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"Most important for Canetti are certain events
that he calls 'illuminations,' such as his witnessing
of striking workers being mowed down by Viennese
police on July 15, 1927, which was the germ of both
Auto-da-Fé and Crowds and Power. For Canetti,
these epiphanies are moments of metamorphosis,
which he prizes above all in art as well as in life.
Canetti aspired to be a 20th-century Ovid, but
precisely because he was modern, this ambition
landed him, again and again, in paradox, such as
the one expressed in the aphorism that gives this
compilation its title, or in this characteristic maxim:
'It all depends on this: with whom we confuse ourselves .'"

— Hal Foster in The Chronicle of Higher Education ,
"The Best Scholarly Books of 2022," Dec. 21, 2022.

See also this  journal on Nov, 25, 2022 —

“Open the pod bay doors, Hal.”