Log24

Friday, September 15, 2023

For the Players

Filed under: General — Tags: — m759 @ 9:08 am
 

From "Knight to Move," by Fritz Leiber

"… You were talking about basic games. Well, the chessboard is clearly a spider’s web with crisscross strands—in Go you even put the pieces on the intersections. The object of the game is to hunt down and immobilize the enemy King, just as a spider paralyzes its victim and sometimes wraps it in its silk. But here’s the clincher: the Knight, the piece most characteristic of chess, has exactly eight crooked moves when it stands in the clear—the number of a spider’s crooked legs, and eyes too! This suggests that all chess-playing planets are Spider-infiltrated from way back. It also suggests that all the chessplayers here for the tournament are Spiders—your shock battalion to take over 61 Cygni 5.”

Colonel von Hohenwald sighed. “I was afraid you’d catch on, dear,” he said softly. “Now you’ve signed your abduction warrant at the very least. You may still be able to warn your HQ, but before they can come to your aid, this planet will be in our hands.”

He frowned. “But why did you spill this to me, Erica? If you had played dumb—”

“I spilled it to you,” she said, “because I wanted you to know that your plot’s been blown––and that my side has already taken countermeasures! We’ve made a crooked Knight’s move too. Has the significance of track games never occurred to you, Colonel? The one-dimensional track, sinuously turning, obviously symbolizes the snake. The pieces are the little bugs and animals the snake has swallowed. As for the dice, well, one of the throws is called Snake Eyes. So be assured that all the k’ta’hra players here are Snakes, ready to counter any Spider grab at 61 Cygni 5.”

The Colonel’s mouth almost gaped. 

Sunday, September 10, 2023

Games Theory

Filed under: General — Tags: , — m759 @ 11:32 pm
 

From "Knight to Move," by Fritz Leiber

"… You were talking about basic games. Well, the chessboard is clearly a spider’s web with crisscross strands—in Go you even put the pieces on the intersections. The object of the game is to hunt down and immobilize the enemy King, just as a spider paralyzes its victim and sometimes wraps it in its silk. But here’s the clincher: the Knight, the piece most characteristic of chess, has exactly eight crooked moves when it stands in the clear—the number of a spider’s crooked legs, and eyes too! This suggests that all chess-playing planets are Spider-infiltrated from way back. It also suggests that all the chessplayers here for the tournament are Spiders—your shock battalion to take over 61 Cygni 5.”

Colonel von Hohenwald sighed. “I was afraid you’d catch on, dear,” he said softly. “Now you’ve signed your abduction warrant at the very least. You may still be able to warn your HQ, but before they can come to your aid, this planet will be in our hands.”

He frowned. “But why did you spill this to me, Erica? If you had played dumb—”

“I spilled it to you,” she said, “because I wanted you to know that your plot’s been blown––and that my side has already taken countermeasures! We’ve made a crooked Knight’s move too. Has the significance of track games never occurred to you, Colonel? The one-dimensional track, sinuously turning, obviously symbolizes the snake. The pieces are the little bugs and animals the snake has swallowed. As for the dice, well, one of the throws is called Snake Eyes. So be assured that all the k’ta’hra players here are Snakes, ready to counter any Spider grab at 61 Cygni 5.”

The Colonel’s mouth almost gaped. 

Tuesday, September 11, 2018

By Fritz Leiber

Filed under: General — m759 @ 6:00 am

Spider and Snake on cover of Fritz Leiber's novel Big Time

Anthony Hopkins at Dolly's Little Diner in Slipstream

Sir Anthony Hopkins in "Slipstream." See "Home from Home."

Friday, February 12, 2016

High Concept:

Filed under: General — m759 @ 11:32 am

Johnny Cash*  Meets  Fritz Leiber**

*  "You can run on for a long time…"

** See Spider + Snake in this journal.

Sunday, September 27, 2015

She Said Carefully

Filed under: General — m759 @ 8:24 pm

A passage suggested by the previous post, Box Office:

From the 1959 Fritz Leiber story "Damnation Morning" —

She looked at me and then nodded. She said carefully, “The person you killed or doomed is still in the room.”

An aching impulse twisted me a little. “Maybe I should try to go back––” I began. “Try to go back and unite the selves . . .”

“It’s too late now,” she repeated.

“But I want to,” I persisted. “There’s something pulling at me, like a chain hooked to my chest.”

She smiled unpleasantly. “Of course there is,” she said. “It’s the vampire in you—the same thing that drew me to your room or would draw any Spider or Snake. The blood scent of the person you killed or doomed.”

Wednesday, October 1, 2014

Big Time

Filed under: General,Geometry — m759 @ 12:00 pm

The following post suggests the Spiders and Snakes of Fritz Leiber’s
Changewar , a mythology inspired by the hallucinations of delirium tremens .

Saturday, June 14, 2014

Midnight in the Garden…

Filed under: General — Tags: — m759 @ 12:00 am

Continues.

The growth of consciousness is everything…
the seed of awareness sending its roots
across space and time. But it can grow in so many ways,
spinning its web from mind to mind like the spider
or burrowing into the unconscious darkness like the snake.
The biggest wars are the wars of thought.”

— Fritz Leiber, “The Oldest Soldier” (1960)

Update of 10 PM Saturday, June 14, 2014:
The first link above now leads to Log24 posts tagged
“Consciousness Growth.”  This tag is used only to select
specific posts in this journal.  It should not  be seen as
related to any material of the sort one can find in
a Web search for “growth of consciousness.”

Monday, March 31, 2014

For Women’s History Month

Filed under: General — Tags: — m759 @ 4:30 am

“…what he was trying to get across was not that he was the Soldier of a Power that was fighting across all of time to change history, but simply that we men were creatures with imaginations and it was our highest duty to try to tell what it was really like to live in other times and places and bodies. Once he said to me, ‘The growth of consciousness is everything… the seed of awareness sending its roots across space and time. But it can grow in so many ways, spinning its web from mind to mind like the spider or burrowing into the unconscious darkness like the snake. The biggest wars are the wars of thought.'”

— Fritz Leiber, “The Oldest Soldier” (1960)

“And that’s the snake.” — Jill Clayburgh in “It’s My Turn” (1980)

Backstory — “For Daedalus,” May 26, 2009.

For a more up-to-date look at Burroway, see a
Chicago Tribune  story of March 21, 2014.

Sunday, April 28, 2013

Mathematics and Narrative (continued)

Filed under: General,Geometry — Tags: , — m759 @ 11:30 am

See Snakes on a Projective Plane  by Andrew Spann (Sept. 26, 2006):

'Snakes on a Plane' cartoon

Click image for some related posts.

"…what he was trying to get across was not that he was the Soldier of a Power that was fighting across all of time to change history, but simply that we men were creatures with imaginations and it was our highest duty to try to tell what it was really like to live in other times and places and bodies. Once he said to me, 'The growth of consciousness is everything… the seed of awareness sending its roots across space and time. But it can grow in so many ways, spinning its web from mind to mind like the spider or burrowing into the unconscious darkness like the snake. The biggest wars are the wars of thought.' "

— Fritz Leiber, Changewar , page 22

Saturday, January 29, 2011

Cold Open

Filed under: General — m759 @ 11:16 pm

Kernel and Moonshine

"The yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut. But Marlow was not typical (if his propensity to spin yarns be excepted), and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made visible by the spectral illumination of moonshine."

— Joseph Conrad in Heart of Darkness

Some background—

Spider and Snake on cover of Fritz Leiber's novel Big Time

An image from yesterday's search
God, TIme, Hopkins

"We got tom-toms over here bigger than a monster
Bla Bla Bla Bla Bla Bla Bla Bla"

— "Massive Attack"

"I'm just checking your math on that. Yes, I got the same thing."

— "The Social Network"

"Live… Uh, check thatFrom New York, it's Saturday Night! "

Tuesday, January 12, 2010

That’s Showbiz

Filed under: General — m759 @ 2:00 pm

New York Times, January 12, 2010, 12:26 PM–

"Spider-Man" Musical Will Refund Tickets

"With… direction by Julie Taymor ['Frida'], 'Spider-Man' has been marred by delays….

The musical’s troubles have unfolded at the same time that the next “Spider-Man” movie has been descending into disarray…."

Related material:

"No Great Magic," by Fritz Leiber–

"The white cosmetic came away, showing sallow skin and on it a faint tattoo in the form of an 'S' styled like a yin-yang symbol left a little open.

'Snake!' he hissed. 'Destroyer! The arch-enemy, the eternal opponent!'"

Ay que bonito es volar  
    A las dos de la mañana
….”
— “La Bruja

Monday, October 29, 2007

Monday October 29, 2007

Filed under: General — m759 @ 7:20 am
Home from Home

On Anthony Hopkins’s new film:

“At one point during ‘Slipstream,’ Hopkins’s character stumbles upon a Dolly Parton impersonator while Parton’s wonderful song, ‘Coat of Many Colors,’ plays on the soundtrack.  I told Hopkins that I thought he used the tune– which is about a multi-hued coat that little Dolly’s grandmother made for her out of random pieces of cloth when the future superstar’s family was dirt poor– as a sort of commentary on the patchwork structure of ‘Slipstream’ itself.  Hopkins smiled broadly and his eyes lit up.  Yes, he said, that’s exactly what he was doing.  He said he even tried to get Parton to appear in the movie, but she was booked and couldn’t do it.”

—  Paul Tatara, Oct. 22, 2007

Anthony Hopkins:

“Our existence is beyond understanding.  Nobody has an answer.  I sense that life is such a mystery.  To me, God is time.”

Related material:

“Have you ever worried about your memory, because it doesn’t seem to recall exactly the same past from one day to the next? Have you ever thought that the whole universe might be a crazy, mixed-up dream? If you have, then you’ve had hints of the Change War…

Spider and Snake on cover of Fritz Leiber's novel Big Time

It’s been going on for a billion years and it will last another billion or so. Up and down the timeline, the two sides– ‘Spiders’ and ‘Snakes’– battle endlessly to change the future and the past. Our lives, our memories, are their battleground. And in the midst of the war is the Place, outside space and time, where Greta Forzane and the other Entertainers provide solace and r-&-r for tired time warriors.”

— Publisher’s description of Fritz Leiber’s Big Time.

Dialogue from “Slipstream”

“My God, this place must be
a million years old!”

Anthony Hopkins at Dolly's Little Diner in Slipstream

“Dolly’s Little Diner–
Home from Home”

Meanwhile…

Country Star
Porter Wagoner, 80, Dies

Wallace Stevens,
“Country Words”–

“What is it that my feeling seeks?
I know from all the things it touched
And left beside and left behind.
It wants the diamond pivot bright.”

Thursday, June 14, 2007

Thursday June 14, 2007

Filed under: General — Tags: , — m759 @ 2:00 am
Unscholarly Notes

The time of the previous entry, 1:06:18, suggests both the date of Epiphany, 1:06, and Hexagram 18 of the I Ching: Ku, Work on what has been spoiled (Decay).

Epiphany: A link in the Log24 entries for Epiphany 2007 leads to Damnation Morning, which in turn leads to Why Me?, a discussion of the mythology of Spiders vs. Snakes devised by Fritz Leiber.  Spiders represent the conscious mind, snakes the unconscious.

On Hexagram 18: "The Chinese character ku represents a bowl in whose contents worms are breeding. This means decay." —Wilhelm's commentary

This brings us back to the previous entry with its mention of the date of Rudolf Arnheim's death: Saturday, June 9.  In Log24 on that date there was a link, in honor of Aaron Sorkin's birthday, to a short story by Leonard Michaels.  That link was suggested, in part,  by a review in the Sunday New York Times Book Review (available online earlier, on Friday). Here is a quote from that review related to the Hexagram 18 worm bowl:

"… what grabbed attention for his early collections was Michaels's gruesome, swaggering depiction of the sexual rampage that was the swinging '60s in New York– 'the worm bucket,' as Michaels described an orgy."

Related material for meditation on this, the anniversary (according to Encyclopaedia Britannica) of the birth of author Jerzy Kosinski— his novel The Hermit of 69th Street.

Kosinski was not unfamiliar with Michaels's worm bucket.  For related information, see Hermit (or at least a review).

In Leiber's stories the symbol of the Snakes is similar to the famed Yin-Yang symbol, also known as the T'ai-chi tu.  For an analysis of this symbol by Arnheim, see the previous entry.  See also "Sunday in the Park with Death" (Log24, Oct. 26, 2003):

"Ay que bonito es volar  
    A las dos de la mañana
…."
— "La Bruja"

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