For the late John Schue —
Another event on Schue's reported date of death —
Related philosophical remarks —
Also on June 12, 2007 —
For the late John Schue —
Another event on Schue's reported date of death —
Related philosophical remarks —
Also on June 12, 2007 —
Sheehy reportedly died on Monday, August 24, 2020.
YouTube has the Vermont speech:
From this journal on that date —
Summary: “Turn on, tune in, drop dead.“
From The Hollywood Reporter today —
" Jeremy Irons' dry Alfred Pennyworth:
'One misses the days when one's biggest concerns
were exploding wind-up penguins.' "
See as well the today's 9 AM (ET) post and …
The author —
In memory of Doris Lessing and Clancy Sigal —
". . . along with [R. D.] Laing they formed 'a circle
of almost incestuous mutual influence . . . .' "
— Sam Roberts, The New York Times , July 21 obituary of Sigal
"Thus I would wish to emphasize that
our 'normal' 'adjusted' state is too often
the abdication of ecstasy,
the betrayal of our true potentialities,
that many of us are only too successful
in acquiring a false self
to adapt to false realities.
But let it stand.
This was the work of an old young man.
If I am older, I am now also younger."
— R. D. Laing, London, September 1964,
preface to the Pelican edition of
The Divided Self: An Existential Study
in Sanity and Madness (Penguin Books, 1965)
"My Back Pages," by Bob Dylan, Verse 3 —
Girls’ faces formed the forward path
From phony jealousy
To memorizing politics
Of ancient history
Flung down by corpse evangelists
Un-thought of, though, somehow
[Refrain]
Ah, but I was so much older then
I’m younger than that now
— From an album released August 8, 1964
A less metaphysical approach to a "pre-form" —
From Wallace Stevens, "The Man with the Blue Guitar":
IX
And the color, the overcast blue
Of the air, in which the blue guitar
Is a form, described but difficult,
And I am merely a shadow hunched
Above the arrowy, still strings,
The maker of a thing yet to be made . . . .
"Arrowy, still strings" from the diamond theorem
See also "preforming" and the blue guitar
in a post of May 19, 2010.
Update of 7:11 PM ET:
More generally, see posts tagged May 19 Gestalt.
The title is a phrase from R. D. Laing's book The Politics of Experience .
(Published in the psychedelic year 1967. The later "contrapuntal interweaving"
below is of a less psychedelic nature.)
An illustration of the "interweaving' part of the title —
The "deep structure" of the diamond theorem:
.
The word "symplectic" from the end of last Sunday's (Oct. 11) sermon
describes the "interwoven" nature of the above illustration.
An illustration of the "contrapuntal" part of the title (click to enlarge):
From Chapter 1 of R. D. Laing's The Politics of Experience —
"An activity has to be understood in terms of the experience
from which it emerges. These arabesques that mysteriously
embody mathematical truths only glimpsed by a very few —
how beautiful, how exquisite — no matter that they were
the threshing and thrashing of a drowning man.
We are here beyond all questions except those of being
and nonbeing, incarnation, birth, life and death.
Creation ex nihilo has been pronounced impossible even for
God. But we are concerned with miracles. We must hear the
music of those Braque guitars (Lorca*)."
See also Christmas Day, 2009.
* Update of Sunday afternoon: A search for the Lorca quote yields
no result, but Cocteau wrote that "Mon rêve, en musique, serait
d'entendre la musique des guitares de Picasso. "
(Oeuvres complètes , Vol. 10, p. 107)
See also Stevens + "Blue Guitar" in this journal.
Best Wishes for a
C. S. Lewis
Christmas
Image of Lewis from |
“What on earth is a concrete universal?” — Robert M. Pirsig, author of Zen and the Art of Motorcyle Maintenance For one approach to an answer, click on the picture at left. |
Update of 4:23 PM:
The Lewis link above deals with the separation of Heaven from Hell. The emphasis is on Heaven. A mysterious visitor to this website, “United States,” seems to be seeking equal time for Hell. And so…
TIME OF DATE OF PAGE VISITED
VISIT PAGE VISITED
1217 040520 Parable
1218 060606 The Omen
1220 051205 Don’t Know Much About History
1225 030822 Mr. Holland’s Week (And in Three Days…)
1233 030114 Remarks on Day 14 (What is Truth?)
1238 040818 Train of Thought (Oh, My Lolita)
1244 020929 Angel Night (Ellis Larkins)
1249 040715 Identity Crisis (Bourne and Treadstone)
1252 050322 Make a Differance (Lacan, Derrida, Reba)
1255 050221 Quarter to Three on Night of HST’s death
1256 040408 Triple Crown on Holy Thursday
1258 040714 Welcome to Mr. Motley’s Neighborhood
1258 030221 All About Lilith
0103 040808 Quartet (for Alexander Hammid)
0104 030106 Dead Poet in the City of Angels
0109 030914 Skewed Mirrors (Readings on Aesthetics)
0110 050126 A Theorem in Musical Form
0125 021007 Music for R. D. Laing
0138 020806 Butterflies & Popes (Transfiguration)
0140 060606 The Omen (again)
0156 030313 ART WARS: Perennial Tutti-Frutti
0202 030112 Ask Not (A Bee Gees Requiem)
0202 050527 Drama of the Diagonal, Part Deux
0202 060514 STAR WARS continued (Eclipse and Venus)
0207 030112 Ask Not (again… Victory of the Goddess)
0207 030221 All About Lilith (again… Roll credits.)
Music for R.D. Laing
In honor of the birth in Scotland on this date in 1927 of R. D. Laing, author of The Facts of Life, this site's music is today taken from the classic film "The Piano."
Laing |
FLORA
Tell me about my real father. ADA nods and strokes FLORA's hair from her face. FLORA leans back.
How did you speak to him?
ADA signs to FLORA who watches in love with all the stories of her mother and unreal father.
ADA (subtitled)
FLORA
ADA continues to sign, her hands casting odd animal-like shadows on the newspapered walls.
ADA cont.
Later….
STEWART
(slowly) She has spoken to me. I heard her voice. There was no sound, but I heard it here (he presses his forehead with a palm of his hand). Her voice was there in my head. I watched her lips, they did not make the words, yet the harder I listened the clearer I heard her, as clear as I hear you, as clear as I hear my own voice.
BAINES
STEWART |
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