…
— Page 180, Logicomix
A photo opportunity for Whitehead
(from Romancing the Cube, April 20, 2011)—
See also Absolute Ambition (Nov. 19, 2010).
* For the title, see Vanishing Point in this journal.
Part I: True
Bulletin of the American Mathematical Society , October 2002, page 563 —
“… the study of symmetries of patterns led to… finite geometries….”
– David W. Henderson, Cornell University
This statement may be misleading, if not (see Part II below) actually false. In truth, finite geometries appear to have first arisen from Fano's research on axiom systems. See The Axioms of Projective Geometry by Alfred North Whitehead, Cambridge University Press, 1906, page 13.
Part II: Grid
For the story of how symmetries of patterns later did lead to finite geometries, see the diamond theorem.
A graphic novel reviewed in the current Washington Post features Alfred North Whitehead and Bertrand Russell–
Related material:
Whitehead on Fano's finite projective three-space:
"This is proved by the consideration of a three dimensional geometry in which there are only fifteen points."
—The Axioms of Projective Geometry , Cambridge University Press, 1906
Further reading:
See Solomon's Cube and the link at the end of today's previous entry, then compare and contrast the above portraits of Whitehead and Russell with Charles Williams's portraits of Sir Giles Tumulty and Lord Arglay in the novel Many Dimensions .
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