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And no fact of Alain Resnais’s life seemed to strike a stranger note than his assertion that the films which first inspired his ambition to become a film director were those in which Fred Astaire and Ginger Rogers danced. Or was it Dick Powell and Ruby Keeler? He could never be sure. “I wondered if I could find the equivalent of that exhilaration,” he recalled. If he never did it was perhaps because of his highly cultivated attitude to serious cinema. His character and temperament were more attuned to the theory of film and a kind of intellectual square dance* which was far harder to bring to the screen with “exhilaration” than the art of Astaire and Rogers. *See today's 11 AM ET Sermon. |
Sunday, March 2, 2014
Square Dance
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