The prominent role played by the date "May 19" in a New Yorker piece
from Oct. 7 — "Terry Bisson's History of the Future" . . .
. . . suggests a review of "May 19 Gestalt" in this journal
and posts so tagged.
The prominent role played by the date "May 19" in a New Yorker piece
from Oct. 7 — "Terry Bisson's History of the Future" . . .
. . . suggests a review of "May 19 Gestalt" in this journal
and posts so tagged.
See also posts tagged May 19 Gestalt.
This post was suggested by a New York Times article online today
about an upcoming exhibition at Boston's Museum of Fine Arts —
"A version of this article appears in print on August 6, 2017,
on Page AR2 of the New York edition with the headline:
The article suggests a look at a July 3 Times review of the life of
Jan Fontein, a former Boston Museum of Fine Arts director —
"Mr. Fontein’s time as director coincided with
the nationwide rise of the blockbuster exhibition,
and he embraced the concept. 'There was such a thing
as a contemplative museum, but I don’t think that can
survive anymore,' he told Newsweek in 1978."
Fontein died at 89 on May 19, 2017. See Dharmadhatu — a Log24 post
of July 4, 2017 — and its link to posts tagged May 19 Gestalt.
In memory of a museum director who reportedly died on May 19, 2017 —
See also posts tagged May 19 Gestalt.
A less metaphysical approach to a "pre-form" —
From Wallace Stevens, "The Man with the Blue Guitar":
IX
And the color, the overcast blue
Of the air, in which the blue guitar
Is a form, described but difficult,
And I am merely a shadow hunched
Above the arrowy, still strings,
The maker of a thing yet to be made . . . .
"Arrowy, still strings" from the diamond theorem
See also "preforming" and the blue guitar
in a post of May 19, 2010.
Update of 7:11 PM ET:
More generally, see posts tagged May 19 Gestalt.
The most recent version of a passage
quoted in posts tagged "May 19 Gestalt" —
"You've got to pick up every stitch." — Donovan
The gaze of Juliette Binoche, star of the film Bleu ,
in a post of December 16, 2003, suggests the following…
From The Philosopher's Gaze, by David Michael Levin,
University of California Press, 1999 —
Now, the gathering of re-collection,
as a return to the opening ground,
a Rücknahme in den zu eröffnenden Grund ,
would be crucial to the transfiguration of the
figure-ground Gestalt: its release from the
disfigurements of enframing (Gestell ) and
its emergence and becoming as a gathering
of the fourfold. The opening, gathering, and
laying-down that would take place in and as
the ring of the Geviert is therefore to be
understood as entering into a figure-ground
formation, a Gestalt , that our looking and
seeing would have opened up, gathered,
and laid down by virtue of their being (or say
by virtue of their character as) a hermeneutical
re-collection of being, gathering the presencing
of the lighting, the boundless giving-to-be-hold
of the field, into the pain and the thankfulness
of memory.
A hermeneutical re-collection —
Log24 posts tagged May 19 Gestalt.
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