Log24

Wednesday, January 24, 2018

For Guy Noir

Filed under: Uncategorized — Tags: — m759 @ 4:00 AM

From a search for Limerick in this journal —

"C A V E S  is an exhibition of three large scale works,
each designed to immerse the viewer, and then to
confront the audience with a question regarding how far
they, as privileged viewers of the shadows and reflections
being played out upon the walls, are willing to allow
themselves to believe what they know to be a false reality."

Occupy Space art exhibitions, Limerick, Ireland

Saturday, January 30, 2016

Cartoon Theology*

Filed under: Uncategorized — m759 @ 10:00 AM

For Evangeline

(Some background — See Limerick in this journal.
See also "He's a mad scientist and I'm his beautiful daughter.")

"There was a young lady named Bright…."

"You read too slow, Daddy," she complained. She was childishly irritable about it. "You say a word. Then I think a long time. Then you say another word."

I knew what she meant. I remember, when I was a child, my thoughts used to dart in and out among the slowly droning words of any adult. Whole patterns of universes would appear and disappear in those brief moments.

"So?" I asked.

"So," she mocked me impishly. "You teach me to read. Then I can think quick as I want."

"Quickly," I corrected in a weak voice. "The word is 'quickly,' an adverb."

She looked at me impatiently, as if she saw through this allegedly adult device to show up a youngster's ignorance. I felt like the dope!

— From  "Star, Bright" by Mark Clifton 

Related material — The Quick and the Dead

* For example, from the Marvel Comics realm

Thursday, January 21, 2016

Hammered

Filed under: Uncategorized — m759 @ 12:00 PM

Or:  High White Noon  (continued from previous episodes

"… taking a traditional piece of music with some culturally
relevant connection and using it as the central motif of the
broader arrangement. In this case, it was the Irish ballad
'Limerick’s Lamentation.' (It’s usually played on a fiddle,
I think, but here’s an interesting version on a 
hammered dulcimer.)"

— 30 Years of Coens: Miller's Crossing ,
     by Christopher Orr in The Atlantic
     Sept. 10, 2014

Sunday, June 14, 2015

Autistic Enchantments

Filed under: Uncategorized — m759 @ 12:45 PM

Continued )

Log24  on January 31, 2015 —
 

Spellbound (continued)

Filed under: Uncategorized — m759 @ 3:33 AM 

The New York Times  this morning, in an
obituary for a maker of crossword puzzles :

"… the first known crossword puzzle appeared in
an American newspaper. (Called a 'word-cross'
and shaped like a diamond, it was published in
The New York World  on Sunday, Dec. 21, 1913.)"

See St. Nicholas  magazine, November 1874, p. 59 :

For the answer, see this  journal on Aug. 29, 2002
(with a scene from Spellbound ) and on July 15, 2004.

On that same date 

The Seattle Times , Feb. 8, 2015, updated Feb. 12—

How to solve the puzzle:

"… you begin by filling in the missing words 
for the limericks. 

Dice, yAhtzee, woN, yahTzee, twicE; 
Wall, dRawl, geOrgia’s, staTe, minnEsota; 
Truck, rEd, fiReman’s, blaZe, hydrAnt; 
Bob, sLob, prAy, saiNt, thanK. 

The capital letters help to show what comes next, 
as clued by the 1,2,3,4,5 in the title. 

You take the first letter of the first inserted word, 
the second of the second and so on. The resulting 
message is ‘Dante wrote terza blank.’ The blank 
is RIMA, as terza rima was the rhyme scheme 
Dante used in the Divine Comedy."

See also two other dates, June 3, 2015, and June 10, 2015,
in this  journal and in the life of the puzzle author.

The date of the puzzle's answer, Feb. 8, 2015, is also
not without interest.

IMAGE- Art Jeffries (Bruce Willis) and Simon Lynch (Miko Hughes), 'Mercury Rising' (1998)

“Click on fanciful .”

Sunday, November 20, 2011

Occupy Space

Filed under: Uncategorized — m759 @ 11:35 AM

A chess set previously mentioned in this journal—

http://www.log24.com/log/pix11C/111120-ChessSet-419x1180.jpg

These chessmen appeared in the weblog Minimalissimo 
on Sept. 20, 2010. In Log24 on that date, the issue was
not so much the chessmen as the underlying board.
See "The Unfolding." See also the following from
the Occupy Space  gallery in Limerick today—

C A V E S – Anthony Murphy Solo Exhibition
 
Opening 7 pm Thursday 1st Dec
Exhibition 2nd – 22nd Dec 2011

Plato's allegory of the cave describes prisoners, inhabiting the cave since childhood, immobile, facing an interior wall. A large fire burns behind the prisoners, and as people pass this fire their shadows are cast upon the cave's wall, and these shadows of the activity being played out behind the prisoner become the only version of reality that the prisoner knows.

C A V E S  is an exhibition of three large scale works, each designed to immerse the viewer, and then to confront the audience with a question regarding how far they, as privileged viewers of the shadows and reflections being played out upon the walls, are willing to allow themselves to believe what they know to be a false reality.

The works are based on explorations of simple 2D shapes; regular polygons are exploded to create fractured pattern, or layered upon one another until intricate forms emerge, upon which the projections can begin to draw out a third dimension.

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