Log24

Saturday, July 20, 2024

Roots Rising: The Charlottesville Posts

Filed under: General — m759 @ 4:06 am

See Charlottesville in this journal.

Monday, June 17, 2024

For a Day in June (the Seventeenth) —
Gauss at Charlottesville and
The Pristine Edge of Darkness

Filed under: General — Tags: — m759 @ 9:14 pm

Related reading:  The Pristine Edge of Darkness.

Monday, May 20, 2024

Exploring Concept Space

Filed under: General — Tags: , , — m759 @ 1:52 pm

Exploring bitspace  via posts so tagged yields . . .

This, together with the acronym COS from Charlottesville, suggests
a look at what Princeton  means by COS.

Why COS? . . . November 6, 2015 . . . Serena Zheng

(https://admission.princeton.edu/blogs/why-cos) —

Three years ago around this time, I was applying to Princeton,
and I had no idea what I wanted to study.

I was, however, pretty set against studying computer science,
or "COS," as we call it at Princeton.

"Three years ago around this time" translates to November 6, 2012.

Hence another  Princeton-related  tale . . .

Saturday, May 18, 2024

Meta: The Gathering*

Filed under: General — Tags: , , , — m759 @ 12:53 pm

* Id est . . . Cannes, as opposed to Charlottesville.

Data: The Gathering

Filed under: General — Tags: , , , , — m759 @ 5:23 am

Meanwhile . . . 

http://m759.net/wordpress/?tag=cowgirl-graphics.

Thursday, September 15, 2022

Literary Symbolism: Math for Roundheads

Filed under: General — Tags: , , — m759 @ 5:47 am

"The Virginia Cavalier is a concept that attaches the qualities
of chivalry and honor to the aristocratic class in Virginia history
and literature. Its origin lies in the seventeenth century, when
leading Virginians began to associate themselves with the
Royalists, or Cavaliers, who fought for and remained loyal to
King Charles I during the English Civil Wars (1642–1648)."

— https://encyclopediavirginia.org/entries/virginia-cavalier-the/

Wednesday, June 24, 2020

Iconic Form

Filed under: General — Tags: — m759 @ 8:23 pm

“I appreciate simple, iconic and timeless forms —
things that can adapt or serve multiple purposes
and avoid being easily labelled. At the same time,
I love parts and fragments that reveal how things
move or work. Mostly, anything that tells its
own story and isn’t generalized or clad in some
sort of ornamental icing.”

— Charlottesville, VA, architect Fred Wolf, who seems
to have been associated with the business name
“Gauss LLC ” in Charlottesville.

Posts tagged Space Writer include —

.

Tuesday, August 29, 2017

Midnight Special

Filed under: General — Tags: , — m759 @ 12:00 am

Primitive roots modulo 17

From a Log24 search for "Midnight Special."

Update of 12:45 AM the same night —

"I appreciate simple, iconic and timeless forms —
things that can adapt or serve multiple purposes
and avoid being easily labelled. At the same time,
I love parts and fragments that reveal how things
move or work. Mostly, anything that tells its
own story and isn’t generalized or clad in some
sort of ornamental icing."

— Charlottesville, VA, architect Fred Wolf, who seems
to have been associated with the business name
"Gauss LLC " in Charlottesville.

And I  appreciate bulk apperception.

Tuesday, August 15, 2017

To the Dark Tower

Filed under: General — m759 @ 9:42 pm

See also Dark Tower in this  journal.

Every Picture Tells a Story

Filed under: General,Geometry — Tags: — m759 @ 11:48 am

Hexagram 15:
Modesty

See also remarks today by David Brooks at The New York Times .

Monday, May 21, 2012

Wittgenstein’s Kindergarten

Filed under: General,Geometry — m759 @ 12:25 pm

A web search for the author Cameron McEwen  mentioned
in today's noon post was unsuccessful, but it did yield an
essay, quite possibly by a different  Cameron McEwen, on

The Digital Wittgenstein:

"The fundamental difference between analog
and digital systems may be understood as
underlying philosophical discourse since the Greeks."

The University of Bergen identifies the Wittgenstein 
McEwen as associated with InteLex  of Charlottesville.

The title of this post may serve to point out an analogy*
between the InteLex McEwen's analog-digital contrast
and the Euclidean-Galois contrast discussed previously
in this journal.

The latter contrast is exemplified in Pilate Goes to Kindergarten.

* An analogy, as it were, between  analogies.

Monday, April 26, 2004

Monday April 26, 2004

Filed under: General — Tags: — m759 @ 5:24 pm

Outside the World

(A sequel to the previous entry)

Title: The Point Outside the World:
         Kierkegaard and Wittgenstein
         on Nonsense, Paradox, and Religion

Author: M. Jamie Ferreira
           (Love’s Grateful Striving
           (U. of Va., Charlottesville)

Appeared in: Wittgenstein Studies 2/97,
                    also in  Religious Studies,
                    Vol. 30, March 1994,
                    pp. 29-44.

See particularly the following passage:

The second rationale for the indirection of communication of the religious is also antitheoretical and a practical re-orientation (to acquire new skills, “to be able”) rather than the reception of information.

This appreciative understanding of the speaker distinguishes the austere view from that which rejects religious language, but the austere view also reveals an understanding of religious utterances as grammatical remarks, meaningful as rules of linguistic usage.  Wittgenstein points to “Theology as grammar” when he writes that “Grammar tells us what kind of object anything is” and that “The way you use the word ‘God’ does not show whom you mean — but rather what you mean.” 30

He illustrates: “God’s essence is supposed to guarantee his existence — but what this really means is that what is here at issue is not the existence of something.” 31

Grammatical remarks are rules for use; they are neither empirical conclusions nor attempts to offer a perspective from “outside the world.”

30 Philosophical Investigations, no. 373;
    Culture and Value, p. 50.

31 Culture and Value, p. 82.

As noted in the previous entry, the number 373 does seem to point, whether Wittgenstein meant it to or not, to “a point outside the world.”

Of course, the pointing is in the eye of the beholder… As, for instance, the time of this entry, 5:24, “points” to Kali, the Dark Lady, as played (yet again — see previous entry) by Linda Hamilton.

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