This journal on that date —
A Steiner System Forerunner —
Midrash —
Sunday October 21, 2007
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This journal on that date —
A Steiner System Forerunner —
Midrash —
Sunday October 21, 2007
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From the Milwaukee Journal Sentinel Tuesday afternoon —
A 46-year-old Jesuit priest who was a Marquette University
assistant professor of theology collapsed on campus
Tuesday morning and died, President Michael Lovell
announced to the campus community in an email….
"Rev. Lúcás (Yiu Sing Luke) Chan, S.J., died after
collapsing this morning in Marquette Hall. Just last Sunday,
Father Chan offered the invocation at the Klingler College
of Arts and Sciences graduation ceremony…."
Synchronicity check…
From this journal on the above publication date of
Chan's book — Sept. 20, 2012 —
From a Log24 post on the preceding day, Sept. 19, 2012 —
“The Game in the Ship cannot be approached as a job,
a vocation, a career, or a recreation. To the contrary,
it is Life and Death itself at work there. In the Inner Game,
we call the Game Dhum Welur , the Mind of God."
— The Gameplayers of Zan
“The Game in the Ship cannot be approached as a job,
a vocation, a career, or a recreation. To the contrary,
it is Life and Death itself at work there. In the Inner Game,
we call the Game Dhum Welur , the Mind of God."
— The Gameplayers of Zan
"When Death tells a story,
you really have to listen."
— The Book Thief , cover
New Game
In memory of a Jesuit who died on February 22 (see yesterday's "For the Ides of March")–
“The Game in the Ship cannot be approached as a job, a vocation, a career, or a recreation. To the contrary, it is Life and Death itself at work there. In the Inner Game, we call the Game Dhum Welur, the Mind of God."
— M. A. Foster, The Gameplayers of Zan
"… for Othello, no less than his creator Shakespeare, death without speechmaking is almost unthinkable."
— "Walter Ong," by Jeet Heer (Book & Culture, July/August 2004)
"This Jack, joke, poor potsherd, patch, matchwood…."
— Jesuit quote at David Lavery's weblog today
See also this journal on February 22, the date of the Jesuit death. A post on that date mentions Ong and his teacher McLuhan, and displays a McLuhan figure related to the "joke" quote above–
Click figure for background.
Ong discussed "agonistic" culture.
See "Sunday's Theater" and a film
based on the novel discussed there–
Prof. Coleman Silk introduces
freshmen to academic values
For academic gameplayers who prefer
less emotionally challenging subjects,
there is Othello Online —
Wikipedia states that painter R.B. Kitaj (see previous references) was the model for the protagonist of the Philip Roth novel Sabbath's Theater.
A Google search shows that the article (no longer online) on Kitaj cited as a source by Wikipedia does indeed make this claim–
In-Your-Face Outsider | Jerusalem Report | Jerusalem Post
By MATT NESVISKY … not least, Philip Roth, who modeled
the protagonist of the 1995 novel "Sabbath's Theater" largely after Kitaj. …
www.jpost.com/servlet/Satellite?apage=2&cid=1192380767901…
The rest of Nesvisky's article may or may not support his claim. It is available by subscribing to HighBeam.
Related material–
The New York Times on Oct. 24, 2007–
R. B. Kitaj, Painter of Moody Human Dramas, Dies at 74Ileana Sonnabend, Art World Figure, Dies at 92Ileana Sonnabend’s eye, shrewdness and lasting alliance with her first husband, Leo Castelli, made her one of the most formidable contemporary art dealers of her time. |
"Sonnabend" means "Saturday" in German.
Some say the Sabbath is Saturday, others say Sunday.
Here is the Log24 entry for the day that
Kitaj and Sonnabend died– a Sunday—
Sunday October 21, 2007Halloween “The Game in the Ship cannot be approached as a job, a vocation, a career, or a recreation. To the contrary, it is Life and Death itself at work there. In the Inner Game, we call the Game Dhum Welur, the Mind of God. And that Mind is a terrible mind, that one may not face directly and remain whole. Some of the forerunners guessed it long ago– first the Hebrews far back in time, others along the way, and they wisely left it alone, left the Arcana alone.”
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The New York Times on Sonnabend:
… Also talked about was the Sonnabend 1991 show of Jeff Koons’s “Made in Heaven” series of paintings and sculptures that showed the artist engaged in sexual acts with his wife, Ilona Staller.
Mrs. Sonnabend was variously described as “an iron marshmallow” and “a cross between Buddha and Machiavelli.” Short and plump, she was grandmotherly in appearance from a relatively early age due in part to an illness that necessitated a wig.
Her genteel, old Europe manner belied an often imperious yet bohemian and self-deprecating personality. Her soft, fluty voice often left a listener unprepared for the force of her comments, which she could deliver in at least five languages.
Happy Women's History Month.
Midrash:
"The Game in the Ship cannot be approached as a job, a vocation, a career, or a recreation. To the contrary, it is Life and Death itself at work there. In the Inner Game, we call the Game Dhum Welur, the Mind of God. And that Mind is a terrible mind, that one may not face directly and remain whole. Some of the forerunners guessed it long ago — first the Hebrews far back in time, others along the way, and they wisely left it alone, left the Arcana alone. That is why those who studied the occult arts were either fools or doomed. Fools if they were wrong, and most were; doomed if right. The forerunners know, and stay away."
The Square of Oppositon
at Stanford Encylopedia of Philosophy
The Square of Opposition
in its original form
"The diagram above is from a ninth century manuscript of Apuleius' commentary on Aristotle's Perihermaneias, probably one of the oldest surviving pictures of the square."
— Edward Buckner at The Logic Museum
From the webpage "Semiotics for Beginners: Paradigmatic Analysis," by Daniel Chandler:
The Semiotic Square
"The structuralist semiotician Algirdas Greimas introduced the semiotic square (which he adapted from the 'logical square' of scholastic philosophy) as a means of analysing paired concepts more fully (Greimas 1987,* xiv, 49). The semiotic square is intended to map the logical conjunctions and disjunctions relating key semantic features in a text. Fredric Jameson notes that 'the entire mechanism… is capable of generating at least ten conceivable positions out of a rudimentary binary opposition' (in Greimas 1987,* xiv). Whilst this suggests that the possibilities for signification in a semiotic system are richer than the either/or of binary logic, but that [sic] they are nevertheless subject to 'semiotic constraints' – 'deep structures' providing basic axes of signification."
* Greimas, Algirdas (1987): On Meaning: Selected Writings in Semiotic Theory (trans. Paul J Perron & Frank H Collins). London: Frances Pinter
Another version of the semiotic square:
Here is a more explicit figure representing the Klein group:
There is also the logical
diamond of opposition —
A semiotic (as opposed to logical)
diamond has been used to illustrate
remarks by Fredric Jameson,
a Marxist literary theorist:
"Introduction to Algirdas Greimas, Module on the Semiotic Square," by Dino Felluga at Purdue University–
The semiotic square has proven to be an influential concept not only in narrative theory but in the ideological criticism of Fredric Jameson, who uses the square as "a virtual map of conceptual closure, or better still, of the closure of ideology itself" ("Foreword"* xv). (For more on Jameson, see the [Purdue University] Jameson module on ideology.) Greimas' schema is useful since it illustrates the full complexity of any given semantic term (seme). Greimas points out that any given seme entails its opposite or "contrary." "Life" (s1) for example is understood in relation to its contrary, "death" (s2). Rather than rest at this simple binary opposition (S), however, Greimas points out that the opposition, "life" and "death," suggests what Greimas terms a contradictory pair (-S), i.e., "not-life" (-s1) and "not-death" (-s2). We would therefore be left with the following semiotic square (Fig. 1):
As Jameson explains in the Foreword to Greimas' On Meaning, "-s1 and -s2"—which in this example are taken up by "not-death" and "not-life"—"are the simple negatives of the two dominant terms, but include far more than either: thus 'nonwhite' includes more than 'black,' 'nonmale' more than 'female'" (xiv); in our example, not-life would include more than merely death and not-death more than life.
* Jameson, Fredric. "Foreword." On Meaning: Selected Writings in Semiotic Theory. By Algirdas Greimas. Trans. Paul J. Perron and Frank H. Collins. Minneapolis: U of Minnesota P, 1976.
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— The Gameplayers of Zan, by M.A. Foster
"For every kind of vampire,
there is a kind of cross."
— Thomas Pynchon,
Gravity's Rainbow
Crosses used by semioticians
to baffle their opponents
are illustrated above.
Some other kinds of crosses,
and another kind of opponent:
Monday, July 11, 2005
Logos
for St. Benedict's Day Click on either of the logos below for religious meditations– on the left, a Jewish meditation from the Conference of Catholic Bishops; on the right, an Aryan meditation from Stormfront.org. Both logos represent different embodiments of the "story theory" of truth, as opposed to the "diamond theory" of truth. Both logos claim, in their own ways, to represent the eternal Logos of the Christian religion. I personally prefer the "diamond theory" of truth, represented by the logo below.
See also the previous entry Sunday, July 10, 2005
Mathematics
and Narrative Click on the title for a narrative about
Nikolaos K. Artemiadis,
"First of all, I'd like to
— Remark attributed to Plato
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In keeping with the spirit of previous Log24 entries, here is today’s Pennsylvania Lottery commentary. This afternoon’s entry suggests an interpretation of today’s numbers as comments on the new film “Georgia Rule.”
Today’s mid-day number, 384, is the number of symmetries of the tesseract, a geometric figure illustrated on the cover of the novel The Gameplayers of Zan (see, for instance, May 10, 2007). That novel suggests an interpretation of today’s evening number, 952, as addressing (literally) the subject of Life.
See the address mathforum.org/library/view/952.html.
From that address:
“The Game of Life is played on a field of cells, each of which has eight neighbors (adjacent cells). A cell is either occupied (by an organism) or not. The rules for deriving a generation from the previous one are these: Death – If an occupied cell has 0, 1, 4, 5, 6, 7, or 8 occupied neighbors, the organism dies (0, 1: of loneliness; 4 thru 8: of overcrowding). Survival – If an occupied cell has two or three neighbors, the organism survives to the next generation. Birth – If an unoccupied cell has three occupied neighbors, it becomes occupied.”
Relevance to the film “Georgia Rule”: lonesomeness, generations, and the Lord’s name–
Georgia is a “lonesome and decent widow in wholesome Hull, Idaho…. her framed motto is ‘Count Your Blessings’ and she’s ready to ram [a] soap bar into your mouth if you insult the Lord’s name.” –David Elliott, San Diego Union-Tribune, May 11, 2007
There is not universal agreement on just what is the Lord’s name. Perhaps it includes the number 952.
“The Game in the Ship cannot be approached as a job, a vocation, a career, or a recreation. To the contrary, it is Life and Death itself at work there. In the Inner Game, we call the Game Dhum Welur, the Mind of God. And that Mind is a terrible mind, that one may not face directly and remain whole. Some of the forerunners guessed it long ago– first the Hebrews far back in time, others along the way, and they wisely left it alone, left the Arcana alone.”
From Bartlett’s Familiar Quotations:
“Nothing can be produced out of nothing.”
— 10th edition, 1919, page 952
See also “Zen and Language Games“
and “Is Nothing Sacred?“
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