Related narrative: Bosch by Snaith . See also . . .
Neil Welliver, great American painter, father of Titus Welliver
Titus Welliver Says "Losing His Way" Led Him Back to Painting
Related narrative: Bosch by Snaith . See also . . .
Neil Welliver, great American painter, father of Titus Welliver
Titus Welliver Says "Losing His Way" Led Him Back to Painting
"Consider the six-dimensional vector space ( 𝔽2 )6
over the two-element field 𝔽2 ."
— Page 23 of "The Universal Kummer Threefold,"
arXiv:1208.1229v3, 12 June 2013, by Qingchun Ren,
Steven V. Sam, Gus Schrader, and Bernd Sturmfels.
An illustration of that space from 1981 —
The above recollection of the Kummer Threefold remark was suggested by
recent posts now tagged Smallfield . . .
"Third Man – an elderly American railway bum, "Art to which I fix my celebrated signature." — "Third Man" in Victor Snaith's play "Changing Stations" |
If we read the above "art" as a scythe blade to which the "signature" —
Snaith ("the crooked handle or shaft of a scythe") — is attached,
an image of the late art critic Robert Hughes comes to mind:
That image of Hughes appeared here in a post of June 17, 2015 —
"Slow Art, Continued" — that also referenced the Kummer Threefold
paper above.
From yesterday morning's post "What's in a Name?" —
"Third Man – an elderly American railway bum, "Art to which I fix my celebrated signature." — "Third Man" in Victor Snaith's play "Changing Stations" |
In the above Facebook post, a dead person speaks —
"You and I are separated by a thin piece of silk
which neither the strongest man could tear,
nor the sharpest tool could pierce.
Nothing can cross this membrane that divides us
except art, music, poetry and love."
Try a subtle knife, Sean.
Related material —
"Third Man – an elderly American railway bum,
a schizophrenic, speaks with a Southern drawl"
"Art to which I fix my celebrated signature."
— "Third Man" in Victor Snaith's play "Changing Stations"
"Snaithing may thus be Smallfield . . . ."
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