Log24

Saturday, July 29, 2006

Saturday July 29, 2006

Filed under: General,Geometry — Tags: , , , , — m759 @ 2:02 pm

Big Rock

Thanks to Ars Mathematicaa link to everything2.com:

“In mathematics, a big rock is a result which is vastly more powerful than is needed to solve the problem being considered. Often it has a difficult, technical proof whose methods are not related to those of the field in which it is applied. You say ‘I’m going to hit this problem with a big rock.’ Sard’s theorem is a good example of a big rock.”

Another example:

Properties of the Monster Group of R. L. Griess, Jr., may be investigated with the aid of the Miracle Octad Generator, or MOG, of R. T. Curtis.  See the MOG on the cover of a book by Griess about some of the 20 sporadic groups involved in the Monster:

The image “http://www.log24.com/theory/images/TwelveSG.jpg” cannot be displayed, because it contains errors.

The MOG, in turn, illustrates (via Abstract 79T-A37, Notices of the American Mathematical Society, February 1979) the fact that the group of automorphisms of the affine space of four dimensions over the two-element field is also the natural group of automorphisms of an arbitrary 4×4 array.

This affine group, of order 322,560, is also the natural group of automorphisms of a family of graphic designs similar to those on traditional American quilts.  (See the diamond theorem.)

This top-down approach to the diamond theorem may serve as an illustration of the “big rock” in mathematics.

For a somewhat simpler, bottom-up, approach to the theorem, see Theme and Variations.

For related literary material, see Mathematics and Narrative and The Diamond as Big as the Monster.

“The rock cannot be broken.
It is the truth.”

Wallace Stevens,
“Credences of Summer”

 

Sunday, May 7, 2006

Sunday May 7, 2006

Filed under: General,Geometry — Tags: , , — m759 @ 3:00 am

Bagombo Snuff Box
 
(in memory of
Burt Kerr Todd)


“Well, it may be the devil
or it may be the Lord
But you’re gonna have to
serve somebody.”

— “Bob Dylan”
(pseudonym of Robert Zimmerman),
quoted by “Bob Stewart”
on July 18, 2005

“Bob Stewart” may or may not be the same person as “crankbuster,” author of the “Rectangular Array Theorem” or “RAT.”  This “theorem” is intended as a parody of the “Miracle Octad Generator,” or “MOG,” of R. T. Curtis.  (See the Usenet group sci.math, “Steven Cullinane is a Crank,” July 2005, messages 51-60.)

“Crankbuster” has registered at Math Forum as a teacher in Sri Lanka (formerly Ceylon).   For a tall tale involving Ceylon, see the short story “Bagombo Snuff Box” in the book of the same title by Kurt Vonnegut, who has at times embodied– like Martin Gardner and “crankbuster“– “der Geist, der stets verneint.”

Here is my own version (given the alleged Ceylon background of “crankbuster”) of a Bagombo snuff box:

Related material:

Log24 entries of
April 16-30, 2005,

and the 5 Log24 entries
ending on Friday,
April 28, 2006.

Friday, April 28, 2006

Friday April 28, 2006

Filed under: General,Geometry — Tags: , , — m759 @ 12:00 pm

Exercise

Review the concepts of integritas, consonantia,  and claritas in Aquinas:

"For in respect to beauty three things are essential: first of all, integrity or completeness, since beings deprived of wholeness are on this score ugly; and [secondly] a certain required design, or patterned structure; and finally a certain splendor, inasmuch as things are called beautiful which have a certain 'blaze of being' about them…."

Summa Theologiae Sancti Thomae Aquinatis, I, q. 39, a. 8, as translated by William T. Noon, S.J., in Joyce and Aquinas, Yale University Press, 1957

Review the following three publications cited in a note of April 28, 1985 (21 years ago today):

(1) Cameron, P. J.,
     Parallelisms of Complete Designs,
     Cambridge University Press, 1976.

(2) Conwell, G. M.,
     The 3-space PG(3,2) and its group,
     Ann. of Math. 11 (1910) 60-76.

(3) Curtis, R. T.,
     A new combinatorial approach to M24,
     Math. Proc. Camb. Phil. Soc.
    
79 (1976) 25-42.

Discuss how the sextet parallelism in (1) illustrates integritas, how the Conwell correspondence in (2) illustrates consonantia, and how the Miracle Octad Generator in (3) illustrates claritas.
 

Wednesday, November 30, 2005

Wednesday November 30, 2005

Filed under: General,Geometry — Tags: , — m759 @ 1:00 am

For St. Andrew’s Day

The miraculous enters…. When we investigate these problems, some fantastic things happen….”

— John H. Conway and N. J. A. Sloane, Sphere Packings, Lattices and Groups, preface to first edition (1988)

The remarkable Mathieu group M24, a group of permutations on 24 elements, may be studied by picturing its action on three interchangeable 8-element “octads,” as in the “Miracle Octad Generator” of R. T. Curtis.

A picture of the Miracle Octad Generator, with my comments, is available online.


 Cartoon by S.Harris

Related material:
Mathematics and Narrative.

Tuesday, January 6, 2004

Tuesday January 6, 2004

Filed under: General,Geometry — Tags: , , — m759 @ 10:10 pm

720 in the Book

Searching for an epiphany on this January 6 (the Feast of the Epiphany), I started with Harvard Magazine, the current issue of January-February 2004.

An article titled On Mathematical Imagination concludes by looking forward to

“a New Instauration that will bring mathematics, at last, into its rightful place in our lives: a source of elation….”

Seeking the source of the phrase “new instauration,” I found it was due to Francis Bacon, who “conceived his New Instauration as the fulfilment of a Biblical prophecy and a rediscovery of ‘the seal of God on things,’ ” according to a web page by Nieves Mathews.

Hmm.

The Mathews essay leads to Peter Pesic, who, it turns out, has written a book that brings us back to the subject of mathematics:

Abel’s Proof:  An Essay
on the Sources and Meaning
of Mathematical Unsolvability

by Peter Pesic,
MIT Press, 2003

From a review:

“… the book is about the idea that polynomial equations in general cannot be solved exactly in radicals….

Pesic concludes his account after Abel and Galois… and notes briefly (p. 146) that following Abel, Jacobi, Hermite, Kronecker, and Brioschi, in 1870 Jordan proved that elliptic modular functions suffice to solve all polynomial equations.  The reader is left with little clarity on this sequel to the story….”

— Roger B. Eggleton, corrected version of a review in Gazette Aust. Math. Soc., Vol. 30, No. 4, pp. 242-244

Here, it seems, is my epiphany:

“Elliptic modular functions suffice to solve all polynomial equations.”


Incidental Remarks
on Synchronicity,
Part I

Those who seek a star
on this Feast of the Epiphany
may click here.


Most mathematicians are (or should be) familiar with the work of Abel and Galois on the insolvability by radicals of quintic and higher-degree equations.

Just how such equations can be solved is a less familiar story.  I knew that elliptic functions were involved in the general solution of a quintic (fifth degree) equation, but I was not aware that similar functions suffice to solve all polynomial equations.

The topic is of interest to me because, as my recent web page The Proof and the Lie indicates, I was deeply irritated by the way recent attempts to popularize mathematics have sown confusion about modular functions, and I therefore became interested in learning more about such functions.  Modular functions are also distantly related, via the topic of “moonshine” and via the  “Happy Family” of the Monster group and the Miracle Octad Generator of R. T. Curtis, to my own work on symmetries of 4×4 matrices.


Incidental Remarks
on Synchronicity,
Part II

There is no Log24 entry for
December 30, 2003,
the day John Gregory Dunne died,
but see this web page for that date.


Here is what I was able to find on the Web about Pesic’s claim:

From Wolfram Research:

From Solving the Quintic —

“Some of the ideas described here can be generalized to equations of higher degree. The basic ideas for solving the sextic using Klein’s approach to the quintic were worked out around 1900. For algebraic equations beyond the sextic, the roots can be expressed in terms of hypergeometric functions in several variables or in terms of Siegel modular functions.”

From Siegel Theta Function —

“Umemura has expressed the roots of an arbitrary polynomial in terms of Siegel theta functions. (Mumford, D. Part C in Tata Lectures on Theta. II. Jacobian Theta Functions and Differential Equations. Boston, MA: Birkhäuser, 1984.)”

From Polynomial

“… the general quintic equation may be given in terms of the Jacobi theta functions, or hypergeometric functions in one variable.  Hermite and Kronecker proved that higher order polynomials are not soluble in the same manner. Klein showed that the work of Hermite was implicit in the group properties of the icosahedron.  Klein’s method of solving the quintic in terms of hypergeometric functions in one variable can be extended to the sextic, but for higher order polynomials, either hypergeometric functions in several variables or ‘Siegel functions’ must be used (Belardinelli 1960, King 1996, Chow 1999). In the 1880s, Poincaré created functions which give the solution to the nth order polynomial equation in finite form. These functions turned out to be ‘natural’ generalizations of the elliptic functions.”

Belardinelli, G. “Fonctions hypergéométriques de plusieurs variables er résolution analytique des équations algébrique générales.” Mémoral des Sci. Math. 145, 1960.

King, R. B. Beyond the Quartic Equation. Boston, MA: Birkhäuser, 1996.

Chow, T. Y. “What is a Closed-Form Number.” Amer. Math. Monthly 106, 440-448, 1999. 

From Angel Zhivkov,

Preprint series,
Institut für Mathematik,
Humboldt-Universität zu Berlin:

“… discoveries of Abel and Galois had been followed by the also remarkable theorems of Hermite and Kronecker:  in 1858 they independently proved that we can solve the algebraic equations of degree five by using an elliptic modular function….  Kronecker thought that the resolution of the equation of degree five would be a special case of a more general theorem which might exist.  This hypothesis was realized in [a] few cases by F. Klein… Jordan… showed that any algebraic equation is solvable by modular functions.  In 1984 Umemura realized the Kronecker idea in his appendix to Mumford’s book… deducing from a formula of Thomae… a root of [an] arbitrary algebraic equation by Siegel modular forms.”  

— “Resolution of Degree Less-than-or-equal-to Six Algebraic Equations by Genus Two Theta Constants


Incidental Remarks
on Synchronicity,
Part III

From Music for Dunne’s Wake:

Heaven was kind of a hat on the universe,
a lid that kept everything underneath it
where it belonged.”

— Carrie Fisher,
Postcards from the Edge

     

720 in  
the Book”

and
Paradise

“The group Sp4(F2) has order 720,”
as does S6. — Angel Zhivkov, op. cit.

Those seeking
“a rediscovery of
‘the seal of God on things,’ “
as quoted by Mathews above,
should see
The Unity of Mathematics
and the related note
Sacerdotal Jargon.

For more remarks on synchronicity
that may or may not be relevant
to Harvard Magazine and to
the annual Joint Mathematics Meetings
that start tomorrow in Phoenix, see

Log24, June 2003.

For the relevance of the time
of this entry, 10:10, see

  1. the reference to Paradise
    on the “postcard” above, and
  2. Storyline (10/10, 2003).

Related recreational reading:

Labyrinth



The Shining

Shining Forth

Monday, April 28, 2003

Monday April 28, 2003

Filed under: General,Geometry — Tags: , , — m759 @ 12:07 am

ART WARS:

Toward Eternity

April is Poetry Month, according to the Academy of American Poets.  It is also Mathematics Awareness Month, funded by the National Security Agency; this year's theme is "Mathematics and Art."

Some previous journal entries for this month seem to be summarized by Emily Dickinson's remarks:

"Because I could not stop for Death–
He kindly stopped for me–
The Carriage held but just Ourselves–
And Immortality.

………………………
Since then–'tis Centuries–and yet
Feels shorter than the Day
I first surmised the Horses' Heads
Were toward Eternity– "

 

Consider the following journal entries from April 7, 2003:
 

Math Awareness Month

April is Math Awareness Month.
This year's theme is "mathematics and art."


 

An Offer He Couldn't Refuse

Today's birthday:  Francis Ford Coppola is 64.

"There is a pleasantly discursive treatment
of Pontius Pilate's unanswered question
'What is truth?'."


H. S. M. Coxeter, 1987, introduction to Richard J. Trudeau's remarks on the "Story Theory" of truth as opposed to the "Diamond Theory" of truth in The Non-Euclidean Revolution

 

From a website titled simply Sinatra:

"Then came From Here to Eternity. Sinatra lobbied hard for the role, practically getting on his knees to secure the role of the street smart punk G.I. Maggio. He sensed this was a role that could revive his career, and his instincts were right. There are lots of stories about how Columbia Studio head Harry Cohn was convinced to give the role to Sinatra, the most famous of which is expanded upon in the horse's head sequence in The Godfather. Maybe no one will know the truth about that. The one truth we do know is that the feisty New Jersey actor won the Academy Award as Best Supporting Actor for his work in From Here to Eternity. It was no looking back from then on."

From a note on geometry of April 28, 1985:

 
The "horse's head" figure above is from a note I wrote on this date 18 years ago.  The following journal entry from April 4, 2003, gives some details:
 

The Eight

Today, the fourth day of the fourth month, plays an important part in Katherine Neville's The Eight.  Let us honor this work, perhaps the greatest bad novel of the twentieth century, by reflecting on some properties of the number eight.  Consider eight rectangular cells arranged in an array of four rows and two columns.  Let us label these cells with coordinates, then apply a permutation.

 


 Decimal 
labeling

 
Binary
labeling


Algebraic
labeling


Permutation
labeling

 

The resulting set of arrows that indicate the movement of cells in a permutation (known as a Singer 7-cycle) outlines rather neatly, in view of the chess theme of The Eight, a knight.  This makes as much sense as anything in Neville's fiction, and has the merit of being based on fact.  It also, albeit rather crudely, illustrates the "Mathematics and Art" theme of this year's Mathematics Awareness Month.

The visual appearance of the "knight" permutation is less important than the fact that it leads to a construction (due to R. T. Curtis) of the Mathieu group M24 (via the Curtis Miracle Octad Generator), which in turn leads logically to the Monster group and to related "moonshine" investigations in the theory of modular functions.   See also "Pieces of Eight," by Robert L. Griess.

Friday, April 4, 2003

Friday April 4, 2003

Filed under: General,Geometry — Tags: , , — m759 @ 3:33 pm

The Eight

Today, the fourth day of the fourth month, plays an important part in Katherine Neville's The Eight.  Let us honor this work, perhaps the greatest bad novel of the twentieth century, by reflecting on some properties of the number eight.  Consider eight rectangular cells arranged in an array of four rows and two columns.  Let us label these cells with coordinates, then apply a permutation.


Decimal 
labeling


Binary
labeling


Algebraic
labeling

IMAGE- Knight figure for April 4
Permutation
labeling

 

The resulting set of arrows that indicate the movement of cells in a permutation (known as a Singer 7-cycle) outlines rather neatly, in view of the chess theme of The Eight, a knight.  This makes as much sense as anything in Neville's fiction, and has the merit of being based on fact.  It also, albeit rather crudely, illustrates the "Mathematics and Art" theme of this year's Mathematics Awareness Month.  (See the 4:36 PM entry.)

 

 

The visual appearance of the "knight" permutation is less important than the fact that it leads to a construction (due to R. T. Curtis) of the Mathieu group M24 (via the Curtis Miracle Octad Generator), which in turn leads logically to the Monster group and to related "moonshine" investigations in the theory of modular functions.   See also "Pieces of Eight," by Robert L. Griess.
 

Saturday, July 20, 2002

Saturday July 20, 2002

 

ABSTRACT: Finite projective geometry explains the surprising symmetry properties of some simple graphic designs– found, for instance, in quilts. Links are provided for applications to sporadic simple groups (via the "Miracle Octad Generator" of R. T. Curtis), to the connection between orthogonal Latin squares and projective spreads, and to symmetry of Walsh functions.

We regard the four-diamond figure D above as a 4×4 array of two-color diagonally-divided square tiles.

Let G be the group of 322,560 permutations of these 16 tiles generated by arbitrarily mixing random permutations of rows and of columns with random permutations of the four 2×2 quadrants.

THEOREM: Every G-image of D (as at right, below) has some ordinary or color-interchange symmetry.

Example:


For an animated version, click here.

Remarks:

Some of the patterns resulting from the action of G on D have been known for thousands of years. (See Jablan, Symmetry and Ornament, Ch. 2.6.) It is perhaps surprising that the patterns' interrelationships and symmetries can be explained fully only by using mathematics discovered just recently (relative to the patterns' age)– in particular, the theory of automorphism groups of finite geometries.

Using this theory, we can summarize the patterns' properties by saying that G is isomorphic to the affine group A on the linear 4-space over GF(2) and that the 35 structures of the 840 = 35 x 24 G-images of D are isomorphic to the 35 lines in the 3-dimensional projective space over GF(2).

This can be seen by viewing the 35 structures as three-sets of line diagrams, based on the three partitions of the four-set of square two-color tiles into two two-sets, and indicating the locations of these two-sets of tiles within the 4×4 patterns. The lines of the line diagrams may be added in a binary fashion (i.e., 1+1=0). Each three-set of line diagrams sums to zero– i.e., each diagram in a three-set is the binary sum of the other two diagrams in the set. Thus, the 35 three-sets of line diagrams correspond to the 35 three-point lines of the finite projective 3-space PG(3,2).

For example, here are the line diagrams for the figures above:

 
Shown below are the 15 possible line diagrams resulting from row/column/quadrant permutations. These 15 diagrams may, as noted above, be regarded as the 15 points of the projective 3-space PG(3,2).


The symmetry of the line diagrams accounts for the symmetry of the two-color patterns. (A proof shows that a 2nx2n two-color triangular half-squares pattern with such line diagrams must have a 2×2 center with a symmetry, and that this symmetry must be shared by the entire pattern.)

Among the 35 structures of the 840 4×4 arrays of tiles, orthogonality (in the sense of Latin-square orthogonality) corresponds to skewness of lines in the finite projective space PG(3,2). This was stated by the author in a 1978 note. (The note apparently had little effect. A quarter-century later, P. Govaerts, D. Jungnickel, L. Storme, and J. A. Thas wrote that skew (i.e., nonintersecting) lines in a projective space seem "at first sight not at all related" to orthogonal Latin squares.)

We can define sums and products so that the G-images of D generate an ideal (1024 patterns characterized by all horizontal or vertical "cuts" being uninterrupted) of a ring of 4096 symmetric patterns. There is an infinite family of such "diamond" rings, isomorphic to rings of matrices over GF(4).

The proof uses a decomposition technique for functions into a finite field that might be of more general use.

The underlying geometry of the 4×4 patterns is closely related to the Miracle Octad Generator of R. T. Curtis– used in the construction of the Steiner system S(5,8,24)– and hence is also related to the Leech lattice, which, as Walter Feit has remarked, "is a blown up version of S(5,8,24)."

For a movable JavaScript version of these 4×4 patterns, see The Diamond 16 Puzzle.

The above is an expanded version of Abstract 79T-A37, "Symmetry invariance in a diamond ring," by Steven H. Cullinane, Notices of the American Mathematical Society, February 1979, pages A-193, 194.

For a discussion of other cases of the theorem, click here.

Related pages:

The Diamond 16 Puzzle

Diamond Theory in 1937:
A Brief Historical Note

Notes on Finite Geometry

Geometry of the 4×4 Square

Binary Coordinate Systems

The 35 Lines of PG(3,2)

Map Systems:
Function Decomposition over a Finite Field

The Diamond Theorem–
The 2×2, the 2x2x2, the 4×4, and the 4x4x4 Cases

Diamond Theory

Latin-Square Geometry

Walsh Functions

Inscapes

The Diamond Theory of Truth

Geometry of the I Ching

Solomon's Cube and The Eightfold Way

Crystal and Dragon in Diamond Theory

The Form, the Pattern

The Grid of Time

Block Designs

Finite Relativity

Theme and Variations

Models of Finite Geometries

Quilt Geometry

Pattern Groups

The Fano Plane Revisualized,
or the Eightfold Cube

The Miracle Octad Generator

Kaleidoscope

Visualizing GL(2,p)

Jung's Imago

Author's home page

AMS Mathematics Subject Classification:

20B25 (Group theory and generalizations :: Permutation groups :: Finite automorphism groups of algebraic, geometric, or combinatorial structures)

05B25 (Combinatorics :: Designs and configurations :: Finite geometries)

51E20 (Geometry :: Finite geometry and special incidence structures :: Combinatorial structures in finite projective spaces)



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Page created Jan. 6, 2006, by Steven H. Cullinane      diamondtheorem.com

 

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