Log24

Friday, September 21, 2018

ABC Art

Filed under: G-Notes,General,Geometry — Tags: — m759 @ 4:36 AM

Sunday, April 15, 2018

Blue Fire

Filed under: General — Tags: — m759 @ 2:00 PM

"By means of an idea we can see
the idea cloaked in the passing parade."

James Hillman in  A Blue Fire 

Related material:  Cloak and Dagger

See as well Barbara Rose.

Wednesday, December 14, 2016

Graveyard Roses

Filed under: General — m759 @ 2:35 AM

Two deaths on Tuesday, Dec. 13, 2016 —

In memory of game show figure Alan Thicke —

Minimal ABC Art.

In memory of game theory author Thomas Schelling —

Barbara Rose in a Log24 search for Princeton + Art.

Tuesday, August 23, 2016

Puritan Contemplation:

Filed under: General,Geometry — m759 @ 11:00 AM
 

For an authority on Japanese art —

Text Tiles*

Res ipsa loquitur.

Compare to and contrast with 

Remarks on art, contemplation. and Puritanism 
from a recent Princeton University Press book —

"Lucy Lippard distinguished Asian art
(ego-less and contemplative)
from New York Minimalism
(moralistic and puritanical)."
Mathematics and Art ,
     Princeton U. Press, Fall 2015

* Update of Aug. 24, 2016 — See also Nov. 2, 2014.

Thursday, November 5, 2015

ABC Art or: Guitart Solo

Filed under: General,Geometry — Tags: — m759 @ 5:55 PM

"… the A B C of being…." — Wallace Stevens

Scholia —

Compare to my own later note, from March 4, 2010 —

"It seems that Guitart discovered these 'A, B, C' generators first,
though he did not display them in their natural setting,
the eightfold cube." — Borromean Generators (Log24, Oct. 19)

See also Raiders of the Lost Crucible (Halloween 2015)
and "Guitar Solo" from the 2015 CMA Awards on ABC.

Wednesday, November 19, 2014

The Eye/Mind Conflict

Filed under: General,Geometry — Tags: — m759 @ 10:25 AM

Harold Rosenberg, "Art and Words," 
The New Yorker , March 29, 1969. From page 110:

"An advanced painting of this century inevitably gives rise
in the spectator to a conflict between his eye and his mind; 
as Thomas Hess has pointed out, the fable of the emperor's 
new clothes is echoed at the birth of every modemist art 
movement. If work in a new mode is to be accepted, the 
eye/mind conflict must be resolved in favor of the mind; 
that is, of the language absorbed into the work. Of itself, 
the eye is incapable of breaking into the intellectual system 
that today distinguishes between objects that are art and 
those that are not. Given its primitive function of 
discriminating among things in shopping centers and on 
highways, the eye will recognize a Noland as a fabric
design, a Judd as a stack of metal bins— until the eye's 
outrageous philistinism has been subdued by the drone of 
formulas concerning breakthroughs in color, space, and 
even optical perception (this, too, unseen by the eye, of 
course). It is scarcely an exaggeration to say that paintings 
are today apprehended with the ears. Miss Barbara Rose
once a promoter of striped canvases and aluminum boxes, 
confesses that words are essential to the art she favored 
when she writes, 'Although the logic of minimal art gained 
critical respect, if not admiration, its reductiveness allowed
for a relatively limited art experience.' Recent art criticism 
has reversed earlier procedures: instead of deriving principles 
from what it sees, it teaches the eye to 'see' principles; the 
writings of one of America's influential critics often pivot on 
the drama of how he failed to respond to a painting or 
sculpture the first few times he saw it but, returning to the 
work, penetrated the concept that made it significant and
was then able to appreciate it. To qualify as a member of the 
art public, an individual must be tuned to the appropriate 
verbal reverberations of objects in art galleries, and his 
receptive mechanism must be constantly adjusted to oscillate 
to new vocabularies."

New vocabulary illustrated:

Graphic Design and a Symplectic Polarity —

Background: The diamond theorem
and a zero system .

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