Log24

Tuesday, July 20, 2021

Zen in Cuernavaca

Filed under: General — Tags: , , — m759 @ 2:05 pm

Also from Terebess

https://terebess.hu/zen/mesterek/dtsuzuki.html

From Larry A. Fader, “D. T. Suzuki's Contribution to the West,” 
in A Zen Life: D. T. Suzuki Remembered , ed. by Masao Abe, 
John Weatherhill, Inc., 1986, pp. 95–108 —

In contrast to Jung's approach is the humanistic psychology of Erich Fromm. Fromm was also influenced by Suzuki, but in different ways. Whereas Jung dealt with Zen Buddhism as an aspect of his psychological thought, Suzuki's influence touches closer to the core of Fromm's thought. Fromm organized an influential workshop on Zen Buddhism and psychoanalysis in Cuernavaca, Mexico, and incorporated many concepts which resemble Suzuki's interpretation of Zen into his psychoanalytic writings.

The Cuernavaca workshop of 1957, held at Fromm's Mexico home, brought together eminent psychologists expressly for the purpose of exploring Zen Buddhism and psychoanalysis. As such, it marks an important point of contact between thinkers in the field of psychology and D. T. Suzuki's interpretation of Zen. Suzuki addressed the gathering, and his speeches were later published as “Lectures in Zen Buddhism” together with Fromm's address entitled “Psychoanalysis and Zen Buddhism” and that of Richard DeMartino entitled “The Human Situation and Zen Buddhism,” in a volume which Fromm edited and called Zen Buddhism and Psychoanalysis.

Fromm organized the Mexico meeting and issued the invitations to its participants as a result of his feeling that psychotherapists—and in particular, psychoanalysts—were at that time “not just interested, but deeply concerned” with Zen. This “concern,” Fromm believed, was a new and potentially important development in the attitude of psychologists. His own address to the workshop, reformulated, as he says, because of “the stimulation of the conference,” includes language and ideas that may be traced to Dr. Suzuki's Cuernavaca lectures.

See as well Fromm and  Frère Jacques, Cuernavaca  in this  journal.

Sunday, October 1, 2023

Hassabis

Filed under: General — Tags: — m759 @ 11:05 am

Related religious remarks from this  journal on Augustine's Day 2023:

"We stopped at the Trocadero and there was hardly anyone there.  We had Lanson 1926.  'Drink up, sweet.  You gotta go some.  How I love music.  Frère Jacques, Cuernavaca, ach du lieber August.  All languages.  A walking Berlitz.  Berlitz sounds like you with that champagne, my sweet, or how you're gonna sound.'"

— John O'Hara, Hope of Heaven, Chapter 11, 1938

"And they were all filled with the Holy Ghost, and began to speak with other tongues, as the Spirit gave them utterance."

— Acts, Chapter 2, Verse 4

"Lps. The keys to. Given! A way a lone a last a loved a long the

PARIS,
1922-1939."

— James Joyce, conclusion of Finnegans Wake

Monday, August 28, 2023

“Ach du lieber August” — John O’Hara, Hope of Heaven

Filed under: General — Tags: , , — m759 @ 12:11 am

"We stopped at the Trocadero and there was hardly anyone there.  We had Lanson 1926.  'Drink up, sweet.  You gotta go some.  How I love music.  Frère Jacques, Cuernavaca, ach du lieber August.  All languages.  A walking Berlitz.  Berlitz sounds like you with that champagne, my sweet, or how you're gonna sound.'"

— John O'Hara, Hope of Heaven, Chapter 11, 1938

"And they were all filled with the Holy Ghost, and began to speak with other tongues, as the Spirit gave them utterance."

— Acts, Chapter 2, Verse 4

"Lps. The keys to. Given! A way a lone a last a loved a long the

PARIS,
1922-1939."

— James Joyce, conclusion of Finnegans Wake

Monday, February 27, 2006

Monday February 27, 2006

Filed under: General — Tags: , , — m759 @ 9:26 am

Sudden View

From John O'Hara's Birthday:

"We stopped at the Trocadero and there was hardly anyone there.  We had Lanson 1926.  'Drink up, sweet.  You gotta go some.  How I love music.  Frère Jacques, Cuernavaca, ach du lieber August.  All languages.  A walking Berlitz.  Berlitz sounds like you with that champagne, my sweet, or how you're gonna sound.'"

— John O'Hara, Hope of Heaven, Chapter 11, 1938

"And they were all filled with the Holy Ghost, and began to speak with other tongues, as the Spirit gave them utterance."

Acts, Chapter 2, Verse 4

"Lps. The keys to. Given! A way a lone a last a loved a long the

PARIS,
1922-1939."

— James Joyce, conclusion of Finnegans Wake

"Using illustrative material from religion, myth, and culture, he starts with the descent of the dove on Jesus and ends with the poetic ramblings of James Joyce."

Review of a biography of the Holy Spirit

Monica Potts in today's New York Times on Sybille Bedford:

"Though her works were not always widely popular, they inspired a deeply fervent following of committed admirers, starting with her first published work, A Sudden View, in 1953. Later retitled A Visit to Don Otavio, it was an account of her journey through Mexico."

… "I addressed him.  'Is Cuernavaca not below Mexico City?'
    'It is low.'
    'Then what is this?'  Another summit had sprung up above a curve.
    'At your orders, the Three Marias.'
    'What are the Three Marias?'
    'These.'
    Later, I learned from Terry that they were the three peaks by the La Cima Pass which is indeed one of the highest passes in the Republic; and still later from experience, that before running down to anywhere in this country one must first run up some six or seven thousand feet.  The descents are more alarming than the climbs.  We hurtled towards Cuernavaca down unparapeted slopes with the speed and angle, if not the precision, of a scenic railway– cacti flashed past like telegraph poles, the sun was brilliant, the air like laughing gas, below an enchanting valley, and the lack of brakes became part of a general allegro accelerando."

— Sybille Bedford, A Sudden View, Counterpoint Press, Counterpoint edition (April 2003), page 77

"How continually, how startlingly, the landscape changed!  Now the fields were full of stones: there was a row of dead trees.  An abandoned plough, silhouetted against the sky, raised its arms to heaven in mute supplication; another planet, he reflected again, a strange planet where, if you looked a little further, beyond the Tres Marias, you would find every sort of landscape at once, the Cotswolds, Windermere, New Hampshire, the meadows of the Eure-et-Loire, even the grey dunes of Cheshire, even the Sahara, a planet upon which, in the twinkling of an eye, you could change climates, and, if you cared to think so, in the crossing of a highway, three civilizations; but beautiful, there was no denying its beauty, fatal or cleansing as it happened to be, the beauty of the Earthly Paradise itself."

— Malcolm Lowry, Under the Volcano, Harper Perennial Modern Classics, 1st Perennial Classics edition (May 1, 2000), page 10

Friday, January 2, 2004

Friday January 2, 2004

Filed under: General — m759 @ 2:14 pm

Dunne's Wake:

What, and Give Up Show Biz?

"Dying is easy. Comedy is hard."

— Saying attributed to Edmund Gwenn, star of "Miracle on 34th Street," and also attributed to "Noel Coward, David Garrick, William Holden, Edmund Kean, Marcel Marceau, Groucho Marx, and Oscar Wilde."

See also yesterday's entry on the Dark Lady.  For more on Santa and the Dark Lady, see my archive for Aug.-Sept. 2002.

"Drink up, sweet.  You gotta go some.  How I love music.  Frère Jacques, Cuernavaca, ach du lieber August.  All languages.  A walking Berlitz.  Berlitz sounds like you with that champagne, my sweet, or how you're gonna sound."

Hope of Heaven, by John O'Hara,
"another acidic writer to whom he
[John Gregory Dunne]
was often compared"
(Adam Bernstein, Washington Post)

For some context for the Hope of Heaven quotation, see Immortal Diamond: O'Hara, Hopkins, and Joyce, or click on the adding machine in yesterday's entry.

For more on miracles and the afterlife, see my archive for September 2002.

Monday, October 27, 2003

Monday October 27, 2003

Filed under: General — m759 @ 2:20 am

Dream of Heaven

“Heaven is a state, a sort of
metaphysical state.”

— John O’Hara,
Hope of Heaven, 1938

“Frère Jacques, Cuernavaca,
ach du lieber August.”

— John O’Hara, Hope of Heaven 

Frère Jacques
is a
  “canon à quatre voix.”

For another, purely visual,
four-part canon, see the
owl-like picture

in the web page
Poetry’s Bones.

See, too, the Wallace Stevens poem
The Owl in the Sarcophagus,”
and hear Stevie Nicks as the voice
of The Wizard Owl in a story titled
 Frère Jacques.

Thursday, August 28, 2003

Thursday August 28, 2003

Filed under: General — Tags: — m759 @ 11:35 pm

Feast

of Saint Augustine

"Frère Jacques, Cuernavaca,
 ach du lieber August."

— John O'Hara, Hope of Heaven

 

"anticipate
 the
 happiness
 of heaven"
= "himmlisches
 Glück
 vorweg
 empfinden"

Englisch/Deutsch Wörterbuch

See also today's previous entries.

Friday, January 31, 2003

Friday January 31, 2003

Filed under: General — Tags: — m759 @ 6:20 am

John O'Hara's Birthday

"We stopped at the Trocadero and there was hardly anyone there.  We had Lanson 1926.  'Drink up, sweet.  You gotta go some.  How I love music.  Frère Jacques, Cuernavaca, ach du lieber August.  All languages.  A walking Berlitz.  Berlitz sounds like you with that champagne, my sweet, or how you're gonna sound.'"

— John O'Hara, Hope of Heaven, Chapter 11, 1938

"And they were all filled with the Holy Ghost, and began to speak with other tongues, as the Spirit gave them utterance."

Acts, Chapter 2, Verse 4

"Lps. The keys to. Given! A way a lone a last a loved a long the

PARIS,
1922-1939."

— James Joyce, conclusion of Finnegans Wake

"Using illustrative material from religion, myth, and culture, he starts with the descent of the dove on Jesus and ends with the poetic ramblings of James Joyce."

Review of a biography of the Holy Spirit

Illustration added at 3:21 AM Feb. 3, 2003:

Firefall

Available for $220 from
 Worship Banners
 

Monday, August 16, 2010

Utopia 14

Filed under: General — Tags: , — m759 @ 4:16 am

The following, from Wikipedia, is an image of Utopia 14, the 1954 paperback reissue of Kurt Vonnegut’s 1952 novel Player Piano.

http://www.log24.com/log/pix10B/100816-Utopia14-Vonnegut.jpg

Commentary from Wikipedia

“A player piano is a modified piano that ‘plays itself.’ The piano keys move according to a pattern of holes punched in an unwinding scroll…. Like its counterpart, a player piano can be played by hand as well. When a scroll is run through the ghost-operated instrument, the movement of its keys produce the illusion that an invisible performer is playing the instrument.”

See also last night’s “The Game“—

“One would call out, in the standardized abbreviations of their science, motifs or initial bars of classical compositions, whereupon the other had to respond with the continuation of the piece, or better still with a higher or lower voice, a contrasting theme, and so forth. It was an exercise in memory and improvisation….”

— as well as Vonnegut in this journal yesterday and the following from the August 14 post Iconic Notation

A question from Ivan Illich
(founder of CIDOC, the Center for Intercultural Documentation,
in Cuernavaca, Mexico)—

Who can be served by bridges to nowhere?

For more about nowhere, see Utopia.

For more about Cuernavaca and ghosts, see a recurring motif in this journal.

Wednesday, August 2, 2006

Wednesday August 2, 2006

Filed under: General — m759 @ 2:00 am
Final Arrangements,
continued

Ontology Alignment is
the process of determining
correspondences between concepts.”

The image “http://www.log24.com/log/pix06A/060802-Deaths.jpg” cannot be displayed, because it contains errors.

Online New York Times today

The image “http://www.log24.com/log/pix05/050326-Garden.jpg” cannot be displayed, because it contains errors.

“With a little effort,
anything can be shown to
connect with anything else:
existence is infinitely
cross-referenced.”

— Opening sentence of
Martha Cooley’s The Archivist

“Frere Jacques, Cuernavaca,
ach du lieber August.”

— John O’Hara, Hope of Heaven, 1938

And now I was beginning to surmise:
Here was the library of Paradise.

Hermann Hesse, Magister Ludi 

(For Hesse in another context,
see the Log24 entries of
  Nov. 4-6, 2003.)

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