… And Some Not So Live —
"Here was finality indeed, and cleavage!" — Under the Volcano
The previous post mentioned a new mobile, "Triangle Constellation,"
commissioned for the Harvard Art Museums.
Related material (click to enlarge) —
The above review is of an exhibition by the "Constellation" artist,
Carlos Amorales, that opened on Sept. 26, 2008 — "just in time for
Halloween and the Day of the Dead."
See also this journal on that date.
G. H. Hardy in A Mathematician's Apology —
What ‘purely aesthetic’ qualities can we distinguish in such theorems as Euclid’s or Pythagoras’s? I will not risk more than a few disjointed remarks. In both theorems (and in the theorems, of course, I include the proofs) there is a very high degree of unexpectedness, combined with inevitability and economy. The arguments take so odd and surprising a form; the weapons used seem so childishly simple when compared with the far-reaching results; but there is no escape from the conclusions. There are no complications of detail—one line of attack is enough in each case; and this is true too of the proofs of many much more difficult theorems, the full appreciation of which demands quite a high degree of technical proficiency. We do not want many ‘variations’ in the proof of a mathematical theorem: ‘enumeration of cases’, indeed, is one of the duller forms of mathematical argument. A mathematical proof should resemble a simple and clear-cut constellation, not a scattered cluster in the Milky Way. |
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