Log24

Tuesday, November 19, 2024

Skin in the Game: Real or Fake?

Filed under: General — m759 @ 5:47 am

"Here was finality indeed, and cleavage!"
— Malcolm Lowry, Under the Volcano

Update of 1:28 PM ET on November 19, 2024 —

"The decadent legacy of Berlin between the World Wars,
and that of the American speak-easy era, have left their marks
on fashion, of course. At the Golden Globes on Sunday night,
Nicole Kidman incarnated the steamy eroticism of the Weimar
years in a clingy 20's-style gold-spangled dress by Tom Ford for
YSL Rive Gauche. Ms. Kidman's illusion top, with its suggestion
of nudity, set tongues wagging well into the next day."

— By Ruth La Ferla, The New York Times, Jan. 27, 2004

Sunday, October 8, 2023

Einführung

Filed under: General — Tags: , — m759 @ 9:42 pm

Metaphysics for the damned —

From the 1979 film "A Little Romance" —

Reading something you
don't want me to see?

It's just a book.

I used to read those too. What is it?

An Introduction to Metaphysics,
by Martin Heidegger.

School has changed
since I was in seventh grade.

I'm just reading it for fun.

Fun?
Heidegger?
Why were you hiding it from me?

Most people think anyone
who reads Heidegger is weird.

I don't. But I have to admit
that philosophy was never
one of my strong subjects
in college.

Heidegger.
You really understand that?

Heidegger isn't all that hard.
His stuff is mostly etymological.

Like, "Why is there something
rather than nothing at all?"

… And for the not so damned —

The Source —
https://www.bard.edu/library/arendt/pdfs/
Heidegger-EinfuhrungMetaphysik.pdf

The actress playing the teen reading Heidegger in the 1979 film
"A Little Romance" was Diane Lane. The film was set in Venice.

Later in Venice . . .

Ben Affleck and Diane Lane at the 2006 Venice Film Festival
premiere of  "Hollywoodland" :

An antidote to Hollywoodland . . .

The classic novel Under the Volcano :

"Here was finality indeed, and cleavage!"

Tuesday, January 1, 2019

Child’s Play Continues — La Despedida

Filed under: General — m759 @ 1:03 pm

This post was suggested by the phrase "Froebel Decade" from
the search results below.

This journal a decade ago had a post on the late Donald Westlake,
an author who reportedly died of a heart attack in Mexico on Dec. 31,
2008, while on his way to a New Year's Eve dinner.

One of Westlake's books —

Related material —

"La Despedida " and "Finality indeed, and cleavage!"

Tuesday, May 5, 2015

Harvard Cinco de Mayo

Filed under: General — Tags: , — m759 @ 1:00 pm

… And Some Not So Live —

"Here was finality indeed, and cleavage!" — Under the Volcano

Saturday, April 11, 2015

Yale Mot

Filed under: General — Tags: , , — m759 @ 3:01 pm

From a New York Post  review of "Clouds of Sils Maria,"
a film that opened yesterday —

"Assayas [the writer-director] evidently thinks he’s
being daring and original and avant-garde in leaving
so much open-ended. But you can tell what really
interests him isn’t doing the work of a serious artist
but the comfy trappings of one — the swank dining
rooms, the posh cars with drivers always at the ready.
What’s French for bourgeois? Never mind.
'Clouds' isn’t a film but an idea for a film —
unfinished, unsatisfying, undergraduate."

Kyle Smith, Yale '89

From this date last year:

"Here was finality indeed, and cleavage!"

Sunday, January 6, 2013

True Fury

Filed under: General — Tags: , — m759 @ 6:29 am

For the Feast of Epiphany:

A trip back to December 1955

IMAGE- Cowboy magi and star on cover of TRUE, Dec. 1955 IMAGE- Gloria Pall on back cover of FURY, Dec. 1955

Meditations for Three Kings Day (Feast of Epiphany)—

"Show me all  the blueprints." — Leonardo DiCaprio as Howard Hughes

"The Tesseract is where it belongs: out of our reach." — Samuel L. Jackson as Nick Fury

"Here was finality indeed, and cleavage!" — Malcolm Lowry's Under the Volcano  (1947)

Click images for some background.

Monday, August 13, 2012

Something Between

Filed under: General — m759 @ 6:07 pm

"I am a skeptic to whom the idea that a benign God 
created us and watches over us is something between
a fairy story and a bad joke." 

— The late art critic Robert Hughes in Things I Didn't Know*

A followup to this afternoon's previous Amy Adams post—

"Here was finality indeed, and cleavage!" 

             — Under the Volcano

     * Vintage paperback, December 2007, page 7

Sunday, February 5, 2012

Sermon Highlight

Filed under: General — Tags: — m759 @ 11:30 am

From last night—

Kristen Wiig as Kristen Del Rey

"Here was finality indeed,
 and cleavage!" — Malcolm Lowry

Tuesday, January 4, 2011

Star Quality

Filed under: General — Tags: , — m759 @ 7:00 pm

A search in memory of Gerry Rafferty,
a talented singer-songwriter who died today at 63.

"Here was finality indeed, and cleavage!"
— Malcolm Lowry, Under the Volcano

Thursday, September 30, 2010

Cleft

Filed under: General — Tags: , — m759 @ 11:02 am

"Here was finality indeed, and cleavage!"
— Malcolm Lowry, Under the Volcano

Related— Rosetta Stone, today's Google Doodle, and Rock of Ages.

See also the New York daily numbers in yesterday's lottery.

Thursday, October 11, 2007

Thursday October 11, 2007

Filed under: General — Tags: — m759 @ 12:00 pm
The Nobel Prize
in Literature

this year goes to the author
of The Golden Notebook
and The Cleft.

Related material:
The Golden Obituary
and Cleavage —
Log24, Oct. 9, 2007

Art History, 1955: Scenes from Bad Day at Black Rock

Background from 1947:

The image “http://www.log24.com/log/pix07A/071011-Cleavage.jpg” cannot be displayed, because it contains errors.

Further details:

WheelThe image “http://www.log24.com/log/images/asterisk8.gif” cannot be displayed, because it contains errors.

Quoted by physics writer
Heinz Pagels at the end of
The Cosmic Code
:

“For the essence and the end
Of his labor is beauty… one beauty,
the rhythm of that Wheel….”

— Robinson Jeffers

From Holy Saturday, 2004:

The Ferris wheel came into view again, just the top, silently burning high on the hill, almost directly in front of him, then the trees rose up over it.  The road, which was terrible and full of potholes, went steeply downhill here; he was approaching the little bridge over the barranca, the deep ravine.  Halfway across the bridge he stopped; he lit a new cigarette from the one he’d been smoking, and leaned over the parapet, looking down.  It was too dark to see the bottom, but: here was finality indeed, and cleavage!  Quauhnahuac was like the times in this respect, wherever you turned the abyss was waiting for you round the corner. Dormitory for vultures and city of Moloch! When Christ was being crucified, so ran the sea-borne, hieratic legend, the earth had opened all through this country…”

— Malcolm Lowry, Under the Volcano, 1947. (Harper & Row reissue, 1984, p. 15)

Comment by Stephen Spender:

“There is a suggestion of Christ descending into the abyss for the harrowing of Hell.  But it is the Consul whom we think of here, rather than of Christ.  The Consul is hurled into this abyss at the end of the novel.”

— Introduction to Under the Volcano


 Edward Gibbon, Decline and Fall of the Roman Empire, Chapter XXI

Gibbon, discussing the theology of the Trinity, defines perichoresis as

“… the internal connection and spiritual penetration which indissolubly unites the divine persons59 ….

59 … The perichoresis  or ‘circumincessio,’ is perhaps the deepest and darkest corner of the whole theological abyss.”


 “Whoever fights monsters should see to it that in the process he does not become a monster.  And when you look long into an abyss, the abyss also looks into you.”

— Friedrich Nietzsche, Beyond Good and Evil, section 146, translated by Walter Kaufmann


William Golding:

 “Simon’s head was tilted slightly up.  His eyes could not break away and the Lord of the Flies hung in space before him. 

‘What are you doing out here all alone?  Aren’t you afraid of me?’

Simon shook.

‘There isn’t anyone to help you.  Only me.  And I’m the Beast.’

Simon’s mouth labored, brought forth audible words.

‘Pig’s head on a stick.’

‘Fancy thinking the Beast was something you could hunt and kill!’ said the head.  For a moment or two the forest and all the other dimly appreciated places echoed with the parody of laughter.  ‘You knew, didn’t you?  I’m part of you?  Close, close, close!’ “


“Thought of the day:
You can catch more flies with honey than vinegar… if you’re into catchin’ flies.”

Alice Woodrome, Good Friday, 2004

Anne Francis,
also known as
Honey West:

“Here was finality indeed,
and cleavage!”

Under the Volcano

The image “http://www.log24.com/log/images/asterisk8.gif” cannot be displayed, because it contains errors. For further details of
the wheel metaphor, see

Rock of Ages

(St. Cecilia’s Day, 2006).

Saturday, August 19, 2006

Saturday August 19, 2006

Filed under: General — m759 @ 1:14 pm
For Jill St. John
On Her Birthday:
 
Cleavage Term
Revisited
 
 

“… a point of common understanding between the classic and romantic worlds. Quality, the cleavage term between hip and square, seemed to be it.”


“During his distinguished 17-year tenure as director of the theatre program at Fordham University, Sacharow was recalled by faculty colleagues as ‘exceedingly collegial, understanding, sympathetic and very, very funny.'”

— Obituary of Lawrence J. Sacharow at Fordham University, a Jesuit institution

See also Log24 on August 14,
the date of Sacharow’s death,
and on April 10, 2004:

“Here was finality indeed,
and cleavage!”

Under the Volcano  

Saturday, April 10, 2004

Saturday April 10, 2004

Filed under: General — Tags: , — m759 @ 1:23 am

Harrowing

"The Ferris wheel came into view again, just the top, silently burning high on the hill, almost directly in front of him, then the trees rose up over it.  The road, which was terrible and full of potholes, went steeply downhill here; he was approaching the little bridge over the barranca, the deep ravine.  Halfway across the bridge he stopped; he lit a new cigarette from the one he'd been smoking, and leaned over the parapet, looking down.  It was too dark to see the bottom, but: here was finality indeed, and cleavage!  Quauhnahuac was like the times in this respect, wherever you turned the abyss was waiting for you round the corner. Dormitory for vultures and city of Moloch! When Christ was being crucified, so ran the sea-borne, hieratic legend, the earth had opened all through this country …"

— Malcolm Lowry, Under the Volcano, 1947. (Harper & Row reissue, 1984, p. 15)

Comment by Stephen Spender:

"There is a suggestion of Christ descending into the abyss for the harrowing of Hell.  But it is the Consul whom we think of here, rather than of Christ.  The Consul is hurled into this abyss at the end of the novel."

— Introduction to Under the Volcano


 Edward Gibbon, Decline and Fall of the Roman Empire, Chapter XXI

Gibbon, discussing the theology of the Trinity, defines perichoresis as

"… the internal connection and spiritual penetration which indissolubly unites the divine persons59 ….

59 … The perichoresis  or 'circumincessio,' is perhaps the deepest and darkest corner of the whole theological abyss."


 "Whoever fights monsters should see to it that in the process he does not become a monster.  And when you look long into an abyss, the abyss also looks into you."

— Friedrich Nietzsche, Beyond Good and Evil, section 146, translated by Walter Kaufmann


William Golding:

 "Simon's head was tilted slightly up.  His eyes could not break away and the Lord of the Flies hung in space before him. 

'What are you doing out here all alone?  Aren't you afraid of me?'

Simon shook.

'There isn't anyone to help you.  Only me.  And I'm the Beast.'

Simon's mouth labored, brought forth audible words.

'Pig's head on a stick.'

'Fancy thinking the Beast was something you could hunt and kill!' said the head.  For a moment or two the forest and all the other dimly appreciated places echoed with the parody of laughter.  'You knew, didn't you?  I'm part of you?  Close, close, close!' "

 


"Thought of the day:
You can catch more flies with honey than vinegar… if you're into catchin' flies."

Alice Woodrome, Good Friday, 2004

Anne Francis,
also known as
Honey West:

"Here was finality indeed,
and cleavage!"

Under the Volcano

From the official
     Anne Francis Web Site:   

   Come into my parlor….

For some background,
see the use of the word
"spider" in Under the Volcano:

WRIDER/ESPIDER:
THE CONSUL AS ARTIST IN

UNDER THE VOLCANO,

by Patrick A. McCarthy.

See, too, Why Me?

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