The previous post suggests two images …
The date of the above Promoted Tweet is October 19, 2015.
For the Church of Synchronology, an image from Log24 on that date:
"So we beat on, boats against the current …" — F. Scott Fitzgerald
Saturday, May 21, 2016
Sunday, May 15, 2016
Aesthetics
A college girl's remarks in the previous post suggested
a search in this journal for "vulgar and stupid."
That search yielded a date — March 2, 2014.
In the spirit of the Church of Synchronology, a further search —
for that date — yielded, in a March 2, 2014, post, the following —
Square Dance
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And no fact of Alain Resnais’s life seemed to strike a stranger note than his assertion that the films which first inspired his ambition to become a film director were those in which Fred Astaire and Ginger Rogers danced. Or was it Dick Powell and Ruby Keeler? He could never be sure. “I wondered if I could find the equivalent of that exhilaration,” he recalled. If he never did it was perhaps because of his highly cultivated attitude to serious cinema. His character and temperament were more attuned to the theory of film and a kind of intellectual square dance* which was far harder to bring to the screen with “exhilaration” than the art of Astaire and Rogers. *See today's 11 AM ET Sermon. |
The college girl, who reportedly died at 70 on May 11, was
Katherine Dunn, author of the book One Ring Circus quoted
above. She apparently improved with age.
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Sunday, April 10, 2016
Synchronicity Check
The book quoted in the previous post, Attack of the Copula Spiders,
was reportedly published on March 27, 2012.
For the Church of Synchronology —
The above icon may be viewed as a simplified version
of the image described in the April 8 post Space Cross.
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Monday, March 7, 2016
Wednesday, February 24, 2016
The Media Message
See a link referencing The Gutenberg Galaxy (a Catholic's 1962 view of literacy)
in a Log24 post yesterday suggested by a New York Times obituary.
A different obituary this evening in that newspaper describes a Jew's 1979 view
of literacy. See "Elizabeth Eisenstein, Historian of Movable Type, Dies at 92."
Related material — McLuhan in Eisenstein's The Printing Press as an Agent
of Change , Cambridge University Press, 1979.
Eisenstein reportedly died on January 31, 2016. Synchronologists may
consult some media-related material reposted here on that date —
Fittingly, the Times concludes Eisenstein's obituary as follows —
"This article will be set in 8.7 point Imperial and printed on
one of several presses, including the Goss Colorliner."
For a perhaps more interesting printing press related to change,
see Despedida in this journal.
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Remarks on a Cartoon Graveyard
For Crimson Jill
The graveyard of the title is from a song by Paul Simon.
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Jessica Guynn, USA TODAY "By popular demand, Facebook is going beyond the ubiquitous thumbs-up button with a new shorthand to express your thoughts and feelings. Acknowledging that 'like' isn't the right sentiment for every occasion, the giant social network is offering new options. Reactions, five emoting emojis, are rolling out to Facebook's more than 1.5 billion users around the globe starting Wednesday. With a click of a button, you can choose from new emotions when commenting on a status update. Hold the 'like' button on mobile or hover over the like button on desktop and five animated emoji pop up. Tap on love, haha, wow, sad or angry to express your reaction. …" |
The "remarks" of the title —
The "Crimson Jill" link above leads to a Harvard Gazette
article dated March 24, 2015. A meditation from the
Church of Synchronology appeared here on that date.
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Monday, February 22, 2016
Schoolgirl Problems…
and versions of "Both Sides Now"
See a New York Times version of "Both Sides Now."
I prefer a version by Umberto Eco.
Related material for storytellers and the Church of Synchronology —
This journal on the date of the above shooting script, 03/19/15.
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Sunday, February 21, 2016
Cards
Reposted from an excellent weblog —
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A blog on the nature of note-taking. Thursday, April 2, 2009 I came across a recent post on Nabokov's Index Cards by Michael Leddy, which I found interesting. Nabokov wrote with Index Cards not so much because they allowed associative progression (or because they were somehow like precursors of hypertext for him), but rather because he had such a clear vision of what he meant to create that he could start anywhere in describing it: "The pattern of the thing precedes the thing. I fill in the gaps of the crossword at any spot I happen to choose. These bits I write on index cards until the novel is done. My schedule is flexible but I am rather particular about my instruments: lined Bristol cards and well-sharpened, not too hard, pencils capped with erasers." "… Since this entire structure, dimly illumined in one's mind, can be compared to a painting, and since you do not have to work gradually from left to right for its proper perception, I may direct my flashlight at any part or particle of the picture when setting it down in writing. I do not begin my novel at the beginning I do not reach chapter three before I reach chapter four… This is why I like writing my stories and novels on index cards, numbering them later when the whole set is complete. Every card is rewritten many times …" "find a quiet spot (pace the booming surf and rattling wind) where to write. This I do on scrambled index cards (my text existing already there in invisible lead) which I gradually fill in and sort out, using up in the process more pencil sharpeners than pencils; but I have spoken of this in several earlier questionnaires" Posted by MK at 8:52 PM Labels: Index cards, Writing |
From the date of the above Taking Note post, a post from this weblog
seems a suitable sermon for the Church of Synchronology.
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Friday, February 19, 2016
A Watchman for Nolan
The title refers to the Watchman Rorschach in "Go Set a Structure"
and to Christopher Nolan, director of the 2014 film "Interstellar."
"Watchmen"-like art in next Sunday's NY Times Book Review —
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